. . . . . . . . . . . . . . . . . . . . . . . . . "Deyanira \u00C1frica Melo"@en . . . . . . . . . . "Deyanira \u00C1frica Melo es una escultora mexicana, generalmente trabaja con cer\u00E1mica, creando elementos de la forma humana, sobre todo el tronco, generalmente con mutilaciones y otros aspecto perturbadores para romper la naturaleza del cuerpo humano. Expone sus obras, desde que estudiaba en la Escuela Nacional de Artes Pl\u00E1sticas (ENAP), en varias partes de M\u00E9xico, Europa y el Caribe. Se la ha premiado en M\u00E9xico y tambi\u00E9n en el extranjero, es miembro del Sal\u00F3n de la Pl\u00E1stica Mexicana."@es . . . . . . . . . . . . . "11344"^^ . . . "Deyanira \u00C1frica Gonz\u00E1lez Melo is a Mexican sculptor who generally works in ceramics, depicting elements of the human form, especially the torso, generally with mutilations and other disturbing elements to dispute the otherwise traditional and sensual depictions of the human body. She has exhibited her work since studying at the Escuela Nacional de Artes Pl\u00E1sticas (ENAP) in Mexico as well as in Europe and the Caribbean. Her work has received recognition in Mexico and abroad, and is a member of the Sal\u00F3n de la Pl\u00E1stica Mexicana."@en . . . . "Deyanira \u00C1frica Gonz\u00E1lez Melo is a Mexican sculptor who generally works in ceramics, depicting elements of the human form, especially the torso, generally with mutilations and other disturbing elements to dispute the otherwise traditional and sensual depictions of the human body. She has exhibited her work since studying at the Escuela Nacional de Artes Pl\u00E1sticas (ENAP) in Mexico as well as in Europe and the Caribbean. Her work has received recognition in Mexico and abroad, and is a member of the Sal\u00F3n de la Pl\u00E1stica Mexicana."@en . . . . . . . . . . . . . . "1081486016"^^ . . . . . . . "39487318"^^ . "Deyanira \u00C1frica Melo"@es . . . . . . . . . . . . . . . . "Deyanira \u00C1frica Melo es una escultora mexicana, generalmente trabaja con cer\u00E1mica, creando elementos de la forma humana, sobre todo el tronco, generalmente con mutilaciones y otros aspecto perturbadores para romper la naturaleza del cuerpo humano. Expone sus obras, desde que estudiaba en la Escuela Nacional de Artes Pl\u00E1sticas (ENAP), en varias partes de M\u00E9xico, Europa y el Caribe. Se la ha premiado en M\u00E9xico y tambi\u00E9n en el extranjero, es miembro del Sal\u00F3n de la Pl\u00E1stica Mexicana."@es . . . . . . . . . . .