. . . . . . . . "Dom Dolla"@en . . . . . . . "Dom Dolla, pseudonimo di Dominic Matherson (1992), \u00E8 un produttore discografico australiano di musica house..\u00C8 stato nominato due volte per il premio ARIA: nel 2017 per \"Be Randy\", in collaborazione con Torren Foot, e nel 2019, per la canzone \"Take It\"."@it . . . . "Dominic Matheson"@en . . . . . . "Dominic Matheson (born 1992), better known by his stage name Dom Dolla, is an Australian house music producer. He has been nominated twice for the ARIA Award for Best Dance Release; in 2017 for \"Be Randy\", with Torren Foot and in 2019, for the song \"Take It\". He won the award at the 2020 ARIA Music Awards for the song \"San Frandisco\"."@en . . . "Dom Dolla"@en . . . "15106"^^ . . . . . . . . . ""@en . . . "1122014443"^^ . . . . . . . . . . . . . "songwriter"@en . . "Dominic Matheson (* 1992), bekannt unter seinem K\u00FCnstlernamen Dom Dolla, ist ein australischer Musikproduzent der Genres House, Tech House und Future House."@de . . . . . "Dominic Matheson (* 1992), bekannt unter seinem K\u00FCnstlernamen Dom Dolla, ist ein australischer Musikproduzent der Genres House, Tech House und Future House."@de . . . . . . . . "Dom Dolla"@de . "music producer"@en . . . . "Dom Dolla"@it . "Dominic Matheson"@en . . . . . . . "Australia"@en . "58730216"^^ . . . . . . . . "Dominic Matheson (born 1992), better known by his stage name Dom Dolla, is an Australian house music producer. He has been nominated twice for the ARIA Award for Best Dance Release; in 2017 for \"Be Randy\", with Torren Foot and in 2019, for the song \"Take It\". He won the award at the 2020 ARIA Music Awards for the song \"San Frandisco\"."@en . . . . "Dom Dolla"@en . . "Dom Dolla, pseudonimo di Dominic Matherson (1992), \u00E8 un produttore discografico australiano di musica house..\u00C8 stato nominato due volte per il premio ARIA: nel 2017 per \"Be Randy\", in collaborazione con Torren Foot, e nel 2019, per la canzone \"Take It\"."@it . . . . . "DJ"@en . . . ""@en . . . . . . . . . . . . . . . . . . . . . . . . . . .