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\u0434\u0430\u0442\u0438\u0440\u0443\u0435\u043C\u044B\u0439 \u043D\u0435\u043E\u043B\u0438\u0442\u043E\u043C \u043C\u0435\u0433\u0430\u043B\u0438\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0439 \u043A\u0440\u043E\u043C\u043B\u0435\u0445 \u0421\u0442\u043E\u0443\u043D\u0445\u0435\u043D\u0434\u0436 \u2014 \u043E\u0434\u0438\u043D \u0438\u0437 \u0441\u0430\u043C\u044B\u0445 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u0430\u0440\u0445\u0435\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u043F\u0430\u043C\u044F\u0442\u043D\u0438\u043A\u043E\u0432 \u0432 \u043C\u0438\u0440\u0435; \u00AB\u0423\u0444\u0444\u0438\u043D\u0433\u0442\u043E\u043D\u0441\u043A\u0430\u044F \u0431\u0435\u043B\u0430\u044F \u043B\u043E\u0448\u0430\u0434\u044C\u00BB \u2013 \u0435\u0434\u0438\u043D\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u0432 \u0441\u0442\u0440\u0430\u043D\u0435 \u0434\u043E\u0441\u0442\u043E\u0432\u0435\u0440\u043D\u044B\u0439 \u0433\u0435\u043E\u0433\u043B\u0438\u0444. \u0412 \u0446\u0435\u043B\u043E\u043C \u0442\u0435\u043D\u0434\u0435\u043D\u0446\u0438\u0438 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0433\u043E \u043F\u0440\u043E\u0446\u0435\u0441\u0441\u0430 \u0432 \u0410\u043D\u0433\u043B\u0438\u0438 \u0431\u044B\u043B\u0438 \u0430\u043D\u0430\u043B\u043E\u0433\u0438\u0447\u043D\u044B \u0442\u0430\u043A\u043E\u0432\u044B\u043C \u0432 \u0434\u0440\u0443\u0433\u0438\u0445 \u0447\u0430\u0441\u0442\u044F\u0445 \u0411\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0430\u0440\u0445\u0438\u043F\u0435\u043B\u0430\u0433\u0430 \u0432\u043F\u043B\u043E\u0442\u044C \u0434\u043E \u044D\u043F\u043E\u0445\u0438 \u0440\u0430\u043D\u043D\u0435\u0433\u043E \u0421\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u044C\u044F, \u043A\u043E\u0433\u0434\u0430 \u0432 \u0430\u043D\u0433\u043B\u043E\u0441\u0430\u043A\u0441\u043E\u043D\u0441\u043A\u043E\u043C \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0435 \u0441\u043B\u043E\u0436\u0438\u043B\u0441\u044F \u0443\u0437\u043D\u0430\u0432\u0430\u0435\u043C\u044B\u0439 \u0441\u0442\u0438\u043B\u044C, \u043D\u0430\u0448\u0435\u0434\u0448\u0438\u0439 \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0435\u043D\u0438\u0435 \u0432 \u043F\u043E\u0441\u043B\u0435\u0434\u0443\u044E\u0449\u0438\u0435 \u043F\u0435\u0440\u0438\u043E\u0434\u044B. \u0410\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C \u0421\u0440\u0435\u0434\u043D\u0438\u0445 \u0432\u0435\u043A\u043E\u0432, \u2014 \u0433\u043B\u0430\u0432\u043D\u044B\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C \u0440\u0435\u043B\u0438\u0433\u0438\u043E\u0437\u043D\u0430\u044F, \u2014 \u0438\u043C\u0435\u043B\u0430 \u0441\u0438\u043B\u044C\u043D\u0443\u044E, \u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u0432\u0448\u0443\u044E\u0441\u044F \u0431\u043E\u043B\u044C\u0448\u0438\u043C \u0432\u043B\u0438\u044F\u043D\u0438\u0435\u043C \u0432 \u0415\u0432\u0440\u043E\u043F\u0435 \u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u0443\u044E \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044E; \u0432 \u0445\u043E\u0434\u0435 \u0420\u0435\u0444\u043E\u0440\u043C\u0430\u0446\u0438\u0438 \u0438 \u0441\u043E\u043F\u0440\u043E\u0432\u043E\u0436\u0434\u0430\u0432\u0448\u0435\u0439 \u0435\u0451 \u0438\u043A\u043E\u043D\u043E\u0431\u043E\u0440\u0447\u0435\u0441\u043A\u043E\u0439 \u043F\u043E\u043B\u0438\u0442\u0438\u043A\u0438 \u044D\u0442\u0430 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044F \u0431\u044B\u043B\u0430 \u043F\u0440\u0435\u0440\u0432\u0430\u043D\u0430, \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u0444\u0440\u0435\u0441\u043A\u043E\u0432\u043E\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438 \u0431\u044B\u043B\u0430 \u0443\u043D\u0438\u0447\u0442\u043E\u0436\u0435\u043D\u0430, \u0432\u0441\u043B\u0435\u0434\u0441\u0442\u0432\u0438\u0435 \u0447\u0435\u0433\u043E \u043E\u0441\u043D\u043E\u0432\u043D\u043E\u0435 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0438\u0435 \u0434\u0430\u044E\u0442 \u0431\u043E\u0433\u0430\u0442\u043E \u043E\u0444\u043E\u0440\u043C\u043B\u0435\u043D\u043D\u044B\u0435 \u0438\u043B\u043B\u044E\u043C\u0438\u043D\u0438\u0440\u043E\u0432\u0430\u043D\u043D\u044B\u0435 \u0440\u0443\u043A\u043E\u043F\u0438\u0441\u0438. \u0412\u043C\u0435\u0441\u0442\u043E \u044D\u0442\u043E\u0433\u043E \u0432 \u0435\u043B\u0438\u0437\u0430\u0432\u0435\u0442\u0438\u043D\u0441\u043A\u0443\u044E \u044D\u043F\u043E\u0445\u0443 \u0441\u043A\u043B\u0430\u0434\u044B\u0432\u0430\u0435\u0442\u0441\u044F \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044F \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u043D\u043E\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438, \u0432 \u0447\u0430\u0441\u0442\u043D\u043E\u0441\u0442\u0438 \u2014 \u0441\u0442\u0430\u0432\u0448\u0438\u0439 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u044B\u043C \u0436\u0430\u043D\u0440 \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u043D\u043E\u0439 \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u044B; \u0442\u043E\u0433\u0434\u0430 \u0436\u0435 \u0440\u0430\u0441\u043F\u0440\u043E\u0441\u0442\u0440\u0430\u043D\u0438\u043B\u0430\u0441\u044C \u0441\u0438\u043B\u044C\u043D\u0430\u044F \u043F\u0440\u0430\u043A\u0442\u0438\u043A\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u0443\u0440\u043D\u043E\u0439 \u0438 \u043F\u043E\u0433\u0440\u0435\u0431\u0430\u043B\u044C\u043D\u043E\u0439 \u0441\u043A\u0443\u043B\u044C\u043F\u0442\u0443\u0440\u044B. \u041D\u0430 \u043F\u0440\u043E\u0442\u044F\u0436\u0435\u043D\u0438\u0438 XVII \u0432\u0435\u043A\u0430 \u0441\u043A\u043B\u0430\u0434\u044B\u0432\u0430\u0435\u0442\u0441\u044F \u0438\u043D\u0442\u0435\u0440\u0435\u0441 \u043A \u043F\u0435\u0439\u0437\u0430\u0436\u0443, \u0441\u0442\u0430\u0432\u0448\u0435\u043C\u0443 \u043D\u0430\u0440\u044F\u0434\u0443 \u0441 \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u043E\u043C \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043E\u0441\u043D\u043E\u0432\u043D\u044B\u0445 \u0436\u0430\u043D\u0440\u043E\u0432 \u0432 XVIII \u0432\u0435\u043A\u0435; \u0442\u043E\u0433\u0434\u0430 \u0436\u0435 \u043F\u043E\u0434 \u0432\u043B\u0438\u044F\u043D\u0438\u0435\u043C \u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u0438\u0445 \u0442\u0435\u043D\u0434\u0435\u043D\u0446\u0438\u0439 \u0432\u043E\u0437\u0440\u0430\u0441\u0442\u0430\u0435\u0442 \u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438. \u041E\u0441\u043D\u043E\u0432\u043D\u044B\u0435 \u043C\u0443\u0437\u0435\u0438, \u043F\u043E\u0441\u0432\u044F\u0449\u0435\u043D\u043D\u044B\u0435 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u043C\u0443 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0443 \u0438 \u0438\u043C\u0435\u044E\u0449\u0438\u0435 \u0437\u043D\u0430\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u0435 \u043A\u043E\u043B\u0438\u0447\u0435\u0441\u0442\u0432\u0430 \u0435\u0433\u043E \u043E\u0431\u0440\u0430\u0437\u0446\u043E\u0432: \u0411\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0438\u0439 \u043C\u0443\u0437\u0435\u0439, \u041D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u0430\u044F \u0433\u0430\u043B\u0435\u0440\u0435\u044F, \u041D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u0430\u044F \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u043D\u0430\u044F \u0433\u0430\u043B\u0435\u0440\u0435\u044F, \u041C\u0443\u0437\u0435\u0439 \u0412\u0438\u043A\u0442\u043E\u0440\u0438\u0438 \u0438 \u0410\u043B\u044C\u0431\u0435\u0440\u0442\u0430 \u0438 \u0411\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0430\u044F \u0433\u0430\u043B\u0435\u0440\u0435\u044F \u0422\u0435\u0439\u0442 (\u0432\u0441\u0435 \u2014 \u0432 \u041B\u043E\u043D\u0434\u043E\u043D\u0435); \u0413\u0430\u043B\u0435\u0440\u0435\u044F \u0423\u043E\u043A\u0435\u0440\u0430 \u0432 \u041B\u0438\u0432\u0435\u0440\u043F\u0443\u043B\u0435; \u0432 \u041D\u044C\u044E-\u0425\u0435\u0439\u0432\u0435\u043D\u0435 (\u041A\u043E\u043D\u043D\u0435\u043A\u0442\u0438\u043A\u0443\u0442); \u0425\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u043C\u0443\u0437\u0435\u0439 \u0414\u0435\u043B\u0430\u0432\u044D\u0440\u0430 \u0432 \u0423\u0438\u043B\u043C\u0438\u043D\u0433\u0442\u043E\u043D\u0435. \u0412 \u0438\u0441\u0442\u043E\u0440\u0438\u043E\u0433\u0440\u0430\u0444\u0438\u0438 \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u0440\u044F\u0434 \u043F\u043E\u043F\u044B\u0442\u043E\u043A \u0434\u0430\u0442\u044C \u0438\u0441\u0447\u0435\u0440\u043F\u044B\u0432\u0430\u044E\u0449\u0443\u044E \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043A\u0443 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430 \u2014 \u0435\u0433\u043E \u0442\u0430\u043A \u043D\u0430\u0437\u044B\u0432\u0430\u0435\u043C\u0443\u044E \u00AB\u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0441\u0442\u044C\u00BB (Englishness); \u043F\u043E\u0434\u043E\u0431\u043D\u044B\u0435 \u043F\u043E\u043F\u044B\u0442\u043A\u0438 \u043F\u0440\u0435\u0434\u043F\u0440\u0438\u043D\u0438\u043C\u0430\u043B\u0438 \u0442\u0430\u043A\u0438\u0435 \u0437\u043D\u0430\u0447\u0438\u043C\u044B\u0435 \u0430\u0432\u0442\u043E\u0440\u044B, \u043A\u0430\u043A \u041D\u0438\u043A\u043E\u043B\u0430\u0443\u0441 \u041F\u0435\u0432\u0437\u043D\u0435\u0440, \u0438 \u041F\u0438\u0442\u0435\u0440 \u0410\u043A\u0440\u043E\u0439\u0434."@ru .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Chandos_portrait> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Samuel_Palmer> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Grand_Tour> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Paul_Nash_(artist)> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Westminster_Retable.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Renaissance> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Pintura inglesa o escuela inglesa de pintura son expresiones muy utilizadas en la historiograf\u00EDa del arte que designan habitualmente a los pintores del Reino Unido de los siglos XVIII y XIX.\u200B El periodo anterior (los siglos XVI y XVII -renacimiento, manierismo y barroco-) estuvo dominado por pintores extranjeros: Holbein el Joven (reinado de Enrique VIII), Orazio Gentileschi y especialmente Anton Van Dyck (reinado de Carlos I), Peter Lely (reinado de Carlos II) y Godfrey Kneller (los reinados de finales del XVII y comienzos del XVIII); comparados con los cuales los maestros locales carecieron de trascendencia (Nicholas Hilliard, James Thornhill). El periodo posterior (el siglo XX), estuvo dominado por el impacto radicalmente transformador de las vanguardias."@es .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/George_Frederic_Watts> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/File:LindisfarneFol27rIncipitMatt.jpg> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Charles_II_by_John_Michael_Wright.jpg> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/John_Constable_-_Salisbury_Cathedral_from_the_Bishop\u0027s_Garden_-_Google_Art_Project.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Bas-relief> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Nikolaus_Pevsner> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2002/07/owl#sameAs>	<http://kn.dbpedia.org/resource/\u0C87\u0C82\u0C97\u0CCD\u0CB2\u0CC6\u0C82\u0CA1\u0CBF\u0CA8_\u0C95\u0CB2\u0CC6> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Robert_Clive> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Piero_Manzoni> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/WikicatArtsInTheUnitedKingdom> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Painting103876519> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/John_Michael_Wright> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/John_Constable_The_Hay_Wain.jpg> .
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<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Camden_Town_Group> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/John_Everett_Millais> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Plimpton_Sieve_Portrait_of_Queen_Elizabeth_I> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Dante_Gabriel_Rossetti> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Brighton_Pierrots> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Isaac_Oliver> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/James_Gillray> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Coursing_the_Hare.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Charles_Dickens> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/British_art> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/abstract>	"English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom. Medieval English painting, mainly religious, had a strong national tradition and was influential in Europe. The English Reformation, which was antipathetic to art, not only brought this tradition to an abrupt stop but resulted in the destruction of almost all wall-paintings. Only illuminated manuscripts now survive in good numbers. There is in the art of the English Renaissance a strong interest in portraiture, and the portrait miniature was more popular in England than anywhere else. English Renaissance sculpture was mainly architectural and for monumental tombs. Interest in English landscape painting had begun to develop by the time of the 1707 Act of Union. Substantive definitions of English art have been attempted by, among others, art scholar Nikolaus Pevsner (in his 1956 book The Englishness of English Art), art historian Roy Strong (in his 2000 book The Spirit of Britain: A narrative history of the arts) and critic Peter Ackroyd (in his 2002 book Albion)."@en .
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<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/North_West_England> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Horatio_Nelson,_1st_Viscount_Nelson> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Ford_Madox_Brown> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Jonathan_Richardson> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/isPrimaryTopicOf>	<http://en.wikipedia.org/wiki/English_art> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Matthew_Paris> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Black_humour> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/George_Gower_Elizabeth_Sieve_Portrait_2.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/George_Cruikshank> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Roman_glass> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Impressionism> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2002/07/owl#sameAs>	<http://ru.dbpedia.org/resource/\u0410\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0435_\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/The_Plumb-pudding_in_danger> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Battle_of_the_Nile> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/John_Constable> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Whistlejacket> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Portrait_painting> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Marriage_A-la-Mode_(Hogarth)> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Joan_Carlile> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Clive.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Norman_Conquest> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Gorleston_Psalter> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/An_Experiment_on_a_Bird_in_the_Air_Pump> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2000/01/rdf-schema#label>	"\u0641\u0646 \u0625\u0646\u062C\u0644\u064A\u0632\u064A"@ar .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/End_of_Roman_rule_in_Britain> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Anthony_van_Dyck> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Art_of_the_United_Kingdom> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Reflist> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Main> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Abstract_art> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/21st_Lancers> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Swagger_portrait> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Bayeux_Tapestry> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thames_and_Hudson> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thomas_Hudson_(painter)> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2002/07/owl#sameAs>	<http://mk.dbpedia.org/resource/\u0410\u043D\u0433\u043B\u0438\u0441\u043A\u0430_\u0443\u043C\u0435\u0442\u043D\u043E\u0441\u0442> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Classicism> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Joseph_Highmore> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/John_Greenhill> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/York_Minster> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Benedictional_of_St._\u00C6thelwold> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/abstract>	"In der Malerei und der Kunstgeschichte bezeichnet der Begriff English school mehr einen Zeitabschnitt und die Herkunftsregion von Malern zwischen 1750 und 1850 als einen klar umrissenen Malstil oder einen festen Kanon von Bildthemen. Er bezieht sich auf die \u00DCbergangsepoche der Malerei in England kurz nach der politischen Vereinigung der beiden K\u00F6nigreiche von 1707 nach der eng mit der Reformation verbundenen Renaissance bis hin zu den Pr\u00E4raffaeliten (englisch) Pre-Raphaelites, des 19. Jahrhunderts beziehungsweise der Arts-and-Crafts-Bewegung. Eine Pers\u00F6nlichkeit, in der sich die ver\u00E4nderte Haltung zur Malerei verk\u00F6rpert, ist neben Thomas Gainsborough (1727\u20131788) sicher Joshua Reynolds (1723\u20131792), der an den Gr\u00FCndungen der Society for the encouragement of Arts, Manufactures & Commerce (RSA, 1754), der Society of Artists of Great Britain (1761) und der Royal Academy of Arts (1768) beteiligt war. Insbesondere letztere bietet eben nicht nur ein von K\u00FCnstlern zum Teil kontrollierten Ausstellungsort \u2013 damals eine Errungenschaft \u2013, sondern will auch Ausbildungsort f\u00FCr k\u00FCnftige K\u00FCnstler sein. Neben die noch vom Barock beeinflussten Portraits und die Historienmalerei treten nun neue, quasi bewegte Seest\u00FCcke und vor allem die Landschaftsmalerei, beginnend mit Richard Wilson (1714\u20131782, seit 1755 wieder in England). War Landschaft bis dahin (vgl. ) ein Versatzst\u00FCck in Portraits kann sie nun ihren eigenen Platz in der Kunst einnehmen. Egal ob Idealisierung oder naturgetreues, quasi riesiges, Stillleben eines bestimmten Ortes k\u00F6nnen Malstil und Farben hier auch ohne eine durch Figuren inszenierte Geschichte Emotionen transportieren. Der Maler und Kupferstecher William Hogarth (1697\u20131764) in London wird als einer der ersten \"modernen\" zur \"English school\" gez\u00E4hlten K\u00FCnstler genannt. Am Ende des Zeitabschnitts stehen K\u00FCnstler wie Charles Lock Eastlake (1793\u20131865; ab 1841 Sekret\u00E4r der Fine Arts Commission, 1. Pr\u00E4sident der Photographic Society ab 1853 und ab 1855 1. Direktor der National Gallery). Die Entwicklung des Malstils und die Einfl\u00FCsse auf den Stil in der Epoche lassen sich bei dem \u00FCber mehrere Jahrzehnte entstandenem umfangreichen und sich stetig ver\u00E4nderndem Werk William Turners (1775\u20131851) gut beobachten, der fast alle diese Maltraditionen in \u00D6l und im Aquarell aufnimmt und am Ende seines Werks schon auf den Impressionismus hin arbeitet."@de .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Papaver_rhoeas> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/River_Clyde> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Graham_Sutherland> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/England> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/The_Daily_Telegraph> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/George_IV_of_the_United_Kingdom> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/abstract>	"\u041E\u0431\u0440\u0430\u0437\u043E\u0442\u0432\u043E\u0440\u0447\u0435 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E \u0410\u043D\u0433\u043B\u0456\u0457 \u2014 \u043F\u0435\u0440\u0456\u043E\u0434 \u0440\u043E\u0437\u0432\u0438\u0442\u043A\u0443 \u043E\u0431\u0440\u0430\u0437\u043E\u0442\u0432\u043E\u0440\u0447\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0432 \u043A\u043E\u0440\u043E\u043B\u0456\u0432\u0441\u0442\u0432\u0456 \u0410\u043D\u0433\u043B\u0456\u044F \u0437\u0430 \u0434\u0435\u043A\u0456\u043B\u044C\u043A\u0430 \u0441\u0442\u043E\u043B\u0456\u0442\u044C."@uk .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Lord_Byron> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Iconoclasm> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thomas_Heaphy> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thomas_Phillips> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Bronze> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Hierarchy_of_genres> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Coventry_Cathedral> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thomas_Howard,_21st_Earl_of_Arundel> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2000/01/rdf-schema#label>	"English art"@en .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Art_movement> .
<http://dbpedia.org/resource/English_art>	<http://purl.org/linguistics/gold/hypernym>	<http://dbpedia.org/resource/Body> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Lindisfarne_Gospels> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Matthew_Collings> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Royal_Collection> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Pop_art> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/James_Thornhill> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thomas_Lawrence_(painter)> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Sappers_at_work_-_Canadian_Tunnelling_Company,_R14,_St_Eloi_Art.IWMART2708.jpg> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/LichfieldGospelsEvangelist.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Godfrey_Kneller> .
<http://dbpedia.org/resource/English_art>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/LindisfarneFol27rIncipitMatt.jpg> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Landscape_painting> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Creation103129123> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Cave_art> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/The_Fighting_Temeraire> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Alhambra_Theatre> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Joseph_Wright_of_Derby> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2000/01/rdf-schema#label>	"\u0410\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0435 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E"@ru .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/ontology/Organisation> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Four-Square_(Walk_Through)> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Viking> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Robert_Peake_the_Elder> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Spencer_Gore_(artist)> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Ophelia_(painting)> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2000/01/rdf-schema#label>	"Peinture anglaise"@fr .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Authenticity_(philosophy)> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/George_Arnald> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Artists_of_the_Tudor_court> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Visual_arts> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Warren_Hastings> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/William_Dobson> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Funerary_art> .
<http://dbpedia.org/resource/English_art>	<http://www.w3.org/2002/07/owl#sameAs>	<http://yago-knowledge.org/resource/English_art> .
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<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/abstract>	"Pintura inglesa o escuela inglesa de pintura son expresiones muy utilizadas en la historiograf\u00EDa del arte que designan habitualmente a los pintores del Reino Unido de los siglos XVIII y XIX.\u200B El periodo anterior (los siglos XVI y XVII -renacimiento, manierismo y barroco-) estuvo dominado por pintores extranjeros: Holbein el Joven (reinado de Enrique VIII), Orazio Gentileschi y especialmente Anton Van Dyck (reinado de Carlos I), Peter Lely (reinado de Carlos II) y Godfrey Kneller (los reinados de finales del XVII y comienzos del XVIII); comparados con los cuales los maestros locales carecieron de trascendencia (Nicholas Hilliard, James Thornhill). El periodo posterior (el siglo XX), estuvo dominado por el impacto radicalmente transformador de las vanguardias. \n* Walter Raleigh, de Nicholas Hilliard, 1585. \n* Isaac Newton, de James Thornhill, 1709-1712. Es en el sigo XVIII cuando se inicia una verdadera escuela nacional de pintura con maestros de envergadura, como William Hogarth, Thomas Gainsborough, Joshua Reynolds y Thomas Lawrence. Su identificaci\u00F3n con los estilos pict\u00F3ricos dominantes en la pintura francesa de la \u00E9poca (rococ\u00F3 y neoclasicismo) es muy com\u00FAn en la bibliograf\u00EDa, principalmente con criterios cronol\u00F3gicos y clasificatorios, aunque se suele indicar que, a pesar de notables paralelismos e influencias mutuas, no se corresponde a una identidad estil\u00EDstica muy estricta, lo mismo que puede decirse para la pintura italiana o la pintura espa\u00F1ola. Sir Joshua Reynolds era considerado como la m\u00E1xima autoridad del academicismo ingl\u00E9s (Royal Academy) y ejerci\u00F3 una duradera influencia, especialmente en el \u00E1mbito del retrato pict\u00F3rico (identificado con el concepto de -\"manera grandiosa\" o \"espl\u00E9ndido estilo\"-).\u200B \n* Matrimonio a la moda, de William Hogarth, 1743. \n* Colonel George K. H. Coussmaker, de Joshua Reynolds, 1770-1780. \n* El cl\u00E9rigo patinador, de Henry Raeburn, 1790. \n* Master Charles William Lambton, de Thomas Lawrence, 1825. Para referirse al largo periodo conocido como \u00E9poca victoriana (1837-1901) se utiliza tambi\u00E9n la etiqueta . En \u00E9l, adem\u00E1s de presenciarse el final de las carreras de los extraordinarios paisajistas Joseph Mallord William Turner y John Constable (desarrolladas en el primer tercio del XIX e identificadas, gen\u00E9ricamente, con la etiqueta de la pintura rom\u00E1ntica), se asisti\u00F3 al inicio de diversos movimientos que cuestionaban la tradici\u00F3n academicista: la hermandad pre-rafaelita y los arts and crafts. Tambi\u00E9n en el periodo anterior hubo pintores de trayectoria divergente dif\u00EDcilmente identificables con el academicismo predominante (William Blake o Henry Fuseli). \n* Ofelia, de John Everett Millais, 1851. \n* Oveja descarriada o Costas inglesas, de William Holman Hunt, 1852. \n* \u00DAltima mirada a Inglaterra, de Ford Madox Brown, 1852-1855. Fue muy significativa una an\u00E9cdota que enfrent\u00F3 a Turner con su coet\u00E1neo Constable. Este, quej\u00E1ndose del atrevimiento de su competidor, que hab\u00EDa a\u00F1adido una impactante pincelada de minio en mitad de su cuadro despu\u00E9s de haberse colgado al lado del suyo propio en la exposici\u00F3n anual convocada por la Royal Academy (1817), resumi\u00F3 perfectamente el impacto de la nueva imagen: [veo que] ha estado aqu\u00ED, [porque] ha disparado su arma.\u200B La comparaci\u00F3n entre la pintura inglesa y francesa de estos dos siglos ha pasado a ser un t\u00F3pico cultural. Tambi\u00E9n se han destacado las influencias mutuas (especialmente, el impacto que tuvo Constable en la escuela de Barbizon y Turner en los impresionistas)."@es .
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<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Our_English_Coasts,_1852_(\u0027Strayed_Sheep\u0027)> .
<http://dbpedia.org/resource/English_art>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<http://www.tate.org.uk/art/artworks/millais-ophelia-n01506%7Ctitle=Ophelia,> .
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