. . . "\u062C\u0648\u062A\u0640\u0651\u0648 \u062F\u064A \u0628\u0648\u0646\u062F\u0648\u0646\u064A (\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629: Giotto di Bondone) \u0627\u0644\u0645\u0639\u0631\u0648\u0641 \u0628\u0627\u062E\u062A\u0635\u0627\u0631 \u062C\u0648\u062A\u0640\u0651\u0648 (\u0645\u0648\u0627\u0644\u064A\u062F \u0628\u0645\u0642\u0627\u0637\u0639\u0629 \u0641\u0644\u0648\u0631\u0646\u0633\u0627 \u0633\u0646\u0629 1266 - \u0648\u062A\u0648\u0641\u064A \u0641\u064A \u0641\u0644\u0648\u0631\u0646\u0633\u0627 \u0633\u0646\u0629 1337). \u0631\u0633\u0627\u0645 \u0648\u0645\u0647\u0646\u062F\u0633 \u0645\u0639\u0645\u0627\u0631\u064A \u0625\u064A\u0637\u0627\u0644\u064A. \u064A\u0639\u062A\u0628\u0631 \u0639\u0645\u0648\u0645\u0627 \u0645\u0646 \u0643\u0628\u0627\u0631 \u0627\u0644\u0641\u0646\u0627\u0646\u064A\u0646 \u0627\u0644\u0630\u064A\u0646 \u0633\u0627\u0647\u0645\u0648\u0627 \u0641\u064A \u0627\u0644\u0646\u0647\u0636\u0629 \u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629. \u064A\u064F\u0642\u0627\u0644 \u0623\u0646 \u0627\u0644\u0631\u0633\u0627\u0645 \u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A \u062A\u0634\u064A\u0645\u0627\u0628\u0648 \u0634\u0627\u0647\u062F \u062C\u0648\u062A\u0648 \u062F\u064A \u0628\u0648\u0646\u062F\u0648\u0646\u064A\u060C \u0648\u0647\u0648 \u0628\u0639\u062F \u0641\u062A\u0649 \u0641\u064A \u0627\u0644\u0639\u0627\u0634\u0631\u0629 \u0645\u0646 \u0639\u0645\u0631\u0647\u060C \u064A\u0631\u0633\u0645 \u0627\u0644\u062D\u064A\u0648\u0627\u0646\u0627\u062A \u0639\u0644\u0649 \u0627\u0644\u062D\u062C\u0627\u0631\u0629 \u0641\u064A \u0627\u0644\u062D\u0642\u0648\u0644. \u0641\u062D\u0645\u0644\u0647 \u0625\u0644\u0649 \u0641\u0644\u0648\u0631\u0646\u0633\u0627 \u0644\u064A\u0639\u0644\u0651\u0645\u0647 \u0627\u0644\u0641\u0646\u060C \u0648\u062E\u0635\u0648\u0635\u0627\u064B \u0623\u0641\u0643\u0627\u0631\u0647 \u0627\u0644\u062C\u062F\u064A\u062F\u0629 \u062D\u0648\u0644 \u0627\u0644\u062A\u0635\u0648\u064A\u0631 \u0628\u0637\u0631\u064A\u0642\u0629 \u0637\u0628\u064A\u0639\u064A\u0629 \u0628\u062F\u0644\u0627\u064B \u0645\u0646 \u0627\u0644\u0623\u0633\u0644\u0648\u0628 \u0627\u0644\u0631\u0635\u064A\u0646 \u0648\u0627\u0644\u0645\u064A\u0643\u0627\u0646\u064A\u0643\u064A. \u0648\u0633\u0631\u0639\u0627\u0646 \u0645\u0627 \u0623\u0643\u062A\u0633\u0628 \u062C\u0648\u062A\u0648 \u062F\u064A \u0628\u0648\u0646\u062F\u0648\u0646\u064A \u0627\u0644\u062D\u0645\u0627\u0633\u0629 \u0646\u0641\u0633\u0647\u0627 \u0627\u0644\u062A\u064A \u0643\u0627\u0646 \u064A\u062A\u062D\u0644\u0651\u0649 \u0628\u0647\u0627 \u0645\u0639\u0644\u0651\u0645\u0647\u060C \u0648\u0646\u0642\u0644 \u0623\u0641\u0643\u0627\u0631 \u062A\u0634\u064A\u0645\u0627\u0628\u0648 \u0628\u062A\u0645\u062B\u064A\u0644\u0647 \u0627\u0644\u0637\u0628\u064A\u0639\u0629 \u0639\u0646 \u0643\u062B\u0628\u060C \u0648\u0628\u0627\u0633\u062A\u062E\u062F\u0627\u0645\u0647 \u0627\u0644\u0623\u0644\u0648\u0627\u0646 \u0627\u0644\u0623\u0643\u062B\u0631 \u062E\u0641\u0629. \u0648\u062E\u0644\u0627\u0644 \u0627\u0644\u0633\u0646\u0648\u0627\u062A \u0627\u0644\u0633\u0628\u0639\u064A\u0646 \u0627\u0644\u062A\u064A \u0639\u0627\u0634\u0647\u0627 \u0627\u0646\u062A\u062C \u062C\u0648\u062A\u0648 \u062F\u064A \u0628\u0648\u0646\u062F\u0648\u0646\u064A \u0623\u0639\u0645\u0627\u0644\u0627\u064B \u0643\u062B\u064A\u0631\u0629\u060C \u0648\u062E\u0644\u0651\u0641 \u062A\u0623\u062B\u064A\u0631\u0627\u064B \u0643\u0628\u064A\u0631\u0627\u064B \u0641\u064A \u0641\u0646\u0627\u0646\u064A \u0627\u0644\u0623\u062C\u064A\u0627\u0644 \u0627\u0644\u0642\u0644\u064A\u0644\u0629 \u0627\u0644\u062A\u064A \u062C\u0627\u0621\u062A \u0645\u0646 \u0628\u0639\u062F\u0647\u060C \u0648\u0643\u0627\u0646\u0648\u0627 \u064A\u0631\u0633\u0645\u0648\u0646 \u0623\u0639\u0645\u0627\u0644\u0627\u064B \u0631\u0627\u0626\u0639\u0629 \u0644\u0644\u0641\u062A\u0631\u0629 \u0627\u0644\u062A\u064A \u0639\u064F\u0631\u0641\u062A \u0628\u0639\u0635\u0631 \u0627\u0644\u0646\u0647\u0636\u0629."@ar . . "\u30B8\u30E7\u30C3\u30C8\u30FB\u30C7\u30A3\u30FB\u30DC\u30F3\u30C9\u30FC\u30CD"@ja . . . . . . . "Giotto di Bondone (* 1267 oder 1276 in Vespignano bei Vicchio; \u2020 8. Januar 1337 in Florenz) war ein in Florenz, Padua, Mailand, Rimini, Neapel und Rom aktiver Maler, Mosaizist und Architekt."@de . "Giotto di Bondone"@pl . . . . . . . . . . . "Giotto di Bondone dilahirkan sekitar tahun 1267 di Italia dan diperkirakan tepatnya di sekitar Firenze. Ia adalah dikenal sebagai seorang pelukis zaman pertengahan yang dapat membuat figur yang dilukiskannya tampak pejal. Semasa hidupnya, Giotto tinggal di Firenze dengan keluarganya dan sering membuka fresko yang berisi dengan adegan religius. Karyanya yang paling terkenal adalah lukisan kehidupan Yesus dan Maria di , Padua. Ia meninggal pada tahun 1337 pada usia 70 tahun. \n* l \n* b \n* s"@in . . . . . . . . . . . . . . . . . "\uC870\uD1A0 \uB514 \uBCF8\uB3C4\uB124(Giotto di Bondone, 1267\uB144 ~ 1337\uB144 1\uC6D4 8\uC77C)\uB294 \uC774\uD0C8\uB9AC\uC544\uC758 \uD654\uAC00\u00B7\uAC74\uCD95\uAC00\uC774\uB2E4. \uD53C\uB80C\uCCB4 \uADFC\uAD50\uC758 \uB04C\uB808 \uB514 \uBCA0\uC2A4\uD53C\uC790\uB178\uC5D0\uC11C \uD0C4\uC0DD\uD588\uC73C\uBA70 \uD53C\uB80C\uCCB4\uC5D0\uC11C \uB2F9\uB300\uC758 \uC720\uBA85\uD55C \uD654\uAC00\uC778 \uCE58\uB9C8\uBD80\uC5D0\uC5D0\uAC8C\uC11C \uBBF8\uC220\uC744 \uBC30\uC6E0\uB2E4. \uC774\uD0C8\uB9AC\uC544 \uB974\uB124\uC0C1\uC2A4 \uBBF8\uC220\uC758 \uC120\uAD6C\uC790\uB85C\uC11C \uBE44\uC794\uD2F4 \uC591\uC2DD\uC5D0\uC11C \uBC97\uC5B4\uB098 \uB97C \uD615\uC131\uD558\uC600\uB2E4. \uB9C8\uCE68\uB0B4 \uD22C\uC2DC\uBC95\uC5D0 \uC758\uD55C \uACF5\uAC04\uC758 \uBB18\uC0AC\uC5D0 \uC131\uACF5\uD558\uC600\uC73C\uBA70, \uC0DD\uAE30 \uC788\uB294 \uBB18\uC0AC\uB85C \uC885\uAD50 \uC608\uC220\uC758 \uC2E0\uACBD\uC9C0\uB97C \uAC1C\uCC99\uD558\uC600\uB2E4. \uADF8\uC758 \uBA85\uC131\uC740 \uC0B4\uC544\uC788\uC744 \uB54C\uB294 \uBB3C\uB860 \uD6C4\uB300\uC5D0\uB3C4 \uCE5C\uC1A1\uC744 \uBC1B\uC558\uB294\uB370 \uB3D9\uC2DC\uB300\uC758 \uC0AC\uB78C\uC778 \uB2E8\uD14C(1265-1321)\uB294 '\uCE58\uB9C8\uBD80\uC5D0\uC758 \uC2DC\uB300\uB294 \uAC14\uB2E4. \uC9C0\uAE08\uBD80\uD130\uB294 \uC9C0\uC624\uD1A0\uC758 \uC2DC\uB300\uB2E4'\uB77C\uACE0 \uADF9\uCC2C\uD588\uACE0, \uC870\uBC18\uB2C8 \uBCF4\uCE74\uCE58\uC624(1313-1375)\uB294 \uC9C0\uC624\uD1A0\uAC00 '\uC218\uC138\uAE30\uB3D9\uC548 \uC5B4\uB460 \uC18D\uC5D0 \uAC07\uD600 \uC788\uC5C8\uB358 \uD68C\uD654\uC608\uC220\uC5D0 \uBE5B\uC744 \uB358\uC9C4 \uC0AC\uB78C' \uC774\uB77C\uACE0 \uB192\uC774 \uD3C9\uAC00\uD588\uB2E4."@ko . . . . . . . . . . "180"^^ . . . "Giotto di Bondone [\u011COTo di bonDOne] (1267 \u2013 8-a de januaro, 1337), komune nomata Giotto, estis itala pentristo en Florenco. Li estis la unua genia pentristo de la Renesanco. Li pentris sen la scioj pri perspektivo kaj anatomio, kiujn havis la , sed pentris homojn kaj bestojn naturalisme kaj trafe kaptis emocion, liberiginte la Okcidenton de la bizanca stilo de pentrado. \"Li tradukis la arton de pentrado el la greka en la latinan\". Kie la bizanca stilo emfazis la dian kaj idealan, Giotto emfazis la homan kaj naturan, kvankam lia temo \u0109iam estis religia. Li plejparte pentris freskojn por pre\u011Dejoj. Li pentris bildarojn, kiuj rakontas pri la vivoj de Jesuo Kristo kaj de sanktuloj kristanaj \u2013 Sankta Francisko de Assisi, Sankta Maria kaj aliaj. Ekzemple, La Subiro de la Kruco, La Funebro de Kristo kaj La \u0108ieliro estas el lia bildaro pri Jesuo Kristo. Giotto estis studento de Cimabue. Multaj imitis Giotto-n, sed neniu itala pentristo povis preterpasi lin \u011Dis la 15-a jarcento, kiam Masaccio teknike pludisvolvis la stilon de Giotto. Giotto pentris la freskojn de la baziliko Sankta Kruco en Florenco, de la baziliko Sankta Francisko en Asizo kaj de la en Padovo. La revolucio en pentrarto kreita fare de Giotto inkludis ne nur la anstata\u016Digon de la bizanca stilo, la establado de pentrarto kiel arto en si mem dum la venontaj ses jarcentoj kaj la restarigo de la naturalisma aliro inventita en antikvo kaj prirezignita fare de la mezepokanoj. Dank' al li ina\u016Dguri\u011Dis solida arta metodo bazita sur sperto kaj observado de la mondo. Giotto komprenis, ke por kompreni la mondon oni devas unue rigardi \u011Din. \u0108i tiu kompreno, de li mem kaj de liaj samtempuloj, estas la komenco de la frua scienca epoko kiu poste kondukis al la aprezo de la en la Renesanco \u011Denerale kaj la kreado de bilda perspektivo - unika scienca metodo por krei la iluzion de tri-dimensia spaco precipe. Tamen li ne tute dekro\u0109i\u011Dis de la pasinteco kaj estis influita de \u011Di. Ekzemple en lia verko \"Febrante la morton de Jesuo\" la roluloj alprenas pozon, kiu jam estis prezentita en la bizanca arto, ekzemple en . Giotto anka\u016D estis arkitekto kaj planis la faman kampanilon de Florenco en 1334. Dante Alighieri estis lia amiko."@eo . . . . . "Posthumous portrait of Giotto di Bondone, made between 1490 and 1550"@en . . . . . . . . . . "Giotto di Bondone (m\u00E9s conegut simplement com a Giotto, ca. 1267, Vicchio - 8 de gener de 1337, Flor\u00E8ncia) va ser un pintor i arquitecte itali\u00E0. Se'l considera el primer d'una s\u00E8rie de grans artistes que van contribuir a desenvolupar el Renaixement itali\u00E0. Tamb\u00E9 \u00E9s un dels primers pintors que representava expressions d'emocions i un espai tridimensional."@ca . . . . . . "\u0414\u0436\u043E\u0301\u0442\u0442\u043E \u0434\u0456 \u0411\u043E\u043D\u0434\u043E\u0301\u043D\u0435 (\u0456\u0442\u0430\u043B. Giotto di Bondone, \u043F\u0440\u0438\u0431\u043B.\u20091267, \u0412\u0435\u0441\u043F\u0456\u043D\u044C\u044F\u043D\u043E, \u0406\u0442\u0430\u043B\u0456\u044F \u2014 8 \u0441\u0456\u0447\u043D\u044F 1337, \u0424\u043B\u043E\u0440\u0435\u043D\u0446\u0456\u044F, \u0406\u0442\u0430\u043B\u0456\u044F) \u2014 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446\u044C, \u043C\u0430\u043B\u044F\u0440. \u041E\u0434\u0438\u043D \u0456\u0437 \u043F\u0435\u0440\u0435\u0434\u0432\u0456\u0441\u043D\u0438\u043A\u0456\u0432 \u0435\u043F\u043E\u0445\u0438 \u0412\u0456\u0434\u0440\u043E\u0434\u0436\u0435\u043D\u043D\u044F \u0443 \u0441\u0444\u0435\u0440\u0456 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0443 \u0456 \u0440\u0435\u0430\u043B\u0456\u0437\u043C\u0443. \u0424\u0440\u0435\u0441\u043A\u0438 \u0414\u0436\u043E\u0442\u0442\u043E \u043D\u0430 \u0431\u0456\u0431\u043B\u0456\u0439\u043D\u0443 \u0442\u0435\u043C\u0430\u0442\u0438\u043A\u0443 \u0456 \u0434\u043E\u0441\u0456 \u0432\u0432\u0430\u0436\u0430\u044E\u0442\u044C \u0448\u0435\u0434\u0435\u0432\u0440\u0430\u043C\u0438 \u0441\u0432\u0456\u0442\u043E\u0432\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u0414\u0440\u0443\u0433\u043E\u043C \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0431\u0443\u0432 \u0414\u0430\u043D\u0442\u0435 \u0410\u043B\u0456\u0491'\u0454\u0440\u0456 \u2014 \u043F\u0440\u043E \u043D\u044C\u043E\u0433\u043E \u043F\u043E\u0435\u0442 \u0437\u0433\u0430\u0434\u0430\u0432 \u0443 \u0441\u0432\u043E\u0454\u043C\u0443 \u0441\u043B\u0430\u0432\u043D\u043E\u0437\u0432\u0456\u0441\u043D\u043E\u043C\u0443 \u0442\u0432\u043E\u0440\u0456 \u00AB\u0411\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u0430 \u043A\u043E\u043C\u0435\u0434\u0456\u044F\u00BB."@uk . "1123198294"^^ . . . . . . . "Giotto di Bondone, f\u00F6dd cirka 1267 i Vicchio i Toscana, d\u00F6d 8 januari 1337 i Florens, var en italiensk m\u00E5lare, skulpt\u00F6r och arkitekt."@sv . . "near Florence, Republic of Florence"@en . . . . . . . . . "Giotto di Bondone (Italian pronunciation: [\u02C8d\u0292\u0254tto di bon\u02C8do\u02D0ne]; c.\u20091267 \u2013 January 8, 1337), known mononymously as Giotto (UK: /\u02C8d\u0292\u0252to\u028A/ JOT-oh, US: /d\u0292i\u02C8\u0252to\u028A, \u02C8d\u0292\u0254\u02D0to\u028A/ jee-OT-oh, JAW-toh) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was \"the most sovereign master of painting in his time, who drew all his figures and their postures according to nature\" and of his publicly recognized \"talent and excellence\". Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating \"the great art of painting as we know it today, introducing the technique o"@en . "\u0414\u0436\u043E\u0301\u0442\u0442\u043E \u0434\u0456 \u0411\u043E\u043D\u0434\u043E\u0301\u043D\u0435 (\u0456\u0442\u0430\u043B. Giotto di Bondone, \u043F\u0440\u0438\u0431\u043B.\u20091267, \u0412\u0435\u0441\u043F\u0456\u043D\u044C\u044F\u043D\u043E, \u0406\u0442\u0430\u043B\u0456\u044F \u2014 8 \u0441\u0456\u0447\u043D\u044F 1337, \u0424\u043B\u043E\u0440\u0435\u043D\u0446\u0456\u044F, \u0406\u0442\u0430\u043B\u0456\u044F) \u2014 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446\u044C, \u043C\u0430\u043B\u044F\u0440. \u041E\u0434\u0438\u043D \u0456\u0437 \u043F\u0435\u0440\u0435\u0434\u0432\u0456\u0441\u043D\u0438\u043A\u0456\u0432 \u0435\u043F\u043E\u0445\u0438 \u0412\u0456\u0434\u0440\u043E\u0434\u0436\u0435\u043D\u043D\u044F \u0443 \u0441\u0444\u0435\u0440\u0456 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0443 \u0456 \u0440\u0435\u0430\u043B\u0456\u0437\u043C\u0443. \u0424\u0440\u0435\u0441\u043A\u0438 \u0414\u0436\u043E\u0442\u0442\u043E \u043D\u0430 \u0431\u0456\u0431\u043B\u0456\u0439\u043D\u0443 \u0442\u0435\u043C\u0430\u0442\u0438\u043A\u0443 \u0456 \u0434\u043E\u0441\u0456 \u0432\u0432\u0430\u0436\u0430\u044E\u0442\u044C \u0448\u0435\u0434\u0435\u0432\u0440\u0430\u043C\u0438 \u0441\u0432\u0456\u0442\u043E\u0432\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u0414\u0440\u0443\u0433\u043E\u043C \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0431\u0443\u0432 \u0414\u0430\u043D\u0442\u0435 \u0410\u043B\u0456\u0491'\u0454\u0440\u0456 \u2014 \u043F\u0440\u043E \u043D\u044C\u043E\u0433\u043E \u043F\u043E\u0435\u0442 \u0437\u0433\u0430\u0434\u0430\u0432 \u0443 \u0441\u0432\u043E\u0454\u043C\u0443 \u0441\u043B\u0430\u0432\u043D\u043E\u0437\u0432\u0456\u0441\u043D\u043E\u043C\u0443 \u0442\u0432\u043E\u0440\u0456 \u00AB\u0411\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u0430 \u043A\u043E\u043C\u0435\u0434\u0456\u044F\u00BB."@uk . . . . . . . . . . . . . . "Giotto di Bondone"@en . "Giotto di Bondone"@en . "Giotto"@it . . . . . "Giotto di Bondone [\u011COTo di bonDOne] (1267 \u2013 8-a de januaro, 1337), komune nomata Giotto, estis itala pentristo en Florenco. Li estis la unua genia pentristo de la Renesanco. Li pentris sen la scioj pri perspektivo kaj anatomio, kiujn havis la , sed pentris homojn kaj bestojn naturalisme kaj trafe kaptis emocion, liberiginte la Okcidenton de la bizanca stilo de pentrado. \"Li tradukis la arton de pentrado el la greka en la latinan\". Kie la bizanca stilo emfazis la dian kaj idealan, Giotto emfazis la homan kaj naturan, kvankam lia temo \u0109iam estis religia."@eo . . "\u062C\u0648\u062A\u0640\u0651\u0648 \u062F\u064A \u0628\u0648\u0646\u062F\u0648\u0646\u064A (\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629: Giotto di Bondone) \u0627\u0644\u0645\u0639\u0631\u0648\u0641 \u0628\u0627\u062E\u062A\u0635\u0627\u0631 \u062C\u0648\u062A\u0640\u0651\u0648 (\u0645\u0648\u0627\u0644\u064A\u062F \u0628\u0645\u0642\u0627\u0637\u0639\u0629 \u0641\u0644\u0648\u0631\u0646\u0633\u0627 \u0633\u0646\u0629 1266 - \u0648\u062A\u0648\u0641\u064A \u0641\u064A \u0641\u0644\u0648\u0631\u0646\u0633\u0627 \u0633\u0646\u0629 1337). \u0631\u0633\u0627\u0645 \u0648\u0645\u0647\u0646\u062F\u0633 \u0645\u0639\u0645\u0627\u0631\u064A \u0625\u064A\u0637\u0627\u0644\u064A. \u064A\u0639\u062A\u0628\u0631 \u0639\u0645\u0648\u0645\u0627 \u0645\u0646 \u0643\u0628\u0627\u0631 \u0627\u0644\u0641\u0646\u0627\u0646\u064A\u0646 \u0627\u0644\u0630\u064A\u0646 \u0633\u0627\u0647\u0645\u0648\u0627 \u0641\u064A \u0627\u0644\u0646\u0647\u0636\u0629 \u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629."@ar . . "Giotto di Bondone, conosciuto semplicemente come Giotto (Colle di Vespignano-Vicchio, 1267 circa \u2013 Firenze, 8 gennaio 1337) \u00E8 stato un pittore e architetto italiano. Statua di Giotto, Galleria degli Uffizi, Firenze"@it . . . . . . . "Giotto di Bondone (* 1267 oder 1276 in Vespignano bei Vicchio; \u2020 8. Januar 1337 in Florenz) war ein in Florenz, Padua, Mailand, Rimini, Neapel und Rom aktiver Maler, Mosaizist und Architekt."@de . . "\u30B8\u30E7\u30C3\u30C8\u30FB\u30C7\u30A3\u30FB\u30DC\u30F3\u30C9\u30FC\u30CD\uFF08\u4F0A: Giotto di Bondone\u30011267\u5E74\u9803-1337\u5E741\u67088\u65E5\uFF09\u306F\u3001\u4E2D\u4E16\u5F8C\u671F\u306E\u30A4\u30BF\u30EA\u30A2\u4EBA\u753B\u5BB6\u3001\u5EFA\u7BC9\u5BB6\u3002\u65E5\u672C\u3067\u3082\u8AF8\u5916\u56FD\u3067\u3082\u5358\u306B\u30B8\u30E7\u30C3\u30C8\uFF08\u30B8\u30AA\u30C3\u30C8\uFF09\u3068\u547C\u3070\u308C\u308B\u3053\u3068\u304C\u591A\u3044\u3002\u30D5\u30A3\u30EC\u30F3\u30C4\u30A7\u5171\u548C\u56FD\uFF08\u73FE\u5728\u306E\u30A4\u30BF\u30EA\u30A2\u30FB\u30C8\u30B9\u30AB\u30FC\u30CA\u5DDE\u8FD1\u8FBA\uFF09\u306E\u9996\u90FD\u30D5\u30A3\u30EC\u30F3\u30C4\u30A7\u8FD1\u90CA\u306E\u51FA\u8EAB\u3068\u3044\u308F\u308C\u3066\u304A\u308A\u3001\u305D\u306E\u7D75\u753B\u69D8\u5F0F\u306F\u5F8C\u671F\u30B4\u30B7\u30C3\u30AF\u306B\u5206\u985E\u3055\u308C\u3001\u30A4\u30BF\u30EA\u30A2\u30FB\u30EB\u30CD\u30B5\u30F3\u30B9\u3078\u306E\u5148\u97AD\u3092\u4ED8\u3051\u305F\u5049\u5927\u306A\u82B8\u8853\u5BB6\u3068\u898B\u306A\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . . . . . . . . . . . . . . . . . . . "\u062C\u0648\u062A\u0648 \u062F\u064A \u0628\u0648\u0646\u062F\u0648\u0646\u064A"@ar . . . . . . . . . . . . . "\u30B8\u30E7\u30C3\u30C8\u30FB\u30C7\u30A3\u30FB\u30DC\u30F3\u30C9\u30FC\u30CD\uFF08\u4F0A: Giotto di Bondone\u30011267\u5E74\u9803-1337\u5E741\u67088\u65E5\uFF09\u306F\u3001\u4E2D\u4E16\u5F8C\u671F\u306E\u30A4\u30BF\u30EA\u30A2\u4EBA\u753B\u5BB6\u3001\u5EFA\u7BC9\u5BB6\u3002\u65E5\u672C\u3067\u3082\u8AF8\u5916\u56FD\u3067\u3082\u5358\u306B\u30B8\u30E7\u30C3\u30C8\uFF08\u30B8\u30AA\u30C3\u30C8\uFF09\u3068\u547C\u3070\u308C\u308B\u3053\u3068\u304C\u591A\u3044\u3002\u30D5\u30A3\u30EC\u30F3\u30C4\u30A7\u5171\u548C\u56FD\uFF08\u73FE\u5728\u306E\u30A4\u30BF\u30EA\u30A2\u30FB\u30C8\u30B9\u30AB\u30FC\u30CA\u5DDE\u8FD1\u8FBA\uFF09\u306E\u9996\u90FD\u30D5\u30A3\u30EC\u30F3\u30C4\u30A7\u8FD1\u90CA\u306E\u51FA\u8EAB\u3068\u3044\u308F\u308C\u3066\u304A\u308A\u3001\u305D\u306E\u7D75\u753B\u69D8\u5F0F\u306F\u5F8C\u671F\u30B4\u30B7\u30C3\u30AF\u306B\u5206\u985E\u3055\u308C\u3001\u30A4\u30BF\u30EA\u30A2\u30FB\u30EB\u30CD\u30B5\u30F3\u30B9\u3078\u306E\u5148\u97AD\u3092\u4ED8\u3051\u305F\u5049\u5927\u306A\u82B8\u8853\u5BB6\u3068\u898B\u306A\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . . . . . . . . . . . . . . . "P\u00E9int\u00E9ir is ailtire a rugadh gar do Vespignano na hIod\u00E1ile, bunaitheoir scoil p\u00E9int\u00E9ireacha Firenze ab ea Giotto di Bondone (c 1267 - 3 Ean\u00E1ir 1337). Ba \u00E9 an tsraith freasc\u00F3nna ar bheatha\u00ED Chr\u00EDost is Mhuire i S\u00E9ip\u00E9al na hAir\u00E9ine i bPadua (1305-1308) a sh\u00E1rshaothar. Ceapadh ina phr\u00EDomhailtire \u00E9 ar th\u00F3g\u00E1il an Champain\u00EDl a dearadh i bhFirenze i 1334. Luaitear an tsraith freasc\u00F3nna ar bheatha Naomh Proinsias i mbaisleac Assisi leis freisin, a ndearnadh dam\u00E1iste l\u00E9anmhar d\u00F3ibh i gcrith tal\u00FAn i 1997."@ga . . . . . "Giotto di Bondone, f\u00F6dd cirka 1267 i Vicchio i Toscana, d\u00F6d 8 januari 1337 i Florens, var en italiensk m\u00E5lare, skulpt\u00F6r och arkitekt."@sv . . "Giotto di Bondone, conosciuto semplicemente come Giotto (Colle di Vespignano-Vicchio, 1267 circa \u2013 Firenze, 8 gennaio 1337) \u00E8 stato un pittore e architetto italiano. Statua di Giotto, Galleria degli Uffizi, Firenze"@it . "Giotto di Bondone"@ca . . . . "\u0414\u0436\u043E\u0301\u0442\u0442\u043E \u0434\u0438 \u0411\u043E\u043D\u0434\u043E\u0301\u043D\u0435 (\u0438\u0442\u0430\u043B. Giotto di Bondone; 1266 \u0438\u043B\u0438 1267, \u0412\u0438\u043A\u043A\u044C\u043E \u2014 8 \u044F\u043D\u0432\u0430\u0440\u044F 1337, \u0424\u043B\u043E\u0440\u0435\u043D\u0446\u0438\u044F) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446 \u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440 XIV \u0432\u0435\u043A\u0430, \u043E\u0434\u0438\u043D \u0438\u0437 \u043F\u0435\u0440\u0432\u044B\u0445 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u0435\u0439 \u043F\u0440\u043E\u0442\u043E\u0440\u0435\u043D\u0435\u0441\u0441\u0430\u043D\u0441\u0430. \u041A\u043B\u044E\u0447\u0435\u0432\u0430\u044F \u0444\u0438\u0433\u0443\u0440\u0430 \u0432 \u0438\u0441\u0442\u043E\u0440\u0438\u0438 \u0437\u0430\u043F\u0430\u0434\u043D\u043E\u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430. \u041F\u0440\u0435\u043E\u0434\u043E\u043B\u0435\u0432\u0430\u044F \u0432\u0438\u0437\u0430\u043D\u0442\u0438\u0439\u0441\u043A\u0443\u044E \u0438\u043A\u043E\u043D\u043E\u043F\u0438\u0441\u043D\u0443\u044E \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044E, \u0414\u0436\u043E\u0442\u0442\u043E \u0441\u0442\u0430\u043B \u043E\u0441\u043D\u043E\u0432\u0430\u0442\u0435\u043B\u0435\u043C \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u044B \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438, \u0440\u0430\u0437\u0440\u0430\u0431\u043E\u0442\u0430\u043B \u043D\u043E\u0432\u044B\u0439 \u043F\u043E\u0434\u0445\u043E\u0434 \u043A \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u044E \u043F\u0440\u043E\u0441\u0442\u0440\u0430\u043D\u0441\u0442\u0432\u0430. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F\u043C\u0438 \u0414\u0436\u043E\u0442\u0442\u043E \u0432\u0434\u043E\u0445\u043D\u043E\u0432\u043B\u044F\u043B\u0438\u0441\u044C \u041B\u0435\u043E\u043D\u0430\u0440\u0434\u043E \u0434\u0430 \u0412\u0438\u043D\u0447\u0438, \u0420\u0430\u0444\u0430\u044D\u043B\u044C \u0421\u0430\u043D\u0442\u0438, \u041C\u0438\u043A\u0435\u043B\u0430\u043D\u0434\u0436\u0435\u043B\u043E \u0411\u0443\u043E\u043D\u0430\u0440\u0440\u043E\u0442\u0438."@ru . . . . . . . . . . "Giotto di Bondone, mais conhecido por Giotto (Colle Vespignano, atual Vicchio, 1267 \u2014 Floren\u00E7a, 8 de janeiro de 1337), foi um pintor e arquiteto italiano. Foi disc\u00EDpulo de Cinni di Pepo (conhecido por Cimabue). Devido ao alto grau de inova\u00E7\u00E3o de seu trabalho (ele \u00E9 considerado o introdutor da perspectiva na pintura da \u00E9poca), Giotto \u00E9 considerado por Giovanni Boccaccio o precursor da pintura renascentista. Ele \u00E9 considerado o elo entre o renascimento e a pintura medieval e a bizantina."@pt . . . . . . "Giotto di Bondone"@nl . . . . . . . . . . "Florence, Republic of Florence"@en . . "Giotto di Bondone"@cs . "\u039F \u03A4\u03B6\u03CC\u03C4\u03C4\u03BF \u03BD\u03C4\u03B9 \u039C\u03C0\u03BF\u03BD\u03C4\u03CC\u03BD\u03B5 (Giotto di Bondone, 1267 - 8 \u0399\u03B1\u03BD\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1337), \u03AE \u03B1\u03C0\u03BB\u03CE\u03C2 \u03A4\u03B6\u03CC\u03C4\u03C4\u03BF \u03AE \u03A4\u03B6\u03B9\u03CC\u03C4\u03BF, \u03CC\u03C0\u03C9\u03C2 \u03C3\u03C5\u03BD\u03AE\u03B8\u03C9\u03C2 \u03B1\u03BD\u03B1\u03C6\u03AD\u03C1\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B1 \u03B5\u03BB\u03BB\u03B7\u03BD\u03B9\u03BA\u03AC, \u03AE\u03C4\u03B1\u03BD \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03BA\u03B1\u03B9 \u03B1\u03C1\u03C7\u03B9\u03C4\u03AD\u03BA\u03C4\u03BF\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B7 \u03A6\u03BB\u03C9\u03C1\u03B5\u03BD\u03C4\u03AF\u03B1. \u0398\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C4\u03B9\u03C2 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C4\u03B5\u03C1\u03B5\u03C2 \u03BC\u03BF\u03C1\u03C6\u03AD\u03C2 \u03C4\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03C3\u03C4\u03B1 \u03C4\u03AD\u03BB\u03B7 \u03C4\u03BF\u03C5 \u039C\u03B5\u03C3\u03B1\u03AF\u03C9\u03BD\u03B1 \u03BA\u03B1\u03B9 \u03C0\u03C1\u03CC\u03B4\u03C1\u03BF\u03BC\u03BF\u03C2 \u03C4\u03B7\u03C2 \u0391\u03BD\u03B1\u03B3\u03AD\u03BD\u03BD\u03B7\u03C3\u03B7\u03C2."@el . . . . . "\u55AC\u6258\u00B7\u8FEA\u00B7\u90A6\u591A\u7D0D"@zh . "Giotto di Bondone dilahirkan sekitar tahun 1267 di Italia dan diperkirakan tepatnya di sekitar Firenze. Ia adalah dikenal sebagai seorang pelukis zaman pertengahan yang dapat membuat figur yang dilukiskannya tampak pejal. Semasa hidupnya, Giotto tinggal di Firenze dengan keluarganya dan sering membuka fresko yang berisi dengan adegan religius. Karyanya yang paling terkenal adalah lukisan kehidupan Yesus dan Maria di , Padua. Ia meninggal pada tahun 1337 pada usia 70 tahun. \n* l \n* b \n* s"@in . . . . . "\u0414\u0436\u043E\u0442\u0442\u043E \u0434\u0438 \u0411\u043E\u043D\u0434\u043E\u043D\u0435"@ru . . . "Proto-Renaissance"@en . "Giotto di Bondone, \u010Dasto zvan\u00FD jen Giotto (? 1267 Colle di Vespignano u Florencie \u2013 8. ledna 1337 Florencie) byl italsk\u00FD mal\u00ED\u0159 a architekt, kter\u00FD je pokl\u00E1d\u00E1n za p\u0159edch\u016Fdce renesan\u010Dn\u00EDho um\u011Bn\u00ED."@cs . "Giotto di Bondone"@de . . . . "\uC870\uD1A0 \uB514 \uBCF8\uB3C4\uB124"@ko . "Giotto di Bondone, die gewoonlijk Giotto (geboren Vicchio) wordt genoemd, was een Italiaans kunstschilder en architect, die leefde van 1266 of 1267 tot 1337, hoewel als geboortejaar ook wel 1276 wordt genoemd."@nl . . "Giotto di Bondone"@pt . . . . . . "Giotto di Bondone, \u010Dasto zvan\u00FD jen Giotto (? 1267 Colle di Vespignano u Florencie \u2013 8. ledna 1337 Florencie) byl italsk\u00FD mal\u00ED\u0159 a architekt, kter\u00FD je pokl\u00E1d\u00E1n za p\u0159edch\u016Fdce renesan\u010Dn\u00EDho um\u011Bn\u00ED."@cs . . . . . . . . . . . . . . "Scrovegni Chapel frescoes, Campanile"@en . . . . . . . . . . . . . . . . . . . . . . . . . "Giotto di Bondone ou Ambrogiotto di Bondone, dit Giotto, n\u00E9 en 1266 ou 1267 \u00E0 Vespignano ou Romignano et mort le 8 janvier 1337 \u00E0 Florence, est un peintre, sculpteur et architecte florentin du Trecento, dont les \u0153uvres sont \u00E0 l'origine du renouveau de la peinture occidentale. C'est l'influence de sa peinture qui va provoquer le vaste mouvement g\u00E9n\u00E9ral de la Renaissance \u00E0 partir du si\u00E8cle suivant."@fr . . . "Giotto di Bondone, mais conhecido por Giotto (Colle Vespignano, atual Vicchio, 1267 \u2014 Floren\u00E7a, 8 de janeiro de 1337), foi um pintor e arquiteto italiano. Foi disc\u00EDpulo de Cinni di Pepo (conhecido por Cimabue). Devido ao alto grau de inova\u00E7\u00E3o de seu trabalho (ele \u00E9 considerado o introdutor da perspectiva na pintura da \u00E9poca), Giotto \u00E9 considerado por Giovanni Boccaccio o precursor da pintura renascentista. Ele \u00E9 considerado o elo entre o renascimento e a pintura medieval e a bizantina. A caracter\u00EDstica principal do seu trabalho \u00E9 a identifica\u00E7\u00E3o da figura dos santos como seres humanos de apar\u00EAncia comum. Esses santos com ar humanizado eram os mais importantes das cenas que pintava, ocupando sempre posi\u00E7\u00E3o de destaque na pintura. Assim, a pintura de Giotto vem ao encontro de uma vis\u00E3o humanista do mundo, que foi cada vez mais se firmando at\u00E9 o Renascimento. Giotto, forma diminutiva de Ambrogio ou Angiolo, n\u00E3o se sabe ao certo, adotou a linguagem visual dos escultores, procurando obter volume e altura realista nas figuras em suas obras. Comparando suas obras com as do seu mestre, elas s\u00E3o muito mais naturalistas, sendo Giotto o pioneiro na introdu\u00E7\u00E3o do espa\u00E7o tridimensional na pintura europeia. Em seus trabalhos pela pen\u00EDnsula It\u00E1lica, Giotto fez amizades com o rei de N\u00E1poles e com Boccaccio, que o menciona em seu livro, Decamer\u00E3o. O papa Bento XI quis empregar Giotto, que passaria ent\u00E3o dez anos em Roma. Posteriormente, trabalharia para o Rei de N\u00E1poles. Em 1320, ele retornou a Floren\u00E7a, onde chefiaria a constru\u00E7\u00E3o da Catedral de Floren\u00E7a. Giotto morreu quando pintava \"O Ju\u00EDzo Final\" para a capela de Bargello, em Floren\u00E7a. Durante uma escava\u00E7\u00E3o na Igreja de Santa Reparata, em Floren\u00E7a, foram descobertos ossos na mesma \u00E1rea que Vasari tinha relatado como o t\u00FAmulo de Giotto. Um exame forense parece ter confirmado que a ossada era mesmo de Giotto. Os ossos eram de um homem baixo, que pode ter sofrido de uma forma de nanismo. Isso apoia uma tradi\u00E7\u00E3o da Bas\u00EDlica de Santa Cruz de que um an\u00E3o que aparece em um dos afrescos seria um auto-retrato de Giotto."@pt . . . . "\u55AC\u6258\u00B7\u8FEA\u00B7\u90A6\u591A\u7D0D\uFF08\u7FA9\u5927\u5229\u8A9E\uFF1AGiotto di Bondone\uFF0C\u7EA61267\u5E74\uFF0D1337\u5E741\u67088\u65E5\uFF09\uFF0C\u7FA9\u5927\u5229\u756B\u5BB6\u8207\u5EFA\u7BC9\u5E2B\uFF0C\u88AB\u8A8D\u70BA\u662F\u7FA9\u5927\u5229\u6587\u85DD\u5FA9\u8208\u6642\u671F\u7684\u958B\u5275\u8005\uFF0C\u88AB\u8B7D\u7232\u201C\u6B50\u6D32\u7E6A\u756B\u4E4B\u7236\u201D\u3001\"\u897F\u65B9\u7E6A\u756B\u4E4B\u7236\"\u3002\u5728\u82F1\u6587\u7A31\u547C\u5C31\u5982\u540C\u4E2D\u6587\u4E00\u6A23\uFF0C\u53EA\u7A31\u4ED6\u70BAGiotto\uFF08\u55AC\u6258\uFF09\u3002\u85DD\u8853\u53F2\u5BB6\u8A8D\u70BA\u55AC\u6258\u61C9\u70BA\u4ED6\u7684\u771F\u540D\uFF0C\u800C\u975EAmbrogio\uFF08Ambrogiotto\uFF09\u6216Angelo\uFF08Angiolotto\uFF09\u7684\u7E2E\u5BEB\u3002"@zh . . . . . . . . . "\u039F \u03A4\u03B6\u03CC\u03C4\u03C4\u03BF \u03BD\u03C4\u03B9 \u039C\u03C0\u03BF\u03BD\u03C4\u03CC\u03BD\u03B5 (Giotto di Bondone, 1267 - 8 \u0399\u03B1\u03BD\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1337), \u03AE \u03B1\u03C0\u03BB\u03CE\u03C2 \u03A4\u03B6\u03CC\u03C4\u03C4\u03BF \u03AE \u03A4\u03B6\u03B9\u03CC\u03C4\u03BF, \u03CC\u03C0\u03C9\u03C2 \u03C3\u03C5\u03BD\u03AE\u03B8\u03C9\u03C2 \u03B1\u03BD\u03B1\u03C6\u03AD\u03C1\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B1 \u03B5\u03BB\u03BB\u03B7\u03BD\u03B9\u03BA\u03AC, \u03AE\u03C4\u03B1\u03BD \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03BA\u03B1\u03B9 \u03B1\u03C1\u03C7\u03B9\u03C4\u03AD\u03BA\u03C4\u03BF\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B7 \u03A6\u03BB\u03C9\u03C1\u03B5\u03BD\u03C4\u03AF\u03B1. \u0398\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C4\u03B9\u03C2 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C4\u03B5\u03C1\u03B5\u03C2 \u03BC\u03BF\u03C1\u03C6\u03AD\u03C2 \u03C4\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03C3\u03C4\u03B1 \u03C4\u03AD\u03BB\u03B7 \u03C4\u03BF\u03C5 \u039C\u03B5\u03C3\u03B1\u03AF\u03C9\u03BD\u03B1 \u03BA\u03B1\u03B9 \u03C0\u03C1\u03CC\u03B4\u03C1\u03BF\u03BC\u03BF\u03C2 \u03C4\u03B7\u03C2 \u0391\u03BD\u03B1\u03B3\u03AD\u03BD\u03BD\u03B7\u03C3\u03B7\u03C2."@el . . "Giotto di Bondone (Italian pronunciation: [\u02C8d\u0292\u0254tto di bon\u02C8do\u02D0ne]; c.\u20091267 \u2013 January 8, 1337), known mononymously as Giotto (UK: /\u02C8d\u0292\u0252to\u028A/ JOT-oh, US: /d\u0292i\u02C8\u0252to\u028A, \u02C8d\u0292\u0254\u02D0to\u028A/ jee-OT-oh, JAW-toh) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was \"the most sovereign master of painting in his time, who drew all his figures and their postures according to nature\" and of his publicly recognized \"talent and excellence\". Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating \"the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years\". Giotto's masterwork is the decoration of the Scrovegni Chapel, in Padua, also known as the Arena Chapel, which was completed around 1305. The fresco cycle depicts the Life of the Virgin and the Life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance.The fact that Giotto painted the Arena Chapel and that he was chosen by the Commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties about his life. Almost every other aspect of it is subject to controversy: his birth date, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether he painted the famous frescoes in the Upper Basilica of Saint Francis in Assisi, and his burial place."@en . . . . "1337-01-08"^^ . . . . . . . . "P\u00E9int\u00E9ir is ailtire a rugadh gar do Vespignano na hIod\u00E1ile, bunaitheoir scoil p\u00E9int\u00E9ireacha Firenze ab ea Giotto di Bondone (c 1267 - 3 Ean\u00E1ir 1337). Ba \u00E9 an tsraith freasc\u00F3nna ar bheatha\u00ED Chr\u00EDost is Mhuire i S\u00E9ip\u00E9al na hAir\u00E9ine i bPadua (1305-1308) a sh\u00E1rshaothar. Ceapadh ina phr\u00EDomhailtire \u00E9 ar th\u00F3g\u00E1il an Champain\u00EDl a dearadh i bhFirenze i 1334. Luaitear an tsraith freasc\u00F3nna ar bheatha Naomh Proinsias i mbaisleac Assisi leis freisin, a ndearnadh dam\u00E1iste l\u00E9anmhar d\u00F3ibh i gcrith tal\u00FAn i 1997."@ga . . . . . . . . . "Giotto di Bondone"@fr . . "Giotto di Bondone (o simplemente Giotto) (Colle di Vespignano, Rep\u00FAblica de Florencia c. 1267-Florencia, Rep\u00FAblica de Florencia 8 de enero de 1337)\u200B fue un pintor, muralista, escultor y arquitecto florentino de la Baja Edad Media, un autor del Trecento considerado uno de los iniciadores del movimiento renacentista en Italia. Su obra tuvo una influencia determinante en los movimientos pict\u00F3ricos posteriores. Un contempor\u00E1neo de Giotto, el banquero y cronista Giovanni Villani, lo describi\u00F3 como \u00ABel maestro de pintura m\u00E1s soberano de su tiempo, quien dibuj\u00F3 todas sus figuras y sus posturas de acuerdo con la naturaleza\u00BB, y reconoci\u00F3 p\u00FAblicamente su talento y excelencia.\u200B"@es . . . . "\uC870\uD1A0 \uB514 \uBCF8\uB3C4\uB124(Giotto di Bondone, 1267\uB144 ~ 1337\uB144 1\uC6D4 8\uC77C)\uB294 \uC774\uD0C8\uB9AC\uC544\uC758 \uD654\uAC00\u00B7\uAC74\uCD95\uAC00\uC774\uB2E4. \uD53C\uB80C\uCCB4 \uADFC\uAD50\uC758 \uB04C\uB808 \uB514 \uBCA0\uC2A4\uD53C\uC790\uB178\uC5D0\uC11C \uD0C4\uC0DD\uD588\uC73C\uBA70 \uD53C\uB80C\uCCB4\uC5D0\uC11C \uB2F9\uB300\uC758 \uC720\uBA85\uD55C \uD654\uAC00\uC778 \uCE58\uB9C8\uBD80\uC5D0\uC5D0\uAC8C\uC11C \uBBF8\uC220\uC744 \uBC30\uC6E0\uB2E4. \uC774\uD0C8\uB9AC\uC544 \uB974\uB124\uC0C1\uC2A4 \uBBF8\uC220\uC758 \uC120\uAD6C\uC790\uB85C\uC11C \uBE44\uC794\uD2F4 \uC591\uC2DD\uC5D0\uC11C \uBC97\uC5B4\uB098 \uB97C \uD615\uC131\uD558\uC600\uB2E4. \uB9C8\uCE68\uB0B4 \uD22C\uC2DC\uBC95\uC5D0 \uC758\uD55C \uACF5\uAC04\uC758 \uBB18\uC0AC\uC5D0 \uC131\uACF5\uD558\uC600\uC73C\uBA70, \uC0DD\uAE30 \uC788\uB294 \uBB18\uC0AC\uB85C \uC885\uAD50 \uC608\uC220\uC758 \uC2E0\uACBD\uC9C0\uB97C \uAC1C\uCC99\uD558\uC600\uB2E4. \uADF8\uC758 \uBA85\uC131\uC740 \uC0B4\uC544\uC788\uC744 \uB54C\uB294 \uBB3C\uB860 \uD6C4\uB300\uC5D0\uB3C4 \uCE5C\uC1A1\uC744 \uBC1B\uC558\uB294\uB370 \uB3D9\uC2DC\uB300\uC758 \uC0AC\uB78C\uC778 \uB2E8\uD14C(1265-1321)\uB294 '\uCE58\uB9C8\uBD80\uC5D0\uC758 \uC2DC\uB300\uB294 \uAC14\uB2E4. \uC9C0\uAE08\uBD80\uD130\uB294 \uC9C0\uC624\uD1A0\uC758 \uC2DC\uB300\uB2E4'\uB77C\uACE0 \uADF9\uCC2C\uD588\uACE0, \uC870\uBC18\uB2C8 \uBCF4\uCE74\uCE58\uC624(1313-1375)\uB294 \uC9C0\uC624\uD1A0\uAC00 '\uC218\uC138\uAE30\uB3D9\uC548 \uC5B4\uB460 \uC18D\uC5D0 \uAC07\uD600 \uC788\uC5C8\uB358 \uD68C\uD654\uC608\uC220\uC5D0 \uBE5B\uC744 \uB358\uC9C4 \uC0AC\uB78C' \uC774\uB77C\uACE0 \uB192\uC774 \uD3C9\uAC00\uD588\uB2E4. \uD504\uB780\uCCB4\uC2A4\uCF54 \uC131\uB2F9\uC758 \uBCBD\uD654 <\uC131\uD504\uB780\uCCB4\uC2A4\uCF54\uC804>\uC5D0 \uCC38\uC5EC\uD574 28\uC810\uC911 \uC77C\uBD80\uC758 \uBCBD\uD654\uB97C \uADF8\uB838\uB2E4. \uADF8 \uD6C4 1303~1305\uB144\uAE4C\uC9C0 \uADF8\uC758 \uB300\uD45C\uC791\uC774\uB77C \uD560 \uC218 \uC788\uB294 \uD30C\uB3C4\uBC14\uC758 \uC544\uB808\uB098 \uC608\uBC30\uB2F9\uC774\uB77C\uACE0\uB3C4 \uBD88\uB9AC\uB294 \uC2A4\uD06C\uB85C\uBCA0\uB2C8 \uC608\uBC30\uB2F9\uC758 \uC7A5\uC2DD\uC744 \uB9E1\uB294\uB2E4. 3\uAC1C\uC758 \uCE35\uC73C\uB85C \uB098\uB25C 38\uAC1C\uC758 \uAD6C\uD68D\uB4E4\uC740 \uC131\uAC00\uC871\uACFC \uC608\uC218\uC758 \uC77C\uC0DD\uC744 \uADF8\uB9B0 \uD504\uB808\uC2A4\uCF54\uD654\uB85C \uCC44\uC6CC\uC838 \uC788\uB2E4. \uADF8 \uC911 \uC11C\uCABD \uBCBD \uC804\uCCB4\uB97C \uCC28\uC9C0\uD558\uACE0 \uC788\uB294 <\uCD5C\uD6C4\uC758 \uC2EC\uD310>(1305\uB144, \uD504\uB808\uC2A4\uCF54)\uACFC \uBCBD\uBA74 \uD328\uB110 \uC911 \uD558\uB098\uC778 <\uC560\uB3C4(Lamentation)>(1304\uB144, \uD504\uB808\uC2A4\uCF54)\uB294 \uC870\uD1A0\uC758 \uC815\uC218\uB97C \uB098\uD0C0\uB0B4\uB294 \uADF8\uB9BC\uC744 \uD3C9\uAC00\uBC1B\uB294\uB2E4. \uD6C4\uAE30\uC758 \uB300\uC791\uC73C\uB85C\uC11C \uD53C\uB80C\uCCB4\uC758 \uC628\uB2C8\uC0B0\uD2F0 \uC131\uB2F9\uC758 <\uC7A5\uC5C4\uD55C \uC131\uBAA8>(1331\uB144, \uD15C\uD398\uB77C), \uC0B0\uD0C0\uB9C8\uB9AC\uC544 \uB178\uBCA8\uB77C \uC131\uB2F9\uC758 <\uC608\uC218\uC758 \uC2ED\uC790\uAC00> \uB4F1\uC774 \uC788\uC73C\uBA70 1334\uB144\uC5D0\uB294 \uD53C\uB80C\uCCB4 \uC0B0\uD0C0 \uB9C8\uB9AC\uC544 \uB378 \uD53C\uC624\uB808 \uB300\uC131\uB2F9\uC758 \uC8FC\uC784 \uAC74\uCD95\uAC00\uB85C \uC784\uBA85\uB418\uC5B4 \uC885\uD0D1 \uAC74\uC870\uC5D0 \uCC29\uC218\uD588\uC73C\uB098 \uC644\uC131\uD558\uC9C0 \uBABB\uD558\uACE0 \uC911\uB3C4\uC5D0 \uC0AC\uB9DD\uD558\uC600\uB2E4."@ko . "Giotto di Bondone, die gewoonlijk Giotto (geboren Vicchio) wordt genoemd, was een Italiaans kunstschilder en architect, die leefde van 1266 of 1267 tot 1337, hoewel als geboortejaar ook wel 1276 wordt genoemd."@nl . . . . . . . . . "Giotto"@eo . . . . . . . "Giotto di Bondone (m\u00E9s conegut simplement com a Giotto, ca. 1267, Vicchio - 8 de gener de 1337, Flor\u00E8ncia) va ser un pintor i arquitecte itali\u00E0. Se'l considera el primer d'una s\u00E8rie de grans artistes que van contribuir a desenvolupar el Renaixement itali\u00E0. Tamb\u00E9 \u00E9s un dels primers pintors que representava expressions d'emocions i un espai tridimensional."@ca . "Giotto di Bondone"@eu . "Giotto di Bondone"@in . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Giotto di Bondone (Vespignano, 1266-67 - Florentzia, 1337ko urtarrilaren 8a) Behe Erdi Aroko italiar margolari eta arkitektoa izan zen, italiar Pizkundearen aitzindaria eta garai guztietako margolari nagusietakoa. Giotto izen soilarekin aski ezaguna berez. Haren artea berritzailea da oso, eta Behe Erdi Aroko bizantziar tradizioaren eta Pizkundeko pinturaren arteko zubia izan zen. Gai erlijiosoak erabili zituen batez ere, baino lurtar itxurarekin, bizi-indarrez gainezka."@eu . . . . . . . "Giotto"@es . . . . "45298"^^ . "Giotto di Bondone"@en . . . . . . . . . . . "Giotto di Bondone ou Ambrogiotto di Bondone, dit Giotto, n\u00E9 en 1266 ou 1267 \u00E0 Vespignano ou Romignano et mort le 8 janvier 1337 \u00E0 Florence, est un peintre, sculpteur et architecte florentin du Trecento, dont les \u0153uvres sont \u00E0 l'origine du renouveau de la peinture occidentale. C'est l'influence de sa peinture qui va provoquer le vaste mouvement g\u00E9n\u00E9ral de la Renaissance \u00E0 partir du si\u00E8cle suivant. Giotto se rattache au courant artistique de la Pr\u00E9-Renaissance, dont il est l'un des ma\u00EEtres, qui se manifeste en Italie, au d\u00E9but du XIVe si\u00E8cle. En cette fin du Moyen \u00C2ge, Giotto est le premier artiste dont la pens\u00E9e et la nouvelle vision du monde aid\u00E8rent \u00E0 construire ce mouvement, l'humanisme de la Renaissance, qui place l'homme au centre de l'univers et le rend ma\u00EEtre de son propre destin. Les fresques que Giotto a peintes \u00E0 Florence (basilique Santa Croce de Florence), \u00E0 Assise (basilique Saint-Fran\u00E7ois d'Assise) et \u00E0 Padoue (chapelle des Scrovegni dans l'\u00E9glise de l'Arena de Padoue) figurent parmi les sommets de l'art chr\u00E9tien. Son influence sur les g\u00E9n\u00E9rations d'artistes qui le suivirent est immense \u00E0 tel point qu'on a pu parler d'\u00E9coles \u00AB giottesques \u00BB \u00E0 propos de certaines \u00E9coles de peinture regroupant des peintres dont l'\u0153uvre a \u00E9t\u00E9 marqu\u00E9e par celle du ma\u00EEtre toscan. Des peintres comme ceux de l'\u00E9cole de Rimini (Giovanni Baronzio, Neri da Rimini, Pietro da Rimini) figurent parmi ses h\u00E9ritiers \u00E0 la suite du passage de Giotto, difficile \u00E0 dater (vraisemblablement entre 1303 et 1309) dans leur ville, o\u00F9, entre ses s\u00E9jours \u00E0 Padoue et Assise, il \u00E9tait venu peindre un cycle de fresques (aujourd'hui perdues) pour l'\u00E9glise San Francesco."@fr . . . . . . "\u0414\u0436\u043E\u0442\u0442\u043E \u0434\u0456 \u0411\u043E\u043D\u0434\u043E\u043D\u0435"@uk . . . . "Giotto di Bondone"@ga . . . . . "27729289"^^ . . "Giotto di Bondone"@sv . . . . . . . . . . . . "Giotto di Bondone"@en . "\u0414\u0436\u043E\u0301\u0442\u0442\u043E \u0434\u0438 \u0411\u043E\u043D\u0434\u043E\u0301\u043D\u0435 (\u0438\u0442\u0430\u043B. Giotto di Bondone; 1266 \u0438\u043B\u0438 1267, \u0412\u0438\u043A\u043A\u044C\u043E \u2014 8 \u044F\u043D\u0432\u0430\u0440\u044F 1337, \u0424\u043B\u043E\u0440\u0435\u043D\u0446\u0438\u044F) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446 \u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440 XIV \u0432\u0435\u043A\u0430, \u043E\u0434\u0438\u043D \u0438\u0437 \u043F\u0435\u0440\u0432\u044B\u0445 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u0435\u0439 \u043F\u0440\u043E\u0442\u043E\u0440\u0435\u043D\u0435\u0441\u0441\u0430\u043D\u0441\u0430. \u041A\u043B\u044E\u0447\u0435\u0432\u0430\u044F \u0444\u0438\u0433\u0443\u0440\u0430 \u0432 \u0438\u0441\u0442\u043E\u0440\u0438\u0438 \u0437\u0430\u043F\u0430\u0434\u043D\u043E\u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430. \u041F\u0440\u0435\u043E\u0434\u043E\u043B\u0435\u0432\u0430\u044F \u0432\u0438\u0437\u0430\u043D\u0442\u0438\u0439\u0441\u043A\u0443\u044E \u0438\u043A\u043E\u043D\u043E\u043F\u0438\u0441\u043D\u0443\u044E \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044E, \u0414\u0436\u043E\u0442\u0442\u043E \u0441\u0442\u0430\u043B \u043E\u0441\u043D\u043E\u0432\u0430\u0442\u0435\u043B\u0435\u043C \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u044B \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438, \u0440\u0430\u0437\u0440\u0430\u0431\u043E\u0442\u0430\u043B \u043D\u043E\u0432\u044B\u0439 \u043F\u043E\u0434\u0445\u043E\u0434 \u043A \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u044E \u043F\u0440\u043E\u0441\u0442\u0440\u0430\u043D\u0441\u0442\u0432\u0430. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F\u043C\u0438 \u0414\u0436\u043E\u0442\u0442\u043E \u0432\u0434\u043E\u0445\u043D\u043E\u0432\u043B\u044F\u043B\u0438\u0441\u044C \u041B\u0435\u043E\u043D\u0430\u0440\u0434\u043E \u0434\u0430 \u0412\u0438\u043D\u0447\u0438, \u0420\u0430\u0444\u0430\u044D\u043B\u044C \u0421\u0430\u043D\u0442\u0438, \u041C\u0438\u043A\u0435\u043B\u0430\u043D\u0434\u0436\u0435\u043B\u043E \u0411\u0443\u043E\u043D\u0430\u0440\u0440\u043E\u0442\u0438."@ru . . . . . . . . . "Giotto di Bondone (Vespignano, 1266-67 - Florentzia, 1337ko urtarrilaren 8a) Behe Erdi Aroko italiar margolari eta arkitektoa izan zen, italiar Pizkundearen aitzindaria eta garai guztietako margolari nagusietakoa. Giotto izen soilarekin aski ezaguna berez. Haren artea berritzailea da oso, eta Behe Erdi Aroko bizantziar tradizioaren eta Pizkundeko pinturaren arteko zubia izan zen. Gai erlijiosoak erabili zituen batez ere, baino lurtar itxurarekin, bizi-indarrez gainezka. Maisu izan zen espazioaren erabileran, pertsonaia bakoitzaren nortasuna finkatzen, izadiaren eta gizakiaren ikusmoldean; horiek denek erabat gainditu zituzten era grekoa eta Erdi Aroko margolaritza moldeak. Danteren pasarte bat Giottoren errealismoak izan zuen arrakasta bizkorraren lekuko da."@eu . . . . . "1337-01-08"^^ . . . . "Giotto di Bondone, w\u0142a\u015Bc. Angiolo di Bondone, zdrobniale Angiolotto (ur. ok. 1266, zm. 8 stycznia 1337 we Florencji) \u2013 malarz i architekt w\u0142oski, tercjarz franciszka\u0144ski. Do najwa\u017Cniejszych jego dzie\u0142 nale\u017C\u0105: freski w kaplicy Scrovegnich w Padwie, w ko\u015Bciele Santa Croce we Florencji i w bazylice \u015Bw. Franciszka w Asy\u017Cu."@pl . . . . . . . . . . . . "\u55AC\u6258\u00B7\u8FEA\u00B7\u90A6\u591A\u7D0D\uFF08\u7FA9\u5927\u5229\u8A9E\uFF1AGiotto di Bondone\uFF0C\u7EA61267\u5E74\uFF0D1337\u5E741\u67088\u65E5\uFF09\uFF0C\u7FA9\u5927\u5229\u756B\u5BB6\u8207\u5EFA\u7BC9\u5E2B\uFF0C\u88AB\u8A8D\u70BA\u662F\u7FA9\u5927\u5229\u6587\u85DD\u5FA9\u8208\u6642\u671F\u7684\u958B\u5275\u8005\uFF0C\u88AB\u8B7D\u7232\u201C\u6B50\u6D32\u7E6A\u756B\u4E4B\u7236\u201D\u3001\"\u897F\u65B9\u7E6A\u756B\u4E4B\u7236\"\u3002\u5728\u82F1\u6587\u7A31\u547C\u5C31\u5982\u540C\u4E2D\u6587\u4E00\u6A23\uFF0C\u53EA\u7A31\u4ED6\u70BAGiotto\uFF08\u55AC\u6258\uFF09\u3002\u85DD\u8853\u53F2\u5BB6\u8A8D\u70BA\u55AC\u6258\u61C9\u70BA\u4ED6\u7684\u771F\u540D\uFF0C\u800C\u975EAmbrogio\uFF08Ambrogiotto\uFF09\u6216Angelo\uFF08Angiolotto\uFF09\u7684\u7E2E\u5BEB\u3002"@zh . "Giotto di Bondone (o simplemente Giotto) (Colle di Vespignano, Rep\u00FAblica de Florencia c. 1267-Florencia, Rep\u00FAblica de Florencia 8 de enero de 1337)\u200B fue un pintor, muralista, escultor y arquitecto florentino de la Baja Edad Media, un autor del Trecento considerado uno de los iniciadores del movimiento renacentista en Italia. Su obra tuvo una influencia determinante en los movimientos pict\u00F3ricos posteriores. Un contempor\u00E1neo de Giotto, el banquero y cronista Giovanni Villani, lo describi\u00F3 como \u00ABel maestro de pintura m\u00E1s soberano de su tiempo, quien dibuj\u00F3 todas sus figuras y sus posturas de acuerdo con la naturaleza\u00BB, y reconoci\u00F3 p\u00FAblicamente su talento y excelencia.\u200B"@es . "\u03A4\u03B6\u03CC\u03C4\u03C4\u03BF"@el . . "Giotto di Bondone, w\u0142a\u015Bc. Angiolo di Bondone, zdrobniale Angiolotto (ur. ok. 1266, zm. 8 stycznia 1337 we Florencji) \u2013 malarz i architekt w\u0142oski, tercjarz franciszka\u0144ski. Do najwa\u017Cniejszych jego dzie\u0142 nale\u017C\u0105: freski w kaplicy Scrovegnich w Padwie, w ko\u015Bciele Santa Croce we Florencji i w bazylice \u015Bw. Franciszka w Asy\u017Cu."@pl . . . . "Giotto"@en . . . . .