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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/History_Is_Made_at_Night_(1937_film)> .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/property/notableWorks>	"Wuthering Heights"@en .
<http://dbpedia.org/resource/Gregg_Toland>	<http://purl.org/linguistics/gold/hypernym>	<http://dbpedia.org/resource/Cinematographer> .
<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Gregg Toland (Charleston, 29 de maio de 1904 \u2014 Los Angeles, 28 de setembro de 1948) foi um diretor de fotografia estadunidense. Venceu o Oscar de melhor fotografia na edi\u00E7\u00E3o de 1940 por Wuthering Heights."@pt .
<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"\u063A\u0631\u064A\u063A \u062A\u0648\u0644\u0627\u0646\u062F (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Gregg Toland )\u200F (\u0648. 1904 \u2013 1948 \u0645) \u0647\u0648 \u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A \u062A\u0634\u0627\u0631\u0644\u0633\u062A\u0648\u0646\u060C \u062A\u0648\u0641\u064A \u0641\u064A \u0633\u0627\u0646\u062A\u0627 \u0645\u0648\u0646\u064A\u0643\u0627\u060C \u0643\u0627\u0644\u064A\u0641\u0648\u0631\u0646\u064A\u0627\u060C \u0639\u0646 \u0639\u0645\u0631 \u064A\u0646\u0627\u0647\u0632 44 \u0639\u0627\u0645\u0627\u064B\u060C \u0628\u0633\u0628\u0628 \u062E\u062B\u0627\u0631 \u062A\u0627\u062C\u064A."@ar .
<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"\u0413\u0440\u0435\u0433\u0433 \u0422\u043E\u043B\u0430\u043D\u0434 (\u0430\u043D\u0433\u043B. Gregg Toland, 29 \u0442\u0440\u0430\u0432\u043D\u044F 1904, \u0427\u0430\u0440\u043B\u044C\u0441\u0442\u043E\u043D, \u0406\u043B\u043B\u0456\u043D\u043E\u0439\u0441 \u2014 28 \u0432\u0435\u0440\u0435\u0441\u043D\u044F 1948, \u041B\u043E\u0441-\u0410\u043D\u0434\u0436\u0435\u043B\u0435\u0441, \u041A\u0430\u043B\u0456\u0444\u043E\u0440\u043D\u0456\u044F) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440, \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u0441\u0432\u043E\u0457\u043C\u0438 \u0434\u043E\u0441\u044F\u0433\u043D\u0435\u043D\u043D\u044F\u043C\u0438 \u0432 \u0440\u043E\u0431\u043E\u0442\u0456 \u0437\u0456 \u0441\u0432\u0456\u0442\u043B\u043E\u043C, \u0433\u043B\u0438\u0431\u0438\u043D\u043D\u043E\u0457 \u043C\u0456\u0437\u0430\u043D\u0441\u0446\u0435\u043D\u043E\u044E. \u041F\u0440\u0430\u0433\u043D\u0443\u0432 \u0434\u043E\u043C\u043E\u0433\u0442\u0438\u0441\u044F \u043E\u0431'\u0454\u043C\u043D\u043E\u0441\u0442\u0456 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u043D\u044F \u043F\u0440\u0438 \u0437\u0439\u043E\u043C\u0446\u0456 \u043D\u0430 \u0432\u0435\u043B\u0438\u043A\u0456\u0439 \u0433\u043B\u0438\u0431\u0438\u043D\u0456 \u0440\u0456\u0437\u043A\u043E\u0441\u0442\u0456. \u041D\u0430\u0439\u0431\u0456\u043B\u044C\u0448 \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u043F\u043E \u0440\u043E\u0431\u043E\u0442\u0456 \u043D\u0430\u0434 \u0444\u0456\u043B\u044C\u043C\u043E\u043C \u00AB\u0413\u0440\u043E\u043C\u0430\u0434\u044F\u043D\u0438\u043D \u041A\u0435\u0439\u043D\u00BB \u0441\u043F\u0456\u043B\u044C\u043D\u043E \u0437 \u0440\u0435\u0436\u0438\u0441\u0435\u0440\u043E\u043C \u041E\u0440\u0441\u043E\u043D\u043E\u043C \u0412\u0435\u043B\u043B\u0441\u043E\u043C. \u0423 1930-\u0445 \u0440\u043E\u043A\u0430\u0445 \u0422\u043E\u043B\u0430\u043D\u0434 \u0431\u0443\u0432 \u043D\u0430\u0439\u043C\u043E\u043B\u043E\u0434\u0448\u0438\u043C \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440\u043E\u043C \u0432 \u0413\u043E\u043B\u043B\u0456\u0432\u0443\u0434\u0456, \u0456 \u043F\u0440\u0438 \u0446\u044C\u043E\u043C\u0443 \u043E\u0434\u043D\u0438\u043C \u0437 \u043D\u0430\u0439\u0431\u0456\u043B\u044C\u0448 \u0437\u0430\u0442\u0440\u0435\u0431\u0443\u0432\u0430\u043D\u0438\u0445. \u0417\u0430 \u0441\u0435\u043C\u0438\u0440\u0456\u0447\u043D\u0438\u0439 \u043F\u0435\u0440\u0456\u043E\u0434 (1936\u20141942), \u0432\u0456\u043D \u0431\u0443\u0432 \u043F'\u044F\u0442\u044C \u0440\u0430\u0437\u0456\u0432 \u043D\u043E\u043C\u0456\u043D\u043E\u0432\u0430\u043D\u0438\u0439 \u043D\u0430 \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0437\u0430 \u043D\u0430\u0439\u043A\u0440\u0430\u0449\u0443 \u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440\u0441\u044C\u043A\u0443 \u0440\u043E\u0431\u043E\u0442\u0443, \u0430 \u0432 1939 \u0440\u043E\u0446\u0456 \u043E\u0442\u0440\u0438\u043C\u0430\u0432 \u0446\u044E \u043F\u0440\u0435\u043C\u0456\u044E \u0437\u0430 \u0440\u043E\u0431\u043E\u0442\u0443 \u043D\u0430\u0434 \u0444\u0456\u043B\u044C\u043C\u043E\u043C \u00AB\u0411\u0443\u0440\u0435\u043C\u043D\u0438\u0439 \u043F\u0435\u0440\u0435\u0432\u0430\u043B\u00BB. \u041F\u0440\u0430\u0446\u044E\u0432\u0430\u0432 \u0437 \u043F\u0440\u043E\u0432\u0456\u0434\u043D\u0438\u043C\u0438 \u043A\u0456\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0435\u0440\u0430\u043C\u0438 1920-\u0445, 1930-\u0445 \u0456 1940-\u0445, \u0432\u043A\u043B\u044E\u0447\u0430\u044E\u0447\u0438 \u0414\u0436\u043E\u043D\u0430 \u0424\u043E\u0440\u0434\u0430, \u0413\u043E\u0432\u0430\u0440\u0434\u0430 \u0425\u043E\u0443\u043A\u0441\u0430, \u0415\u0440\u0456\u0445\u0430 \u0444\u043E\u043D \u0428\u0442\u0440\u043E\u0433\u0435\u0439\u043C\u0430, \u041A\u0456\u043D\u0433\u0430 \u0412\u0456\u0434\u043E\u0440\u0430, \u041E\u0440\u0441\u043E\u043D\u0430 \u0423\u0435\u043B\u043B\u0441\u0430 \u0456 \u0412\u0456\u043B\u044C\u044F\u043C\u0430 \u0423\u0430\u0439\u043B\u0435\u0440\u0430. \u041F\u0435\u0440\u0435\u0434 \u0441\u0430\u043C\u043E\u044E \u0441\u043C\u0435\u0440\u0442\u044E \u0431\u0443\u0432 \u0437\u043E\u0441\u0435\u0440\u0435\u0434\u0436\u0435\u043D\u0438\u0439 \u043D\u0430 \u0441\u0442\u0432\u043E\u0440\u0435\u043D\u043D\u0456 \u043E\u0431'\u0454\u043A\u0442\u0438\u0432\u0430 \u0437 \u043D\u0435\u0441\u043A\u0456\u043D\u0447\u0435\u043D\u043D\u043E\u0457 \u0433\u043B\u0438\u0431\u0438\u043D\u043E\u044E \u0440\u0456\u0437\u043A\u043E\u0441\u0442\u0456, \u0437\u0434\u0430\u0442\u043D\u043E\u0433\u043E \u0442\u0440\u0438\u043C\u0430\u0442\u0438 \u0432 \u0444\u043E\u043A\u0443\u0441\u0456 \u043E\u0434\u043D\u043E\u0447\u0430\u0441\u043D\u043E \u043D\u0430\u0431\u043B\u0438\u0436\u0435\u043D\u0456 \u0456 \u0432\u0456\u0434\u0434\u0430\u043B\u0435\u043D\u0456 \u043E\u0431'\u0454\u043A\u0442\u0438."@uk .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u0413\u0440\u0435\u0433\u0433 \u0422\u043E\u043B\u0430\u043D\u0434 (\u0430\u043D\u0433\u043B. Gregg Toland, 29 \u0442\u0440\u0430\u0432\u043D\u044F 1904, \u0427\u0430\u0440\u043B\u044C\u0441\u0442\u043E\u043D, \u0406\u043B\u043B\u0456\u043D\u043E\u0439\u0441 \u2014 28 \u0432\u0435\u0440\u0435\u0441\u043D\u044F 1948, \u041B\u043E\u0441-\u0410\u043D\u0434\u0436\u0435\u043B\u0435\u0441, \u041A\u0430\u043B\u0456\u0444\u043E\u0440\u043D\u0456\u044F) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440, \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u0441\u0432\u043E\u0457\u043C\u0438 \u0434\u043E\u0441\u044F\u0433\u043D\u0435\u043D\u043D\u044F\u043C\u0438 \u0432 \u0440\u043E\u0431\u043E\u0442\u0456 \u0437\u0456 \u0441\u0432\u0456\u0442\u043B\u043E\u043C, \u0433\u043B\u0438\u0431\u0438\u043D\u043D\u043E\u0457 \u043C\u0456\u0437\u0430\u043D\u0441\u0446\u0435\u043D\u043E\u044E. \u041F\u0440\u0430\u0433\u043D\u0443\u0432 \u0434\u043E\u043C\u043E\u0433\u0442\u0438\u0441\u044F \u043E\u0431'\u0454\u043C\u043D\u043E\u0441\u0442\u0456 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u043D\u044F \u043F\u0440\u0438 \u0437\u0439\u043E\u043C\u0446\u0456 \u043D\u0430 \u0432\u0435\u043B\u0438\u043A\u0456\u0439 \u0433\u043B\u0438\u0431\u0438\u043D\u0456 \u0440\u0456\u0437\u043A\u043E\u0441\u0442\u0456. \u041D\u0430\u0439\u0431\u0456\u043B\u044C\u0448 \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u043F\u043E \u0440\u043E\u0431\u043E\u0442\u0456 \u043D\u0430\u0434 \u0444\u0456\u043B\u044C\u043C\u043E\u043C \u00AB\u0413\u0440\u043E\u043C\u0430\u0434\u044F\u043D\u0438\u043D \u041A\u0435\u0439\u043D\u00BB \u0441\u043F\u0456\u043B\u044C\u043D\u043E \u0437 \u0440\u0435\u0436\u0438\u0441\u0435\u0440\u043E\u043C \u041E\u0440\u0441\u043E\u043D\u043E\u043C \u0412\u0435\u043B\u043B\u0441\u043E\u043C. \u041F\u0440\u0430\u0446\u044E\u0432\u0430\u0432 \u0437 \u043F\u0440\u043E\u0432\u0456\u0434\u043D\u0438\u043C\u0438 \u043A\u0456\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0435\u0440\u0430\u043C\u0438 1920-\u0445, 1930-\u0445 \u0456 1940-\u0445, \u0432\u043A\u043B\u044E\u0447\u0430\u044E\u0447\u0438 \u0414\u0436\u043E\u043D\u0430 \u0424\u043E\u0440\u0434\u0430, \u0413\u043E\u0432\u0430\u0440\u0434\u0430 \u0425\u043E\u0443\u043A\u0441\u0430, \u0415\u0440\u0456\u0445\u0430 \u0444\u043E\u043D \u0428\u0442\u0440\u043E\u0433\u0435\u0439\u043C\u0430, \u041A\u0456\u043D\u0433\u0430 \u0412\u0456\u0434\u043E\u0440\u0430, \u041E\u0440\u0441\u043E\u043D\u0430 \u0423\u0435\u043B\u043B\u0441\u0430 \u0456 \u0412\u0456\u043B\u044C\u044F\u043C\u0430 \u0423\u0430\u0439\u043B\u0435\u0440\u0430."@uk .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg Toland, (29 de maig de 1904 \u2013 28 de setembre de 1948) va ser un director de fotografia estatunidenc conegut pel seu \u00FAs innovador d'il\u00B7luminaci\u00F3 i t\u00E8cniques com focus profund, exemples dels quals poden ser trobats en la seva feina d'Orson Welles Ciutad\u00E0 Kane i de John Ford a El retorn a casa."@ca .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg Toland, A.S.C. (29 de mayo de 1904 - 28 de septiembre de 1948) fue un director de fotograf\u00EDa estadounidense conocido por su uso innovador de la iluminaci\u00F3n y t\u00E9cnicas como la profundidad de campo, ejemplos de los cuales se pueden encontrar en su trabajo en Citizen Kane (Orson Welles, 1941), Los mejores a\u00F1os de nuestra vida (William Wyler, 1946) y The Long Voyage Home (John Ford, 1940) Demostr\u00F3 por primera vez su estilo de claroscuro con luz lateral en el cortometraje The Life and Death of 9413: a Hollywood Extra, en el cual una de las dos bombillas de 400W que ten\u00EDan disponibles se quem\u00F3, dejando solo una bombilla para iluminar. Durante la d\u00E9cada de 1930, Toland se convirti\u00F3 en el camar\u00F3grafo m\u00E1s joven de Hollywood, pero pronto se convirti\u00F3 en uno de sus cinemat\u00F3grafos m\u00E1s buscados. Durante un per\u00EDodo de siete a\u00F1os (1936\u20131942), fue nominado cinco veces al premio \u00D3scar por mejor fotograf\u00EDa, ganando una vez por su trabajo en Cumbres Borrascosas. Trabaj\u00F3 con muchos de los principales directores de su \u00E9poca, incluyendo a John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, y William Wyler. Toland muri\u00F3 mientras dorm\u00EDa el 28 de septiembre de 1948, producto de una trombosis coronaria a los 44 a\u00F1os. Esta enterrado en el Hollywood Forever Cemetery en Hollywood, California.\u200B"@es .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/property/deathPlace>	"Los Angeles, California, U.S."@en .
<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Gregg Wesley Toland, A.S.C. (May 29, 1904 \u2013 September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940). He is also known for his work as a director of photography for Wuthering Heights (1939), The Westerner (1940), Ball of Fire (1941), The Outlaw (1943), Song of the South (1946) and The Bishop's Wife (1947)."@en .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2000/01/rdf-schema#label>	"Gregg Toland"@it .
<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2002/07/owl#sameAs>	<https://global.dbpedia.org/id/dTrU> .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u063A\u0631\u064A\u063A \u062A\u0648\u0644\u0627\u0646\u062F (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Gregg Toland )\u200F (\u0648. 1904 \u2013 1948 \u0645) \u0647\u0648 \u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A \u062A\u0634\u0627\u0631\u0644\u0633\u062A\u0648\u0646\u060C \u062A\u0648\u0641\u064A \u0641\u064A \u0633\u0627\u0646\u062A\u0627 \u0645\u0648\u0646\u064A\u0643\u0627\u060C \u0643\u0627\u0644\u064A\u0641\u0648\u0631\u0646\u064A\u0627\u060C \u0639\u0646 \u0639\u0645\u0631 \u064A\u0646\u0627\u0647\u0632 44 \u0639\u0627\u0645\u0627\u064B\u060C \u0628\u0633\u0628\u0628 \u062E\u062B\u0627\u0631 \u062A\u0627\u062C\u064A."@ar .
<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Russell_Carpenter> .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg (Wesley) Toland, n\u00E9 le 29 mai 1904 \u00E0 Charleston (Illinois), mort le 26 septembre 1948 \u00E0 Los Angeles \u2014 Quartier de Hollywood (Californie), est un directeur de la photographie am\u00E9ricain, membre de l'ASC."@fr .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg Toland (Charleston, 29 de maio de 1904 \u2014 Los Angeles, 28 de setembro de 1948) foi um diretor de fotografia estadunidense. Venceu o Oscar de melhor fotografia na edi\u00E7\u00E3o de 1940 por Wuthering Heights."@pt .
<http://dbpedia.org/resource/Gregg_Toland>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Gregg Toland, A.S.C. (29 de mayo de 1904 - 28 de septiembre de 1948) fue un director de fotograf\u00EDa estadounidense conocido por su uso innovador de la iluminaci\u00F3n y t\u00E9cnicas como la profundidad de campo, ejemplos de los cuales se pueden encontrar en su trabajo en Citizen Kane (Orson Welles, 1941), Los mejores a\u00F1os de nuestra vida (William Wyler, 1946) y The Long Voyage Home (John Ford, 1940) Toland muri\u00F3 mientras dorm\u00EDa el 28 de septiembre de 1948, producto de una trombosis coronaria a los 44 a\u00F1os. Esta enterrado en el Hollywood Forever Cemetery en Hollywood, California.\u200B"@es .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg Toland (Charleston (Illinois), 29 mei 1904 \u2013 Hollywood (Californi\u00EB), 26 september 1948) was een Amerikaans cameraman. Hij wordt beschouwd als een van de belangrijkste cameramannen aller tijden, mede door zijn innovatieve gebruik van filmtechnieken en belichting, waaronder deep-focus fotografie en belichting. Hij begon op vijftienjarige leeftijd te werken als loopjongen voor William Fox. Het jaar daarop ging hij aan de slag als assistent-cameraman. Met de komst van de geluidsfilm in 1927 maakte hij zijn naam, onder andere door het bouwen van een behuizing om de camera die voorkwam dat het storende geluid van de camera bij de geluidsapparatuur kwam. In 1929 kreeg hij zijn diploma als belichtingscameraman. Op 27-jarige leeftijd was hij de jongste zelfstandig werkende cameraman in Hollywood. Hij ging aan het werk bij verscheidene studio's, maar werkte voornamelijk voor de onafhankelijke producent Samuel Goldwyn, die hem veel vrijheid gaf om te experimenten met belichting. De door hem ontwikkelde high-key belichting gold jarenlang als Hollywoodstandaard. Hij kreeg een Academy Award voor de cinematografie van Wuthering Heights uit 1939. Zijn belangrijkste werk is waarschijnlijk Citizen Kane van Orson Welles uit 1941. Van Welles kreeg hij volledige vrijheid om te experimenteren. Voor deze film ontwikkelde hij een nieuwe filmtechniek, de deep-focus fotografie, waardoor objecten in de achtergrond net zo helder in beeld worden gebracht als objecten in de voorgrond. Ook paste hij voor de film de camera aan, waardoor deze een grotere bewegingsvrijheid kreeg. In de van de film deelde hij het shot met de regisseur, Welles, wat een zeer grote, zelden vertoonde eer is voor een cameraman. De deep-focus zou hij later in meer films toepassen, waaronder William Wylers The Best Years of Our Lives. Gedurende de Tweede Wereldoorlog was hij luitenant bij de filmafdeling van de marine. Hier nam hij samen met luitenant John Ford de documentaire December 7th op. Toland stierf op 44-jarige leeftijd aan een coronaire trombose."@nl .
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Gregg Toland, 29 \u043C\u0430\u044F 1904, \u0427\u0430\u0440\u043B\u044C\u0441\u0442\u043E\u043D, \u0418\u043B\u043B\u0438\u043D\u043E\u0439\u0441 \u2014 28 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1948, \u041B\u043E\u0441-\u0410\u043D\u0434\u0436\u0435\u043B\u0435\u0441, \u041A\u0430\u043B\u0438\u0444\u043E\u0440\u043D\u0438\u044F) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440, \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u0441\u0432\u043E\u0438\u043C\u0438 \u0434\u043E\u0441\u0442\u0438\u0436\u0435\u043D\u0438\u044F\u043C\u0438 \u0432 \u0440\u0430\u0431\u043E\u0442\u0435 \u0441\u043E \u0441\u0432\u0435\u0442\u043E\u043C, \u0433\u043B\u0443\u0431\u0438\u043D\u043D\u043E\u0439 \u043C\u0438\u0437\u0430\u043D\u0441\u0446\u0435\u043D\u043E\u0439. \u0421\u0442\u0440\u0435\u043C\u0438\u043B\u0441\u044F \u0434\u043E\u0431\u0438\u0442\u044C\u0441\u044F \u043E\u0431\u044A\u0451\u043C\u043D\u043E\u0441\u0442\u0438 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u044F \u043F\u0440\u0438 \u0441\u044A\u0451\u043C\u043A\u0435 \u043D\u0430 \u0431\u043E\u043B\u044C\u0448\u043E\u0439 \u0433\u043B\u0443\u0431\u0438\u043D\u0435 \u0440\u0435\u0437\u043A\u043E\u0441\u0442\u0438. \u041D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u043F\u043E \u0440\u0430\u0431\u043E\u0442\u0435 \u043D\u0430\u0434 \u0444\u0438\u043B\u044C\u043C\u043E\u043C \u00AB\u0413\u0440\u0430\u0436\u0434\u0430\u043D\u0438\u043D \u041A\u0435\u0439\u043D\u00BB \u0441\u043E\u0432\u043C\u0435\u0441\u0442\u043D\u043E \u0441 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u043E\u043C \u041E\u0440\u0441\u043E\u043D\u043E\u043C \u0423\u044D\u043B\u043B\u0441\u043E\u043C. \u0412 1930-\u0445 \u0433\u043E\u0434\u0430\u0445 \u0422\u043E\u043B\u0430\u043D\u0434 \u0431\u044B\u043B \u0441\u0430\u043C\u044B\u043C \u043C\u043E\u043B\u043E\u0434\u044B\u043C \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440\u043E\u043C \u0432 \u0413\u043E\u043B\u043B\u0438\u0432\u0443\u0434\u0435, \u0438 \u043F\u0440\u0438 \u044D\u0442\u043E\u043C \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u0441\u0430\u043C\u044B\u0445 \u0432\u043E\u0441\u0442\u0440\u0435\u0431\u043E\u0432\u0430\u043D\u043D\u044B\u0445. \u0417\u0430 \u0441\u0435\u043C\u0438\u043B\u0435\u0442\u043D\u0438\u0439 \u043F\u0435\u0440\u0438\u043E\u0434 (1936\u20141942), \u043E\u043D \u0431\u044B\u043B \u043F\u044F\u0442\u044C \u0440\u0430\u0437 \u043D\u043E\u043C\u0438\u043D\u0438\u0440\u043E\u0432\u0430\u043D \u043D\u0430 \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0437\u0430 \u043B\u0443\u0447\u0448\u0443\u044E \u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440\u0441\u043A\u0443\u044E \u0440\u0430\u0431\u043E\u0442\u0443, \u0430 \u0432 1939 \u0433\u043E\u0434\u0443 \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u044D\u0442\u0443 \u043F\u0440\u0435\u043C\u0438\u044E \u0437\u0430 \u0440\u0430\u0431\u043E\u0442\u0443 \u043D\u0430\u0434 \u0444\u0438\u043B\u044C\u043C\u043E\u043C \u00AB\u0413\u0440\u043E\u0437\u043E\u0432\u043E\u0439 \u043F\u0435\u0440\u0435\u0432\u0430\u043B\u00BB. \u0420\u0430\u0431\u043E\u0442\u0430\u043B \u0441 \u0432\u0435\u0434\u0443\u0449\u0438\u043C\u0438 \u043A\u0438\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430\u043C\u0438 1920-\u0445, 1930-\u0445 \u0438 1940-\u0445, \u0432\u043A\u043B\u044E\u0447\u0430\u044F \u0414\u0436\u043E\u043D\u0430 \u0424\u043E\u0440\u0434\u0430, \u0413\u043E\u0432\u0430\u0440\u0434\u0430 \u0425\u043E\u0443\u043A\u0441\u0430, \u042D\u0440\u0438\u0445\u0430 \u0444\u043E\u043D \u0428\u0442\u0440\u043E\u0433\u0435\u0439\u043C\u0430, \u041A\u0438\u043D\u0433\u0430 \u0412\u0438\u0434\u043E\u0440\u0430, \u041E\u0440\u0441\u043E\u043D\u0430 \u0423\u044D\u043B\u043B\u0441\u0430 \u0438 \u0423\u0438\u043B\u044C\u044F\u043C\u0430 \u0423\u0430\u0439\u043B\u0435\u0440\u0430. \u041F\u0435\u0440\u0435\u0434 \u0441\u0430\u043C\u043E\u0439 \u0441\u043C\u0435\u0440\u0442\u044C\u044E \u0431\u044B\u043B \u0441\u043E\u0441\u0440\u0435\u0434\u043E\u0442\u043E\u0447\u0435\u043D \u043D\u0430 \u0441\u043E\u0437\u0434\u0430\u043D\u0438\u0438 \u043E\u0431\u044A\u0435\u043A\u0442\u0438\u0432\u0430 \u0441 \u0431\u0435\u0441\u043A\u043E\u043D\u0435\u0447\u043D\u043E\u0439 \u0433\u043B\u0443\u0431\u0438\u043D\u043E\u0439 \u0440\u0435\u0437\u043A\u043E\u0441\u0442\u0438, \u0441\u043F\u043E\u0441\u043E\u0431\u043D\u043E\u0433\u043E \u0434\u0435\u0440\u0436\u0430\u0442\u044C \u0432 \u0444\u043E\u043A\u0443\u0441\u0435 \u043E\u0434\u043D\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E \u043F\u0440\u0438\u0431\u043B\u0438\u0436\u0435\u043D\u043D\u044B\u0435 \u0438 \u0443\u0434\u0430\u043B\u0451\u043D\u043D\u044B\u0435 \u043E\u0431\u044A\u0435\u043A\u0442\u044B."@ru .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/property/deathDate>	"1948-09-28"^^<http://www.w3.org/2001/XMLSchema#date> .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg Toland (ur. 29 maja 1904 w Charleston, zm. 28 wrze\u015Bnia 1948 w Los Angeles) \u2013 ameryka\u0144ski operator filmowy."@pl .
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<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/The_Wedding_Night> .
<http://dbpedia.org/resource/Gregg_Toland>	<http://dbpedia.org/ontology/abstract>	"Gregg Wesley Toland, A.S.C. (May 29, 1904 \u2013 September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940). He is also known for his work as a director of photography for Wuthering Heights (1939), The Westerner (1940), Ball of Fire (1941), The Outlaw (1943), Song of the South (1946) and The Bishop's Wife (1947). Toland earned six Academy Award nominations for Best Cinematography, and won for his work on Wuthering Heights. He was voted one of the top 10 most influential cinematographers in the history of film by the International Cinematographers Guild in 2003."@en .
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