. . . "Jehan Erart"@it . . . "Jehan Erart o Erars (1200/1210 ca. \u2013 1258/1259) \u00E8 stato un troviero originario di Arras, particolarmente rinomato per la sua predilezione del genere della pastourelle.Della sua opera poetica ci restano undici pastourelles, dieci grand chants e un serventois."@it . "Jehan Erart o Erars (1200/1210 ca. \u2013 1258/1259) \u00E8 stato un troviero originario di Arras, particolarmente rinomato per la sua predilezione del genere della pastourelle.Della sua opera poetica ci restano undici pastourelles, dieci grand chants e un serventois."@it . "1006510442"^^ . . . . . . . . . . . . . . "Jehan Erart"@en . . . . . . . . . . . . . . . . . "Jehan Erart (or Erars) (c.1200/10\u20131258/9) was a trouv\u00E8re from Arras, particularly noted for his favouring the pastourelle genre. He has left behind eleven pastourelles, ten grand chants, and one . Erart's presence at Arras can be deduced from his own writings. He was patronised by the wealthy middle and upper classes. In his serventois, a complainte on the death his patron Gherart Aniel, he asked Pierre and Wagon Wion to help him obtain the patronage of the bankers Henri and Robert Crespin. His relationship with two Arras trouv\u00E8res is apparent in his lyrics, Guillaume le Vinier and Jehan Bretel. He is also mentioned in a work of Guibert Kaukesel, a canon of Arras."@en . . . . "18837722"^^ . . . . "2718"^^ . . . . . . . . "Jehan Erart (or Erars) (c.1200/10\u20131258/9) was a trouv\u00E8re from Arras, particularly noted for his favouring the pastourelle genre. He has left behind eleven pastourelles, ten grand chants, and one . Erart's presence at Arras can be deduced from his own writings. He was patronised by the wealthy middle and upper classes. In his serventois, a complainte on the death his patron Gherart Aniel, he asked Pierre and Wagon Wion to help him obtain the patronage of the bankers Henri and Robert Crespin. His relationship with two Arras trouv\u00E8res is apparent in his lyrics, Guillaume le Vinier and Jehan Bretel. He is also mentioned in a work of Guibert Kaukesel, a canon of Arras. The chief characteristic of Erart's poetry is his preference for short lines, mostly , hexa-, , and octosyllabic, as opposed to the traditional decasyllable, which does occur in his chansons \"Pr\u00E9 ne vergier ne boscaige foillu\" and \"Encoire sui cil ki a merchi s'atent\" and his serventois \"Nus chanters\". Musically, Erart is syllabic, with a preference for major modes and refrains. His chansons are composed mainly in isometre, but his pastourelles are predominantly heterometric. His music is conservative and rarely exceeds a ninth in range. There are two death notices for Erart in the necrology of the Confr\u00E9rie des jongleurs et bourgeois d'Arras. One records a Jehans Erardi dying in 1258 while another records Jehan Erart dying in 1259. It is possible, when considering that his works are preserved in two different sections of the Chansonnier du Roi, that there were two Jehan Erarts, but this is not likely. Three songs attributed to Jehan Erart in one manuscript probably belong to Raoul de Beauvais."@en . . . .