. "Lee Ufan (Korean: \uC774\uC6B0\uD658, Hanja: \u674E\u79B9\u7165, Korean pronunciation: [i\u02D0uhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter and sculptor artist and academic, honored by the government of Japan for having \"contributed to the development ofcontemporary art in Japan.\" The art of this artist, who has long been based in Japan, is rooted in an Eastern appreciation of the nature of materials and also in modern European phenomenology. The origin of Mono-ha may be found in Lee's article \"Sonzai to mu wo koete Sekine Nobuo ron (Beyond Being and Nothingness \u2013 A Thesis on Sekine Nobuo.\" Once this initial impetus given, Mono-ha congealed with the participation of the students of the sculptor Yoshishige Sait\u014D, who was teaching at Tama University of Art at the time. One evidence may be found in the book [ba, so, toki] (\u5834 \u76F8 \u6642, place phase time) (Spring, 1970). Lee, the main theorist of the Mono-ha (\"School of Things\") tendency in Japan in the late 1960s and early 1970s, was trained as a philosopher. As a painter, Lee contributed to 'Korean Monotone Art' (Dansaekjo Yesul, \u55AE\u8272\u8ABF \u85DD\u8853), the first artistic movement in 20th century Korea to be promoted in Japan. He advocates a methodology of de-westernization and demodernization in both theory and practice as an antidote to the Eurocentric thought of 1960s postwar Japanese society. Lee divides his time between Kamakura, Japan and Paris, France."@en . . "Lee Ufan"@fr . . . . . . . "20250"^^ . . . "2008-03-04"^^ . . . . "\u041B\u0438 \u0423 \u0425\u0432\u0430\u043D (\u043A\u043E\u0440. \uC774\uC6B0\uD658, \u044F\u043F. \u674E\u79B9\u7165 \uFF08\u30EA\u30FB\u30A6\u30FC\u30D5\u30A1\u30F3\uFF09 \u0420\u0438 \u0423:\u0444\u0430\u043D, \u0432 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0445 \u0438 \u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u0438\u0445 \u0438\u0441\u0442\u043E\u0447\u043D\u0438\u043A\u0430\u0445 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044E\u0442\u0441\u044F \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0438\u044F Lee Ufan \u0438 Lee U-Fan, \u0440\u043E\u0434. 1936 \u0433. \u041A\u043E\u0440\u0435\u044F) \u2014 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u044B\u0439 \u044F\u043F\u043E\u043D\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A-\u043C\u0438\u043D\u0438\u043C\u0430\u043B\u0438\u0441\u0442 \u043A\u043E\u0440\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F. \u0421\u0442\u043E\u044F\u043B \u0443 \u0438\u0441\u0442\u043E\u043A\u043E\u0432 \u0437\u0430\u0440\u043E\u0436\u0434\u0435\u043D\u0438\u044F \u043A\u043E\u0440\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438 Dansaekhwa (\u043C\u043E\u043D\u043E\u0445\u0440\u043E\u043C\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C)."@ru . . . "Lee Ufan (nacido en Gyeongsang del Sur, Corea en 1936) es un artista coreano. En 1956 se traslad\u00F3 a Yokohama, Jap\u00F3n y estudi\u00F3 filosof\u00EDa. En 1973 se convirti\u00F3 en profesor de la Universidad de Arte Tama de Tokio. Obtuvo el Praemium Imperiale de pintura en 1996. Al a\u00F1o siguiente fue nombrado profesor invitado en la \u00C9cole Nationale Sup\u00E9rieure des Beaux-Arts de Par\u00EDs. Su obra se ha presentado en muchos museos, incluidos el y en de Se\u00FAl. Lee Ufan es representado por la galer\u00EDa kamel mennour en Par\u00EDs."@es . . "\u041B\u0438 \u0423 \u0425\u0432\u0430\u043D (\u043A\u043E\u0440. \uC774\uC6B0\uD658, \u044F\u043F. \u674E\u79B9\u7165 \uFF08\u30EA\u30FB\u30A6\u30FC\u30D5\u30A1\u30F3\uFF09 \u0420\u0438 \u0423:\u0444\u0430\u043D, \u0432 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0445 \u0438 \u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u0438\u0445 \u0438\u0441\u0442\u043E\u0447\u043D\u0438\u043A\u0430\u0445 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044E\u0442\u0441\u044F \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0438\u044F Lee Ufan \u0438 Lee U-Fan, \u0440\u043E\u0434. 1936 \u0433. \u041A\u043E\u0440\u0435\u044F) \u2014 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u044B\u0439 \u044F\u043F\u043E\u043D\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A-\u043C\u0438\u043D\u0438\u043C\u0430\u043B\u0438\u0441\u0442 \u043A\u043E\u0440\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F. \u0421\u0442\u043E\u044F\u043B \u0443 \u0438\u0441\u0442\u043E\u043A\u043E\u0432 \u0437\u0430\u0440\u043E\u0436\u0434\u0435\u043D\u0438\u044F \u043A\u043E\u0440\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438 Dansaekhwa (\u043C\u043E\u043D\u043E\u0445\u0440\u043E\u043C\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C)."@ru . . . . "\u041B\u0438 \u0423 \u0425\u0432\u0430\u043D"@ru . . . . . "Lee Ufan"@nl . . . . . . . . "Lee Ufan (nacido en Gyeongsang del Sur, Corea en 1936) es un artista coreano. En 1956 se traslad\u00F3 a Yokohama, Jap\u00F3n y estudi\u00F3 filosof\u00EDa. En 1973 se convirti\u00F3 en profesor de la Universidad de Arte Tama de Tokio. Obtuvo el Praemium Imperiale de pintura en 1996. Al a\u00F1o siguiente fue nombrado profesor invitado en la \u00C9cole Nationale Sup\u00E9rieure des Beaux-Arts de Par\u00EDs. Su obra se ha presentado en muchos museos, incluidos el y en de Se\u00FAl. Lee Ufan es representado por la galer\u00EDa kamel mennour en Par\u00EDs."@es . . . . . . . . . . . . . . . . "Lee Ufan (Koreaans: \uC774\uC6B0\uD658) ( (Gyeongsangnam-do), 24 juni 1936) is een Koreaans minimalistisch schilder, beeldhouwer, dichter en filosoof. Hij werkt in Japan en Frankrijk. In Japan is een museum gewijd aan zijn werk in de Benesse Art Site Naoshima terwijl zijn werk ook is opgenomen in beroemde museumcollecties zoals het MoMA en Guggenheim Museum in New York, het Centre Georges Pompidou in Parijs, de Tate Gallery in Londen en het Nederlandse Kr\u00F6ller-M\u00FCller Museum."@nl . . . . . . . "Lee Ufan"@en . . . . "Lee Ufan (en cor\u00E9en : \uC774\uC6B0\uD658, RR : I U-hwan /i\u02D0.u.hwan/), ou Lee U-fan, est un artiste et critique d'art sud-cor\u00E9en n\u00E9 le 24 juin 1936 dans le district de Haman dans le sud de la p\u00E9ninsule cor\u00E9enne, alors possession de l'empire du Japon. Il s\u2019est install\u00E9 au Japon alors qu\u2019il avait 20 ans. Lee U-fan est un artiste mondialement reconnu et honor\u00E9. Son travail est parfois consid\u00E9r\u00E9 comme proche de l'art minimal, mais il n'a pas revendiqu\u00E9 cette proximit\u00E9. Il est, aujourd'hui, \u00E0 la fois artiste et acad\u00E9micien, honor\u00E9 par le gouvernement du Japon pour avoir \u00AB contribu\u00E9 au d\u00E9veloppement de l'art contemporain au Japon \u00BB. L'art de cet artiste, longtemps r\u00E9alis\u00E9 au Japon, est ancr\u00E9 dans une appr\u00E9ciation orientale de la nature des mat\u00E9riaux et aussi dans la ph\u00E9nom\u00E9nologie europ\u00E9enne moderne. Sa participation aux premiers temps du mouvement artistique Mono-ha a \u00E9t\u00E9 d\u00E9terminante d\u00E8s 1969. Lee partage son temps entre Kamakura, au Japon et Paris."@fr . "\u674E \u79B9\u7165\uFF08\u30EA\u30FB\u30A6\u30D5\u30A1\u30F3\u3001\u671D: \uC774\uC6B0\uD658\u30011936\u5E74 -\uFF09\u306F\u3001\u5927\u97D3\u6C11\u56FD\u6176\u5C1A\u5357\u9053\u306B\u751F\u307E\u308C\u3001\u65E5\u672C\u3092\u62E0\u70B9\u306B\u4E16\u754C\u7684\u306B\u6D3B\u52D5\u3057\u3066\u3044\u308B\u7F8E\u8853\u5BB6\u3002\u591A\u6469\u7F8E\u8853\u5927\u5B66\u540D\u8A89\u6559\u6388\u3002\u672C\u8CAB\u306F\u4EC1\u5DDD\u674E\u6C0F\u3002"@ja . . . . . . . . . . "16128927"^^ . "Lee Ufan"@es . . . . "\uC774\uC6B0\uD658"@ko . . . . . . . . . . . . . . . . . . . . . . . . . "Yi Uhwan"@en . . . . . . . . . . . . . "Lee Ufan (* 24. Juni 1936 in , Keish\u014D-nand\u014D, Provinz Ch\u014Dsen, damaliges Japanisches Kaiserreich, heutiges S\u00FCdkorea), auch Yi U-hwan, ist ein Maler und Bildhauer, der sich in seiner minimalistischen Kunst auf asiatische und auf europ\u00E4ische Wurzeln bezieht."@de . . "Lee Ufan (en cor\u00E9en : \uC774\uC6B0\uD658, RR : I U-hwan /i\u02D0.u.hwan/), ou Lee U-fan, est un artiste et critique d'art sud-cor\u00E9en n\u00E9 le 24 juin 1936 dans le district de Haman dans le sud de la p\u00E9ninsule cor\u00E9enne, alors possession de l'empire du Japon. Il s\u2019est install\u00E9 au Japon alors qu\u2019il avait 20 ans. Lee partage son temps entre Kamakura, au Japon et Paris."@fr . "Lee Ufan (* 24. Juni 1936 in , Keish\u014D-nand\u014D, Provinz Ch\u014Dsen, damaliges Japanisches Kaiserreich, heutiges S\u00FCdkorea), auch Yi U-hwan, ist ein Maler und Bildhauer, der sich in seiner minimalistischen Kunst auf asiatische und auf europ\u00E4ische Wurzeln bezieht."@de . . . . . "Lee Ufan"@de . . . . "\uC774\uC6B0\uD658(\u674E\u79B9\u7165, 1936\uB144 6\uC6D4 24\uC77C ~ )\uC740 \uB300\uD55C\uBBFC\uAD6D\uC758 \uC870\uAC01\uAC00, \uD654\uAC00\uC774\uB2E4. \uC77C\uBCF8\uC758 \uD68D\uAE30\uC801 \uBBF8\uC220 \uC6B4\uB3D9\uC778 \uC758 \uCC3D\uC2DC\uC790\uC774\uBA70, \uB3D9\uC591\uC0AC\uC0C1\uC73C\uB85C \uBBF8\uB2C8\uBA40\uB9AC\uC998\uC758 \uD55C\uACC4\uB97C \uADF9\uBCF5\uD558\uC5EC \uAD6D\uC81C\uC801\uC73C\uB85C \uBA85\uC131\uC774 \uB192\uB2E4. \uC8FC\uC694 \uC791\uD488\uC73C\uB85C\uB294 \u3008\uC120\uC73C\uB85C\uBD80\uD130\u3009(1974), \u3008\uB3D9\uD48D\u3009(1974), \u3008\uC870\uC751\u3009(1988), \u3008\uC810\uC5D0\uC11C\u3009(1975), \u3008\uC0C1\uC751\u3009(1998) <\uAD00\uACC4\uD56D(Relatum> (2010)\uB4F1\uC774 \uC788\uB2E4."@ko . . . . . . . . . . . . . . . . . . . . . . . "1124526059"^^ . . "\u674E \u79B9\u7165\uFF08\u30EA\u30FB\u30A6\u30D5\u30A1\u30F3\u3001\u671D: \uC774\uC6B0\uD658\u30011936\u5E74 -\uFF09\u306F\u3001\u5927\u97D3\u6C11\u56FD\u6176\u5C1A\u5357\u9053\u306B\u751F\u307E\u308C\u3001\u65E5\u672C\u3092\u62E0\u70B9\u306B\u4E16\u754C\u7684\u306B\u6D3B\u52D5\u3057\u3066\u3044\u308B\u7F8E\u8853\u5BB6\u3002\u591A\u6469\u7F8E\u8853\u5927\u5B66\u540D\u8A89\u6559\u6388\u3002\u672C\u8CAB\u306F\u4EC1\u5DDD\u674E\u6C0F\u3002"@ja . . "\u674E\u79B9\u7165"@ja . "Lee Ufan (Korean: \uC774\uC6B0\uD658, Hanja: \u674E\u79B9\u7165, Korean pronunciation: [i\u02D0uhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter and sculptor artist and academic, honored by the government of Japan for having \"contributed to the development ofcontemporary art in Japan.\" The art of this artist, who has long been based in Japan, is rooted in an Eastern appreciation of the nature of materials and also in modern European phenomenology. The origin of Mono-ha may be found in Lee's article \"Sonzai to mu wo koete Sekine Nobuo ron (Beyond Being and Nothingness \u2013 A Thesis on Sekine Nobuo.\" Once this initial impetus given, Mono-ha congealed with the participation of the students of the sculptor Yoshishige Sait\u014D, who was teaching at Tama University of Art at the time."@en . . . . . . . . . . . . . . . . . . . . "\uC774\uC6B0\uD658(\u674E\u79B9\u7165, 1936\uB144 6\uC6D4 24\uC77C ~ )\uC740 \uB300\uD55C\uBBFC\uAD6D\uC758 \uC870\uAC01\uAC00, \uD654\uAC00\uC774\uB2E4. \uC77C\uBCF8\uC758 \uD68D\uAE30\uC801 \uBBF8\uC220 \uC6B4\uB3D9\uC778 \uC758 \uCC3D\uC2DC\uC790\uC774\uBA70, \uB3D9\uC591\uC0AC\uC0C1\uC73C\uB85C \uBBF8\uB2C8\uBA40\uB9AC\uC998\uC758 \uD55C\uACC4\uB97C \uADF9\uBCF5\uD558\uC5EC \uAD6D\uC81C\uC801\uC73C\uB85C \uBA85\uC131\uC774 \uB192\uB2E4. \uC8FC\uC694 \uC791\uD488\uC73C\uB85C\uB294 \u3008\uC120\uC73C\uB85C\uBD80\uD130\u3009(1974), \u3008\uB3D9\uD48D\u3009(1974), \u3008\uC870\uC751\u3009(1988), \u3008\uC810\uC5D0\uC11C\u3009(1975), \u3008\uC0C1\uC751\u3009(1998) <\uAD00\uACC4\uD56D(Relatum> (2010)\uB4F1\uC774 \uC788\uB2E4."@ko . . . . . "I Uhwan"@en . . . . . . . . . . "Lee Ufan (Koreaans: \uC774\uC6B0\uD658) ( (Gyeongsangnam-do), 24 juni 1936) is een Koreaans minimalistisch schilder, beeldhouwer, dichter en filosoof. Hij werkt in Japan en Frankrijk. In Japan is een museum gewijd aan zijn werk in de Benesse Art Site Naoshima terwijl zijn werk ook is opgenomen in beroemde museumcollecties zoals het MoMA en Guggenheim Museum in New York, het Centre Georges Pompidou in Parijs, de Tate Gallery in Londen en het Nederlandse Kr\u00F6ller-M\u00FCller Museum."@nl .