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<http://dbpedia.org/resource/Leon_Battista_Alberti>	<http://dbpedia.org/ontology/abstract>	"Leon Battista Alberti (G\u00E9nova, Italia, 18 de febrero de 1404-Roma, 20/25 de abril de 1472) fue un arquitecto, secretario personal (abreviador apost\u00F3lico) de tres papas \u2014Eugenio IV, Nicol\u00E1s V y P\u00EDo II\u2014, humanista, tratadista, matem\u00E1tico y poeta italiano. Adem\u00E1s de estas actividades principales, tambi\u00E9n fue cript\u00F3grafo, ling\u00FCista, fil\u00F3sofo, m\u00FAsico y arque\u00F3logo. Fue uno de los humanistas m\u00E1s polifac\u00E9ticos e importantes del Renacimiento. Alberti fue el primer te\u00F3rico art\u00EDstico del Renacimiento, una figura emblem\u00E1tica por su dedicaci\u00F3n a las m\u00E1s variadas disciplinas. Se mostr\u00F3 constantemente interesado por la b\u00FAsqueda de reglas, tanto te\u00F3ricas como pr\u00E1cticas, capaces de orientar el trabajo de los artistas; en sus obras menciona algunos c\u00E1nones. Por ejemplo, en De statua expone las proporciones del cuerpo humano, en De pictura aporta la primera definici\u00F3n de la perspectiva cient\u00EDfica, en De mantua proporciona una definici\u00F3n sobre el reconocimiento especial a las mezclas entre los colores y las formas, especialmente en lo respectivo a los fluidos y sus tipos y, por \u00FAltimo, en De re aedificatoria (obra que termina en 1452) describe toda la casu\u00EDstica relativa a la arquitectura moderna, subrayando la importancia del proyecto, los diversos tipos de edificios siguiendo las funciones que deben desempe\u00F1ar. El aspecto m\u00E1s innovador de sus propuestas consiste en mezclar lo antiguo y lo moderno, propugnando de ese modo la praxis antigua y la moderna, que hab\u00EDa iniciado Filippo Brunelleschi. Adem\u00E1s, seg\u00FAn Alberti: \"...el artista en este contexto social no debe ser un simple artesano, sino un intelectual preparado en todas las disciplinas y en todos los terrenos\". Una idea heredera del enciclopedismo medieval de los doctos, pero adaptada a la vanguardia humanista. La clase social con la que Alberti se relacionar\u00E1 es la alta burgues\u00EDa culta florentina. Trabaj\u00F3 al servicio de los mecenas m\u00E1s importantes de su \u00E9poca: el papado, los Este en Ferrara, los Gonzaga en Mantua, los Malatesta en R\u00EDmini."@es .
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\u03B4\u03B7\u03BC\u03B9\u03BF\u03CD\u03C1\u03B3\u03B7\u03C3\u03B5 \u03C4\u03B7\u03BD \u03C5\u03C0\u03AD\u03C1\u03BF\u03C7\u03B7 \u03C0\u03C1\u03CC\u03C3\u03BF\u03C8\u03B7 \u03C4\u03B7\u03C2 \u03A3\u03AC\u03BD\u03C4\u03B1 \u039C\u03B1\u03C1\u03AF\u03B1 \u039D\u03BF\u03B2\u03AD\u03BB\u03BB\u03B1. \u039F \u0391\u03BB\u03BC\u03C0\u03AD\u03C1\u03C4\u03B9 \u03AE\u03C4\u03B1\u03BD \u03BF \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03B7\u03C1\u03B9\u03C3\u03C4\u03B9\u03BA\u03CC\u03C2 \u03C4\u03CD\u03C0\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C4\u03B7\u03C2 \u0391\u03BD\u03B1\u03B3\u03AD\u03BD\u03BD\u03B7\u03C3\u03B7\u03C2, \u03AD\u03BD\u03B1\u03C2 \u03AC\u03BD\u03B8\u03C1\u03C9\u03C0\u03BF\u03C2 \u03C0\u03BF\u03C5 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03B7\u03C1\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u00AB\u03B5\u03BD\u03C3\u03B1\u03C1\u03BA\u03C9\u03BC\u03AD\u03BD\u03B7 \u03C3\u03CD\u03BD\u03B8\u03B5\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03B5\u03C0\u03BF\u03C7\u03AE\u03C2 \u03C4\u03BF\u03C5\u00BB."@el .
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<http://dbpedia.org/resource/Leon_Battista_Alberti>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Leon Battista Alberti (Genova, 1404ko otsailaren 14a - Erroma, 1472ko apirilaren 25a) Pizkundeko humanista, apaiz, poeta, hizkuntzalari, filosofo eta arkitekto italiarra izan zen. Uomo Universale gisa, Lehen Pizkundeko humanismo idealaren ordezkaria izan zen."@eu .
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<http://dbpedia.org/resource/Leon_Battista_Alberti>	<http://dbpedia.org/ontology/abstract>	"Leon Battista Alberti (Genova, 18 febbraio 1404 \u2013 Roma, 25 aprile 1472) \u00E8 stato un architetto, scrittore, matematico, umanista, crittografo, linguista, filosofo, musicista e archeologo italiano; fu una delle figure artistiche pi\u00F9 poliedriche del Rinascimento. Il suo primo nome si trova spesso, soprattutto in testi stranieri, come Leone. Alberti fa parte della seconda generazione di umanisti (quella successiva a Vergerio, Bruni, Bracciolini, Francesco Barbaro), di cui fu una figura emblematica per il suo interesse nelle pi\u00F9 varie discipline. Un suo costante interesse era la ricerca delle regole, teoriche o pratiche, in grado di guidare il lavoro degli artisti. Nelle sue opere menzion\u00F2 alcuni canoni, ad esempio: nel \"De statua\" espose le proporzioni del corpo umano, nel \"De pictura\" forn\u00EC la prima definizione della prospettiva scientifica e infine nel \"De re aedificatoria\" (opera cui lavor\u00F2 fino alla morte, nel 1472), descrisse tutta la casistica relativa all'architettura moderna, sottolineando l'importanza del progetto e le diverse tipologie di edifici a seconda della loro funzione. Tale opera lo render\u00E0 immortale nei secoli e motivo di studio a livello internazionale da artisti come Eug\u00E8ne Viollet-le-Duc e John Ruskin.Come architetto, Alberti viene considerato, accanto a Brunelleschi, il fondatore dell'architettura rinascimentale. L'aspetto innovativo delle sue proposte, soprattutto sia in ambito architettonico che umanistico, consisteva nella rielaborazione moderna dell'antico, cercato come modello da emulare e non semplicemente da replicare. Egli lavor\u00F2 per committenti quali i Gonzaga a Mantova e a Firenze (per la tribuna della Santissima Annunziata), i Malatesta a Rimini, i Rucellai a Firenze."@it .
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<http://dbpedia.org/resource/Leon_Battista_Alberti>	<http://dbpedia.org/ontology/abstract>	"Leon Battista Alberti (* 14. Februar 1404 in Genua; \u2020 25. April 1472 in Rom) war ein italienischer Humanist, Schriftsteller, Mathematiker, Kunst- und Architekturtheoretiker sowie Architekt und Medailleur der Fr\u00FChrenaissance. Alberti geh\u00F6rt zu den erstaunlichsten und widerspr\u00FCchlichsten Gestalten der italienischen Renaissance. Jacob Burckhardt sieht in ihm in seiner \u201EKultur der Renaissance\u201C eine Verk\u00F6rperung des uomo universale. Begabt mit au\u00DFergew\u00F6hnlich vielen Talenten trat er als Autor von diversen Fachb\u00FCchern, kunsttheoretischen Traktaten, mathematischen Abhandlungen sowie von B\u00FCchern \u00FCber gesellschaftliche Themen wie \u201EDella famiglia\u201C oder von gro\u00DFangelegten Satiren wie \u201EMomus\u201C hervor. Dar\u00FCber hinaus beherrschte er alle sieben \u201Eartes liberales\u201C. Einzigartig in seiner Zeit aber wurde er als Theoretiker der Malerei, Skulptur und Architektur. Als Kleriker und langj\u00E4hriger Angestellter der p\u00E4pstlichen Kanzlei entwickelte er sich dar\u00FCber hinaus durch sein theoretisches und praktisches Studium der r\u00F6mischen Antike und durch seinen Zugang zu den f\u00FChrenden Humanistenkreisen des 15. Jahrhunderts zum gr\u00F6\u00DFten Fachmann seiner Zeit f\u00FCr die antike Baukunst. In seinem umfangreichen Werk \u00DCber die Familie schreibt er \u00FCber die \u00D6konomie des famili\u00E4ren Haushalts, \u00FCber die Ehe, die Kindererziehung und \u00FCber die Freundschaft. Seine Methode zur Verschl\u00FCsselung von Texten wurde \u00FCber mehrere Jahrhunderte nicht verbessert, und sein Orgelspiel im Dom von Florenz wurde allgemein gelobt. Allein in der Kunst der Malerei soll er, wie Giorgio Vasari bem\u00E4ngelt, kein Meister gewesen sein."@de .
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