. . . . . "Die Metamorphosen (lateinisch Metamorphoses \u201EVerwandlungen\u201C oder Metamorphoseon libri \u201EB\u00FCcher der Verwandlungen\u201C) des r\u00F6mischen Dichters Publius Ovidius Naso, geschrieben vermutlich um das Jahr 1 n. Chr. bis 8 n. Chr., sind ein in Hexametern verfasstes mythologisches Gedicht \u00FCber Metamorphosen (altgriechisch \u03BC\u03B5\u03C4\u03B1\u03BC\u03CC\u03C1\u03C6\u03C9\u03C3\u03B9\u03C2 metam\u00F3rphosis \u201EVerwandlung in eine andere Gestalt\u201C). In 15 B\u00FCchern zu je etwa 700 bis 900 Versen wird die Geschichte der Welt von ihren Anf\u00E4ngen bis hin zur Gegenwart des Dichters erz\u00E4hlt und in rund 250 Einzelsagen aus der r\u00F6mischen und griechischen Mythologie mit hohem k\u00FCnstlerischen Esprit dargestellt. Von ihrem Erscheinen an sind die Metamorphosen eine der popul\u00E4rsten Mythendichtungen \u00FCberhaupt und sicherlich die den mittelalterlichen Schriftstellern und Dichtern am besten bekannte. Der Einfluss dieses Werks auf die Literatur nachfolgender Zeiten sowie auf die bildende Kunst des Mittelalters, des Barock bis hin zu der der Neuzeit ist enorm. Thematischer Kern ist das in Mythen h\u00E4ufig anzutreffende Verwandlungsmotiv, worin meist ein Mensch oder ein niederer Gott in eine Pflanze, ein Tier oder ein Sternbild (Katasterismos) verwandelt wird. Das Werk beginnt mit einem Pro\u00F6mium, setzt an bei der Entstehung der Welt aus dem Chaos und endet bei der Verwandlung von Caesars Seele in einen Stern, woran noch eine Anrufung an Augustus und ein Epilog anschlie\u00DFen. Die logische Verkn\u00FCpfung der oftmals thematisch nicht zusammengeh\u00F6rigen Einzelgeschichten erfolgt durch . Behandelt werden sowohl zentrale Geschichten und Figuren der Mythologie (z. B. Kosmogonie, Herakles, trojanischer Krieg) als auch eher abgelegene Mythen. Manche Metamorphosen werden sogar nur ganz knapp angedeutet oder nebenbei erw\u00E4hnt (z. B. bei Medeas Rundflug \u00FCber die \u00C4g\u00E4is im siebten Buch). Sprachlich zeichnet sich das Gedicht durch ein gro\u00DFes erz\u00E4hlerisches Variationsbestreben und einen hohen k\u00FCnstlerischen Anspruch aus, sodass je nach Thema elegische, epische, tragische, komische oder sogar groteske T\u00F6ne anklingen k\u00F6nnen. Aufgrund dieser Mischung aus epischer Form, stofflicher Vielfalt und dichterischer Eleganz werden die Metamorphosen als Epos sui generis (\u201Evon ganz eigener Art\u201C) bezeichnet."@de . . . . . . . . . . . "Ovid's relation to the Hellenistic poets was similar to the attitude of the Hellenistic poets themselves to their predecessors: he demonstrated that he had read their versions ... but that he could still treat the myths in his own way."@en . . "\u00AB\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u0438\u00BB (\u043B\u0430\u0442. Metamorphoses < \u0434\u0430\u0432.-\u0433\u0440. \u03BC\u03B5\u03C4\u1FB0\u03BC\u03BF\u03C1\u03C6\u03CE\u03C3\u03B5\u03B9\u03C2 \u2014 \u00AB\u041F\u0435\u0440\u0435\u0432\u0442\u0456\u043B\u0435\u043D\u043D\u044F\u00BB) \u2014 \u043D\u0430\u0439\u0431\u0456\u043B\u044C\u0448\u0430 \u0437\u0430 \u043E\u0431\u0441\u044F\u0433\u043E\u043C \u043F\u043E\u0435\u043C\u0430 \u0443 \u0440\u0438\u043C\u0441\u044C\u043A\u0456\u0439 \u043B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0456 (15 \u043A\u043D\u0438\u0433), \u043D\u0430\u0439\u0432\u0438\u0437\u043D\u0430\u0447\u043D\u0456\u0448\u0438\u0439 \u0442\u0432\u0456\u0440 \u041F\u0443\u0431\u043B\u0456\u044F \u041E\u0432\u0456\u0434\u0456\u044F \u041D\u0430\u0437\u043E\u043D\u0430 (43 \u0440. \u0434\u043E \u043D. \u0435. \u2014 18 \u0440. \u043D. \u0435.). \u041E\u043F\u0438\u0441\u0443\u0454 \u0441\u0442\u0432\u043E\u0440\u0435\u043D\u043D\u044F \u0442\u0430 \u0456\u0441\u0442\u043E\u0440\u0456\u044E \u0441\u0432\u0456\u0442\u0443 \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0456 \u0433\u0440\u0435\u0446\u044C\u043A\u043E\u0457 \u0442\u0430 \u0440\u0438\u043C\u0441\u044C\u043A\u043E\u0457 \u043C\u0456\u0444\u043E\u043B\u043E\u0433\u0456\u0439. \u041E\u0434\u0438\u043D \u0456\u0437 \u043D\u0430\u0439\u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0456\u0448\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u043F\u0440\u043E \u043C\u0456\u0444\u043E\u043B\u043E\u0433\u0456\u044E, \u0431\u0443\u0432 \u0434\u043E\u0431\u0440\u0435 \u0432\u0456\u0434\u043E\u043C\u0438\u043C \u0441\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0432\u0456\u0447\u043D\u0438\u043C \u0430\u0432\u0442\u043E\u0440\u0430\u043C \u0456 \u043C\u0430\u0432 \u0437\u043D\u0430\u0447\u043D\u0438\u0439 \u043D\u0430 \u043D\u0438\u0445 \u0432\u043F\u043B\u0438\u0432."@uk . . . . . . . "\u2014 Ian Johnston"@en . . . . . . . . . "Metamorphoses"@in . "Las metamorfosis (Metamorphoseis, en lat\u00EDn; del griego \u03BC\u03B5\u03C4\u03B1\u03BC\u03CC\u03C1\u03C6\u03C9\u03C3\u03B9\u03C2, 'transformaci\u00F3n'), del poeta romano Ovidio, es un poema en quince libros que narra la historia del mundo desde su creaci\u00F3n hasta la deificaci\u00F3n de Julio C\u00E9sar, combinando con libertad mitolog\u00EDa e historia. Fue terminado en el a\u00F1o 8 d. C.[cita requerida]"@es . . . . . . . . "M\u00E9tamorphoses (Ovide)"@fr . . . . . . . . . . "\u300A\u8B8A\u5F62\u8A18\u300B\uFF08\u62C9\u4E01\u8A9E\uFF1AMetamorphoseon libri\uFF09\u662F\u7F85\u99AC\u7684\u8A69\u4EBA\u5967\u7DAD\u5FB7\u7684\u4F5C\u54C1\uFF0C\u5927\u7D04\u958B\u59CB\u5BEB\u65BC\u516C\u51431\u5E74\u62163\u5E74\uFF0C\u5B8C\u6210\u4E8E\u516C\u51438\u5E74\uFF0C\u662F\u4F7F\u7528\u516D\u6B65\u683C\u8A69\u9AD4\u8A18\u9304\u4E86\u95DC\u65BC\u8B8A\u5F62\u7684\u795E\u8A71\u4F5C\u54C1\u3002\u300A\u8B8A\u5F62\u8A18\u300B\u670915\u518A\uFF0C\u6BCF\u518A\u5927\u6982700\u5230900\u884C\uFF0C\u63CF\u8FF0\u4E86\u7F85\u99AC\u548C\u5E0C\u81D8\u795E\u8A71\u4E2D\u7684\u4E16\u754C\u6B77\u53F2\u3002\u5176\u4E2D\u7E3D\u5171\u5305\u62EC\u4E86\u5927\u7D04250\u500B\u5DE6\u53F3\u7684\u50B3\u8AAA\uFF08\u591A\u4E3A\u7231\u60C5\u6545\u4E8B\uFF09\u3002\u5F9E\u5176\u7B2C\u4E00\u6B21\u767C\u884C\u958B\u59CB\uFF0C\u300A\u8B8A\u5F62\u8A18\u300B\u5C31\u6210\u70BA\u4E86\u6700\u53D7\u6B61\u8FCE\u7684\u795E\u8A71\u4F5C\u54C1\u4E4B\u4E00\uFF0C\u4E5F\u5927\u53D7\u4E2D\u4E16\u7EAA\u7684\u4F5C\u5BB6\u548C\u8A69\u4EBA\u7684\u559C\u611B\uFF0C\u56E0\u6B64\u5176\u5C0D\u4E2D\u4E16\u7D00\u7684\u6587\u5B78\u4F5C\u54C1\u4EE5\u53CA\u4E2D\u4E16\u7D00\u751A\u81F3\u5230\u5DF4\u7F85\u514B\u6642\u671F\u7684\u7E6A\u756B\u85DD\u8853\u6709\u6DF1\u9060\u7684\u5F71\u97FF\u3002 \u5168\u8A69\u5171\u5341\u4E94\u5377\uFF0C\u53D6\u6750\u65BC\u53E4\u5E0C\u81D8\u7F85\u99AC\u795E\u8A71\uFF0C\u6839\u64DA\u53E4\u5E0C\u81D8\u54F2\u5B78\u5BB6\u7562\u9054\u54E5\u62C9\u65AF\u7684\u201C\u9748\u9B42\u8F49\u56DE\u201D\u7406\u8AD6\uFF0C\u8B8A\u5F62\uFF0C\u5373\u4EBA\u7531\u65BC\u67D0\u7A2E\u539F\u56E0\u88AB\u8B8A\u6210\u52D5\u7269\u3001\u690D\u7269\u3001\u661F\u661F\u3001\u77F3\u982D\u7B49\u9019\u4E00\u7DDA\u7D22\u8CAB\u7A7F\u5168\u66F8\uFF0C\u662F\u53E4\u5E0C\u81D8\u7F85\u99AC\u795E\u8A71\u7684\u5927\u532F\u96C6\u3002\u6545\u4E8B\u6309\u7167\u6642\u9593\u9806\u5E8F\u6558\u8FF0\uFF0C\u7531\u5B87\u5B99\u7684\u5275\u7ACB\u3001\u5927\u5730\u7684\u5F62\u6210\u3001\u4EBA\u985E\u7684\u51FA\u73FE\u958B\u59CB\uFF0C\u76F4\u81F3\u7F85\u99AC\u7684\u5EFA\u7ACB\uFF0C\u51F1\u6492\u9047\u523A\u8B8A\u70BA\u661F\u8FB0\u548C\u5967\u53E4\u65AF\u90FD\u9806\u61C9\u5929\u610F\u5EFA\u7ACB\u7D71\u6CBB\u70BA\u6B62\u3002"@zh . . . . "30"^^ . "\u039C\u03B5\u03C4\u03B1\u03BC\u03BF\u03C1\u03C6\u03CE\u03C3\u03B5\u03B9\u03C2"@el . . . . . "Les Metamorfosis (en llat\u00ED original Metamorphoseon), del poeta rom\u00E0 Ovidi, \u00E9s un poema narratiu en quinze llibres i que abasta prop de 12.000 hex\u00E0metres que descriu la creaci\u00F3 i la Hist\u00F2ria del m\u00F3n, fent servir com a fonts les tradicions mitol\u00F2giques de Gr\u00E8cia i Roma. Probablement escrit entre els anys 2 i 8 dC, roman encara una de les obres de mitologia m\u00E9s populars, havent estat l'obra cl\u00E0ssica m\u00E9s coneguda en l'edat mitjana i la m\u00E9s influent en la tradici\u00F3 liter\u00E0ria occidental, comen\u00E7ant per la ."@ca . . . . . . "\u2014 Karl Galinsky"@en . "Metamorfozoj"@eo . . . . . . . . . . . . "De Metamorfosen (Metamorphoseon libri) is een vijftien delen omvattend Latijns dichtwerk, bestaand uit ongeveer 12.000 regels, van de Romeinse dichter Publius Ovidius Naso. Het is een narratief epos dat genres overstijgt."@nl . . . . . . . "Prom\u011Bny (latinsky Metamorphoses) jsou nejv\u011Bt\u0161\u00ED d\u00EDlo \u0159\u00EDmsk\u00E9ho b\u00E1sn\u00EDka Ovidia. D\u00EDlo m\u00E1 podobu mnoha do 15 knih uspo\u0159\u00E1dan\u00FDch kr\u00E1tk\u00FDch epick\u00FDch b\u00E1sn\u00ED v daktylsk\u00E9m hexametru, kter\u00E9 vypr\u00E1v\u011Bj\u00ED \u0159eck\u00E9 a \u0159\u00EDmsk\u00E9 mytick\u00E9 p\u0159\u00EDb\u011Bhy, jim\u017E byl spole\u010Dn\u00FD motiv prom\u011Bny."@cs . . "\u5909\u8EAB\u7269\u8A9E"@ja . . "8"^^ . . . . . . . . . . . . . . . . . . . . . . . . . "44797"^^ . . . . "83101"^^ . . . . . "Metamorfozy"@pl . . . . . . "Les M\u00E9tamorphoses (en latin Metamorph\u014Dse\u014Dn libr\u012B, \u00AB Livres des m\u00E9tamorphoses \u00BB) sont un long po\u00E8me latin d'Ovide, dont la composition d\u00E9bute probablement en l'an 1. L'\u0153uvre comprend quinze livres (pr\u00E8s de douze mille vers) \u00E9crits en hexam\u00E8tres dactyliques et regroupe plusieurs centaines de r\u00E9cits courts sur le th\u00E8me des m\u00E9tamorphoses issus de la mythologie grecque et de la mythologie romaine, organis\u00E9s selon une structure complexe et souvent imbriqu\u00E9s les uns dans les autres. La structure g\u00E9n\u00E9rale du po\u00E8me suit une progression chronologique, depuis la cr\u00E9ation du monde jusqu'\u00E0 l'\u00E9poque o\u00F9 vit l'auteur, c'est-\u00E0-dire le r\u00E8gne de l'empereur Auguste. Fameux d\u00E8s l'Antiquit\u00E9, le po\u00E8me devient un classique de la litt\u00E9rature latine traduit dans le monde entier et conna\u00EEt une post\u00E9rit\u00E9 abondante jusqu'\u00E0 l'\u00E9poque actuelle. Il a suscit\u00E9 de nombreux commentaires et analyses et a inspir\u00E9 de nombreux artistes de l'Antiquit\u00E9 jusqu'\u00E0 nos jours."@fr . "The Metamorphoses (Latin: Metamorph\u014Ds\u0113s, from Ancient Greek: \u03BC\u03B5\u03C4\u03B1\u03BC\u03BF\u03C1\u03C6\u03CE\u03C3\u03B5\u03B9\u03C2: \"Transformations\") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines."@en . "Metamorfoses"@pt . . . . . . . . . . . . . "\u300A\u8B8A\u5F62\u8A18\u300B\uFF08\u62C9\u4E01\u8A9E\uFF1AMetamorphoseon libri\uFF09\u662F\u7F85\u99AC\u7684\u8A69\u4EBA\u5967\u7DAD\u5FB7\u7684\u4F5C\u54C1\uFF0C\u5927\u7D04\u958B\u59CB\u5BEB\u65BC\u516C\u51431\u5E74\u62163\u5E74\uFF0C\u5B8C\u6210\u4E8E\u516C\u51438\u5E74\uFF0C\u662F\u4F7F\u7528\u516D\u6B65\u683C\u8A69\u9AD4\u8A18\u9304\u4E86\u95DC\u65BC\u8B8A\u5F62\u7684\u795E\u8A71\u4F5C\u54C1\u3002\u300A\u8B8A\u5F62\u8A18\u300B\u670915\u518A\uFF0C\u6BCF\u518A\u5927\u6982700\u5230900\u884C\uFF0C\u63CF\u8FF0\u4E86\u7F85\u99AC\u548C\u5E0C\u81D8\u795E\u8A71\u4E2D\u7684\u4E16\u754C\u6B77\u53F2\u3002\u5176\u4E2D\u7E3D\u5171\u5305\u62EC\u4E86\u5927\u7D04250\u500B\u5DE6\u53F3\u7684\u50B3\u8AAA\uFF08\u591A\u4E3A\u7231\u60C5\u6545\u4E8B\uFF09\u3002\u5F9E\u5176\u7B2C\u4E00\u6B21\u767C\u884C\u958B\u59CB\uFF0C\u300A\u8B8A\u5F62\u8A18\u300B\u5C31\u6210\u70BA\u4E86\u6700\u53D7\u6B61\u8FCE\u7684\u795E\u8A71\u4F5C\u54C1\u4E4B\u4E00\uFF0C\u4E5F\u5927\u53D7\u4E2D\u4E16\u7EAA\u7684\u4F5C\u5BB6\u548C\u8A69\u4EBA\u7684\u559C\u611B\uFF0C\u56E0\u6B64\u5176\u5C0D\u4E2D\u4E16\u7D00\u7684\u6587\u5B78\u4F5C\u54C1\u4EE5\u53CA\u4E2D\u4E16\u7D00\u751A\u81F3\u5230\u5DF4\u7F85\u514B\u6642\u671F\u7684\u7E6A\u756B\u85DD\u8853\u6709\u6DF1\u9060\u7684\u5F71\u97FF\u3002 \u5168\u8A69\u5171\u5341\u4E94\u5377\uFF0C\u53D6\u6750\u65BC\u53E4\u5E0C\u81D8\u7F85\u99AC\u795E\u8A71\uFF0C\u6839\u64DA\u53E4\u5E0C\u81D8\u54F2\u5B78\u5BB6\u7562\u9054\u54E5\u62C9\u65AF\u7684\u201C\u9748\u9B42\u8F49\u56DE\u201D\u7406\u8AD6\uFF0C\u8B8A\u5F62\uFF0C\u5373\u4EBA\u7531\u65BC\u67D0\u7A2E\u539F\u56E0\u88AB\u8B8A\u6210\u52D5\u7269\u3001\u690D\u7269\u3001\u661F\u661F\u3001\u77F3\u982D\u7B49\u9019\u4E00\u7DDA\u7D22\u8CAB\u7A7F\u5168\u66F8\uFF0C\u662F\u53E4\u5E0C\u81D8\u7F85\u99AC\u795E\u8A71\u7684\u5927\u532F\u96C6\u3002\u6545\u4E8B\u6309\u7167\u6642\u9593\u9806\u5E8F\u6558\u8FF0\uFF0C\u7531\u5B87\u5B99\u7684\u5275\u7ACB\u3001\u5927\u5730\u7684\u5F62\u6210\u3001\u4EBA\u985E\u7684\u51FA\u73FE\u958B\u59CB\uFF0C\u76F4\u81F3\u7F85\u99AC\u7684\u5EFA\u7ACB\uFF0C\u51F1\u6492\u9047\u523A\u8B8A\u70BA\u661F\u8FB0\u548C\u5967\u53E4\u65AF\u90FD\u9806\u61C9\u5929\u610F\u5EFA\u7ACB\u7D71\u6CBB\u70BA\u6B62\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Metamorphoses"@en . . . "The Metamorphoses (Latin: Metamorph\u014Ds\u0113s, from Ancient Greek: \u03BC\u03B5\u03C4\u03B1\u03BC\u03BF\u03C1\u03C6\u03CE\u03C3\u03B5\u03B9\u03C2: \"Transformations\") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, painting, and music. Although interest in Ovid faded after the Renaissance, there was a resurgence of attention to his work towards the end of the 20th century. Today the Metamorphoses continues to inspire and be retold through various media. Numerous English translations of the work have been made, the first by William Caxton in 1480."@en . . . . . . "\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u044B (\u041E\u0432\u0438\u0434\u0438\u0439)"@ru . . . . "Metamorfozy (tak\u017Ce Przemiany, \u0142ac. Metamorphoseon, Libri Quindecim) \u2013 z\u0142o\u017Cony z pi\u0119tnastu ksi\u0105g poemat epicki, napisany przez rzymskiego poet\u0119 Owidiusza, przedstawiaj\u0105cy przy pomocy w\u0105tk\u00F3w mitologii greckiej i rzymskiej stworzenie i histori\u0119 \u015Bwiata. Owidiusz opowiada lub wspomina 250 mit\u00F3w zawieraj\u0105cych motyw przemiany. Utw\u00F3r mia\u0142 na celu stworzenie oryginalnej, rzymskiej wersji kosmogonii i by\u0142 tworzony pod mecenatem Oktawiana Augusta mi\u0119dzy 2 a 8 rokiem naszej ery."@pl . "\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u0438"@uk . . . . "Page from the edition of Ovid's Metamorphoses published by Lucantonio Giunti in Venice, 1497"@en . . . "Metamorfosiak (Ovidio)"@eu . . . . "Metamorphosen (Ovid)"@de . . . "Metamorfoser, (latin: Metamorphoseon libri, \"F\u00F6rvandlingarnas b\u00F6cker\") \u00E4r den romerske skalden Ovidius mest k\u00E4nda verk. Den \u00E4r skriven p\u00E5 hexameter och best\u00E5r av ungef\u00E4r 250 olika sagor vilka alla har en f\u00F6rvandling, en metamorfos, som ett centralt motiv."@sv . . . . "Publius Ovidius Naso"@en . . . . . . . . . . "\u00AB\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u0438\u00BB (\u043B\u0430\u0442. Metamorphoses < \u0434\u0430\u0432.-\u0433\u0440. \u03BC\u03B5\u03C4\u1FB0\u03BC\u03BF\u03C1\u03C6\u03CE\u03C3\u03B5\u03B9\u03C2 \u2014 \u00AB\u041F\u0435\u0440\u0435\u0432\u0442\u0456\u043B\u0435\u043D\u043D\u044F\u00BB) \u2014 \u043D\u0430\u0439\u0431\u0456\u043B\u044C\u0448\u0430 \u0437\u0430 \u043E\u0431\u0441\u044F\u0433\u043E\u043C \u043F\u043E\u0435\u043C\u0430 \u0443 \u0440\u0438\u043C\u0441\u044C\u043A\u0456\u0439 \u043B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0456 (15 \u043A\u043D\u0438\u0433), \u043D\u0430\u0439\u0432\u0438\u0437\u043D\u0430\u0447\u043D\u0456\u0448\u0438\u0439 \u0442\u0432\u0456\u0440 \u041F\u0443\u0431\u043B\u0456\u044F \u041E\u0432\u0456\u0434\u0456\u044F \u041D\u0430\u0437\u043E\u043D\u0430 (43 \u0440. \u0434\u043E \u043D. \u0435. \u2014 18 \u0440. \u043D. \u0435.). \u041E\u043F\u0438\u0441\u0443\u0454 \u0441\u0442\u0432\u043E\u0440\u0435\u043D\u043D\u044F \u0442\u0430 \u0456\u0441\u0442\u043E\u0440\u0456\u044E \u0441\u0432\u0456\u0442\u0443 \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0456 \u0433\u0440\u0435\u0446\u044C\u043A\u043E\u0457 \u0442\u0430 \u0440\u0438\u043C\u0441\u044C\u043A\u043E\u0457 \u043C\u0456\u0444\u043E\u043B\u043E\u0433\u0456\u0439. \u041E\u0434\u0438\u043D \u0456\u0437 \u043D\u0430\u0439\u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0456\u0448\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u043F\u0440\u043E \u043C\u0456\u0444\u043E\u043B\u043E\u0433\u0456\u044E, \u0431\u0443\u0432 \u0434\u043E\u0431\u0440\u0435 \u0432\u0456\u0434\u043E\u043C\u0438\u043C \u0441\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0432\u0456\u0447\u043D\u0438\u043C \u0430\u0432\u0442\u043E\u0440\u0430\u043C \u0456 \u043C\u0430\u0432 \u0437\u043D\u0430\u0447\u043D\u0438\u0439 \u043D\u0430 \u043D\u0438\u0445 \u0432\u043F\u043B\u0438\u0432."@uk . . . . . . . . . . . . . "\u300E\u5909\u8EAB\u7269\u8A9E\u300F\uFF08\u3078\u3093\u3057\u3093\u3082\u306E\u304C\u305F\u308A\u3001\u30E9\u30C6\u30F3\u8A9E: Metamorph\u014Dse\u014Dn libr\u012B\uFF09\u306F\u3001\u53E4\u4EE3\u30ED\u30FC\u30DE\u306E\u8A69\u4EBA\u30AA\u30A6\u30A3\u30C7\u30A3\u30A6\u30B9\u306B\u3088\u308B\u30E9\u30C6\u30F3\u6587\u5B66\u306E\u540D\u4F5C\u3002\u795E\u8A71\u539F\u5178\u306E\u3072\u3068\u3064\u3067\u3042\u308B\u3002\u300E\u8EE2\u8EAB\u7269\u8A9E\u300F\uFF08\u3066\u3093\u3057\u3093\u3082\u306E\u304C\u305F\u308A\uFF09\u3084\u3001\u539F\u984C\u306E\u307E\u307E\u300E\u30E1\u30BF\u30E2\u30EB\u30DD\u30FC\u30BB\u30FC\u30B9\u300F\u306A\u3069\u3068\u3082\u547C\u3070\u308C\u308B\u3002"@ja . . . . . "1124820947"^^ . . "\u00AB\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0301\u0437\u044B\u00BB (\u043B\u0430\u0442. Metamorphoses, \u0431\u0443\u043A\u0432. \u2014 \u00AB\u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F\u00BB) \u2014 \u043F\u043E\u044D\u043C\u0430 \u0434\u0440\u0435\u0432\u043D\u0435\u0440\u0438\u043C\u0441\u043A\u043E\u0433\u043E \u043F\u043E\u044D\u0442\u0430 \u041F\u0443\u0431\u043B\u0438\u044F \u041E\u0432\u0438\u0434\u0438\u044F \u041D\u0430\u0437\u043E\u043D\u0430 \u0432 \u043F\u044F\u0442\u043D\u0430\u0434\u0446\u0430\u0442\u0438 \u043A\u043D\u0438\u0433\u0430\u0445, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u043F\u043E\u0432\u0435\u0441\u0442\u0432\u0443\u0435\u0442\u0441\u044F \u043E \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u0445 \u043C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u0430\u0445-\u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F\u0445: \u043B\u044E\u0434\u0435\u0439 \u0432 \u0436\u0438\u0432\u043E\u0442\u043D\u044B\u0445, \u0440\u0430\u0441\u0442\u0435\u043D\u0438\u044F, \u0441\u043E\u0437\u0432\u0435\u0437\u0434\u0438\u044F, \u043A\u0430\u043C\u043D\u0438, \u0438 \u0442. \u043F. \u0412 \u043A\u043D\u0438\u0433\u0443 \u0432\u0445\u043E\u0434\u044F\u0442 \u0441\u044E\u0436\u0435\u0442\u044B \u043E \u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F\u0445 \u0438\u0437 \u0433\u0440\u0435\u0447\u0435\u0441\u043A\u043E\u0439 \u0438 \u0440\u0438\u043C\u0441\u043A\u043E\u0439 \u043C\u0438\u0444\u043E\u043B\u043E\u0433\u0438\u0438, \u0444\u043E\u043B\u044C\u043A\u043B\u043E\u0440\u0430 \u0438 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u043B\u0435\u0433\u0435\u043D\u0434; \u043E\u043D\u0438 \u0438\u0437\u043B\u0430\u0433\u0430\u044E\u0442\u0441\u044F \u0432 \u00AB\u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u0439\u00BB \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u0438: \u043E\u0442 \u0432\u0440\u0435\u043C\u0435\u043D \u0441\u043E\u0442\u0432\u043E\u0440\u0435\u043D\u0438\u044F \u043C\u0438\u0440\u0430 (\u043A\u043E\u0442\u043E\u0440\u043E\u0435 \u0441\u0430\u043C\u043E \u043F\u043E \u0441\u0435\u0431\u0435 \u0440\u0430\u0441\u0441\u043C\u0430\u0442\u0440\u0438\u0432\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u043C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437) \u0434\u043E \u0432\u0440\u0435\u043C\u0435\u043D \u042E\u043B\u0438\u044F \u0426\u0435\u0437\u0430\u0440\u044F (\u0441\u044E\u0436\u0435\u0442 \u043E \u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u0438 \u0435\u0433\u043E \u0432 \u0437\u0432\u0435\u0437\u0434\u0443). \u0412\u0441\u0435\u0433\u043E \u0442\u0430\u043A\u0438\u0445 \u0441\u044E\u0436\u0435\u0442\u043E\u0432 \u043D\u0430\u0441\u0447\u0438\u0442\u044B\u0432\u0430\u044E\u0442 \u043E\u043A\u043E\u043B\u043E 250. \u041F\u043E\u044D\u043C\u0430 \u0431\u044B\u043B\u0430 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u041E\u0432\u0438\u0434\u0438\u0435\u043C \u0432 \u0420\u0438\u043C\u0435 \u043C\u0435\u0436\u0434\u0443 2 (\u0433\u043E\u0434 \u0441\u0441\u044B\u043B\u043A\u0438 \u042E\u043B\u0438\u0438 \u0421\u0442\u0430\u0440\u0448\u0435\u0439) \u0438 8 (\u0433\u043E\u0434 \u0441\u0441\u044B\u043B\u043A\u0438 \u0441\u0430\u043C\u043E\u0433\u043E \u041E\u0432\u0438\u0434\u0438\u044F) \u0433\u043E\u0434\u0430\u043C\u0438 \u043D. \u044D., \u0438 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0441\u0430\u043C\u044B\u043C \u0437\u043D\u0430\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u043C \u0438\u0437 \u0435\u0433\u043E \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0439. \u041F\u043E\u044D\u043C\u0430 \u0438\u043C\u0435\u0435\u0442 \u043F\u0435\u0440\u0432\u043E\u0441\u0442\u0435\u043F\u0435\u043D\u043D\u043E\u0435 \u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u043A\u0430\u043A \u0443\u043D\u0438\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043F\u043E \u0441\u0432\u043E\u0435\u043C\u0443 \u043E\u0445\u0432\u0430\u0442\u0443 (\u043D\u0430\u0440\u044F\u0434\u0443 \u0441 \u00AB\u041C\u0438\u0444\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u0431\u0438\u0431\u043B\u0438\u043E\u0442\u0435\u043A\u043E\u0439\u00BB \u0410\u043F\u043E\u043B\u043B\u043E\u0434\u043E\u0440\u0430) \u0441\u0431\u043E\u0440\u043D\u0438\u043A \u0430\u043D\u0442\u0438\u0447\u043D\u044B\u0445 \u043C\u0438\u0444\u043E\u0432. \u0421 \u043B\u0430\u0442\u0438\u043D\u0441\u043A\u043E\u0433\u043E \u044F\u0437\u044B\u043A\u0430 \u00AB\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u044B\u00BB \u043F\u0435\u0440\u0435\u0432\u043E\u0434\u0438\u043B\u0438\u0441\u044C \u043D\u0430 \u0440\u0443\u0441\u0441\u043A\u0438\u0439 \u044F\u0437\u044B\u043A \u043D\u0435\u043E\u0434\u043D\u043E\u043A\u0440\u0430\u0442\u043D\u043E, \u0432 \u0447\u0430\u0441\u0442\u043D\u043E\u0441\u0442\u0438, \u043F\u0435\u0440\u0435\u0432\u0435\u0434\u0435\u043D\u044B \u043D\u0430 \u0440\u0443\u0441\u0441\u043A\u0438\u0439 \u0432 1938 \u0433\u043E\u0434\u0443 \u0421. \u0412. \u0428\u0435\u0440\u0432\u0438\u043D\u0441\u043A\u0438\u043C; \u044D\u0442\u043E\u0442 \u043F\u0435\u0440\u0435\u0432\u043E\u0434 \u043C\u043D\u043E\u0433\u043E \u0440\u0430\u0437 \u043F\u0435\u0440\u0435\u0438\u0437\u0434\u0430\u0432\u0430\u043B\u0441\u044F (\u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0435\u0435 \u0438\u0437\u0434. \u2014 2015)."@ru . . . . . . . . "Le metamorfosi (Ovidio)"@it . . . . "Las metamorfosis (Metamorphoseis, en lat\u00EDn; del griego \u03BC\u03B5\u03C4\u03B1\u03BC\u03CC\u03C1\u03C6\u03C9\u03C3\u03B9\u03C2, 'transformaci\u00F3n'), del poeta romano Ovidio, es un poema en quince libros que narra la historia del mundo desde su creaci\u00F3n hasta la deificaci\u00F3n de Julio C\u00E9sar, combinando con libertad mitolog\u00EDa e historia. Fue terminado en el a\u00F1o 8 d. C.[cita requerida] Esta obra literaria es considerada como una obra maestra de la edad de oro de la literatura latina. Una de las obras cl\u00E1sicas m\u00E1s le\u00EDdas durante la Edad Media y el Renacimiento, Las metamorfosis inspir\u00F3 a m\u00FAltiples artistas, como Tiziano, Vel\u00E1zquez y Rubens, y contin\u00FAa ejerciendo una profunda influencia en la cultura occidental."@es . . . . . . . . "La Metamorfozoj (latine Metamorphoses) estas longa, epopea poemo en la latina lingvo verkita de Ovidio. La poeto ver\u015Dajne komencis sian verkon \u0109irka\u016D la jaro 1. La poemo entenas pli ol dekkvin libroj kaj dekdu mil versojn. \u011Ci priskribas la naski\u011Don kaj la historion de la helena-romia mondo, \u011Dis la epoko de la imperiestro A\u016Dgusto. Granda parto de la aktuala popola kono pri la romia mitologio estas enhavata en tiu verko. Esperanten tradukis ilin Henri Vallienne. Beda\u016Drinde tiu traduko neniam publiki\u011Dis."@eo . . . . "\uBCC0\uC2E0 \uC774\uC57C\uAE30"@ko . . . . . . . "Metamorfoser"@sv . . . "\u300E\u5909\u8EAB\u7269\u8A9E\u300F\uFF08\u3078\u3093\u3057\u3093\u3082\u306E\u304C\u305F\u308A\u3001\u30E9\u30C6\u30F3\u8A9E: Metamorph\u014Dse\u014Dn libr\u012B\uFF09\u306F\u3001\u53E4\u4EE3\u30ED\u30FC\u30DE\u306E\u8A69\u4EBA\u30AA\u30A6\u30A3\u30C7\u30A3\u30A6\u30B9\u306B\u3088\u308B\u30E9\u30C6\u30F3\u6587\u5B66\u306E\u540D\u4F5C\u3002\u795E\u8A71\u539F\u5178\u306E\u3072\u3068\u3064\u3067\u3042\u308B\u3002\u300E\u8EE2\u8EAB\u7269\u8A9E\u300F\uFF08\u3066\u3093\u3057\u3093\u3082\u306E\u304C\u305F\u308A\uFF09\u3084\u3001\u539F\u984C\u306E\u307E\u307E\u300E\u30E1\u30BF\u30E2\u30EB\u30DD\u30FC\u30BB\u30FC\u30B9\u300F\u306A\u3069\u3068\u3082\u547C\u3070\u308C\u308B\u3002"@ja . . . . . . . . . . . . . . . . . . "Les Metamorfosis"@ca . "Le metamorfosi (in latino: Metamorphos\u0115on libri XV) \u00E8 un poema epico-mitologico di Publio Ovidio Nasone (43 a.C. - 17 d.C.) incentrato sul fenomeno della metamorfosi. Attraverso quest'opera, ultimata poco prima dell'esilio dell'8 d.C., Ovidio ha reso celebri e trasmesso ai posteri numerosissime storie e racconti mitologici della classicit\u00E0 greca e romana."@it . . . . . . . . . . . . . . . . . . . "Metamorfoser, (latin: Metamorphoseon libri, \"F\u00F6rvandlingarnas b\u00F6cker\") \u00E4r den romerske skalden Ovidius mest k\u00E4nda verk. Den \u00E4r skriven p\u00E5 hexameter och best\u00E5r av ungef\u00E4r 250 olika sagor vilka alla har en f\u00F6rvandling, en metamorfos, som ett centralt motiv."@sv . . . "La Metamorfozoj (latine Metamorphoses) estas longa, epopea poemo en la latina lingvo verkita de Ovidio. La poeto ver\u015Dajne komencis sian verkon \u0109irka\u016D la jaro 1. La poemo entenas pli ol dekkvin libroj kaj dekdu mil versojn. \u011Ci priskribas la naski\u011Don kaj la historion de la helena-romia mondo, \u011Dis la epoko de la imperiestro A\u016Dgusto. Granda parto de la aktuala popola kono pri la romia mitologio estas enhavata en tiu verko. Esperanten tradukis ilin Henri Vallienne. Beda\u016Drinde tiu traduko neniam publiki\u011Dis."@eo . "Metamorphoses"@en . . "\u300A\uBCC0\uC2E0 \uC774\uC57C\uAE30\u300B(\uB77C\uD2F4\uC5B4: Metamorph\u014Dse\u014Dn libr\u012B \uBA54\uD0C0\uBAA8\uB974\uD3EC\uC138\uC628 \uB9AC\uBE0C\uB9AC[*])\uB294 \uB85C\uB9C8\uC758 \uC2DC\uC778 \uC624\uBE44\uB514\uC6B0\uC2A4\uAC00 \uAE30\uC6D0\uD6C4 8\uB144\uC5D0 \uC4F4 \uB77C\uD2F4\uC5B4 \uC774\uC57C\uAE30 \uC2DC\uB85C, \uC624\uBE44\uB514\uC6B0\uC2A4\uC758 \uB300\uD45C\uC791\uC73C\uB85C \uC190\uAF3D\uD78C\uB2E4. 11,995\uD589\uC758 \uC5F4\uB2E4\uC12F \uAD8C, 250\uC5EC \uAC00\uC9C0\uAC00 \uB118\uB294 \uADF8\uB9AC\uC2A4 \uB85C\uB9C8 \uC2E0\uD654\uB85C \uC774\uB8E8\uC5B4\uC9C4 \uC774 \uC2DC\uB294 \uB290\uC2A8\uD55C \uC2E0\uD654\uC5ED\uC0AC\uC801 \uD2C0 \uC548\uC5D0\uC11C \uAC00\uC774\uC544\uC758 \uCC9C\uC9C0\uCC3D\uC870\uBD80\uD130 \uC728\uB9AC\uC6B0\uC2A4 \uCE74\uC774\uC0AC\uB974\uC758 \uC2E0\uACA9\uD654\uC5D0 \uC774\uB974\uB294 \uC138\uACC4\uC758 \uC5ED\uC0AC\uB97C \uC5F0\uB300\uC21C\uC73C\uB85C \uAE30\uB85D\uD558\uACE0 \uC788\uB2E4. \uC11C\uC0AC\uC2DC\uC758 \uAE30\uC900\uC5D0\uB294 \uCDA9\uC871\uD558\uC9C0\uB9CC \uC774 \uC2DC\uB294 \uB2E8\uC21C\uD55C \uC7A5\uB974 \uBD84\uB958\uB85C\uB294 \uC124\uBA85\uD558\uAE30 \uD798\uB4E4 \uC815\uB3C4\uB85C \uB2E4\uC591\uD55C \uC8FC\uC81C\uC640 \uB17C\uC870\uB97C \uC0AC\uC6A9\uD55C\uB2E4. \uC624\uBE44\uB514\uC6B0\uC2A4\uB294 \uBCC0\uC2E0\uC2DC \uC7A5\uB974\uC5D0\uC11C \uC601\uAC10\uC744 \uC5BB\uC5C8\uACE0, \u300A\uBCC0\uC2E0 \uC774\uC57C\uAE30\u300B\uC758 \uC77C\uBD80\uB294 \uAC19\uC740 \uC2E0\uD654\uC5D0 \uB300\uD55C \uC774\uC804\uC758 \uD45C\uD604\uC5D0\uC11C \uC720\uB798\uD55C \uAC83\uB3C4 \uC788\uB2E4. \uADF8\uB7EC\uB098 \uADF8\uAC00 \uBCF8\uBCF4\uAE30\uB85C \uC0BC\uC740 \uBAA8\uB4E0 \uAC83\uACFC \uB450\uB4DC\uB7EC\uC9C0\uAC8C \uB2E4\uB978 \uC810\uC774 \uB098\uD0C0\uB09C\uB2E4."@ko . . . . . . 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"right"@en . "Metamorfoses \u00E9 uma das obras mais famosas e considerada como a magnum opus do poeta latino Ov\u00EDdio. Este poema narrativo foi tornado p\u00FAblico por volta do ano 8, e, ao lado de Fastos, trata-se talvez de um de seus poemas inconclusos por conta do ex\u00EDlio que sofreu no Ponto Euxino, costa do Mar Negro, regi\u00E3o distante de Roma. \u00C9 desconhecida a causa do ex\u00EDlio, mas existem duas hip\u00F3teses: ou Augusto n\u00E3o tenha gostado do \u00E2mbito de sua obra desde A Arte de Amar, e as Metamorfoses de Ov\u00EDdio, ao contr\u00E1rio do pensamento de ordem e estabilidade do imperador, mostram um mundo em constante muta\u00E7\u00E3o, ou o poeta romano foi indiscreto a respeito de algum aspeto \u00EDntimo do soberano ou de sua fam\u00EDlia."@pt . . "No work from classical antiquity, either Greek or Roman, has exerted such a continuing and decisive influence on European literature as Ovid's Metamorphoses. The emergence of French, English, and Italian national literatures in the late Middle Ages simply cannot be fully understood without taking into account the effect of this extraordinary poem. ... The only rival we have in our tradition which we can find to match the pervasiveness of the literary influence of the Metamorphoses is perhaps the Old Testament and the works of Shakespeare."@en . "\u53D8\u5F62\u8BB0 (\u5965\u7EF4\u5FB7)"@zh . "Metamorfosen (Ovidius)"@nl . "\u00AB\u041C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0301\u0437\u044B\u00BB (\u043B\u0430\u0442. Metamorphoses, \u0431\u0443\u043A\u0432. \u2014 \u00AB\u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F\u00BB) \u2014 \u043F\u043E\u044D\u043C\u0430 \u0434\u0440\u0435\u0432\u043D\u0435\u0440\u0438\u043C\u0441\u043A\u043E\u0433\u043E \u043F\u043E\u044D\u0442\u0430 \u041F\u0443\u0431\u043B\u0438\u044F \u041E\u0432\u0438\u0434\u0438\u044F \u041D\u0430\u0437\u043E\u043D\u0430 \u0432 \u043F\u044F\u0442\u043D\u0430\u0434\u0446\u0430\u0442\u0438 \u043A\u043D\u0438\u0433\u0430\u0445, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u043F\u043E\u0432\u0435\u0441\u0442\u0432\u0443\u0435\u0442\u0441\u044F \u043E \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u0445 \u043C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437\u0430\u0445-\u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F\u0445: \u043B\u044E\u0434\u0435\u0439 \u0432 \u0436\u0438\u0432\u043E\u0442\u043D\u044B\u0445, \u0440\u0430\u0441\u0442\u0435\u043D\u0438\u044F, \u0441\u043E\u0437\u0432\u0435\u0437\u0434\u0438\u044F, \u043A\u0430\u043C\u043D\u0438, \u0438 \u0442. \u043F. \u0412 \u043A\u043D\u0438\u0433\u0443 \u0432\u0445\u043E\u0434\u044F\u0442 \u0441\u044E\u0436\u0435\u0442\u044B \u043E \u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F\u0445 \u0438\u0437 \u0433\u0440\u0435\u0447\u0435\u0441\u043A\u043E\u0439 \u0438 \u0440\u0438\u043C\u0441\u043A\u043E\u0439 \u043C\u0438\u0444\u043E\u043B\u043E\u0433\u0438\u0438, \u0444\u043E\u043B\u044C\u043A\u043B\u043E\u0440\u0430 \u0438 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u043B\u0435\u0433\u0435\u043D\u0434; \u043E\u043D\u0438 \u0438\u0437\u043B\u0430\u0433\u0430\u044E\u0442\u0441\u044F \u0432 \u00AB\u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u0439\u00BB \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u0438: \u043E\u0442 \u0432\u0440\u0435\u043C\u0435\u043D \u0441\u043E\u0442\u0432\u043E\u0440\u0435\u043D\u0438\u044F \u043C\u0438\u0440\u0430 (\u043A\u043E\u0442\u043E\u0440\u043E\u0435 \u0441\u0430\u043C\u043E \u043F\u043E \u0441\u0435\u0431\u0435 \u0440\u0430\u0441\u0441\u043C\u0430\u0442\u0440\u0438\u0432\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u043C\u0435\u0442\u0430\u043C\u043E\u0440\u0444\u043E\u0437) \u0434\u043E \u0432\u0440\u0435\u043C\u0435\u043D \u042E\u043B\u0438\u044F \u0426\u0435\u0437\u0430\u0440\u044F (\u0441\u044E\u0436\u0435\u0442 \u043E \u043F\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u0438 \u0435\u0433\u043E \u0432 \u0437\u0432\u0435\u0437\u0434\u0443). \u0412\u0441\u0435\u0433\u043E \u0442\u0430\u043A\u0438\u0445 \u0441\u044E\u0436\u0435\u0442\u043E\u0432 \u043D\u0430\u0441\u0447\u0438\u0442\u044B\u0432\u0430\u044E\u0442 \u043E\u043A\u043E\u043B\u043E 250."@ru . . . . . . . . "left"@en . . . "\u0627\u0644\u062A\u062D\u0648\u0644\u0627\u062A"@ar . . . . . . . . . . . . . . "Les Metamorfosis (en llat\u00ED original Metamorphoseon), del poeta rom\u00E0 Ovidi, \u00E9s un poema narratiu en quinze llibres i que abasta prop de 12.000 hex\u00E0metres que descriu la creaci\u00F3 i la Hist\u00F2ria del m\u00F3n, fent servir com a fonts les tradicions mitol\u00F2giques de Gr\u00E8cia i Roma. Probablement escrit entre els anys 2 i 8 dC, roman encara una de les obres de mitologia m\u00E9s populars, havent estat l'obra cl\u00E0ssica m\u00E9s coneguda en l'edat mitjana i la m\u00E9s influent en la tradici\u00F3 liter\u00E0ria occidental, comen\u00E7ant per la ."@ca . . . . . . . . . "Metamorphoses"@en . . . . . . . . . "Metamorphoses (dari bahasa Yunani Koine \u03BC\u03B5\u03C4\u03AC meta dan \u03BC\u03BF\u03C1\u03C6\u03AE morph\u0113, bermakna \"perubahan bentuk\"), adalah Latin yang terdiri dari lima belas buku dan ditulis oleh penyair Romawi Ovidius. Metamorphoses menceritakan sejarah dunia mulai dari penciptaan sampai pendewaaan Julius Caesar dalam bentuk yang agak mitologis. Metamorphoses diselesaikan pada tahun 8 M dan dianggap sebagai mahakarya dari Sastra Latin. Pada Abad Pertengahan, Metamorphoses adalah karya klasik yang paling banyak dibaca. Pada masa modern, naskah ini juga banyak memengaruhi budaya Barat."@in . "Metamorfozy (tak\u017Ce Przemiany, \u0142ac. Metamorphoseon, Libri Quindecim) \u2013 z\u0142o\u017Cony z pi\u0119tnastu ksi\u0105g poemat epicki, napisany przez rzymskiego poet\u0119 Owidiusza, przedstawiaj\u0105cy przy pomocy w\u0105tk\u00F3w mitologii greckiej i rzymskiej stworzenie i histori\u0119 \u015Bwiata. Owidiusz opowiada lub wspomina 250 mit\u00F3w zawieraj\u0105cych motyw przemiany. Utw\u00F3r mia\u0142 na celu stworzenie oryginalnej, rzymskiej wersji kosmogonii i by\u0142 tworzony pod mecenatem Oktawiana Augusta mi\u0119dzy 2 a 8 rokiem naszej ery."@pl . . . . . . . "Las metamorfosis"@es . . . . . "De Metamorfosen (Metamorphoseon libri) is een vijftien delen omvattend Latijns dichtwerk, bestaand uit ongeveer 12.000 regels, van de Romeinse dichter Publius Ovidius Naso. Het is een narratief epos dat genres overstijgt."@nl . . . . "\u300A\uBCC0\uC2E0 \uC774\uC57C\uAE30\u300B(\uB77C\uD2F4\uC5B4: Metamorph\u014Dse\u014Dn libr\u012B \uBA54\uD0C0\uBAA8\uB974\uD3EC\uC138\uC628 \uB9AC\uBE0C\uB9AC[*])\uB294 \uB85C\uB9C8\uC758 \uC2DC\uC778 \uC624\uBE44\uB514\uC6B0\uC2A4\uAC00 \uAE30\uC6D0\uD6C4 8\uB144\uC5D0 \uC4F4 \uB77C\uD2F4\uC5B4 \uC774\uC57C\uAE30 \uC2DC\uB85C, \uC624\uBE44\uB514\uC6B0\uC2A4\uC758 \uB300\uD45C\uC791\uC73C\uB85C \uC190\uAF3D\uD78C\uB2E4. 11,995\uD589\uC758 \uC5F4\uB2E4\uC12F \uAD8C, 250\uC5EC \uAC00\uC9C0\uAC00 \uB118\uB294 \uADF8\uB9AC\uC2A4 \uB85C\uB9C8 \uC2E0\uD654\uB85C \uC774\uB8E8\uC5B4\uC9C4 \uC774 \uC2DC\uB294 \uB290\uC2A8\uD55C \uC2E0\uD654\uC5ED\uC0AC\uC801 \uD2C0 \uC548\uC5D0\uC11C \uAC00\uC774\uC544\uC758 \uCC9C\uC9C0\uCC3D\uC870\uBD80\uD130 \uC728\uB9AC\uC6B0\uC2A4 \uCE74\uC774\uC0AC\uB974\uC758 \uC2E0\uACA9\uD654\uC5D0 \uC774\uB974\uB294 \uC138\uACC4\uC758 \uC5ED\uC0AC\uB97C \uC5F0\uB300\uC21C\uC73C\uB85C \uAE30\uB85D\uD558\uACE0 \uC788\uB2E4. \uC11C\uC0AC\uC2DC\uC758 \uAE30\uC900\uC5D0\uB294 \uCDA9\uC871\uD558\uC9C0\uB9CC \uC774 \uC2DC\uB294 \uB2E8\uC21C\uD55C \uC7A5\uB974 \uBD84\uB958\uB85C\uB294 \uC124\uBA85\uD558\uAE30 \uD798\uB4E4 \uC815\uB3C4\uB85C \uB2E4\uC591\uD55C \uC8FC\uC81C\uC640 \uB17C\uC870\uB97C \uC0AC\uC6A9\uD55C\uB2E4. \uC624\uBE44\uB514\uC6B0\uC2A4\uB294 \uBCC0\uC2E0\uC2DC \uC7A5\uB974\uC5D0\uC11C \uC601\uAC10\uC744 \uC5BB\uC5C8\uACE0, \u300A\uBCC0\uC2E0 \uC774\uC57C\uAE30\u300B\uC758 \uC77C\uBD80\uB294 \uAC19\uC740 \uC2E0\uD654\uC5D0 \uB300\uD55C \uC774\uC804\uC758 \uD45C\uD604\uC5D0\uC11C \uC720\uB798\uD55C \uAC83\uB3C4 \uC788\uB2E4. \uADF8\uB7EC\uB098 \uADF8\uAC00 \uBCF8\uBCF4\uAE30\uB85C \uC0BC\uC740 \uBAA8\uB4E0 \uAC83\uACFC \uB450\uB4DC\uB7EC\uC9C0\uAC8C \uB2E4\uB978 \uC810\uC774 \uB098\uD0C0\uB09C\uB2E4. \uC11C\uC591 \uBB38\uD654\uC5D0\uC11C \uAC00\uC7A5 \uC601\uD5A5\uB825 \uC788\uB294 \uC791\uD488 \uC911 \uD558\uB098\uC778 \u300A\uBCC0\uC2E0 \uC774\uC57C\uAE30\u300B\uB294 \uB2E8\uD14C \uC54C\uB9AC\uAE30\uC5D0\uB9AC, \uC870\uBC18\uB2C8 \uBCF4\uCE74\uCE58\uC624, \uC81C\uD504\uB9AC \uCD08\uC11C, \uC70C\uB9AC\uC5C4 \uC170\uC775\uC2A4\uD53C\uC5B4\uC640 \uAC19\uC740 \uC791\uAC00\uB4E4\uC5D0\uAC8C \uC601\uAC10\uC744 \uC8FC\uC5C8\uB2E4. \uC774 \uC2DC\uC758 \uC218\uB9CE\uC740 \uC0BD\uD654\uAC00 \uD638\uD3C9\uC744 \uBC1B\uB294 \uC870\uAC01\uACFC \uD68C\uD654, \uC74C\uC545 \uC791\uD488\uC73C\uB85C \uBB18\uC0AC\uB418\uC5B4 \uC654\uB2E4. \uB974\uB124\uC0C1\uC2A4 \uC774\uD6C4 \uC624\uBE44\uB514\uC6B0\uC2A4\uC5D0 \uB300\uD55C \uAD00\uC2EC\uC740 \uD76C\uBBF8\uD574\uC84C\uC9C0\uB9CC, 20\uC138\uAE30 \uB9D0\uBD80\uD130 \uADF8\uC758 \uC791\uD488\uC774 \uB2E4\uC2DC \uC8FC\uBAA9\uBC1B\uAE30 \uC2DC\uC791\uD588\uB2E4. \uC624\uB298\uB0A0 \u300A\uBCC0\uC2E0 \uC774\uC57C\uAE30\u300B\uB294 \uB2E4\uC591\uD55C \uB9E4\uCCB4\uB97C \uD1B5\uD574 \uAC01\uC0C9\uB418\uBA70 \uC601\uAC10\uC744 \uC8FC\uACE0 \uC788\uB2E4. 1480\uB144 \uC70C\uB9AC\uC5C4 \uCE91\uC2A4\uD134\uC774 \uCC98\uC74C\uC73C\uB85C \uC774 \uC791\uD488\uC744 \uC601\uC5B4\uB85C \uBC88\uC5ED\uD558\uC5EC \uCD9C\uD310\uD55C \uC774\uB798 \uC218\uB9CE\uC740 \uC5B8\uC5B4\uB85C \uBC88\uC5ED\uC774 \uC774\uB8E8\uC5B4\uC84C\uB2E4."@ko . . . . . . . "right"@en . . . . . . . "Prom\u011Bny (latinsky Metamorphoses) jsou nejv\u011Bt\u0161\u00ED d\u00EDlo \u0159\u00EDmsk\u00E9ho b\u00E1sn\u00EDka Ovidia. D\u00EDlo m\u00E1 podobu mnoha do 15 knih uspo\u0159\u00E1dan\u00FDch kr\u00E1tk\u00FDch epick\u00FDch b\u00E1sn\u00ED v daktylsk\u00E9m hexametru, kter\u00E9 vypr\u00E1v\u011Bj\u00ED \u0159eck\u00E9 a \u0159\u00EDmsk\u00E9 mytick\u00E9 p\u0159\u00EDb\u011Bhy, jim\u017E byl spole\u010Dn\u00FD motiv prom\u011Bny."@cs . "Metamorphoses"@en . . . . 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\u0645\u062D\u0645\u0648\u062F \u0645\u062E\u062A\u0627\u0631 \u0639\u0627\u0645 2016."@ar . . . . . . . . "Le metamorfosi (in latino: Metamorphos\u0115on libri XV) \u00E8 un poema epico-mitologico di Publio Ovidio Nasone (43 a.C. - 17 d.C.) incentrato sul fenomeno della metamorfosi. Attraverso quest'opera, ultimata poco prima dell'esilio dell'8 d.C., Ovidio ha reso celebri e trasmesso ai posteri numerosissime storie e racconti mitologici della classicit\u00E0 greca e romana."@it . . "Metamorphoses (dari bahasa Yunani Koine \u03BC\u03B5\u03C4\u03AC meta dan \u03BC\u03BF\u03C1\u03C6\u03AE morph\u0113, bermakna \"perubahan bentuk\"), adalah Latin yang terdiri dari lima belas buku dan ditulis oleh penyair Romawi Ovidius. Metamorphoses menceritakan sejarah dunia mulai dari penciptaan sampai pendewaaan Julius Caesar dalam bentuk yang agak mitologis. Metamorphoses diselesaikan pada tahun 8 M dan dianggap sebagai mahakarya dari Sastra Latin. Pada Abad Pertengahan, Metamorphoses adalah karya klasik yang paling banyak dibaca. Pada masa modern, naskah ini juga banyak memengaruhi budaya Barat."@in . . . . "Die Metamorphosen (lateinisch Metamorphoses \u201EVerwandlungen\u201C oder Metamorphoseon libri \u201EB\u00FCcher der Verwandlungen\u201C) des r\u00F6mischen Dichters Publius Ovidius Naso, geschrieben vermutlich um das Jahr 1 n. Chr. bis 8 n. Chr., sind ein in Hexametern verfasstes mythologisches Gedicht \u00FCber Metamorphosen (altgriechisch \u03BC\u03B5\u03C4\u03B1\u03BC\u03CC\u03C1\u03C6\u03C9\u03C3\u03B9\u03C2 metam\u00F3rphosis \u201EVerwandlung in eine andere Gestalt\u201C). In 15 B\u00FCchern zu je etwa 700 bis 900 Versen wird die Geschichte der Welt von ihren Anf\u00E4ngen bis hin zur Gegenwart des Dichters erz\u00E4hlt und in rund 250 Einzelsagen aus der r\u00F6mischen und griechischen Mythologie mit hohem k\u00FCnstlerischen Esprit dargestellt. Von ihrem Erscheinen an sind die Metamorphosen eine der popul\u00E4rsten Mythendichtungen \u00FCberhaupt und sicherlich die den mittelalterlichen Schriftstellern und Dichtern am be"@de . "Metamorfosiak (Metamorphoseon latinez) Ovidio olerkari erromatarrarena, hamabost liburutan banatutako olerki bat da, mundu mitologikoaren historia eta sorrera kontatzen duena."@eu . . . . . . "Metamorfoses \u00E9 uma das obras mais famosas e considerada como a magnum opus do poeta latino Ov\u00EDdio. Este poema narrativo foi tornado p\u00FAblico por volta do ano 8, e, ao lado de Fastos, trata-se talvez de um de seus poemas inconclusos por conta do ex\u00EDlio que sofreu no Ponto Euxino, costa do Mar Negro, regi\u00E3o distante de Roma. \u00C9 desconhecida a causa do ex\u00EDlio, mas existem duas hip\u00F3teses: ou Augusto n\u00E3o tenha gostado do \u00E2mbito de sua obra desde A Arte de Amar, e as Metamorfoses de Ov\u00EDdio, ao contr\u00E1rio do pensamento de ordem e estabilidade do imperador, mostram um mundo em constante muta\u00E7\u00E3o, ou o poeta romano foi indiscreto a respeito de algum aspeto \u00EDntimo do soberano ou de sua fam\u00EDlia. A estrutura de Metamorfoses constitui-se de 15 livros escritos em hex\u00E2metro dact\u00EDlico com cerca de 250 narrativas em doze mil versos compostos em latim, e que transcorrem poeticamente sobre a cosmologia e a hist\u00F3ria do mundo, confundido deliberadamente fic\u00E7\u00E3o e realidade, narrando a transfigura\u00E7\u00E3o dos homens e dos deuses mitol\u00F3gicos em animais, \u00E1rvores, rios, pedras, representando o princ\u00EDpio dos tempos, chegando \u00E0 apoteose de J\u00FAlio C\u00E9sar e ao pr\u00F3prio tempo do poeta, ou seja, o S\u00E9culo de Augusto (43 a.C. - 14 d.C.). Este ciclo hist\u00F3rico apresenta a mitologia como uma etapa no desenvolvimento do mundo e do homem: Ov\u00EDdio segue o conceito de Hes\u00EDodo e nos mostra as quatro idades cronol\u00F3gicas da mitologia cl\u00E1ssica (conhecidas como a Idade do Ouro, a Idade de Prata, a Idade do Bronze, e a Idade do Ferro). Aproveitando tal abordagem das Eras do Homem, Ov\u00EDdio uniu livremente os deuses aos mortais em hist\u00F3rias de amor, incesto, ci\u00FAme, crime. Contempor\u00E2neo de Hor\u00E1cio e Virg\u00EDlio, Ov\u00EDdio deu novo acabamento liter\u00E1rio aos mitos gregos que haviam sido aproveitados pelo Imp\u00E9rio Romano quando esse conquistou a Gr\u00E9cia. Assim, poetas como Homero e Paus\u00E2nias foram de fundamental import\u00E2ncia para sua inspira\u00E7\u00E3o. Embora as personagens sejam mitol\u00F3gicas, o car\u00E1ter de seus di\u00E1logos e contos s\u00E3o permeados por humanidade. Em Metamorfoses, ele desenvolveu e at\u00E9 popularizou os mitos mais famosos e mais lembrados da mitologia grega, tais como o de Midas, Orfeu, Eros, Psiqu\u00EA, Zeus, Afrodite, Baco, Narciso, entre outros. Outro aspecto apresentado em seu poema \u00E9 o Caos, confus\u00E3o de todos os elementos que se sup\u00F5e ter precedido a cria\u00E7\u00E3o do universo, e que o poeta se refere em latim como rudis indigestaque moles (\"massa informe e confusa\"). A Metamorfoses de Ov\u00EDdio permanece at\u00E9 hoje como um dos trabalhos po\u00E9ticos mais aclamados sobre mitologia, e o poema mais influente da hist\u00F3ria da poesia e da arte - poucas foram as obras po\u00E9ticas que inspiraram tantas formas art\u00EDsticas como a literatura, a m\u00FAsica, a arquitetura, a pintura. Seu car\u00E1ter social e espiritual acerca dos ciclos hist\u00F3ricos do homem influenciou tamb\u00E9m a filosofia, notavelmente o Discurso sobre a origem e os fundamentos da desigualdade entre os homens (1989), de Jean-Jacques Rousseau. Preservado pelo gosto da cultura ocidental atrav\u00E9s dos s\u00E9culos, inspirou, entre outros autores, Dante, Shakespeare, Franz Kafka, Fernando Pessoa (Bernardo Soares), Cruz e Sousa, Manoel de Barros, e pintores ou escultores t\u00E3o diversos como Michelangelo, Rafael, Tiziano, Correggio, Veronese, Caravaggio, Rubens, Bernini, Vel\u00E1squez, Rembrant, Delacroix, entre tantos outros. Figura, portanto, como uma das mais importantes obras cl\u00E1ssicas da mitologia greco-romana e da literatura latina."@pt . . . "Metamorfosiak (Metamorphoseon latinez) Ovidio olerkari erromatarrarena, hamabost liburutan banatutako olerki bat da, mundu mitologikoaren historia eta sorrera kontatzen duena."@eu . . . . . . . . "Les M\u00E9tamorphoses (en latin Metamorph\u014Dse\u014Dn libr\u012B, \u00AB Livres des m\u00E9tamorphoses \u00BB) sont un long po\u00E8me latin d'Ovide, dont la composition d\u00E9bute probablement en l'an 1. L'\u0153uvre comprend quinze livres (pr\u00E8s de douze mille vers) \u00E9crits en hexam\u00E8tres dactyliques et regroupe plusieurs centaines de r\u00E9cits courts sur le th\u00E8me des m\u00E9tamorphoses issus de la mythologie grecque et de la mythologie romaine, organis\u00E9s selon une structure complexe et souvent imbriqu\u00E9s les uns dans les autres. La structure g\u00E9n\u00E9rale du po\u00E8me suit une progression chronologique, depuis la cr\u00E9ation du monde jusqu'\u00E0 l'\u00E9poque o\u00F9 vit l'auteur, c'est-\u00E0-dire le r\u00E8gne de l'empereur Auguste."@fr . 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"Prom\u011Bny"@cs . . . . .