. . . "Film non narratif"@fr . . . . . . . . . . . . "37116"^^ . . . . . "\u975E\u6558\u4E8B\u96FB\u5F71\uFF08\u82F1\u8A9E\uFF1Anon-narrative film\uFF09\u662F\u4E00\u7A2E\u7535\u5F71\u7F8E\u5B78\u5206\u985E\uFF0C\u9019\u985E\u96FB\u5F71\u4E26\u4E0D\u6558\u8FF0\u6216\u6D89\u53CA\u4E8B\u4EF6\uFF08\u7121\u8AD6\u662F\u771F\u5BE6\u7684\u9084\u662F\u865B\u69CB\u7684\uFF09\u3002\u975E\u6558\u4E8B\u96FB\u5F71\u901A\u5E38\u662F\u85DD\u8853\u96FB\u5F71\u6216\u5BE6\u9A57\u96FB\u5F71\uFF0C\u4E26\u975E\u70BA\u5927\u773E\u5A1B\u6A02\u800C\u88FD\u4F5C\u3002 \u4ECD\u662F\u96FB\u5F71\u7F8E\u5B78\u7684\u4E3B\u6D41\uFF0C\u4F46\u975E\u6558\u4E8B\u96FB\u5F71\u4E26\u975E\u8207\u5176\u6D87\u6E2D\u5206\u660E\u3002\u975E\u6558\u4E8B\u96FB\u5F71\u96D6\u7136\u907F\u514D\u4E86\u6558\u4E8B\u96FB\u5F71\u7684\u67D0\u4E9B\u7279\u5FB5\uFF0C\u4F46\u4ECD\u4FDD\u7559\u4E86\u4E00\u4E9B\u6558\u4E8B\u7279\u5F81\u3002\u53E6\u4E00\u65B9\u9762\uFF0C\u6558\u4E8B\u7535\u5F71\u4E5F\u5076\u5C14\u4F1A\u4F7F\u7528\u201C\u4E0D\u5177\u4EE3\u8868\u6027\u7684\u89C6\u89C9\u6750\u6599\u201D\u3002\u5C3D\u7BA1\u8BB8\u591A\u62BD\u8C61\u7535\u5F71\u663E\u7136\u6CA1\u6709\u53D9\u4E8B\u8981\u7D20\uFF0C\u4F46\u53D9\u4E8B\u7535\u5F71\u548C\u975E\u53D9\u4E8B\u7535\u5F71\u4E4B\u95F4\u7684\u533A\u522B\u53EF\u80FD\u76F8\u5F53\u6A21\u7CCA\uFF0C\u89E3\u91CB\u7A7A\u9593\u5F88\u5927\u3002\u975E\u5E38\u89C4\u7684\u56FE\u50CF\u3001\u6982\u5FF5\u548C\u7ED3\u6784\u4F1A\u63A9\u76D6\u7535\u5F71\u7684\u53D9\u4E8B\u6027\u3002 \u8A31\u591A\u8D85\u73FE\u5BE6\u4E3B\u7FA9\u96FB\u5F71\u53EF\u8996\u70BA\u975E\u6558\u4E8B\u96FB\u5F71\uFF0C\u5E76\u4E14\u4E0E\u8FBE\u8FBE\u4E3B\u4E49\u7D14\u7535\u5F71\uFF08cin\u00E9ma pur\uFF09\u904B\u52D5\u6709\u90E8\u5206\u91CD\u758A\u3002"@zh . . . . . . . . . . . . . . . . "Il cinema non narrativo, o antinarrativo o anarrativo \u00E8 un tipo di cinema che non racconta n\u00E9 illustra strettamente un evento, reale o immaginario che sia; un cinema in cui cade la necessit\u00E0 di un \"rapporto rigoroso tra immagini, suoni e parole\". Nella definizione ricadono il cinema sperimentale, il cinema astratto, il cinema muto d'avanguardia e certe forme di documentario, cos\u00EC come alcune opere di Jean-Luc Godard che mischiano documentario, fiction e pamphlet politico."@it . . . . . . . . . . . . "\uBE44\uC11C\uC0AC \uC601\uD654\uB294 \uC11C\uC0AC\uC801\uC774\uC9C0 \uC54A\uC740, \uC2E4\uC81C \uC0AC\uAC74\uC774\uB098 \uC0C1\uC0C1\uC758 \uC0AC\uAC74\uACFC \uAD00\uB828\uB41C \uC601\uD654\uB97C \uC758\uBBF8\uD55C\uB2E4. \uC608\uC220 \uC601\uD654\uB098 \uC2E4\uD5D8 \uC601\uD654\uC758 \uC77C\uC885\uC774\uBA70 \uB300\uC911\uC758 \uC5D4\uD130\uD14C\uC778\uBA3C\uD2B8\uB97C \uBAA9\uC801\uC73C\uB85C \uC81C\uC791\uB418\uC9C0 \uC54A\uB294 \uAC83\uC774 \uBCF4\uD1B5\uC774\uB2E4."@ko . . . . . . "Cinema non narrativo"@it . . . . . . . . . "\uBE44\uC11C\uC0AC \uC601\uD654\uB294 \uC11C\uC0AC\uC801\uC774\uC9C0 \uC54A\uC740, \uC2E4\uC81C \uC0AC\uAC74\uC774\uB098 \uC0C1\uC0C1\uC758 \uC0AC\uAC74\uACFC \uAD00\uB828\uB41C \uC601\uD654\uB97C \uC758\uBBF8\uD55C\uB2E4. \uC608\uC220 \uC601\uD654\uB098 \uC2E4\uD5D8 \uC601\uD654\uC758 \uC77C\uC885\uC774\uBA70 \uB300\uC911\uC758 \uC5D4\uD130\uD14C\uC778\uBA3C\uD2B8\uB97C \uBAA9\uC801\uC73C\uB85C \uC81C\uC791\uB418\uC9C0 \uC54A\uB294 \uAC83\uC774 \uBCF4\uD1B5\uC774\uB2E4."@ko . . . . . "\uBE44\uC11C\uC0AC \uC601\uD654"@ko . . . . . . . . . . . . . . . . . . . . "1124356391"^^ . . . . . . . "Le film non narratif tient dans le fait de ne pas raconter ou de ne pas le faire de fa\u00E7on compr\u00E9hensible. Il s'agit avant tout d\u2019une prise de conscience sur l\u2019intention de l\u2019auteur, de d\u00E9montrer qu'\u00E0 partir du moment o\u00F9 l'on s\u00E9lectionne, cr\u00E9e et ordonne des images et du son, on pose un geste intentionnel. Bien qu'\u00E0 premi\u00E8re vue l'exercice de non-narration semble anodin face \u00E0 la narration traditionnelle, il est bien plus difficile de captiver sans raconter."@fr . "Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate \"an event, whether real or imaginary\". It is usually a form of art film or experimental film, not made for mass entertainment. Much of surrealist cinema can be regarded as non-narrative films and partly overlaps with the dadaist cin\u00E9ma pur movement."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u975E\u6558\u4E8B\u96FB\u5F71"@zh . . . . . . . . . . . . . . . . "Non-narrative film"@en . . "\u975E\u6558\u4E8B\u96FB\u5F71\uFF08\u82F1\u8A9E\uFF1Anon-narrative film\uFF09\u662F\u4E00\u7A2E\u7535\u5F71\u7F8E\u5B78\u5206\u985E\uFF0C\u9019\u985E\u96FB\u5F71\u4E26\u4E0D\u6558\u8FF0\u6216\u6D89\u53CA\u4E8B\u4EF6\uFF08\u7121\u8AD6\u662F\u771F\u5BE6\u7684\u9084\u662F\u865B\u69CB\u7684\uFF09\u3002\u975E\u6558\u4E8B\u96FB\u5F71\u901A\u5E38\u662F\u85DD\u8853\u96FB\u5F71\u6216\u5BE6\u9A57\u96FB\u5F71\uFF0C\u4E26\u975E\u70BA\u5927\u773E\u5A1B\u6A02\u800C\u88FD\u4F5C\u3002 \u4ECD\u662F\u96FB\u5F71\u7F8E\u5B78\u7684\u4E3B\u6D41\uFF0C\u4F46\u975E\u6558\u4E8B\u96FB\u5F71\u4E26\u975E\u8207\u5176\u6D87\u6E2D\u5206\u660E\u3002\u975E\u6558\u4E8B\u96FB\u5F71\u96D6\u7136\u907F\u514D\u4E86\u6558\u4E8B\u96FB\u5F71\u7684\u67D0\u4E9B\u7279\u5FB5\uFF0C\u4F46\u4ECD\u4FDD\u7559\u4E86\u4E00\u4E9B\u6558\u4E8B\u7279\u5F81\u3002\u53E6\u4E00\u65B9\u9762\uFF0C\u6558\u4E8B\u7535\u5F71\u4E5F\u5076\u5C14\u4F1A\u4F7F\u7528\u201C\u4E0D\u5177\u4EE3\u8868\u6027\u7684\u89C6\u89C9\u6750\u6599\u201D\u3002\u5C3D\u7BA1\u8BB8\u591A\u62BD\u8C61\u7535\u5F71\u663E\u7136\u6CA1\u6709\u53D9\u4E8B\u8981\u7D20\uFF0C\u4F46\u53D9\u4E8B\u7535\u5F71\u548C\u975E\u53D9\u4E8B\u7535\u5F71\u4E4B\u95F4\u7684\u533A\u522B\u53EF\u80FD\u76F8\u5F53\u6A21\u7CCA\uFF0C\u89E3\u91CB\u7A7A\u9593\u5F88\u5927\u3002\u975E\u5E38\u89C4\u7684\u56FE\u50CF\u3001\u6982\u5FF5\u548C\u7ED3\u6784\u4F1A\u63A9\u76D6\u7535\u5F71\u7684\u53D9\u4E8B\u6027\u3002 \u8A31\u591A\u8D85\u73FE\u5BE6\u4E3B\u7FA9\u96FB\u5F71\u53EF\u8996\u70BA\u975E\u6558\u4E8B\u96FB\u5F71\uFF0C\u5E76\u4E14\u4E0E\u8FBE\u8FBE\u4E3B\u4E49\u7D14\u7535\u5F71\uFF08cin\u00E9ma pur\uFF09\u904B\u52D5\u6709\u90E8\u5206\u91CD\u758A\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Il cinema non narrativo, o antinarrativo o anarrativo \u00E8 un tipo di cinema che non racconta n\u00E9 illustra strettamente un evento, reale o immaginario che sia; un cinema in cui cade la necessit\u00E0 di un \"rapporto rigoroso tra immagini, suoni e parole\". Nella definizione ricadono il cinema sperimentale, il cinema astratto, il cinema muto d'avanguardia e certe forme di documentario, cos\u00EC come alcune opere di Jean-Luc Godard che mischiano documentario, fiction e pamphlet politico."@it . . . . . . . . . . . . . . . . . "39973509"^^ . . . . . . . . "Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate \"an event, whether real or imaginary\". It is usually a form of art film or experimental film, not made for mass entertainment. Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids \"certain traits\" of the narrative film, it \"still retains a number of narrative characteristics\". Narrative film also occasionally uses \"visual materials that are not representational\". Although many abstract films are clearly devoid of narrative elements, distinction between a narrative film and a non-narrative film can be rather vague and is often open for interpretation. Unconventional imagery, concepts and structuring can obscure the narrativity of a film. Terms such as absolute film, cin\u00E9ma pur, true cinema and integral cinema have been used for non-narrative films that aimed to create a purer experience of the distinctive qualities of film, like movement, rhythm and changing visual compositions. More narrowly, \"absolute film\" was used for the works of a group of filmmakers in Germany in the 1920s, that consisted, at least initially, of animated films that were totally abstract. The French term cin\u00E9ma pur was coined to describe the style of several filmmakers in France in the 1920s, whose work was non-narrative, but hardly ever non-figurative. Much of surrealist cinema can be regarded as non-narrative films and partly overlaps with the dadaist cin\u00E9ma pur movement."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Le film non narratif tient dans le fait de ne pas raconter ou de ne pas le faire de fa\u00E7on compr\u00E9hensible. Il s'agit avant tout d\u2019une prise de conscience sur l\u2019intention de l\u2019auteur, de d\u00E9montrer qu'\u00E0 partir du moment o\u00F9 l'on s\u00E9lectionne, cr\u00E9e et ordonne des images et du son, on pose un geste intentionnel. Bien qu'\u00E0 premi\u00E8re vue l'exercice de non-narration semble anodin face \u00E0 la narration traditionnelle, il est bien plus difficile de captiver sans raconter."@fr . . . . .