. "\u30D4\u30A2\u30CE\u5354\u594F\u66F2\u7B2C2\u756A \u30C8\u77ED\u8ABF \u4F5C\u54C122\u306F\u3001\u30AB\u30DF\u30FC\u30E6\u30FB\u30B5\u30F3\uFF1D\u30B5\u30FC\u30F3\u30B9\u304C\u4F5C\u66F2\u3057\u305F2\u756A\u76EE\u306E\u30D4\u30A2\u30CE\u5354\u594F\u66F2\u3002"@ja . "Saint-Saens - Piano Concerto No. 2 - II. Allegro scherzando - UI.oga"@en . . . . . "1852378"^^ . "Concert per a piano n\u00FAm. 2 (Saint-Sa\u00EBns)"@ca . . "Saint-Saens - Piano Concerto No. 2 - III. Presto - UI.oga"@en . "2. Klavierkonzert (Saint-Sa\u00EBns)"@de . . "\u300A\uD53C\uC544\uB178 \uD611\uC8FC\uACE1 2\uBC88 \uC0AC\uB2E8\uC870 \uC791\uD488 \uBC88\uD638 22\u300B\uB294 \uCE74\uBBF8\uC720 \uC0DD\uC0C1\uC758 \uAC00\uC7A5 \uC778\uAE30 \uC788\uB294 \uD53C\uC544\uB178 \uD611\uC8FC\uACE1\uC77C \uAC83\uC774\uB2E4. 5\uC6D4 13\uC77C \uCD08\uC5F0\uC5D0\uC11C \uC791\uACE1\uAC00\uB294 \uC194\uB9AC\uC2A4\uD2B8\uC600\uACE0 \uC548\uD1A4 \uB8E8\uBE48\uC2A4\uD0C0\uC778\uC740 \uC624\uCF00\uC2A4\uD2B8\uB77C\uB97C \uC9C0\uD718\uD588\uB2E4. \uC0DD\uC0C1\uC740 3\uC8FC \uB9CC\uC5D0 \uD611\uC8FC\uACE1\uC744 \uC37C\uACE0 \uCD08\uC5F0\uC744 \uC900\uBE44\uD560 \uC2DC\uAC04\uC774 \uAC70\uC758 \uC5C6\uC5C8\uB2E4. \uACB0\uACFC\uC801\uC73C\uB85C \uC774 \uC791\uD488\uC740 \uCC98\uC74C\uC5D0\uB294 \uC131\uACF5\uD558\uC9C0 \uBABB\uD588\uB2E4. \uC774 \uC791\uD488\uC740 3 \uC545\uC7A5 \uC758 \uC804\uD1B5\uC801\uC778 \uD615\uC2DD\uC744 \uB530\uB974\uC9C0\uB9CC \uD15C\uD3EC \uD45C\uC2DC\uC5D0\uC11C \uB354 \uB9CE\uC740 \uC790\uC720\uB97C \uD5C8\uC6A9\uD55C\uB2E4. \uC77C\uBC18\uC801\uC73C\uB85C 1\uC545\uC7A5\uC740 \uBE60\uB974\uAC8C \uC9C4\uD589\uB418\uACE0 2\uC545\uC7A5\uC740 \uB290\uB9AC\uC9C0\uB9CC \uC5EC\uAE30\uC11C\uB294 1\uC545\uC7A5\uC774 \uB290\uB9AC\uACE0 2\uC545\uC7A5\uC740 \uC2A4\uCF00\uB974\uCD08\uC640 \uAC19\uC740 \uD2B9\uC131\uC744 \uAC00\uC9C0\uACE0 \uC788\uC5B4 \uC804\uD615\uC801\uC778 4\uC545\uC7A5 \uAD50\uD5A5\uACE1\uACFC \uBE44\uC2B7\uD558\uC9C0\uB9CC 1\uC545\uC7A5\uC774 \uC5C6\uB294 \uD615\uD0DC\uB97C \uB760\uACE0 \uC788\uB2E4. (\uBCA0\uD1A0\uBCA4\uC758 \uC6D4\uAD11 \uC18C\uB098\uD0C0 \uB85C\uB3C4 \uB300\uD45C\uB418\uB294 \uD615\uC2DD)."@ko . . "1114768216"^^ . . . . "\u30D4\u30A2\u30CE\u5354\u594F\u66F2\u7B2C2\u756A (\u30B5\u30F3\uFF1D\u30B5\u30FC\u30F3\u30B9)"@ja . . . . . . . . . . "\u041A\u043E\u043D\u0446\u0435\u0440\u0442 \u2116 2 \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u0441\u043E\u043B\u044C \u043C\u0438\u043D\u043E\u0440 Op. 22 \u2014 \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0435 \u041A\u0430\u043C\u0438\u043B\u044F \u0421\u0435\u043D-\u0421\u0430\u043D\u0441\u0430. \u041D\u0430\u043F\u0438\u0441\u0430\u043D \u0432 1868 \u0433\u043E\u0434\u0443. \u041F\u0440\u0438\u043C\u0435\u0440\u043D\u0430\u044F \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0437\u0432\u0443\u0447\u0430\u043D\u0438\u044F 25 \u043C\u0438\u043D\u0443\u0442. \u041F\u043E\u0441\u0432\u044F\u0449\u0451\u043D \u043C\u0430\u0440\u043A\u0438\u0437\u0435 \u041A\u043B\u0435\u043C\u0435\u043D\u0446\u0438\u0438 \u0434\u0435 \u0412\u0438\u043B\u044C\u0435\u0440\u0441, \u0436\u0435\u043D\u0435 \u0444\u0438\u043D\u0430\u043D\u0441\u0438\u0441\u0442\u0430 \u041E\u0433\u044E\u0441\u0442\u0430 \u041B\u0435\u0433\u0440\u0430\u043D\u0430 \u0434\u0435 \u0412\u0438\u043B\u044C\u0435\u0440\u0441\u0430."@ru . "El Concert per a piano i orquestra n\u00FAm. 2 en sol menor, op 22, fou compost per Camille Saint-Sa\u00EBns el 1868. S'estren\u00E0 el 13 de maig de 1868 a la sala Pleyel de Par\u00EDs sota la direcci\u00F3 d'Anton Rubinstein. \u00C9s el m\u00E9s c\u00E8lebre dels cinc concerts per a aquest instrument de Saint-Sa\u00EBns."@ca . . . . "I. Andante sostenuto"@en . . . . . . . . . "Performed by Bogyeong Lee with the University of Iowa Chamber Orchestra under William LaRue Jones"@en . . . . . . . . . . . . . "Concierto para piano n.\u00BA 2 (Saint-Sa\u00EBns)"@es . . . . . . "III. Presto"@en . . . . . . "Pianoconcert nr. 2 in g-mineur, opus 22 geschreven door de Franse componist Camille Saint-Sa\u00EBns. Het stuk bestaat uit drie delen: 1. \n* Andante sostenuto ca. 10\u201920 2. \n* Allegro scherzando ca. 5\u201930 3. \n* Presto ca. 6\u201910"@nl . . "El Concert per a piano i orquestra n\u00FAm. 2 en sol menor, op 22, fou compost per Camille Saint-Sa\u00EBns el 1868. S'estren\u00E0 el 13 de maig de 1868 a la sala Pleyel de Par\u00EDs sota la direcci\u00F3 d'Anton Rubinstein. \u00C9s el m\u00E9s c\u00E8lebre dels cinc concerts per a aquest instrument de Saint-Sa\u00EBns."@ca . "Piano Concerto No. 2 (Saint-Sa\u00EBns)"@en . "Piano Concerto No. 2"@en . "Das 2. Klavierkonzert in g-Moll, op. 22, ist ein Werk f\u00FCr Klavier und Orchester des franz\u00F6sischen Komponisten Camille Saint-Sa\u00EBns."@de . "Pianoconcert nr. 2 in g-mineur, opus 22 geschreven door de Franse componist Camille Saint-Sa\u00EBns. Het stuk bestaat uit drie delen: 1. \n* Andante sostenuto ca. 10\u201920 2. \n* Allegro scherzando ca. 5\u201930 3. \n* Presto ca. 6\u201910"@nl . . . . . . "\u041A\u043E\u043D\u0446\u0435\u0440\u0442 \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u2116 2 (\u0421\u0435\u043D-\u0421\u0430\u043D\u0441)"@ru . . . . . . . "Concerto pour piano no 2 de Saint-Sa\u00EBns"@fr . . . . . . . . . . . . "music"@en . "Saint-Saens - Piano Concerto No. 2 - I. Andante sostenuto - UI.oga"@en . . "Concerto per pianoforte e orchestra n. 2 (Saint-Sa\u00EBns)"@it . . . "The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Sa\u00EBns was composed in 1868 and is probably Saint-Sa\u00EBns' most popular piano concerto. It was dedicated to Madame A. de Villers (n\u00E9e de Haber). At the premi\u00E8re on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. Saint-Sa\u00EBns wrote the concerto in three weeks and had very little time to prepare for the premi\u00E8re; consequently, the piece was not initially successful. The capricious changes in style provoked Zygmunt Stojowski to quip that it \"begins with Bach and ends with Offenbach.\""@en . . . . . . . . "The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Sa\u00EBns was composed in 1868 and is probably Saint-Sa\u00EBns' most popular piano concerto. It was dedicated to Madame A. de Villers (n\u00E9e de Haber). At the premi\u00E8re on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. Saint-Sa\u00EBns wrote the concerto in three weeks and had very little time to prepare for the premi\u00E8re; consequently, the piece was not initially successful. The capricious changes in style provoked Zygmunt Stojowski to quip that it \"begins with Bach and ends with Offenbach.\""@en . . "Il Concerto per pianoforte n. 2 in sol minore Op. 22 di Camille Saint-Sa\u00EBns fu composto nel 1868 ed \u00E8 probabilmente il concerto per pianoforte pi\u00F9 popolare di Saint-Sa\u00EBns. Era dedicato a Madame A. de Villers (nata de Haber). Alla prima il solista era il compositore stesso e Anton Rubinstein dirigeva l'orchestra. Saint-Sa\u00EBns scrisse il concerto in tre settimane ed ebbe pochissimo tempo per prepararsi alla prima; di conseguenza il pezzo inizialmente non ebbe successo. I capricciosi cambiamenti di stile hanno spinto Zygmunt Stojowski a scherzare sul fatto che \"inizia con Bach e finisce con Offenbach\"."@it . . . . . . . . "\uD53C\uC544\uB178 \uD611\uC8FC\uACE1 2\uBC88 (\uC0DD\uC0C1\uC2A4)"@ko . "II. Allegro scherzando"@en . "El concierto para piano n.\u00BA 2, en sol menor, op. 22, de Camille Saint-Sa\u00EBns, fue compuesto en 1868 y es probablemente el m\u00E1s conocido de los conciertos del compositor. Est\u00E1 dedicado a . Fue estrenado el 13 de mayo del mismo a\u00F1o en la sala Pleyel de Par\u00EDs, por el mismo compositor al piano y Ant\u00F3n Rubinstein en la direcci\u00F3n de la orquesta. Saint-Sa\u00EBns compuso la obra en tres semanas y tuvo poco tiempo para preparar el estreno; consecuentemente, la pieza no fue inicialmente un \u00E9xito."@es . . . . . . . "Piano_Concerto_No.2%2C_Op.22_%28Saint-Sa%C3%ABns%2C_Camille%29"@en . . . "Pianoconcert nr. 2 (Saint-Sa\u00EBns)"@nl . "Il Concerto per pianoforte n. 2 in sol minore Op. 22 di Camille Saint-Sa\u00EBns fu composto nel 1868 ed \u00E8 probabilmente il concerto per pianoforte pi\u00F9 popolare di Saint-Sa\u00EBns. Era dedicato a Madame A. de Villers (nata de Haber). Alla prima il solista era il compositore stesso e Anton Rubinstein dirigeva l'orchestra. Saint-Sa\u00EBns scrisse il concerto in tre settimane ed ebbe pochissimo tempo per prepararsi alla prima; di conseguenza il pezzo inizialmente non ebbe successo. I capricciosi cambiamenti di stile hanno spinto Zygmunt Stojowski a scherzare sul fatto che \"inizia con Bach e finisce con Offenbach\"."@it . . . . . . "Das 2. Klavierkonzert in g-Moll, op. 22, ist ein Werk f\u00FCr Klavier und Orchester des franz\u00F6sischen Komponisten Camille Saint-Sa\u00EBns."@de . . . . "Le concerto pour piano no 2 en sol mineur op. 22 de Camille Saint-Sa\u00EBns, compos\u00E9 en 1868. Il fut \u00E9crit en moins de trois semaines pour son ami le pianiste Anton Rubinstein. Lors de sa premi\u00E8re repr\u00E9sentation, le 13 mai 1868 \u00E0 Paris, le compositeur se mit au clavier et le pianiste \u00E0 la direction. Le concerto est d\u00E9dicac\u00E9 \u00E0 Madame A. de Villers, n\u00E9e de Haber."@fr . . . . . . . "9629"^^ . . . . . . . . . . "\u300A\uD53C\uC544\uB178 \uD611\uC8FC\uACE1 2\uBC88 \uC0AC\uB2E8\uC870 \uC791\uD488 \uBC88\uD638 22\u300B\uB294 \uCE74\uBBF8\uC720 \uC0DD\uC0C1\uC758 \uAC00\uC7A5 \uC778\uAE30 \uC788\uB294 \uD53C\uC544\uB178 \uD611\uC8FC\uACE1\uC77C \uAC83\uC774\uB2E4. 5\uC6D4 13\uC77C \uCD08\uC5F0\uC5D0\uC11C \uC791\uACE1\uAC00\uB294 \uC194\uB9AC\uC2A4\uD2B8\uC600\uACE0 \uC548\uD1A4 \uB8E8\uBE48\uC2A4\uD0C0\uC778\uC740 \uC624\uCF00\uC2A4\uD2B8\uB77C\uB97C \uC9C0\uD718\uD588\uB2E4. \uC0DD\uC0C1\uC740 3\uC8FC \uB9CC\uC5D0 \uD611\uC8FC\uACE1\uC744 \uC37C\uACE0 \uCD08\uC5F0\uC744 \uC900\uBE44\uD560 \uC2DC\uAC04\uC774 \uAC70\uC758 \uC5C6\uC5C8\uB2E4. \uACB0\uACFC\uC801\uC73C\uB85C \uC774 \uC791\uD488\uC740 \uCC98\uC74C\uC5D0\uB294 \uC131\uACF5\uD558\uC9C0 \uBABB\uD588\uB2E4. \uC774 \uC791\uD488\uC740 3 \uC545\uC7A5 \uC758 \uC804\uD1B5\uC801\uC778 \uD615\uC2DD\uC744 \uB530\uB974\uC9C0\uB9CC \uD15C\uD3EC \uD45C\uC2DC\uC5D0\uC11C \uB354 \uB9CE\uC740 \uC790\uC720\uB97C \uD5C8\uC6A9\uD55C\uB2E4. \uC77C\uBC18\uC801\uC73C\uB85C 1\uC545\uC7A5\uC740 \uBE60\uB974\uAC8C \uC9C4\uD589\uB418\uACE0 2\uC545\uC7A5\uC740 \uB290\uB9AC\uC9C0\uB9CC \uC5EC\uAE30\uC11C\uB294 1\uC545\uC7A5\uC774 \uB290\uB9AC\uACE0 2\uC545\uC7A5\uC740 \uC2A4\uCF00\uB974\uCD08\uC640 \uAC19\uC740 \uD2B9\uC131\uC744 \uAC00\uC9C0\uACE0 \uC788\uC5B4 \uC804\uD615\uC801\uC778 4\uC545\uC7A5 \uAD50\uD5A5\uACE1\uACFC \uBE44\uC2B7\uD558\uC9C0\uB9CC 1\uC545\uC7A5\uC774 \uC5C6\uB294 \uD615\uD0DC\uB97C \uB760\uACE0 \uC788\uB2E4. (\uBCA0\uD1A0\uBCA4\uC758 \uC6D4\uAD11 \uC18C\uB098\uD0C0 \uB85C\uB3C4 \uB300\uD45C\uB418\uB294 \uD615\uC2DD)."@ko . . "El concierto para piano n.\u00BA 2, en sol menor, op. 22, de Camille Saint-Sa\u00EBns, fue compuesto en 1868 y es probablemente el m\u00E1s conocido de los conciertos del compositor. Est\u00E1 dedicado a . Fue estrenado el 13 de mayo del mismo a\u00F1o en la sala Pleyel de Par\u00EDs, por el mismo compositor al piano y Ant\u00F3n Rubinstein en la direcci\u00F3n de la orquesta. Saint-Sa\u00EBns compuso la obra en tres semanas y tuvo poco tiempo para preparar el estreno; consecuentemente, la pieza no fue inicialmente un \u00E9xito."@es . . "\u30D4\u30A2\u30CE\u5354\u594F\u66F2\u7B2C2\u756A \u30C8\u77ED\u8ABF \u4F5C\u54C122\u306F\u3001\u30AB\u30DF\u30FC\u30E6\u30FB\u30B5\u30F3\uFF1D\u30B5\u30FC\u30F3\u30B9\u304C\u4F5C\u66F2\u3057\u305F2\u756A\u76EE\u306E\u30D4\u30A2\u30CE\u5354\u594F\u66F2\u3002"@ja . . "\u041A\u043E\u043D\u0446\u0435\u0440\u0442 \u2116 2 \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0441 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u043C \u0441\u043E\u043B\u044C \u043C\u0438\u043D\u043E\u0440 Op. 22 \u2014 \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0435 \u041A\u0430\u043C\u0438\u043B\u044F \u0421\u0435\u043D-\u0421\u0430\u043D\u0441\u0430. \u041D\u0430\u043F\u0438\u0441\u0430\u043D \u0432 1868 \u0433\u043E\u0434\u0443. \u041F\u0440\u0438\u043C\u0435\u0440\u043D\u0430\u044F \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0437\u0432\u0443\u0447\u0430\u043D\u0438\u044F 25 \u043C\u0438\u043D\u0443\u0442. \u041F\u043E\u0441\u0432\u044F\u0449\u0451\u043D \u043C\u0430\u0440\u043A\u0438\u0437\u0435 \u041A\u043B\u0435\u043C\u0435\u043D\u0446\u0438\u0438 \u0434\u0435 \u0412\u0438\u043B\u044C\u0435\u0440\u0441, \u0436\u0435\u043D\u0435 \u0444\u0438\u043D\u0430\u043D\u0441\u0438\u0441\u0442\u0430 \u041E\u0433\u044E\u0441\u0442\u0430 \u041B\u0435\u0433\u0440\u0430\u043D\u0430 \u0434\u0435 \u0412\u0438\u043B\u044C\u0435\u0440\u0441\u0430. \u041F\u043E\u0432\u043E\u0434\u043E\u043C \u0434\u043B\u044F \u0432\u0434\u043E\u0445\u043D\u043E\u0432\u0435\u043D\u0438\u044F \u0421\u0435\u043D-\u0421\u0430\u043D\u0441\u0443 \u043F\u043E\u0441\u043B\u0443\u0436\u0438\u043B\u0430 \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u043A\u0430\u044F \u0434\u0440\u0443\u0436\u0431\u0430 \u0441 \u0410\u043D\u0442\u043E\u043D\u043E\u043C \u0420\u0443\u0431\u0438\u043D\u0448\u0442\u0435\u0439\u043D\u043E\u043C, \u0432\u043C\u0435\u0441\u0442\u0435 \u0441 \u043A\u043E\u0442\u043E\u0440\u044B\u043C \u043E\u043D \u043D\u0435 \u0440\u0430\u0437 \u0432\u044B\u0441\u0442\u0443\u043F\u0430\u043B \u043A\u0430\u043A \u0434\u0438\u0440\u0438\u0436\u0451\u0440. \u0423 \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442\u043E\u0432 \u0432\u043E\u0437\u043D\u0438\u043A\u043B\u0430 \u0438\u0434\u0435\u044F \u043F\u043E\u043C\u0435\u043D\u044F\u0442\u044C\u0441\u044F \u043F\u0440\u0438\u0432\u044B\u0447\u043D\u044B\u043C\u0438 \u0440\u043E\u043B\u044F\u043C\u0438, \u0447\u0442\u043E\u0431\u044B \u0421\u0435\u043D-\u0421\u0430\u043D\u0441 \u0432\u044B\u0441\u0442\u0443\u043F\u0438\u043B \u043A\u0430\u043A \u0441\u043E\u043B\u0438\u0441\u0442, \u0430 \u0420\u0443\u0431\u0438\u043D\u0448\u0442\u0435\u0439\u043D \u2014 \u043A\u0430\u043A \u0434\u0438\u0440\u0438\u0436\u0451\u0440. \u0412\u044B\u044F\u0441\u043D\u0438\u043B\u043E\u0441\u044C, \u0447\u0442\u043E \u043F\u0430\u0440\u0438\u0436\u0441\u043A\u0438\u0439 \u0417\u0430\u043B \u041F\u043B\u0435\u0439\u0435\u043B\u044C \u0441\u0432\u043E\u0431\u043E\u0434\u0435\u043D \u0447\u0435\u0440\u0435\u0437 \u043C\u0435\u0441\u044F\u0446, \u0438 \u0421\u0435\u043D-\u0421\u0430\u043D\u0441 \u0441\u043E\u0447\u0438\u043D\u0438\u043B \u043A\u043E\u043D\u0446\u0435\u0440\u0442 \u0432\u0441\u0435\u0433\u043E \u0437\u0430 17 \u0434\u043D\u0435\u0439, \u0437\u0430\u0432\u0435\u0440\u0448\u0438\u0432 \u0440\u0430\u0431\u043E\u0442\u0443 2 \u043C\u0430\u044F, \u0430 13 \u043C\u0430\u044F \u043A\u043E\u043D\u0446\u0435\u0440\u0442 \u0431\u044B\u043B \u0432\u043F\u0435\u0440\u0432\u044B\u0435 \u0438\u0441\u043F\u043E\u043B\u043D\u0435\u043D. \u0421\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F, \u0447\u0442\u043E \u0421\u0435\u043D-\u0421\u0430\u043D\u0441 \u043D\u0435 \u0443\u0441\u043F\u0435\u043B \u0432 \u043F\u043E\u043B\u043D\u043E\u0439 \u043C\u0435\u0440\u0435 \u043E\u0442\u0440\u0435\u043F\u0435\u0442\u0438\u0440\u043E\u0432\u0430\u0442\u044C \u0441\u043E\u043B\u044C\u043D\u0443\u044E \u043F\u0430\u0440\u0442\u0438\u044E \u0438 \u043E\u0441\u0442\u0430\u043B\u0441\u044F \u043D\u0435 \u0432\u043F\u043E\u043B\u043D\u0435 \u0434\u043E\u0432\u043E\u043B\u0435\u043D \u043F\u0440\u0435\u043C\u044C\u0435\u0440\u043E\u0439."@ru . . "Le concerto pour piano no 2 en sol mineur op. 22 de Camille Saint-Sa\u00EBns, compos\u00E9 en 1868. Il fut \u00E9crit en moins de trois semaines pour son ami le pianiste Anton Rubinstein. Lors de sa premi\u00E8re repr\u00E9sentation, le 13 mai 1868 \u00E0 Paris, le compositeur se mit au clavier et le pianiste \u00E0 la direction. Le concerto est d\u00E9dicac\u00E9 \u00E0 Madame A. de Villers, n\u00E9e de Haber."@fr . . . . . . . . . .