. . . . . . . "Pietro Summonte, n\u00E9 \u00E0 Naples en 1453 et mort dans la m\u00EAme ville le 14 ao\u00FBt 1526, est un humaniste italien, auteur de plusieurs textes portant sur la litt\u00E9rature et l'histoire de l'art de son temps."@fr . . . "Pietro Summonte, n\u00E9 \u00E0 Naples en 1453 et mort dans la m\u00EAme ville le 14 ao\u00FBt 1526, est un humaniste italien, auteur de plusieurs textes portant sur la litt\u00E9rature et l'histoire de l'art de son temps."@fr . . . . . . . "Pietro Summonte"@fr . "Pietro Summonte (Napoli, 1453 \u2013 Napoli, 14 agosto 1526) \u00E8 stato un umanista italiano."@it . "Pietro Summonte"@it . . . . . "Pietro Summonte (1463\u20131526) was an Italian Renaissance humanist of Naples, a member of the learned circle of friends in the Ciceronian manner that constituted Pontano's Accademia Pontaniana. Summonte's care in preserving his correspondence on artistic matters with the Venetian Marcantonio Michiel resulted in a precious archive mined by art historians. His major poem was the Canzone intitulata Aragonia. To him Jacopo Sannazaro and addressed verses, in Latin and the vernacular, and Sannazaro entrusted his Arcadia, which had circulated in manuscript since about 1485, but of which corrupt pirated editions appeared at Venice (1502) for a carefully corrected printing by Sigismondo Mayr (1504), in which Brian Richardson has detected revisions that brought the language closer to Boccaccio and Pet"@en . . . . . . "1095781599"^^ . . . . . . "Pietro Summonte (1463 - 1526) va ser un humanista del originari de N\u00E0pols, membre del \"Cercle d'amics de l'estil de Cicer\u00F3\", que constituiria l'Academia . La cura de Summonte conservant la seva correspond\u00E8ncia sobre temes art\u00EDstics amb el veneci\u00E0 resulta un arxiu preci\u00F3s per als historiadors d'art. El seu poema essencial va ser el Canzone intitulata Aragonia. Jacopo Sannazaro i li van adre\u00E7ar versos, en llat\u00ED i vernacle, i Sannazaro els va confiar el seu Arc\u00E0dia, que havia circulat en manuscrit des del voltant de 1485, per\u00F2 del qual varen apar\u00E8ixer edicions pirates a Ven\u00E8cia (1502), en una impressi\u00F3 acuradament corregida per Segismundo Mayr (1504), en qu\u00E8 Brian Richardson ha detectat revisions que acostaven la llengua m\u00E9s a prop de la de Boccaccio i Petrarca, de manera que perd\u00E9s moltes de les seves formes dialectals del sud. Summonte, que va prendre la direcci\u00F3 de l'Accademia Pontaniana despr\u00E9s de la mort de Pontano (1503), va editar els dos llibres de la publicaci\u00F3 de Pontano d'hendecas\u00EDl\u00B7labs, als quals va subt\u00EDtular Baiae."@ca . . "2979"^^ . . "Pietro Summonte"@ca . . . . . . . . . . . . . . . . "Pietro Summonte (Napoli, 1453 \u2013 Napoli, 14 agosto 1526) \u00E8 stato un umanista italiano."@it . . . . "Pietro Summonte"@en . . "16672878"^^ . . . . . . "Pietro Summonte (1463 - 1526) va ser un humanista del originari de N\u00E0pols, membre del \"Cercle d'amics de l'estil de Cicer\u00F3\", que constituiria l'Academia . La cura de Summonte conservant la seva correspond\u00E8ncia sobre temes art\u00EDstics amb el veneci\u00E0 resulta un arxiu preci\u00F3s per als historiadors d'art. El seu poema essencial va ser el Canzone intitulata Aragonia. Jacopo Sannazaro i li van adre\u00E7ar versos, en llat\u00ED i vernacle, i Sannazaro els va confiar el seu Arc\u00E0dia, que havia circulat en manuscrit des del voltant de 1485, per\u00F2 del qual varen apar\u00E8ixer edicions pirates a Ven\u00E8cia (1502), en una impressi\u00F3 acuradament corregida per Segismundo Mayr (1504), en qu\u00E8 Brian Richardson ha detectat revisions que acostaven la llengua m\u00E9s a prop de la de Boccaccio i Petrarca, de manera que perd\u00E9s moltes"@ca . "Pietro Summonte (1463\u20131526) was an Italian Renaissance humanist of Naples, a member of the learned circle of friends in the Ciceronian manner that constituted Pontano's Accademia Pontaniana. Summonte's care in preserving his correspondence on artistic matters with the Venetian Marcantonio Michiel resulted in a precious archive mined by art historians. His major poem was the Canzone intitulata Aragonia. To him Jacopo Sannazaro and addressed verses, in Latin and the vernacular, and Sannazaro entrusted his Arcadia, which had circulated in manuscript since about 1485, but of which corrupt pirated editions appeared at Venice (1502) for a carefully corrected printing by Sigismondo Mayr (1504), in which Brian Richardson has detected revisions that brought the language closer to Boccaccio and Petrarch, so that it lost many of its southern dialect forms. Summonte, who took on the guidance of the Accademia Pontaniana after Pontano's death (1503), edited for publication Pontano's two books of Hendecasyllables, to which he applied the subtitle Baiae."@en . . . .