. . . . . "Rigor Mortis Sets In es el tercer \u00E1lbum de estudio del m\u00FAsico brit\u00E1nico John Entwistle, publicado por la compa\u00F1\u00EDa discogr\u00E1fica Track Records en mayo de 1973 en el Reino Unido y en junio del mismo a\u00F1o en los Estados Unidos. Producido entre Entwistle y John Alcock durante un periodo de inactividad de The Who, el \u00E1lbum incluy\u00F3 tres versiones de cl\u00E1sicos de la d\u00E9cada de 1950, una regrabaci\u00F3n de \u00ABMy Wife\u00BB, previamente publicado en Who's Next, y nuevas composiciones. La grabaci\u00F3n del \u00E1lbum fue completada en apenas tres semanas entre octubre y noviembre de 1972, con un coste total de 10 000 d\u00F3lares en gastos de estudio y 4 000 en facturas de licores.\u200B Rigor Mortis Sets In tuvo un lanzamiento \u00E1spero debido a su t\u00EDtulo y al dise\u00F1o. BBC Radio se neg\u00F3 a emitir el \u00E1lbum y lo censur\u00F3, en parte debido a la influencia del DJ Jimmy Savile, que acababa de sufrir una muerte en su familia. El debut del \u00E1lbum en los Estados Unidos tambi\u00E9n fue problem\u00E1tico para MCA, quien insisti\u00F3 en incluir el nombre del artista en el t\u00EDtulo, por temor a que las ventas fuesen bajas debido a la ausencia de su nombre."@es . . . "Rigor Mortis Sets In"@en . "country"@en . . "149.0"^^ . . . . . . . . . "4035860"^^ . . ""@en . . "Made in Japan"@en . . "212.0"^^ . . "1975"^^ . . . "Rigor Mortis Sets In je t\u0159et\u00ED s\u00F3lov\u00E9 album Johna Entwistlea. Ve Spojen\u00FDch st\u00E1tech bylo vyd\u00E1no pod n\u00E1zvem John Entwistle's Rigor Mortis Sets In."@cs . . . "Big Black Cadillac"@en . . . "Rigor_Mortis_Sets_In.jpg"@en . . . . "Rigor Mortis Sets In is the third solo album by John Entwistle, who was the bassist for The Who. Distributed by Track Records, the album was named John Entwistle's Rigor Mortis Sets In in the U.S. Co-produced by Entwistle and John Alcock, it consists of three Fifties rock and roll covers, a new version of the Entwistle song \"My Wife\" from The Who's album Who's Next, and new tracks (only six of the ten songs were new). Rigor Mortis Sets In set in motion John Entwistle assembling his own touring unit during the increasing periods of The Who's inactivity."@en . . "33.0"^^ . . . . . . . . . . . . . . . . . "Early take"@en . . . . . "169.0"^^ . . . . "Nova Sound Studios, London, England"@en . . . "234.0"^^ . . . . "254.0"^^ . . . . . . . "BP Big Gallon Jingle"@en . "Rigor Mortis Sets In"@en . "Gimme That Rock 'n' Roll"@en . "Rigor Mortis Sets In is the third solo album by John Entwistle, who was the bassist for The Who. Distributed by Track Records, the album was named John Entwistle's Rigor Mortis Sets In in the U.S. Co-produced by Entwistle and John Alcock, it consists of three Fifties rock and roll covers, a new version of the Entwistle song \"My Wife\" from The Who's album Who's Next, and new tracks (only six of the ten songs were new). Rigor Mortis Sets In set in motion John Entwistle assembling his own touring unit during the increasing periods of The Who's inactivity. Bearing the dedication \"In Loving Memory of Rock 'n' Roll 1950\u2013\u221E: Never Really Passed Away Just Ran Out of Time\", Entwistle's affection for Fifties rock and roll was evident by covers of \"Mr. Bass Man\", \"Hound Dog\", and \"Lucille\". As George Lucas had released American Graffiti at the same time as Rigor Mortis Sets In was released, creating a huge market for Fifties nostalgia, Entwistle's timing was uncannily prescient. In Entwistle's original material for the album, light whimsy prevailed over the darker (and more creative) vein of Smash Your Head Against the Wall and Whistle Rymes. The album was completed in less than three weeks, ultimately costing $10,000 in studio time and $4,000 on liquor bills. The cover art of the gatefold LP features on one cover an outdoor photo of a grave, whose heart-shaped headstone is engraved with the dedication described above, while the grave's footstone is inscribed \"V.S.O.P.\" (a grading acronym for cognac). The opposite cover features a wooden coffin bearing a brass plate engraved with the album's name. The UK (Track) LP used the coffin on the cover and the gravestone on the inner gatefold, while the U.S. (MCA) LP had the opposite arrangement. Compact disc releases have been fronted with Track's original coffin cover, with the gravestone cover proportionally preserved inside as part of the liner notes. Rigor Mortis Sets In had a rough launch due to its title and cover art. BBC Radio refused to play the album and banned it, ironically in part due to the influence of DJ Jimmy Savile who had just suffered a death in his family. The album's U.S. debut was problematic for MCA Records (Track's new American distributor), who insisted on appending the artist's name to the title, out of concern that the album's sales would be weak without the Entwistle name in the title."@en . . "245.0"^^ . . "C+"@en . "Rigor Mortis Sets In"@es . . "Rigor Mortis Sets In"@cs . . . "hard rock"@en . . "2038.0"^^ . . . "1972"^^ . . . . . "Demo with voiceover"@en . "Roller Skate Kate"@en . . . . "173.0"^^ . "Christgau's Record Guide"@en . "As Rigor Mortis Sets In in May 1973 and as John Entwistle's Rigor Mortis Sets In in June 1973"@en . "218.0"^^ . "215.0"^^ . . . . . . . "237.0"^^ . "35.0"^^ . . "rockabilly"@en . . . "Demo"@en . . . . . "228.0"^^ . "Do the Dangle"@en . . . . . . "7974"^^ . "1083303974"^^ . "Peg Leg Peggy"@en . . . "rock and roll"@en . . . . . . . . "Rigor Mortis Sets In je t\u0159et\u00ED s\u00F3lov\u00E9 album Johna Entwistlea. Ve Spojen\u00FDch st\u00E1tech bylo vyd\u00E1no pod n\u00E1zvem John Entwistle's Rigor Mortis Sets In."@cs . . . "180.0"^^ . "Rigor Mortis Sets In es el tercer \u00E1lbum de estudio del m\u00FAsico brit\u00E1nico John Entwistle, publicado por la compa\u00F1\u00EDa discogr\u00E1fica Track Records en mayo de 1973 en el Reino Unido y en junio del mismo a\u00F1o en los Estados Unidos. Producido entre Entwistle y John Alcock durante un periodo de inactividad de The Who, el \u00E1lbum incluy\u00F3 tres versiones de cl\u00E1sicos de la d\u00E9cada de 1950, una regrabaci\u00F3n de \u00ABMy Wife\u00BB, previamente publicado en Who's Next, y nuevas composiciones. La grabaci\u00F3n del \u00E1lbum fue completada en apenas tres semanas entre octubre y noviembre de 1972, con un coste total de 10 000 d\u00F3lares en gastos de estudio y 4 000 en facturas de licores.\u200B"@es . . . . "October - November 1972"@en . . . "Rock"@en . . "John Entwistle, John Alcock"@en . . . . . "[{{AllMusic|class=album|id=r36715|pure_url=yes}} link]"@en . . . . . . . .