. . . . . . . . "\u062A\u062F\u0644 \u0623\u0648\u0628\u0631\u0627\u062A \u0633\u0627\u0641\u0648\u064A \u0639\u0644\u0649 \u0646\u0645\u0637 \u0645\u0646 \u0627\u0644\u062A\u064A \u0646\u0634\u0623\u062A \u0641\u064A \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0641\u0643\u062A\u0648\u0631\u064A \u0641\u064A \u0623\u0648\u0627\u062E\u0631 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u062A\u0627\u0633\u0639 \u0639\u0634\u0631\u060C \u0648\u0643\u0627\u0646 \u0623\u0634\u0647\u0631 \u0648\u0623\u0646\u062C\u062D \u0645\u0646 \u0639\u0645\u0644\u0647\u0627 \u0648\u064A\u0644\u064A\u0627\u0645 \u0625\u0634\u0648\u0646\u0643 \u062C\u0644\u0628\u0631\u062A \u0648\u0622\u0631\u062B\u0631 \u0633\u0648\u0644\u064A\u0641\u0627\u0646. \u0627\u0634\u062A\u0642 \u0627\u0644\u0627\u0633\u0645 \u0645\u0646 \u0645\u0633\u0631\u062D \u0633\u0627\u0641\u0648\u064A\u060C \u0627\u0644\u0630\u064A \u0628\u0646\u0627\u0647 \u0631\u064A\u062A\u0634\u0627\u0631\u062F \u062F\u064A \u0623\u0648\u064A\u0644\u064A \u0643\u0627\u0631\u062A \u0644\u0627\u0633\u062A\u0636\u0627\u0641\u0629 \u0648\u0639\u0631\u0636 \u0623\u0648\u0628\u0631\u0627\u062A \u062C\u064A\u0644\u0628\u0631\u062A \u0648\u0633\u0648\u0644\u064A\u0641\u0627\u0646\u060C \u062B\u0645 \u0639\u0631\u0636\u062A \u0639\u0644\u064A\u0647 \u0644\u0627\u062D\u0642\u0627\u064B \u0623\u0639\u0645\u0627\u0644 \u0645\u0648\u0633\u064A\u0642\u064A\u064A\u0646 \u0648\u0641\u0631\u0642 \u0623\u062E\u0631\u0649. \u0641\u0634\u0644 \u0639\u062F\u062F \u0643\u0628\u064A\u0631 \u0645\u0646 \u0627\u0644\u0623\u0648\u0628\u0631\u0627\u062A \u0627\u0644\u062A\u064A \u0639\u0631\u0636\u062A \u0639\u0644\u0649 \u0645\u0633\u0631\u062D \u0633\u0627\u0641\u0648\u064A \u0645\u0646 \u063A\u064A\u0631 \u0623\u0639\u0645\u0627\u0644 \u062C\u064A\u0644\u0628\u0631\u062A \u0648\u0633\u0648\u0644\u064A\u0641\u0627\u0646 \u0641\u064A \u062A\u062D\u0642\u064A\u0642 \u0645\u0648\u0637\u0626 \u0642\u062F\u0645 \u0623\u0648 \u0642\u062F \u062A\u0643\u0648\u0646 \u062A\u0644\u0627\u0634\u062A \u0639\u0644\u0649 \u0645\u0631 \u0627\u0644\u0633\u0646\u064A\u0646\u060C \u0645\u0627 \u0623\u0639\u0637\u0649 \u0627\u0644\u0627\u0646\u0637\u0628\u0627\u0639 \u0623\u0646 \u0623\u0648\u0628\u0631\u0627\u062A \u0633\u0627\u0641\u0648\u064A \u0643\u0627\u0646\u062A \u0645\u0631\u0627\u062F\u0641\u0627\u064B \u0644\u0623\u0639\u0645\u0627\u0644 \u062C\u064A\u0644\u0628\u0631\u062A \u0648\u0633\u0648\u0644\u064A\u0641\u0627\u062A. \u0647\u0630\u0627 \u0648\u0642\u062F \u0643\u0627\u0646\u062A \u0623\u0648\u0628\u0631\u0627\u062A \u0633\u0627\u0641\u0648\u064A \u0630\u0627\u062A \u062A\u0623\u062B\u064A\u0631 \u0641\u064A \u0646\u0634\u0648\u0621 \u0627\u0644\u0645\u0633\u0631\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u062D\u062F\u064A\u062B."@ar . . . . . . . . . . . . . . . "La \u00F3pera del Savoy es un estilo de \u00F3pera c\u00F3mica desarrollado en Inglaterra a finales de siglo XIX, siendo W. S. Gilbert y Arthur Sullivan sus exponentes m\u00E1s exitosos. El nombre proviene del Teatro Savoy, construido por el empresario Richard D'Oyly Carte para albergar las piezas de Gilbert y Sullivan y m\u00E1s tarde, las de otros compositores y libretistas. La mayor\u00EDa de las \u00F3peras del Savoy que no fueron realizadas por Gilbert y Sullivan no lograron un lugar en el repertorio est\u00E1ndar de teatro o desaparecieron con los a\u00F1os, haciendo el t\u00E9rmino \u00AB\u00F3pera del Savoy\u00BB pr\u00E1cticamente sin\u00F3nimo de Gilbert y Sullivan. Las \u00F3peras del Savoy fueron altamente influyentes en la creaci\u00F3n de los musicales modernos."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer\u2013librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term \"Savoy Opera\" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern musical."@en . . "Savoy opera"@en . . . . "\u0623\u0648\u0628\u0631\u0627 \u0633\u0627\u0641\u0648\u064A"@ar . . . "\u85A9\u6C83\u4F0A\u6B4C\u5287\uFF08Savoy opera\uFF09\uFF0C19\u4E16\u7D00\u5F8C\u671F\u82F1\u570B\u6D41\u884C\u7684\u6B4C\u5287\uFF0C\u662F\u4E00\u7A2E\u5E36\u6709\u8AF7\u523A\u610F\u5473\u7684\u559C\u5287\u3002 \u7531\u82F1\u570B\u97F3\u6A02\u5287\u4F5C\u66F2\u5BB6\u963F\u745F\u00B7\u8428\u5229\u6587\u7235\u58EB\uFF08Sir Arthur Sullivan\uFF09\u8207\u5287\u4F5C\u5BB6\u5A01\u5EC9\u00B7S\u00B7\u5409\u5C14\u4F2F\u7279\uFF08W. S. Gilbert\uFF09\u5408\u4F5C\u7684\u6B4C\u5287\u7A31\u4E4B\u70BA\u201C\u85A9\u6C83\u4F0A\u6B4C\u5287\u201D\uFF0C\u5169\u4EBA\u5408\u7A31\u201C\u5409\u5C14\u4F2F\u7279\u4E0E\u8428\u5229\u6587\u201D\u3002\u5409\u723E\u4F2F\u7279\u559C\u6B61\u88DD\u50BB\uFF0C\u7231\u8BBD\u523A\u4EBA\uFF0C\u4E00\u6539\u904E\u53BB\u6B4C\u5287\u56B4\u8085\u7684\u98A8\u683C\uFF0C\u5287\u4E2D\u5C07\u5F88\u591A\u73B0\u5B9E\u4E2D\u8352\u8BDE\u7684\u4E00\u9762\u6F14\u5F97\u5408\u60C5\u5408\u7406\u3002\u85A9\u6C83\u4F0A\u6B4C\u5287\u6B64\u540D\u79F0\u7684\u7531\u6765\u6E90\u81EA\u300C\u85A9\u4F0F\u4F9D\u5287\u9662\u300D\u3002\u8A72\u5267\u9662\u4F4D\u4E8E\u82F1\u56FD\u4F26\u6566\u897F\u654F\u5E02\u7684\u6CB3\u5CB8\u8857\u3002\u5B83\u5F00\u4E1A\u4E8E1881\u5E7410\u670810\u65E5\uFF0C\u7531\u7406\u67E5\u5FB7\u00B7\u591A\u4F0A\u5229\u00B7\u5361\u7279(Richard D'Oyly Carte)\u5174\u5EFA\u4E8E\u6614\u65E5\u7684\u8428\u6C83\u4F0A\u5BAB\u9057\u5740\uFF0C\u8428\u6C83\u4F0A\u5267\u9662\u5C08\u9580\u6F14\u51FA\u5409\u5C14\u4F2F\u7279\u4E0E\u85A9\u5229\u6587\u7684\u559C\u6B4C\u5267\uFF0C\u4F8B\u5982\u300A\u65E5\u672C\u5929\u7687\u300B\u3002\u56E0\u6B64\u5F8C\u4EBA\u5C07\u6B64\u985E\u65BC\u8428\u6C83\u4F0A\u5267\u9662\u6F14\u51FA\u7684\u5287\u7A2E\u79F0\u4E3A\u8428\u6C83\u4F0A\u6B4C\u5267\u3002 \u300A\u966A\u5BE9\u5718\u7684\u5224\u6C7A\u300B\uFF08\uFF09\u662F\u4ED6\u5011\u5408\u4F5C\u7684\u6210\u540D\u4F5C\uFF0C\u662F\u4E00\u90E8\u4E0D\u5E26\u53F0\u8BCD\u3001\u7531\u6F14\u5531\u8D2F\u7A7F\u5168\u5834\u7684\u5287\u4F5C\u3002\u540E\u6765\u767E\u8001\u6C47\u7684\u8BB8\u591A\u50BB\u6C14\u7684\u97F3\u4E50\u5267\u91CC\u53EF\u4EE5\u627E\u5230\u201C\u5409\u5C14\u4F2F\u7279\u4E0E\u8428\u5229\u6587\u201D\u7684\u5F71\u5B50\u3002\u4ED6\u5011\u4E3B\u8981\u7684\u4F5C\u54C1\u6709\u300A\u65E5\u672C\u5929\u7687\u300B\uFF08The Mikado\uFF09\u3001\u300A\u76AE\u7EB3\u798F\u53F7\u519B\u8230\u300B\uFF08HMS Pinafore\uFF09\u3001\u300A\u5F6D\u8D5E\u65AF\u7684\u6D77\u76D7\u300B\u3002"@zh . . . . "\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9\uFF08Savoy Operas\uFF09\u306F\u300119\u4E16\u7D00\u5F8C\u671F\u306E\u30F4\u30A3\u30AF\u30C8\u30EA\u30A2\u671D\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u3067\u767A\u5C55\u3057\u305F\uFF08Comic opera\uFF09\u306E\u4E00\u5F62\u5F0F\u3092\u6307\u3059\u3002\u30AA\u30DA\u30E9\u53F0\u672C\u4F5C\u5BB6\u306EW\u30FBS\u30FB\u30AE\u30EB\u30D0\u30FC\u30C8\u3068\u4F5C\u66F2\u5BB6\u306E\u30A2\u30FC\u30B5\u30FC\u30FB\u30B5\u30EA\u30F4\u30A1\u30F3\u3068\u306E\u3001\u300C\u30AE\u30EB\u30D0\u30FC\u30C8\u30FB\u30A2\u30F3\u30C9\u30FB\u30B5\u30EA\u30F4\u30A1\u30F3\u300D\uFF08\u4EE5\u4E0BG&S\u3068\u8868\u8A18\uFF09\u304C\u3001\u305D\u306E\u5143\u7956\u3067\u3001\u6700\u3082\u6210\u529F\u3057\u305F\u3002\u300C\u30B5\u30F4\u30A9\u30A4\u300D\u3068\u3044\u3046\u540D\u524D\u306F\u306B\u7531\u6765\u3059\u308B\u3002\u8208\u884C\u4E3B\u304CG&S\u306E\u4F5C\u54C1\u3092\u4E0A\u6F14\u3059\u308B\u305F\u3081\u306B\u5EFA\u3066\u305F\u5287\u5834\u3067\u3001\u5F8C\u306B\u306F\u4ED6\u306E\u4F5C\u66F2\u5BB6\uFF1D\u53F0\u672C\u4F5C\u5BB6\u30C1\u30FC\u30E0\u306E\u4F5C\u54C1\u3082\u4E0A\u6F14\u3055\u308C\u305F\u3002\u3057\u304B\u3057\u3001G&S\u30AA\u30DA\u30E9\u4EE5\u5916\u306E\u4F5C\u54C1\u306E\u307B\u3068\u3093\u3069\u306F\u30EC\u30D1\u30FC\u30C8\u30EA\u30FC\u306B\u306A\u308B\u306B\u81F3\u3089\u305A\u3001\u300C\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9\u300D\u3068\u3044\u3046\u8A00\u8449\u306F\u307B\u307C\u300C\u30AE\u30EB\u30D0\u30FC\u30C8\u3068\u30B5\u30EA\u30F4\u30A1\u30F3\u300D\u3068\u540C\u7FA9\u8A9E\u306B\u306A\u3063\u3066\u3057\u307E\u3063\u305F\u3002\u3068\u306F\u3044\u3048\u3001\u3044\u305A\u308C\u306E\u610F\u5473\u3067\u3082\u300C\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9\u300D\u306F\u73FE\u4EE3\u306E\u30DF\u30E5\u30FC\u30B8\u30AB\u30EB\u306E\u8A95\u751F\u306B\u5927\u304D\u306A\u5F71\u97FF\u3092\u4E0E\u3048\u305F\u3082\u306E\u306E1\u3064\u3067\u3042\u308B\u3053\u3068\u306B\u5909\u308F\u308A\u306A\u3044\u3002"@ja . . "\u00D3pera Savoy era um estilo de \u00F3pera c\u00F4mica que se desenvolveu na Inglaterra vitoriana, no final do s\u00E9culo 19, com W. S. Gilbert e Arthur Sullivan como os praticantes originais e mais bem sucedidos. O nome \u00E9 derivado do Savoy Theatre, que o empres\u00E1rio construiu para abrigar as obras de Gilbert e Sullivan, e mais tarde, de outras equipes de compositores-liberistas. A grande maioria das \u00F3peras savoy que n\u00E3o era da dupla, n\u00E3o conseguiu alcan\u00E7ar uma posi\u00E7\u00E3o no repert\u00F3rio standard, ou desapareceram ao longo dos anos, deixando o termo \"\u00D3pera Savoy\", como praticamente sin\u00F4nimo de Gilbert e Sullivan. As \u00F3peras Savoy (em ambos os sentidos) foram influ\u00EAncias seminais sobre a cria\u00E7\u00E3o do musical moderna. Gilbert, Sullivan, Carte e outros compositores brit\u00E2nicos, libretistas e produtores da era vitoriana, bem como a imprensa brit\u00E2nica contempor\u00E2nea e liter\u00E1ria, chamou seus trabalhos de \"\u00F3peras c\u00F4micas\" para distinguir o seu conte\u00FAdo e estilo das frequentes operetas risqu\u00E9 da Europa continental que desejavam se afastar. A maior parte da literatura publicada sobre Gilbert e Sullivan do seu tempo, refere-se a suas obras como \"Savoy \u00D3peras\", \"\u00F3peras c\u00F4micas\", ou ambos. No entanto, a Penguin Opera Guides e muitos outros dicion\u00E1rios e enciclop\u00E9dias de m\u00FAsica geralmente classificam os trabalhso de Gilbert e Sullivan como operetas. Patience (1881), foi a primeira \u00F3pera a abrir no Savoy e \u00E9 ent\u00E3o considerada a primeira \"\u00D3pera Savoy\"."@pt . . . . . . . . . . . . . . . "La \u00F3pera del Savoy es un estilo de \u00F3pera c\u00F3mica desarrollado en Inglaterra a finales de siglo XIX, siendo W. S. Gilbert y Arthur Sullivan sus exponentes m\u00E1s exitosos. El nombre proviene del Teatro Savoy, construido por el empresario Richard D'Oyly Carte para albergar las piezas de Gilbert y Sullivan y m\u00E1s tarde, las de otros compositores y libretistas. La mayor\u00EDa de las \u00F3peras del Savoy que no fueron realizadas por Gilbert y Sullivan no lograron un lugar en el repertorio est\u00E1ndar de teatro o desaparecieron con los a\u00F1os, haciendo el t\u00E9rmino \u00AB\u00F3pera del Savoy\u00BB pr\u00E1cticamente sin\u00F3nimo de Gilbert y Sullivan. Las \u00F3peras del Savoy fueron altamente influyentes en la creaci\u00F3n de los musicales modernos. Gilbert, Sullivan, Carte y otros compositores, libretistas y productores victorianos, as\u00ED como la prensa brit\u00E1nica contempor\u00E1nea llamaron a esta clase de trabajos '\u00F3peras c\u00F3micas' para distinguirlos de las operetas de Europa continental. La mayor\u00EDa de la literatura acerca de Gilbert y Sullivan publicada desde entonces se refiere a estos trabajos como '\u00F3peras del Savoy', '\u00F3peras c\u00F3micas', o ambas.\u200B Sin embargo, las Penguin Opera Guides y otros diccionarios musicales clasifican las obras de Gilbert y Sullivan como operetas.\u200B\u200B fue la primera \u00F3pera en ser presentada en el Teatro Savoy, lo que la convierte, en un sentido estricto, en la primera \u00F3pera del Savoy, aunque el t\u00E9rmino '\u00F3pera del Savoy' siempre ha incluido las trece \u00F3peras que Gilbert y Sullivan escribieron para Richard D'Oyly Carte."@es . . . "\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9"@ja . . "\u00D3pera Savoy era um estilo de \u00F3pera c\u00F4mica que se desenvolveu na Inglaterra vitoriana, no final do s\u00E9culo 19, com W. S. Gilbert e Arthur Sullivan como os praticantes originais e mais bem sucedidos. O nome \u00E9 derivado do Savoy Theatre, que o empres\u00E1rio construiu para abrigar as obras de Gilbert e Sullivan, e mais tarde, de outras equipes de compositores-liberistas. A grande maioria das \u00F3peras savoy que n\u00E3o era da dupla, n\u00E3o conseguiu alcan\u00E7ar uma posi\u00E7\u00E3o no repert\u00F3rio standard, ou desapareceram ao longo dos anos, deixando o termo \"\u00D3pera Savoy\", como praticamente sin\u00F4nimo de Gilbert e Sullivan. As \u00F3peras Savoy (em ambos os sentidos) foram influ\u00EAncias seminais sobre a cria\u00E7\u00E3o do musical moderna."@pt . . "Savoy opera var en genre inom den komiska operan som utvecklades i det victorianska England mot slutet av 1800-talet fr\u00E4mst av f\u00F6rfattaren W. S. Gilbert och komposit\u00F6ren Arthur Sullivan. Namnet kommer fr\u00E5n Savoy Theatre, som impressarion Richard D'Oyly Carte byggde f\u00F6r att h\u00E4rb\u00E4rgera verken av Gilbert och Sullivan, och senare verk av andra komposit\u00F6r-f\u00F6rfattare-team. Den stora majoriteten av icke-G&S Savoy Operor antingen misslyckades med att skapa sig ett namn inom standardrepertoaren, eller gl\u00F6mdes s\u00E5 sm\u00E5ningom bort vilket gjorde att termen \"Savoy Opera\" praktiskt taget blev synonymt med Gilbert och Sullivan. Gilbert, Sullivan, Carte och andra brittiska komposit\u00F6rer, librettister och producenter liksom samtida brittisk press och litteratur kallade dessa verk \"komiska operor\" f\u00F6r att s\u00E4rskilja deras inneh\u00E5ll och stil fr\u00E5n den ofta v\u00E5gade kontinentala operetten vilka de \u00F6nskade ers\u00E4tta. Merparten av den publicerade litteraturen om Gilbert and Sullivan har sedan dess refererat till deras verk som \"Savoy operor\", \"comic operas\", eller b\u00E5da. Men Penguin Opera Guides och m\u00E5nga andra allm\u00E4nna musikuppslagsverk klassificerar Gilbert och Sullivans verk som operetter. Patience (1881) var den f\u00F6rsta opera som framf\u00F6rdes p\u00E5 Savoy Theatre och \u00E4r s\u00E5lunda i strikt mening den f\u00F6rsta riktiga \"Savoy opera\", \u00E4ven om termen \"Savoy opera\" refererar till samtliga tretton verk som Gilbert och Sullivan skrev f\u00F6r Richard D'Oyly Carte."@sv . . . . . . . "Savoy Opera"@it . "1109948602"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Savoy opera var en genre inom den komiska operan som utvecklades i det victorianska England mot slutet av 1800-talet fr\u00E4mst av f\u00F6rfattaren W. S. Gilbert och komposit\u00F6ren Arthur Sullivan. Namnet kommer fr\u00E5n Savoy Theatre, som impressarion Richard D'Oyly Carte byggde f\u00F6r att h\u00E4rb\u00E4rgera verken av Gilbert och Sullivan, och senare verk av andra komposit\u00F6r-f\u00F6rfattare-team. Den stora majoriteten av icke-G&S Savoy Operor antingen misslyckades med att skapa sig ett namn inom standardrepertoaren, eller gl\u00F6mdes s\u00E5 sm\u00E5ningom bort vilket gjorde att termen \"Savoy Opera\" praktiskt taget blev synonymt med Gilbert och Sullivan."@sv . . . . . . . . "\u85A9\u6C83\u4F0A\u6B4C\u5287"@zh . . . "\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9\uFF08Savoy Operas\uFF09\u306F\u300119\u4E16\u7D00\u5F8C\u671F\u306E\u30F4\u30A3\u30AF\u30C8\u30EA\u30A2\u671D\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u3067\u767A\u5C55\u3057\u305F\uFF08Comic opera\uFF09\u306E\u4E00\u5F62\u5F0F\u3092\u6307\u3059\u3002\u30AA\u30DA\u30E9\u53F0\u672C\u4F5C\u5BB6\u306EW\u30FBS\u30FB\u30AE\u30EB\u30D0\u30FC\u30C8\u3068\u4F5C\u66F2\u5BB6\u306E\u30A2\u30FC\u30B5\u30FC\u30FB\u30B5\u30EA\u30F4\u30A1\u30F3\u3068\u306E\u3001\u300C\u30AE\u30EB\u30D0\u30FC\u30C8\u30FB\u30A2\u30F3\u30C9\u30FB\u30B5\u30EA\u30F4\u30A1\u30F3\u300D\uFF08\u4EE5\u4E0BG&S\u3068\u8868\u8A18\uFF09\u304C\u3001\u305D\u306E\u5143\u7956\u3067\u3001\u6700\u3082\u6210\u529F\u3057\u305F\u3002\u300C\u30B5\u30F4\u30A9\u30A4\u300D\u3068\u3044\u3046\u540D\u524D\u306F\u306B\u7531\u6765\u3059\u308B\u3002\u8208\u884C\u4E3B\u304CG&S\u306E\u4F5C\u54C1\u3092\u4E0A\u6F14\u3059\u308B\u305F\u3081\u306B\u5EFA\u3066\u305F\u5287\u5834\u3067\u3001\u5F8C\u306B\u306F\u4ED6\u306E\u4F5C\u66F2\u5BB6\uFF1D\u53F0\u672C\u4F5C\u5BB6\u30C1\u30FC\u30E0\u306E\u4F5C\u54C1\u3082\u4E0A\u6F14\u3055\u308C\u305F\u3002\u3057\u304B\u3057\u3001G&S\u30AA\u30DA\u30E9\u4EE5\u5916\u306E\u4F5C\u54C1\u306E\u307B\u3068\u3093\u3069\u306F\u30EC\u30D1\u30FC\u30C8\u30EA\u30FC\u306B\u306A\u308B\u306B\u81F3\u3089\u305A\u3001\u300C\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9\u300D\u3068\u3044\u3046\u8A00\u8449\u306F\u307B\u307C\u300C\u30AE\u30EB\u30D0\u30FC\u30C8\u3068\u30B5\u30EA\u30F4\u30A1\u30F3\u300D\u3068\u540C\u7FA9\u8A9E\u306B\u306A\u3063\u3066\u3057\u307E\u3063\u305F\u3002\u3068\u306F\u3044\u3048\u3001\u3044\u305A\u308C\u306E\u610F\u5473\u3067\u3082\u300C\u30B5\u30F4\u30A9\u30A4\u30FB\u30AA\u30DA\u30E9\u300D\u306F\u73FE\u4EE3\u306E\u30DF\u30E5\u30FC\u30B8\u30AB\u30EB\u306E\u8A95\u751F\u306B\u5927\u304D\u306A\u5F71\u97FF\u3092\u4E0E\u3048\u305F\u3082\u306E\u306E1\u3064\u3067\u3042\u308B\u3053\u3068\u306B\u5909\u308F\u308A\u306A\u3044\u3002"@ja . . . . . . . . . . . . "Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer\u2013librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term \"Savoy Opera\" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern musical. Gilbert, Sullivan, Carte and other Victorian era British composers, librettists and producers, as well as the contemporary British press and literature, called works of this kind \"comic operas\" to distinguish their content and style from that of the often risqu\u00E9 continental European operettas that they wished to displace. Most of the published literature on Gilbert and Sullivan since that time refers to these works as \"Savoy Operas\", \"comic operas\", or both. However, the Penguin Opera Guides and many other general music dictionaries and encyclopedias classify the Gilbert and Sullivan works as operettas. Gilbert and Sullivan's early operas played at other London theatres, and Patience (1881) was the first opera to appear at the Savoy Theatre, and thus, in a strict sense, the first true \"Savoy Opera\", although the term \"Savoy Opera\" has, for over a century, referred to all thirteen operas that Gilbert and Sullivan wrote for Richard D'Oyly Carte."@en . "84371"^^ . . . . . . . . . . . "\u062A\u062F\u0644 \u0623\u0648\u0628\u0631\u0627\u062A \u0633\u0627\u0641\u0648\u064A \u0639\u0644\u0649 \u0646\u0645\u0637 \u0645\u0646 \u0627\u0644\u062A\u064A \u0646\u0634\u0623\u062A \u0641\u064A \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0641\u0643\u062A\u0648\u0631\u064A \u0641\u064A \u0623\u0648\u0627\u062E\u0631 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u062A\u0627\u0633\u0639 \u0639\u0634\u0631\u060C \u0648\u0643\u0627\u0646 \u0623\u0634\u0647\u0631 \u0648\u0623\u0646\u062C\u062D \u0645\u0646 \u0639\u0645\u0644\u0647\u0627 \u0648\u064A\u0644\u064A\u0627\u0645 \u0625\u0634\u0648\u0646\u0643 \u062C\u0644\u0628\u0631\u062A \u0648\u0622\u0631\u062B\u0631 \u0633\u0648\u0644\u064A\u0641\u0627\u0646. \u0627\u0634\u062A\u0642 \u0627\u0644\u0627\u0633\u0645 \u0645\u0646 \u0645\u0633\u0631\u062D \u0633\u0627\u0641\u0648\u064A\u060C \u0627\u0644\u0630\u064A \u0628\u0646\u0627\u0647 \u0631\u064A\u062A\u0634\u0627\u0631\u062F \u062F\u064A \u0623\u0648\u064A\u0644\u064A \u0643\u0627\u0631\u062A \u0644\u0627\u0633\u062A\u0636\u0627\u0641\u0629 \u0648\u0639\u0631\u0636 \u0623\u0648\u0628\u0631\u0627\u062A \u062C\u064A\u0644\u0628\u0631\u062A \u0648\u0633\u0648\u0644\u064A\u0641\u0627\u0646\u060C \u062B\u0645 \u0639\u0631\u0636\u062A \u0639\u0644\u064A\u0647 \u0644\u0627\u062D\u0642\u0627\u064B \u0623\u0639\u0645\u0627\u0644 \u0645\u0648\u0633\u064A\u0642\u064A\u064A\u0646 \u0648\u0641\u0631\u0642 \u0623\u062E\u0631\u0649. \u0641\u0634\u0644 \u0639\u062F\u062F \u0643\u0628\u064A\u0631 \u0645\u0646 \u0627\u0644\u0623\u0648\u0628\u0631\u0627\u062A \u0627\u0644\u062A\u064A \u0639\u0631\u0636\u062A \u0639\u0644\u0649 \u0645\u0633\u0631\u062D \u0633\u0627\u0641\u0648\u064A \u0645\u0646 \u063A\u064A\u0631 \u0623\u0639\u0645\u0627\u0644 \u062C\u064A\u0644\u0628\u0631\u062A \u0648\u0633\u0648\u0644\u064A\u0641\u0627\u0646 \u0641\u064A \u062A\u062D\u0642\u064A\u0642 \u0645\u0648\u0637\u0626 \u0642\u062F\u0645 \u0623\u0648 \u0642\u062F \u062A\u0643\u0648\u0646 \u062A\u0644\u0627\u0634\u062A \u0639\u0644\u0649 \u0645\u0631 \u0627\u0644\u0633\u0646\u064A\u0646\u060C \u0645\u0627 \u0623\u0639\u0637\u0649 \u0627\u0644\u0627\u0646\u0637\u0628\u0627\u0639 \u0623\u0646 \u0623\u0648\u0628\u0631\u0627\u062A \u0633\u0627\u0641\u0648\u064A \u0643\u0627\u0646\u062A \u0645\u0631\u0627\u062F\u0641\u0627\u064B \u0644\u0623\u0639\u0645\u0627\u0644 \u062C\u064A\u0644\u0628\u0631\u062A \u0648\u0633\u0648\u0644\u064A\u0641\u0627\u062A. \u0647\u0630\u0627 \u0648\u0642\u062F \u0643\u0627\u0646\u062A \u0623\u0648\u0628\u0631\u0627\u062A \u0633\u0627\u0641\u0648\u064A \u0630\u0627\u062A \u062A\u0623\u062B\u064A\u0631 \u0641\u064A \u0646\u0634\u0648\u0621 \u0627\u0644\u0645\u0633\u0631\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u062D\u062F\u064A\u062B."@ar . . . . . "\u85A9\u6C83\u4F0A\u6B4C\u5287\uFF08Savoy opera\uFF09\uFF0C19\u4E16\u7D00\u5F8C\u671F\u82F1\u570B\u6D41\u884C\u7684\u6B4C\u5287\uFF0C\u662F\u4E00\u7A2E\u5E36\u6709\u8AF7\u523A\u610F\u5473\u7684\u559C\u5287\u3002 \u7531\u82F1\u570B\u97F3\u6A02\u5287\u4F5C\u66F2\u5BB6\u963F\u745F\u00B7\u8428\u5229\u6587\u7235\u58EB\uFF08Sir Arthur Sullivan\uFF09\u8207\u5287\u4F5C\u5BB6\u5A01\u5EC9\u00B7S\u00B7\u5409\u5C14\u4F2F\u7279\uFF08W. S. Gilbert\uFF09\u5408\u4F5C\u7684\u6B4C\u5287\u7A31\u4E4B\u70BA\u201C\u85A9\u6C83\u4F0A\u6B4C\u5287\u201D\uFF0C\u5169\u4EBA\u5408\u7A31\u201C\u5409\u5C14\u4F2F\u7279\u4E0E\u8428\u5229\u6587\u201D\u3002\u5409\u723E\u4F2F\u7279\u559C\u6B61\u88DD\u50BB\uFF0C\u7231\u8BBD\u523A\u4EBA\uFF0C\u4E00\u6539\u904E\u53BB\u6B4C\u5287\u56B4\u8085\u7684\u98A8\u683C\uFF0C\u5287\u4E2D\u5C07\u5F88\u591A\u73B0\u5B9E\u4E2D\u8352\u8BDE\u7684\u4E00\u9762\u6F14\u5F97\u5408\u60C5\u5408\u7406\u3002\u85A9\u6C83\u4F0A\u6B4C\u5287\u6B64\u540D\u79F0\u7684\u7531\u6765\u6E90\u81EA\u300C\u85A9\u4F0F\u4F9D\u5287\u9662\u300D\u3002\u8A72\u5267\u9662\u4F4D\u4E8E\u82F1\u56FD\u4F26\u6566\u897F\u654F\u5E02\u7684\u6CB3\u5CB8\u8857\u3002\u5B83\u5F00\u4E1A\u4E8E1881\u5E7410\u670810\u65E5\uFF0C\u7531\u7406\u67E5\u5FB7\u00B7\u591A\u4F0A\u5229\u00B7\u5361\u7279(Richard D'Oyly Carte)\u5174\u5EFA\u4E8E\u6614\u65E5\u7684\u8428\u6C83\u4F0A\u5BAB\u9057\u5740\uFF0C\u8428\u6C83\u4F0A\u5267\u9662\u5C08\u9580\u6F14\u51FA\u5409\u5C14\u4F2F\u7279\u4E0E\u85A9\u5229\u6587\u7684\u559C\u6B4C\u5267\uFF0C\u4F8B\u5982\u300A\u65E5\u672C\u5929\u7687\u300B\u3002\u56E0\u6B64\u5F8C\u4EBA\u5C07\u6B64\u985E\u65BC\u8428\u6C83\u4F0A\u5267\u9662\u6F14\u51FA\u7684\u5287\u7A2E\u79F0\u4E3A\u8428\u6C83\u4F0A\u6B4C\u5267\u3002 \u300A\u966A\u5BE9\u5718\u7684\u5224\u6C7A\u300B\uFF08\uFF09\u662F\u4ED6\u5011\u5408\u4F5C\u7684\u6210\u540D\u4F5C\uFF0C\u662F\u4E00\u90E8\u4E0D\u5E26\u53F0\u8BCD\u3001\u7531\u6F14\u5531\u8D2F\u7A7F\u5168\u5834\u7684\u5287\u4F5C\u3002\u540E\u6765\u767E\u8001\u6C47\u7684\u8BB8\u591A\u50BB\u6C14\u7684\u97F3\u4E50\u5267\u91CC\u53EF\u4EE5\u627E\u5230\u201C\u5409\u5C14\u4F2F\u7279\u4E0E\u8428\u5229\u6587\u201D\u7684\u5F71\u5B50\u3002\u4ED6\u5011\u4E3B\u8981\u7684\u4F5C\u54C1\u6709\u300A\u65E5\u672C\u5929\u7687\u300B\uFF08The Mikado\uFF09\u3001\u300A\u76AE\u7EB3\u798F\u53F7\u519B\u8230\u300B\uFF08HMS Pinafore\uFF09\u3001\u300A\u5F6D\u8D5E\u65AF\u7684\u6D77\u76D7\u300B\u3002"@zh . . . "26363"^^ . . . "La Savoy Opera \u00E8 un sottogenere dell'operetta che si svilupp\u00F2 nell'Inghilterra vittoriana nel tardo XIX secolo, avendo W. S. Gilbert e Arthur Sullivan come massimi esponenti. Il nome fu dovuto al fatto che questo genere di opere fu per la maggior parte messo in scena al Savoy Theatre di Londra, che l'impresario Richard D'Oyly Carte fece costruire allo scopo di rappresentare le opere di Gilbert & Sullivan e, in seguito, anche quelle di altri compositori che scrissero questo genere di opere. In realt\u00E0, tutte le opere che non furono scritte dal duo Gilbert & Sullivan, non riuscirono mai ad entrare nel repertorio. Per questo, il termine \"Savoy Opera\" indica le sole opere riconducibili al duo Gilbert & Sullivan."@it . . "Savoy opera"@sv . . . "\u00D3pera del Savoy"@es . "\u00D3pera Savoy"@pt . . . . . . . "La Savoy Opera \u00E8 un sottogenere dell'operetta che si svilupp\u00F2 nell'Inghilterra vittoriana nel tardo XIX secolo, avendo W. S. Gilbert e Arthur Sullivan come massimi esponenti. Il nome fu dovuto al fatto che questo genere di opere fu per la maggior parte messo in scena al Savoy Theatre di Londra, che l'impresario Richard D'Oyly Carte fece costruire allo scopo di rappresentare le opere di Gilbert & Sullivan e, in seguito, anche quelle di altri compositori che scrissero questo genere di opere. In realt\u00E0, tutte le opere che non furono scritte dal duo Gilbert & Sullivan, non riuscirono mai ad entrare nel repertorio. Per questo, il termine \"Savoy Opera\" indica le sole opere riconducibili al duo Gilbert & Sullivan."@it . . . . . . . . . . . . . . .