. . . . . . . . . . "\u300A\u88AB\u544A\u5C71\u6760\u7237\u300B\u662F1994\u5E74\u4E0A\u6620\u7684\u4E2D\u56FD\u5927\u9646\u5267\u60C5\u7247\uFF0C\u7531\u6267\u5BFC\uFF0C\u674E\u4EC1\u5802\u4E3B\u6F14\u3002\u8BE5\u7247\u6839\u636E\u674E\u4E00\u6E05\u5C0F\u8BF4\u300A\u300B\u6539\u7F16\uFF0C\u8BB2\u8FF0\u5806\u5806\u576A\u6751\u652F\u4E66\u5C71\u6760\u7237\u201C\u6CBB\u6751\u6709\u65B9\u201D\u5374\u89E6\u72AF\u4E86\u6CD5\u5F8B\uFF0C\u6210\u4E3A\u88AB\u544A\u7684\u6545\u4E8B\u3002"@zh . . "China"@en . . . . . . . . . . "The Accused Uncle Shangang"@en . "The Accused Uncle Shangang"@en . . . . . . . . . . "Hua Yang"@en . . . "Mandarin"@en . . . . "1994"^^ . . "The Accused Uncle Shangang (Chinese: \u88AB\u544A\u5C71\u6760\u723A) is a 1994 Chinese film about life in rural China. It won three of the 1995 Golden Rooster Awards, for best film, best directorial debut (Fan Yuan) and best actor (Li Rentang). It also won best film and best actor at the 1995 Hundred Flowers Awards. It is Fan Yuan's only film to date."@en . . "6063167"^^ . . . "The Accused Uncle Shangang"@en . "Meng Li"@en . . "Emei Film Studio"@en . . . . . . . "2206"^^ . . . . . . . . "The Accused Uncle Shangang (Chinese: \u88AB\u544A\u5C71\u6760\u723A) is a 1994 Chinese film about life in rural China. It won three of the 1995 Golden Rooster Awards, for best film, best directorial debut (Fan Yuan) and best actor (Li Rentang). It also won best film and best actor at the 1995 Hundred Flowers Awards. It is Fan Yuan's only film to date."@en . . . . "1123282068"^^ . . "\u88AB\u544A\u5C71\u6760\u7237"@zh . . "\u300A\u88AB\u544A\u5C71\u6760\u7237\u300B\u662F1994\u5E74\u4E0A\u6620\u7684\u4E2D\u56FD\u5927\u9646\u5267\u60C5\u7247\uFF0C\u7531\u6267\u5BFC\uFF0C\u674E\u4EC1\u5802\u4E3B\u6F14\u3002\u8BE5\u7247\u6839\u636E\u674E\u4E00\u6E05\u5C0F\u8BF4\u300A\u300B\u6539\u7F16\uFF0C\u8BB2\u8FF0\u5806\u5806\u576A\u6751\u652F\u4E66\u5C71\u6760\u7237\u201C\u6CBB\u6751\u6709\u65B9\u201D\u5374\u89E6\u72AF\u4E86\u6CD5\u5F8B\uFF0C\u6210\u4E3A\u88AB\u544A\u7684\u6545\u4E8B\u3002"@zh . . . . . .