"\u062A\u0648\u0631\u0633\u062A\u0646 \u0623\u0646\u062F\u0631\u0633\u0648\u0646 (\u0628\u0627\u0644\u0633\u0648\u064A\u062F\u064A\u0629: Torsten Andersson)\u200F \u0647\u0648 \u0631\u0633\u0627\u0645 \u0633\u0648\u064A\u062F\u064A\u060C \u0648\u0644\u062F \u0641\u064A 6 \u064A\u0648\u0646\u064A\u0648 1926 \u0641\u064A H\u00F6rby Municipality \u200F \u0641\u064A \u0627\u0644\u0633\u0648\u064A\u062F\u060C \u0648\u062A\u0648\u0641\u064A \u0641\u064A 30 \u0645\u0627\u064A\u0648 2009 \u0641\u064A H\u00F6rby \u200F \u0641\u064A \u0627\u0644\u0633\u0648\u064A\u062F."@ar . "Otto Torsten Andersson"@en . "1074172999"^^ . . "\u062A\u0648\u0631\u0633\u062A\u0646 \u0623\u0646\u062F\u0631\u0633\u0648\u0646 (\u0631\u0633\u0627\u0645)"@ar . . . . . . "1926-06-06"^^ . . "Carnegie Art Award"@en . "Prince Eugen Medal"@en . . . . . . . . . . . . . "\u30C8\u30EB\u30B9\u30C6\u30F3\u30FB\u30A2\u30F3\u30C7\u30EB\u30BD\u30F3\uFF08Torsten Andersson\u30011926\u5E746\u67086\u65E5 - 2009\u5E745\u670830\u65E5\uFF09\u306F\u3001\u30B9\u30A6\u30A7\u30FC\u30C7\u30F3\u306E\u30B9\u30B3\u30FC\u30CD\u770C\u51FA\u8EAB\u306E\u73FE\u4EE3\u753B\u5BB6\u3002\u5317\u6B27\u306E\u512A\u79C0\u306A\u73FE\u4EE3\u753B\u5BB6\u306B\u8D08\u3089\u308C\u308B\u306B\u304A\u3044\u30661998\u5E74\u306B3\u4F4D\u30012008\u5E74\u306B1\u4F4D\u3092\u7372\u5F97\u3057\u3066\u3044\u308B\u3002 2009\u5E745\u670830\u65E5\u3001\u30D8\u30FC\u30D3\u30FC\u306B\u306682\u6B73\u3067\u4EA1\u304F\u306A\u3063\u305F\u3002"@ja . . . . . . . . . . . . . . . . . . . "\u062A\u0648\u0631\u0633\u062A\u0646 \u0623\u0646\u062F\u0631\u0633\u0648\u0646 (\u0628\u0627\u0644\u0633\u0648\u064A\u062F\u064A\u0629: Torsten Andersson)\u200F \u0647\u0648 \u0631\u0633\u0627\u0645 \u0633\u0648\u064A\u062F\u064A\u060C \u0648\u0644\u062F \u0641\u064A 6 \u064A\u0648\u0646\u064A\u0648 1926 \u0641\u064A H\u00F6rby Municipality \u200F \u0641\u064A \u0627\u0644\u0633\u0648\u064A\u062F\u060C \u0648\u062A\u0648\u0641\u064A \u0641\u064A 30 \u0645\u0627\u064A\u0648 2009 \u0641\u064A H\u00F6rby \u200F \u0641\u064A \u0627\u0644\u0633\u0648\u064A\u062F."@ar . . . . . . "Benarp, H\u00F6rby, Sweden"@en . "7815"^^ . . . . . . . . . . . . "Torsten Andersson"@en . . . . . . . "Torsten Andersson"@fr . . . . . . . "Torsten Andersson"@nl . . . . . . "My Headstone"@en . "Otto Torsten Andersson, f\u00F6dd 6 juni 1926 i \u00D6stra Sallerups f\u00F6rsamling, d\u00F6d 30 maj 2009 i H\u00F6rby f\u00F6rsamling, var en svensk konstn\u00E4r verksam utanf\u00F6r H\u00F6rby i Sk\u00E5ne."@sv . . . . "Otto Torsten Andersson, f\u00F6dd 6 juni 1926 i \u00D6stra Sallerups f\u00F6rsamling, d\u00F6d 30 maj 2009 i H\u00F6rby f\u00F6rsamling, var en svensk konstn\u00E4r verksam utanf\u00F6r H\u00F6rby i Sk\u00E5ne."@sv . . "Otto Torsten Andersson (\u00D6stra Sallerup, 6 juni 1926 - H\u00F6rby, 31 mei 2009) was een Zweedse kunstschilder. Andersson groeide op in Sk\u00E5ne en studeerde aan de Academie voor Schone Kunsten in Kopenhagen en Stockholm. In 1960 werd hij leraar kunst in Stockholm. In 1966 keerde hij terug naar Sk\u00E5ne. Torsten Andersson deed aan experimenteel schilderen. Hij was vooral bekend om zijn \"portretten van fictieve sculpturen\", waarin de kleuren toevallig geplaatst lijken te zijn. Andersson kon honderden schetsen maken en vernietigen alvorens tot een definitief werk te komen, maar nooit was hij tevreden."@nl . . . . . . . . . . "Otte Sk\u00F6ld's Drawing School, Stockholm"@en . . . "Torsten Andersson"@en . . . . "Otto Torsten Andersson (6 June 1926 \u2013 30 May 2009) was a Swedish modernist painter, best known for his theme of the realistic depiction of abstract sculptures, and two-dimensional exploration of three-dimensional objects, where the colors seem to be superimposed on a random and perfunctory manner. Torsten Andersson was born in \u00D6stra Sallerup parish (now part of H\u00F6rby Municipality), in Sk\u00E5ne in 1926. After practicing painting at Otte Sk\u00F6ld's Drawing School in Stockholm in 1945, Andersson attended classes at the Royal Swedish Academy of Arts in 1946\u20131950. In 1947, he studied art at the Royal Danish Academy of Fine Arts in Copenhagen. From early on, Andersson returned constantly to the question of whether or not painting can be seen as a language. He felt out of place in the Swedish art scene of the 1940s, when he was an emerging artist; it seemed to him that everyone had borrowed or inherited their artistic style. His own eccentric cross between melancholy nature painting and constructivism in the 1950s met very little critical understanding. Yet Andersson soon earned a reputation as an \"artists' artist\", or rather a \"painters' painter-an artist\" who went his own way, off the beaten track of modernism. In 1960, Anderson was made a professor of arts in Stockholm. After a personal conflict with the Academy, where he suddenly found himself \"totally isolated, and completely abandoned\", he suddenly resigned in 1966 as professor and retired to his native Sk\u00E5ne, where he remained for the rest of his life. For seven years, his artistic career was put on hold. As he would later describe an art historical course of events; the year 1966 inspired a series of somber headstone paintings, notable Min Headstone (Min gravsten) from 2005. Andersson later elaborated about his dissent: \"The best art acts within an art historical course of events. My own merit as an artist is that I attempted to intervene in such a course. In 1966 the dissension within me, the split that is clearly discernible in The Spring II (K\u00E4llan II) (1962), led me to draw a crucial conclusion. That split had separated painting into two incompatible parts. In 1966 I allowed one of these, the fictitious part, to represent the other, the concrete part, and so the divide in painting was healed in a way that involved the steadfast re-establishment of easel painting as an art form at the very time when this art form had begun to crack. Today some forty years later that conclusion seems radical and legitimate\". Andersson remained an artist who studied and practiced experimental painting, conquering and creating his own language in the process. He usually destroyed hundreds of the sketches that led to his finished works. Lars Nittve, head of the Moderna Museet art museum in Stockholm, said about Andersson's working process: \"Of one hundred working drawings, ninety are destroyed. The surviving ten drawings give new impetus to a hundred, of which ninety are destroyed. Twenty drawings remain. Of those, sixteen are destroyed. Four remain. They go further in the working process, with no guarantee of survival\". Nor was Andersson quite satisfied with his own work; in 2008, when he received the Carnegie Art Award first prize of SEK 1,000,000, he said: \"I've worked hard my whole damned life, sacrificing myself and so much else for the art. This prize is no confirmation that I have succeeded, but perhaps a little hint about it\". Torsten Andersson died aged 82 in H\u00F6rby in 2009."@en . . . . . "Otto Torsten Andersson (6 June 1926 \u2013 30 May 2009) was a Swedish modernist painter, best known for his theme of the realistic depiction of abstract sculptures, and two-dimensional exploration of three-dimensional objects, where the colors seem to be superimposed on a random and perfunctory manner. \"Of one hundred working drawings, ninety are destroyed. The surviving ten drawings give new impetus to a hundred, of which ninety are destroyed. Twenty drawings remain. Of those, sixteen are destroyed. Four remain. They go further in the working process, with no guarantee of survival\"."@en . . . "23041734"^^ . . "2009-05-30"^^ . . "2009-05-30"^^ . . . . . . . "Triptych of Poetry"@en . . . . "Otto Torsten Andersson (\u00D6stra Sallerup, 6 juni 1926 - H\u00F6rby, 31 mei 2009) was een Zweedse kunstschilder. Andersson groeide op in Sk\u00E5ne en studeerde aan de Academie voor Schone Kunsten in Kopenhagen en Stockholm. In 1960 werd hij leraar kunst in Stockholm. In 1966 keerde hij terug naar Sk\u00E5ne. Torsten Andersson deed aan experimenteel schilderen. Hij was vooral bekend om zijn \"portretten van fictieve sculpturen\", waarin de kleuren toevallig geplaatst lijken te zijn. Andersson kon honderden schetsen maken en vernietigen alvorens tot een definitief werk te komen, maar nooit was hij tevreden."@nl . . . . "Rolf Schock Prizes in Visual Arts"@en . . . "\u30C8\u30EB\u30B9\u30C6\u30F3\u30FB\u30A2\u30F3\u30C7\u30EB\u30BD\u30F3\uFF08Torsten Andersson\u30011926\u5E746\u67086\u65E5 - 2009\u5E745\u670830\u65E5\uFF09\u306F\u3001\u30B9\u30A6\u30A7\u30FC\u30C7\u30F3\u306E\u30B9\u30B3\u30FC\u30CD\u770C\u51FA\u8EAB\u306E\u73FE\u4EE3\u753B\u5BB6\u3002\u5317\u6B27\u306E\u512A\u79C0\u306A\u73FE\u4EE3\u753B\u5BB6\u306B\u8D08\u3089\u308C\u308B\u306B\u304A\u3044\u30661998\u5E74\u306B3\u4F4D\u30012008\u5E74\u306B1\u4F4D\u3092\u7372\u5F97\u3057\u3066\u3044\u308B\u3002 2009\u5E745\u670830\u65E5\u3001\u30D8\u30FC\u30D3\u30FC\u306B\u306682\u6B73\u3067\u4EA1\u304F\u306A\u3063\u305F\u3002"@ja . "Torsten Andersson (1926\u20132009)"@sv . . . . "\u30C8\u30EB\u30B9\u30C6\u30F3\u30FB\u30A2\u30F3\u30C7\u30EB\u30BD\u30F3"@ja . . . . . . "Torsten Andersson"@en . . . "Otto Torsten Andersson"@en . "Otto Torsten Andersson (6 juin 1926 - 30 mai 2009) est un peintre moderniste su\u00E9dois, surtout connu pour son th\u00E8me de la repr\u00E9sentation r\u00E9aliste de sculptures abstraites et de l'exploration bidimensionnelle d'objets tridimensionnels o\u00F9 les couleurs semblent se superposent de mani\u00E8re al\u00E9atoire et superficielle."@fr . . "The Spring II"@en . . . "The Clouds Between Us"@en . "Otto Torsten Andersson (6 juin 1926 - 30 mai 2009) est un peintre moderniste su\u00E9dois, surtout connu pour son th\u00E8me de la repr\u00E9sentation r\u00E9aliste de sculptures abstraites et de l'exploration bidimensionnelle d'objets tridimensionnels o\u00F9 les couleurs semblent se superposent de mani\u00E8re al\u00E9atoire et superficielle."@fr . . . . "1926-06-06"^^ . .