. . . . . . . . "English"@en . . . . . . . . . . . "6420.0"^^ . . . . . . . . . . . . "Henry Slesar"@en . . . . . . "Cesar Romero"@en . . . . . . . . . . . . "Two on a Guillotine"@en . "Sam Leavitt"@en . . . "Il boia \u00E8 di scena (Two on a Guillotine) \u00E8 un film del 1965 diretto da William Conrad."@it . "John Hoyt"@en . . . . ""@en . . . . . "1965-01-13"^^ . . "Virginia Gregg"@en . . . . . . . . . "Two on a Guillotine is a 1965 American horror film produced and directed by William Conrad and starring Connie Stevens. The screenplay by John Kneubuhl and Henry Slesar is based on a story by Slesar. The movie would be the first in a series of low-budget suspense dramas made by Warner Bros in the vein of the successful William Castle films, and was followed by My Blood Runs Cold and Brainstorm, both also released in 1965 with Conrad as director. A fourth movie, The Thing at the Door, was proposed, but never made."@en . "Il boia \u00E8 di scena"@it . . . . . "William Conrad"@en . . "15485265"^^ . . . . . "Theatrical release poster"@en . . . . "107.0"^^ . . . . . "Two on a Guillotine"@en . "Il boia \u00E8 di scena (Two on a Guillotine) \u00E8 un film del 1965 diretto da William Conrad."@it . . "Two on a Guillotine"@en . . . . "7578"^^ . . . "18555"^^ . . . . . . . . . . . . . . . . "Parley Baer"@en . . . . . . . . . "1119046557"^^ . "Two on a Guillotine is a 1965 American horror film produced and directed by William Conrad and starring Connie Stevens. The screenplay by John Kneubuhl and Henry Slesar is based on a story by Slesar. The movie would be the first in a series of low-budget suspense dramas made by Warner Bros in the vein of the successful William Castle films, and was followed by My Blood Runs Cold and Brainstorm, both also released in 1965 with Conrad as director. A fourth movie, The Thing at the Door, was proposed, but never made."@en . . "Two on a Guillotine"@en . "6420.0"^^ . "1965-01-13"^^ . . "United States"@en . "John Kneubuhl"@en . . . . . . . . . "Dean Jones"@en . . "Connie Stevens"@en . . . . . . . . . . .