"Vittorio Storaro, f\u00F6dd 24 juni 1941 i Rom, \u00E4r en italiensk filmfotograf. Han har vunnit Oscar f\u00F6r b\u00E4sta foto tre g\u00E5nger, f\u00F6r filmerna Apocalypse (1979), Reds (1981) och Den siste kejsaren (1987). Han har ocks\u00E5 nominerats f\u00F6r en till Oscar, f\u00F6r filmen Dick Tracy (1990)."@sv . . "\u0412\u0456\u0442\u0442\u043E\u0301\u0440\u0456\u043E \u0421\u0442\u043E\u0440\u0430\u0301\u0440\u043E (\u0456\u0442\u0430\u043B. Vittorio Storaro; \u043D\u0430\u0440. 24 \u0447\u0435\u0440\u0432\u043D\u044F 1940, \u0420\u0438\u043C) \u2014 \u0456\u0442\u0430\u043B\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440. \u0412\u043E\u043B\u043E\u0434\u0430\u0440 \u0442\u0440\u044C\u043E\u0445 \u043F\u0440\u0435\u043C\u0456\u0439 \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u043E\u0457 \u043A\u0456\u043D\u043E\u0430\u043A\u0430\u0434\u0435\u043C\u0456\u0457."@uk . . . . . . . "Vittorio Storaro"@en . . . . . . . "Vittorio Storaro, f\u00F6dd 24 juni 1941 i Rom, \u00E4r en italiensk filmfotograf. Han har vunnit Oscar f\u00F6r b\u00E4sta foto tre g\u00E5nger, f\u00F6r filmerna Apocalypse (1979), Reds (1981) och Den siste kejsaren (1987). Han har ocks\u00E5 nominerats f\u00F6r en till Oscar, f\u00F6r filmen Dick Tracy (1990)."@sv . "*The Bird with the Crystal Plumage \n*The Conformist \n*Last Tango in Paris \n*1900 \n*Apocalypse Now \n*Reds \n*The Last Emperor \n*Dick Tracy \n*Caf\u00E9 Society \n*Wonder Wheel"@en . . "\u30F4\u30A3\u30C3\u30C8\u30EA\u30AA\u30FB\u30B9\u30C8\u30E9\u30FC\u30ED"@ja . . . "\u0421\u0442\u043E\u0440\u0430\u0440\u043E, \u0412\u0438\u0442\u0442\u043E\u0440\u0438\u043E"@ru . . . . . "17342"^^ . . . . . "Vittorio Storaro"@es . "\u0412\u0438\u0442\u0442\u043E\u0301\u0440\u0438\u043E \u0421\u0442\u043E\u0440\u0430\u0301\u0440\u043E (\u0438\u0442\u0430\u043B. Vittorio Storaro; \u0440\u043E\u0434. 24 \u0438\u044E\u043D\u044F 1940, \u0420\u0438\u043C) \u2014 \u0438\u0442\u0430\u043B\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440. \u041E\u0431\u043B\u0430\u0434\u0430\u0442\u0435\u043B\u044C \u0442\u0440\u0451\u0445 \u043F\u0440\u0435\u043C\u0438\u0439 \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB."@ru . . . . . . . . . . . "0005886" . "1114817736"^^ . . . . . . . . . . . "1026588"^^ . . . . . . "Vittorio Storaro (Rome, 24 juni 1940) is een Italiaans cameraman. Hij won drie Academy Awards en een BAFTA. Hij werkte regelmatig samen met Bernardo Bertolucci."@nl . "5886"^^ . . "\u039F \u0392\u03B9\u03C4\u03C4\u03CC\u03C1\u03B9\u03BF \u03A3\u03C4\u03BF\u03C1\u03AC\u03C1\u03BF (Vittorio Storaro, \u03B3\u03B5\u03BD\u03BD. 24 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1940) \u03B5\u03AF\u03BD\u03B1\u03B9 \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B4\u03B9\u03B5\u03C5\u03B8\u03C5\u03BD\u03C4\u03AE\u03C2 \u03C6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5, \u03B1\u03BD\u03B1\u03B3\u03BD\u03C9\u03C1\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C4\u03BF\u03C5 \u03C3\u03B5 \u03B1\u03C1\u03BA\u03B5\u03C4\u03AD\u03C2 \u03BA\u03BB\u03B1\u03C3\u03B9\u03BA\u03AD\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2, \u03CC\u03C0\u03C9\u03C2 \u03BF\u03B9 \u0391\u03C0\u03BF\u03BA\u03AC\u03BB\u03C5\u03C8\u03B7, \u03A4\u03CE\u03C1\u03B1! \u03BA\u03B1\u03B9 \u039F \u03A4\u03B5\u03BB\u03B5\u03C5\u03C4\u03B1\u03AF\u03BF\u03C2 \u0391\u03C5\u03C4\u03BF\u03BA\u03C1\u03AC\u03C4\u03BF\u03C1\u03B1\u03C2. \u039C\u03B5 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03CC\u03C4\u03B5\u03C1\u03BF \u03B1\u03C0\u03CC \u03BC\u03B9\u03C3\u03CC \u03B1\u03B9\u03CE\u03BD\u03B1 \u03C3\u03C4\u03B1\u03B4\u03B9\u03BF\u03B4\u03C1\u03BF\u03BC\u03AF\u03B1\u03C2, \u03C3\u03C5\u03BD\u03B5\u03C1\u03B3\u03AC\u03C3\u03B8\u03B7\u03BA\u03B5 \u03BC\u03B5 \u03C3\u03BA\u03B7\u03BD\u03BF\u03B8\u03AD\u03C4\u03B5\u03C2 \u03CC\u03C0\u03C9\u03C2 \u03BF\u03B9 \u039C\u03C0\u03B5\u03C1\u03BD\u03AC\u03C1\u03BD\u03C4\u03BF \u039C\u03C0\u03B5\u03C1\u03C4\u03BF\u03BB\u03BF\u03CD\u03C4\u03C3\u03B9, \u03A6\u03C1\u03AC\u03BD\u03C3\u03B9\u03C2 \u03A6\u03BF\u03C1\u03BD\u03C4 \u039A\u03CC\u03C0\u03BF\u03BB\u03B1, \u0393\u03BF\u03C5\u03CC\u03C1\u03B5\u03BD \u039C\u03C0\u03AF\u03C4\u03B9 \u03BA\u03B1\u03B9 \u0393\u03BF\u03CD\u03BD\u03C4\u03B9 \u0386\u03BB\u03B5\u03BD. \u0392\u03C1\u03B1\u03B2\u03B5\u03CD\u03B8\u03B7\u03BA\u03B5 \u03BC\u03B5 \u03C4\u03C1\u03AF\u03B1 , \u03AD\u03BD\u03B1 BAFTA \u03A6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2, \u03AD\u03BD\u03B1 \u0392\u03C1\u03B1\u03B2\u03B5\u03AF\u03BF \u0388\u03BC\u03BC\u03C5 \u0396\u03CE\u03BD\u03B7\u03C2 \u03A5\u03C8\u03B7\u03BB\u03AE\u03C2 \u03A4\u03B7\u03BB\u03B5\u03B8\u03AD\u03B1\u03C3\u03B7\u03C2, \u03AD\u03BD\u03B1 \u0392\u03C1\u03B1\u03B2\u03B5\u03AF\u03BF \u0393\u03BA\u03CC\u03B3\u03B9\u03B1 \u03BA\u03B1\u03B9 \u03AD\u03BD\u03B1 \u0392\u03C1\u03B1\u03B2\u03B5\u03AF\u03BF \u039D\u03C4\u03B1\u03B2\u03AF\u03BD\u03C4 \u03BD\u03C4\u03B9 \u039D\u03C4\u03BF\u03BD\u03B1\u03C4\u03AD\u03BB\u03BF. \u0395\u03C0\u03B9\u03BB\u03AD\u03BF\u03BD \u03AD\u03C7\u03B5\u03B9 \u03C4\u03B9\u03BC\u03B7\u03B8\u03B5\u03AF \u03BC\u03B5 \u03C0\u03BF\u03BB\u03C5\u03AC\u03C1\u03B9\u03B8\u03BC\u03B5\u03C2 \u03B4\u03B9\u03B1\u03BA\u03C1\u03AF\u03C3\u03B5\u03B9\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03BF \u03C3\u03CD\u03BD\u03BF\u03BB\u03BF \u03C4\u03BF\u03C5 \u03AD\u03C1\u03B3\u03BF\u03C5 \u03C4\u03BF\u03C5 \u03B1\u03C0\u03CC \u03B4\u03B9\u03AC\u03C6\u03BF\u03C1\u03B1 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AC \u03B9\u03B4\u03C1\u03CD\u03BC\u03B1\u03C4\u03B1. \u039F \u03A3\u03C4\u03BF\u03C1\u03AC\u03C1\u03BF \u03B8\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03AD\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03BA\u03B1\u03B9 \u03C0\u03BB\u03AD\u03BF\u03BD \u03B5\u03C0\u03B9\u03B4\u03C1\u03B1\u03C3\u03C4\u03B9\u03BA\u03BF\u03CD\u03C2 \u03B4\u03B9\u03B5\u03C5\u03B8\u03C5\u03BD\u03C4\u03AD\u03C2 \u03C6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2 \u03CC\u03BB\u03C9\u03BD \u03C4\u03C9\u03BD \u03B5\u03C0\u03BF\u03C7\u03CE\u03BD."@el . . . "\u7EF4\u6258\u91CC\u5965\u00B7\u65AF\u6258\u62C9\u7F57"@zh . . . . . "Vittorio Storaro est un directeur de la photographie italien, n\u00E9 le 24 juin 1940 \u00E0 Rome."@fr . . . . . . . "\uBE44\uD1A0\uB9AC\uC624 \uC2A4\uD1A0\uB77C\uB85C(\uC774\uD0C8\uB9AC\uC544\uC5B4: Vittorio Storaro, 1940\uB144 6\uC6D4 24\uC77C ~ )\uB294 \uC774\uD0C8\uB9AC\uC544\uC758 \uCD2C\uC601 \uAC10\uB3C5\uC774\uB2E4. 2003\uB144 \uAD6D\uC81C \uCD2C\uC601 \uAC10\uB3C5 \uC870\uD569\uC5D0\uC11C \uC2A4\uD1A0\uB77C\uB85C\uB97C \uC5ED\uC0AC\uC0C1 \uAC00\uC7A5 \uC601\uD5A5\uB825 \uC788\uB294 \uCD2C\uC601 \uAC10\uB3C5 \uC911 \uD55C\uBA85\uC73C\uB85C \uC120\uC815\uD558\uC600\uB2E4."@ko . "1940"^^ . . . . . . . . "Vittorio Storaro (Roma, 24 giugno 1940) \u00E8 un direttore della fotografia italiano, vincitore di tre premi Oscar, per Apocalypse Now, Reds e L'ultimo imperatore."@it . . . . "\u7EF4\u6258\u91CC\u5965\u00B7\u65AF\u6258\u62C9\u7F57\uFF0C\u3001A.I.C.\uFF08Vittorio Storaro\uFF0C1940\u5E746\u670824\u65E5\uFF0D\uFF09\u662F\u4E00\u4F4D\u610F\u5927\u5229\u7535\u5F71\u6444\u5F71\u5E08\uFF0C\u5148\u540E\u4EE5\u300A\u73B0\u4EE3\u542F\u793A\u5F55\u300B\uFF08Apocalypse Now\uFF0C1979\uFF09\u3001\u300A\u70FD\u706B\u8D64\u7130\u4E07\u91CC\u60C5\u300B\uFF08Reds\uFF0C1981\uFF09\u548C\u300A\u672B\u4EE3\u7687\u5E1D\u300B\uFF08The Last Emperor\uFF0C1987\uFF09\u4E09\u6B21\u83B7\u5F97\u5965\u65AF\u5361\u6700\u4F73\u6444\u5F71\u5956\uFF1B\u5206\u522B\u4EE51990\u5E74\u7684 The Sheltering Sky \u548C1999\u5E74\u7684 Goya in Bordeaux \u8D62\u5F97\u82F1\u56FD\u7535\u5F71\u5B66\u9662\u5956\u548C\u6B27\u6D32\u7535\u5F71\u5956\u6700\u4F73\u6444\u5F71\u5956\u3002\u6B64\u5916\uFF0C\u8FD8\u4EE51990\u5E74\u7684\u300A\u8FEA\u514B\u00B7\u7279\u96F7\u897F\u300B\u83B7\u5F97\u5965\u65AF\u5361\u6700\u4F73\u6444\u5F71\u63D0\u540D\u3002 2001\u5E74\uFF0C\u4ED6\u88AB\uFF08American Society of Cinematographers\uFF09\u6388\u4E88\u7EC8\u8EAB\u6210\u5C31\u5956\u30022003\u5E74\uFF0C\u4ED6\u88AB\u56FD\u9645\u6444\u5F71\u5E08\u5DE5\u4F1A\uFF08International Cinematographers Guild\uFF09\u8BC4\u4E3A\u201C\u53F2\u4E0A\u5341\u5927\u6700\u5177\u5F71\u54CD\u529B\u7684\u6444\u5F71\u5E08\u201D\u4E4B\u4E00\u3002"@zh . . "Vittorio Storaro"@pt . . . "Vittorio Storaro (Roma, 24 de juny de 1940) \u00E9s un director de fotografia itali\u00E0 de cinema modern, guanyador de tres Oscars. Fill d'un projeccionista de cinema, Storaro va comen\u00E7ar estudiant fotografia als 11 anys, i els estudis formals de cinematografia al Centre Experimental de Cinematografia de Roma, als 18. Va treballar com a operador de c\u00E0mera durant molts anys, el seu primer film com a director de fotografia va ser Giovinezza, Giovinezza (Youthful, Youthful) el 1968."@ca . . "1960"^^ . . . "Vittorio Storaro (Roma, 24 de junio de 1940) es uno de los m\u00E1s importantes directores de fotograf\u00EDa del cine moderno, ganador de 3 premios \u00D3scar de Hollywood."@es . "1940-06-24"^^ . . . . . . . . . . "Storaro at Cannes in 2001"@en . . "Vittorio Storaro"@pl . "\u30F4\u30A3\u30C3\u30C8\u30EA\u30AA\u30FB\u30B9\u30C8\u30E9\u30FC\u30ED\uFF08Vittorio Storaro, 1940\u5E746\u670824\u65E5 - \uFF09\u306F\u30A4\u30BF\u30EA\u30A2\u306E\u30ED\u30FC\u30DE\u751F\u307E\u308C\u306E\u6620\u753B\u30AD\u30E3\u30E1\u30E9\u30DE\u30F3\u3001\u64AE\u5F71\u76E3\u7763\u3002"@ja . . "Vittorio Storaro"@it . "Vittorio Storaro"@en . . . "Vittorio Storaro"@sv . . . . . "Vittorio Storaro (ur. 24 czerwca 1940 w Rzymie) \u2013 w\u0142oski operator filmowy, uwa\u017Cany za jednego z najwybitniejszych autor\u00F3w zdj\u0119\u0107 filmowych w ca\u0142ej historii kina. Zas\u0142yn\u0105\u0142 umiej\u0119tnym operowaniem \u015Bwiat\u0142em i cieniem oraz pos\u0142ugiwaniem si\u0119 okre\u015Blon\u0105 kolorystyk\u0105 w budowaniu znacze\u0144 obrazu filmowego. Trzykrotny laureat Oscara za najlepsze zdj\u0119cia."@pl . "\u039F \u0392\u03B9\u03C4\u03C4\u03CC\u03C1\u03B9\u03BF \u03A3\u03C4\u03BF\u03C1\u03AC\u03C1\u03BF (Vittorio Storaro, \u03B3\u03B5\u03BD\u03BD. 24 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1940) \u03B5\u03AF\u03BD\u03B1\u03B9 \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B4\u03B9\u03B5\u03C5\u03B8\u03C5\u03BD\u03C4\u03AE\u03C2 \u03C6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5, \u03B1\u03BD\u03B1\u03B3\u03BD\u03C9\u03C1\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C4\u03BF\u03C5 \u03C3\u03B5 \u03B1\u03C1\u03BA\u03B5\u03C4\u03AD\u03C2 \u03BA\u03BB\u03B1\u03C3\u03B9\u03BA\u03AD\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2, \u03CC\u03C0\u03C9\u03C2 \u03BF\u03B9 \u0391\u03C0\u03BF\u03BA\u03AC\u03BB\u03C5\u03C8\u03B7, \u03A4\u03CE\u03C1\u03B1! \u03BA\u03B1\u03B9 \u039F \u03A4\u03B5\u03BB\u03B5\u03C5\u03C4\u03B1\u03AF\u03BF\u03C2 \u0391\u03C5\u03C4\u03BF\u03BA\u03C1\u03AC\u03C4\u03BF\u03C1\u03B1\u03C2. \u039C\u03B5 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03CC\u03C4\u03B5\u03C1\u03BF \u03B1\u03C0\u03CC \u03BC\u03B9\u03C3\u03CC \u03B1\u03B9\u03CE\u03BD\u03B1 \u03C3\u03C4\u03B1\u03B4\u03B9\u03BF\u03B4\u03C1\u03BF\u03BC\u03AF\u03B1\u03C2, \u03C3\u03C5\u03BD\u03B5\u03C1\u03B3\u03AC\u03C3\u03B8\u03B7\u03BA\u03B5 \u03BC\u03B5 \u03C3\u03BA\u03B7\u03BD\u03BF\u03B8\u03AD\u03C4\u03B5\u03C2 \u03CC\u03C0\u03C9\u03C2 \u03BF\u03B9 \u039C\u03C0\u03B5\u03C1\u03BD\u03AC\u03C1\u03BD\u03C4\u03BF \u039C\u03C0\u03B5\u03C1\u03C4\u03BF\u03BB\u03BF\u03CD\u03C4\u03C3\u03B9, \u03A6\u03C1\u03AC\u03BD\u03C3\u03B9\u03C2 \u03A6\u03BF\u03C1\u03BD\u03C4 \u039A\u03CC\u03C0\u03BF\u03BB\u03B1, \u0393\u03BF\u03C5\u03CC\u03C1\u03B5\u03BD \u039C\u03C0\u03AF\u03C4\u03B9 \u03BA\u03B1\u03B9 \u0393\u03BF\u03CD\u03BD\u03C4\u03B9 \u0386\u03BB\u03B5\u03BD. \u0392\u03C1\u03B1\u03B2\u03B5\u03CD\u03B8\u03B7\u03BA\u03B5 \u03BC\u03B5 \u03C4\u03C1\u03AF\u03B1 , \u03AD\u03BD\u03B1 BAFTA \u03A6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2, \u03AD\u03BD\u03B1 \u0392\u03C1\u03B1\u03B2\u03B5\u03AF\u03BF \u0388\u03BC\u03BC\u03C5 \u0396\u03CE\u03BD\u03B7\u03C2 \u03A5\u03C8\u03B7\u03BB\u03AE\u03C2 \u03A4\u03B7\u03BB\u03B5\u03B8\u03AD\u03B1\u03C3\u03B7\u03C2, \u03AD\u03BD\u03B1 \u0392\u03C1\u03B1\u03B2\u03B5\u03AF\u03BF \u0393\u03BA\u03CC\u03B3\u03B9\u03B1 \u03BA\u03B1\u03B9 \u03AD\u03BD\u03B1 \u0392\u03C1\u03B1\u03B2\u03B5\u03AF\u03BF \u039D\u03C4\u03B1\u03B2\u03AF\u03BD\u03C4 \u03BD\u03C4\u03B9 \u039D\u03C4\u03BF\u03BD\u03B1\u03C4\u03AD\u03BB\u03BF. \u0395\u03C0\u03B9\u03BB\u03AD\u03BF\u03BD \u03AD\u03C7\u03B5\u03B9 \u03C4\u03B9\u03BC\u03B7\u03B8\u03B5\u03AF \u03BC\u03B5 \u03C0\u03BF\u03BB\u03C5\u03AC\u03C1\u03B9\u03B8\u03BC\u03B5\u03C2 \u03B4\u03B9\u03B1\u03BA\u03C1\u03AF\u03C3\u03B5\u03B9\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03BF \u03C3\u03CD\u03BD\u03BF\u03BB\u03BF \u03C4\u03BF\u03C5 \u03AD\u03C1\u03B3\u03BF\u03C5 \u03C4\u03BF\u03C5 \u03B1\u03C0\u03CC \u03B4\u03B9\u03AC\u03C6\u03BF\u03C1\u03B1 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AC \u03B9\u03B4\u03C1\u03CD\u03BC\u03B1\u03C4\u03B1. \u039F \u03A3\u03C4\u03BF\u03C1\u03AC\u03C1\u03BF \u03B8\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03AD\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03BA\u03B1\u03B9 \u03C0\u03BB\u03AD\u03BF\u03BD \u03B5\u03C0\u03B9\u03B4\u03C1\u03B1\u03C3\u03C4\u03B9\u03BA\u03BF\u03CD\u03C2 \u03B4\u03B9\u03B5\u03C5\u03B8\u03C5\u03BD\u03C4\u03AD\u03C2 \u03C6\u03C9\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1\u03C2 \u03CC\u03BB\u03C9\u03BD \u03C4\u03C9\u03BD \u03B5\u03C0\u03BF\u03C7\u03CE\u03BD."@el . . . . . . . "\u0412\u0456\u0442\u0442\u043E\u0301\u0440\u0456\u043E \u0421\u0442\u043E\u0440\u0430\u0301\u0440\u043E (\u0456\u0442\u0430\u043B. Vittorio Storaro; \u043D\u0430\u0440. 24 \u0447\u0435\u0440\u0432\u043D\u044F 1940, \u0420\u0438\u043C) \u2014 \u0456\u0442\u0430\u043B\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440. \u0412\u043E\u043B\u043E\u0434\u0430\u0440 \u0442\u0440\u044C\u043E\u0445 \u043F\u0440\u0435\u043C\u0456\u0439 \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u043E\u0457 \u043A\u0456\u043D\u043E\u0430\u043A\u0430\u0434\u0435\u043C\u0456\u0457."@uk . . "Vittorio Storaro (Erroma, 1940ko ekainaren 24a) italiar zinema argazkilaria da. Ezagutzen da Apocalypse Now, Reds eta The Last Emperor bezala filmetako bere lanegatik. Lan egin du Bernardo Bertoluccirekin, Francis Ford Coppolarekin, Warren Beattyrekin eta Woody Allenekin. Argazkigintza onenaren Oscar Saria irabazi du hiru aldiz. Bere filosofiak Johann Wolfgang von Goetheren koloreen teoriatik inspirazioa hartzen du."@eu . . "Awards for Vittorio Storaro"@en . . . "Rome, Italy"@en . . . . . . . . . . . . "1940-06-24"^^ . . . . "\u0641\u064A\u062A\u0648\u0631\u064A\u0648 \u0633\u062A\u0648\u0631\u0627\u0631\u0648 (\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629: Vittorio Storaro)\u200F (\u0648. 1940 \u0645) \u0647\u0648 \u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A \u0625\u064A\u0637\u0627\u0644\u064A\u060C \u0648\u0644\u062F \u0641\u064A \u0631\u0648\u0645\u0627."@ar . . . . . . . . . . . . . . . "\u0641\u064A\u062A\u0648\u0631\u064A\u0648 \u0633\u062A\u0648\u0631\u0627\u0631\u0648"@ar . . . . . . . . . . "Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940) is an Italian cinematographer widely recognized as one of the best and most influential in Cinema history, for his work on numerous classic films including The Conformist, Apocalypse Now, and The Last Emperor. In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura."@en . . "\u0392\u03B9\u03C4\u03C4\u03CC\u03C1\u03B9\u03BF \u03A3\u03C4\u03BF\u03C1\u03AC\u03C1\u03BF"@el . . . "\u0641\u064A\u062A\u0648\u0631\u064A\u0648 \u0633\u062A\u0648\u0631\u0627\u0631\u0648 (\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629: Vittorio Storaro)\u200F (\u0648. 1940 \u0645) \u0647\u0648 \u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A \u0625\u064A\u0637\u0627\u0644\u064A\u060C \u0648\u0644\u062F \u0641\u064A \u0631\u0648\u0645\u0627."@ar . . . . "\u0412\u0438\u0442\u0442\u043E\u0301\u0440\u0438\u043E \u0421\u0442\u043E\u0440\u0430\u0301\u0440\u043E (\u0438\u0442\u0430\u043B. Vittorio Storaro; \u0440\u043E\u0434. 24 \u0438\u044E\u043D\u044F 1940, \u0420\u0438\u043C) \u2014 \u0438\u0442\u0430\u043B\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440. \u041E\u0431\u043B\u0430\u0434\u0430\u0442\u0435\u043B\u044C \u0442\u0440\u0451\u0445 \u043F\u0440\u0435\u043C\u0438\u0439 \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB."@ru . . . . . "Vittorio Storaro"@en . . . . . . "Vittorio Storaro (* 24. Juni 1940 in Rom) ist ein italienischer Kameramann mit internationaler Karriere."@de . . . . . "Vittorio Storaro"@ca . "1960"^^ . . "\u7EF4\u6258\u91CC\u5965\u00B7\u65AF\u6258\u62C9\u7F57\uFF0C\u3001A.I.C.\uFF08Vittorio Storaro\uFF0C1940\u5E746\u670824\u65E5\uFF0D\uFF09\u662F\u4E00\u4F4D\u610F\u5927\u5229\u7535\u5F71\u6444\u5F71\u5E08\uFF0C\u5148\u540E\u4EE5\u300A\u73B0\u4EE3\u542F\u793A\u5F55\u300B\uFF08Apocalypse Now\uFF0C1979\uFF09\u3001\u300A\u70FD\u706B\u8D64\u7130\u4E07\u91CC\u60C5\u300B\uFF08Reds\uFF0C1981\uFF09\u548C\u300A\u672B\u4EE3\u7687\u5E1D\u300B\uFF08The Last Emperor\uFF0C1987\uFF09\u4E09\u6B21\u83B7\u5F97\u5965\u65AF\u5361\u6700\u4F73\u6444\u5F71\u5956\uFF1B\u5206\u522B\u4EE51990\u5E74\u7684 The Sheltering Sky \u548C1999\u5E74\u7684 Goya in Bordeaux \u8D62\u5F97\u82F1\u56FD\u7535\u5F71\u5B66\u9662\u5956\u548C\u6B27\u6D32\u7535\u5F71\u5956\u6700\u4F73\u6444\u5F71\u5956\u3002\u6B64\u5916\uFF0C\u8FD8\u4EE51990\u5E74\u7684\u300A\u8FEA\u514B\u00B7\u7279\u96F7\u897F\u300B\u83B7\u5F97\u5965\u65AF\u5361\u6700\u4F73\u6444\u5F71\u63D0\u540D\u3002 2001\u5E74\uFF0C\u4ED6\u88AB\uFF08American Society of Cinematographers\uFF09\u6388\u4E88\u7EC8\u8EAB\u6210\u5C31\u5956\u30022003\u5E74\uFF0C\u4ED6\u88AB\u56FD\u9645\u6444\u5F71\u5E08\u5DE5\u4F1A\uFF08International Cinematographers Guild\uFF09\u8BC4\u4E3A\u201C\u53F2\u4E0A\u5341\u5927\u6700\u5177\u5F71\u54CD\u529B\u7684\u6444\u5F71\u5E08\u201D\u4E4B\u4E00\u3002"@zh . . "Vittorio Storaro (Roma, 24 de junho de 1940) \u00E9 um diretor de fotografia italiano, conhecido como \"o mago da luz\". Tem um grande modelo para a fotografia dos seus filmes, o pintor tamb\u00E9m italiano Caravaggio. O pr\u00F3prio Vittorio diz que quando estava andando em Roma, entrou em uma galeria de arte e viu o quadro de Caravaggio \"O Chamado de S\u00E3o Mateus\". Diz que aquela imagem mudou sua vida. Vittorio iniciou sua carreira fazendo filmes para a universidade, ficou conhecido por usar as t\u00E9cnicas de luz dos quadros de Caravaggio. Para Storaro, criar a fotografia de um filme para o Cinema \u00E9 como \"scrivere con la luce\" (escrever com a luz). Seu filme mais conhecido \u00E9 Apocalypse Now, ele aparece segurando uma c\u00E2mera ao lado de Francis Ford Coppola e o Dean Tavoularis. Vencedor de tr\u00EAs Oscars: Apocalypse Now, Reds e The Last Emperor. Em 2018 recebeu o diploma de Membro Honor\u00E1rio Internacional da Academia Portuguesa de Cinema."@pt . "Vittorio Storaro (Roma, 24 de juny de 1940) \u00E9s un director de fotografia itali\u00E0 de cinema modern, guanyador de tres Oscars. Fill d'un projeccionista de cinema, Storaro va comen\u00E7ar estudiant fotografia als 11 anys, i els estudis formals de cinematografia al Centre Experimental de Cinematografia de Roma, als 18. Va treballar com a operador de c\u00E0mera durant molts anys, el seu primer film com a director de fotografia va ser Giovinezza, Giovinezza (Youthful, Youthful) el 1968. Ha treballat amb destacats directors de cinema, com per exemple Bernardo Bertolucci, amb el qual va establir un estreta i llarga col\u00B7laboraci\u00F3, aix\u00ED com Francis Ford Coppola i Warren Beatty. Alguns dels seus treballs m\u00E9s destacats s\u00F3n: Novecento, El Conformista, El \u00FAltimo tango en Par\u00EDs, El \u00DAltimo Emperador, Apocalypse Now,, One From the Heart, Rojos, Bulworth, El cielo protector, Tucker: The Man and His Dream. El primer \u00E8xit nord-americ\u00E0 de Storaro va ser Apocalypse Now, dirigida per Francis Ford Coppola l'any 1979, obra amb la qual va guanyar el seu primer Oscar. Coppola va a Storaro total llibertat a l'hora de recrear l'atmosfera visual de film, fet amb el qual, segon molts cr\u00EDtics, s'ha convertit amb una de les pel\u00B7l\u00EDcules m\u00E9s espectaculars de tots els temps a nivell visual. Storaro ha rebut dos Oscar m\u00E9s, un per Rojos (1981) i un per L'\u00FAltim emperador (1989). Va rebre la seva quarta, i fins al moment darrera nominaci\u00F3 als Oscar pel seu treball a Dick Tracy (1990) de Warren Beatty. Storaro \u00E9s considerat com el mestre de la direcci\u00F3 de fotografia en el cinema, el seu treball s'inspira en la teoria dels colors de Johann Wolfgang von Goethe, centrada en l'efecte psicol\u00F2gic que tenen els diferents colors i la manera que aquests influeixen en la percepci\u00F3 de les diferents emocions. Juntament amb el seu fill, Fabrizio Storaro, ha creat Univisium, format que pret\u00E9n unificar totes les futures produccions televisives i cinematogr\u00E0fiques en una \u00FAnica relaci\u00F3 d'aspecte: 2.00:1. En 2002, Storaro acab\u00E0 els primer d'una s\u00E8rie de llibres sobre la seva filosofia sobre la cinematogr\u00E0fica."@ca . . . . "Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940) is an Italian cinematographer widely recognized as one of the best and most influential in Cinema history, for his work on numerous classic films including The Conformist, Apocalypse Now, and The Last Emperor. In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura. He has received three Academy Awards for Best Cinematography for the films Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987), and is one of three living persons who has won the award three times, the others being Robert Richardson and Emmanuel Lubezki."@en . "Vittorio Storaro"@eu . . "Vittorio Storaro (Roma, 24 de junio de 1940) es uno de los m\u00E1s importantes directores de fotograf\u00EDa del cine moderno, ganador de 3 premios \u00D3scar de Hollywood."@es . . . "Vittorio Storaro (Roma, 24 giugno 1940) \u00E8 un direttore della fotografia italiano, vincitore di tre premi Oscar, per Apocalypse Now, Reds e L'ultimo imperatore."@it . . . . . . . . . "Vittorio Storaro (* 24. Juni 1940 in Rom) ist ein italienischer Kameramann mit internationaler Karriere."@de . "Vittorio Storaro"@de . . . . "Vittorio Storaro est un directeur de la photographie italien, n\u00E9 le 24 juin 1940 \u00E0 Rome."@fr . . . "\u0412\u0456\u0442\u0442\u043E\u0440\u0456\u043E \u0421\u0442\u043E\u0440\u0430\u0440\u043E"@uk . . . "*American Society of Cinematographers\n*Associazione Italiana Autori della Fotografia Cinematografica"@en . "Vittorio Storaro (Roma, 24 de junho de 1940) \u00E9 um diretor de fotografia italiano, conhecido como \"o mago da luz\". Tem um grande modelo para a fotografia dos seus filmes, o pintor tamb\u00E9m italiano Caravaggio. O pr\u00F3prio Vittorio diz que quando estava andando em Roma, entrou em uma galeria de arte e viu o quadro de Caravaggio \"O Chamado de S\u00E3o Mateus\". Diz que aquela imagem mudou sua vida. Seu filme mais conhecido \u00E9 Apocalypse Now, ele aparece segurando uma c\u00E2mera ao lado de Francis Ford Coppola e o Dean Tavoularis. Vencedor de tr\u00EAs Oscars: Apocalypse Now, Reds e The Last Emperor."@pt . . . . . "Vittorio Storaro"@fr . "Vittorio Storaro (ur. 24 czerwca 1940 w Rzymie) \u2013 w\u0142oski operator filmowy, uwa\u017Cany za jednego z najwybitniejszych autor\u00F3w zdj\u0119\u0107 filmowych w ca\u0142ej historii kina. Zas\u0142yn\u0105\u0142 umiej\u0119tnym operowaniem \u015Bwiat\u0142em i cieniem oraz pos\u0142ugiwaniem si\u0119 okre\u015Blon\u0105 kolorystyk\u0105 w budowaniu znacze\u0144 obrazu filmowego. Trzykrotny laureat Oscara za najlepsze zdj\u0119cia."@pl . . . . . . . . "\u30F4\u30A3\u30C3\u30C8\u30EA\u30AA\u30FB\u30B9\u30C8\u30E9\u30FC\u30ED\uFF08Vittorio Storaro, 1940\u5E746\u670824\u65E5 - \uFF09\u306F\u30A4\u30BF\u30EA\u30A2\u306E\u30ED\u30FC\u30DE\u751F\u307E\u308C\u306E\u6620\u753B\u30AD\u30E3\u30E1\u30E9\u30DE\u30F3\u3001\u64AE\u5F71\u76E3\u7763\u3002"@ja . . "Vittorio Storaro (Rome, 24 juni 1940) is een Italiaans cameraman. Hij won drie Academy Awards en een BAFTA. Hij werkte regelmatig samen met Bernardo Bertolucci."@nl . "Vittorio Storaro (Erroma, 1940ko ekainaren 24a) italiar zinema argazkilaria da. Ezagutzen da Apocalypse Now, Reds eta The Last Emperor bezala filmetako bere lanegatik. Lan egin du Bernardo Bertoluccirekin, Francis Ford Coppolarekin, Warren Beattyrekin eta Woody Allenekin. Argazkigintza onenaren Oscar Saria irabazi du hiru aldiz. Bere filosofiak Johann Wolfgang von Goetheren koloreen teoriatik inspirazioa hartzen du."@eu . . . . "\uBE44\uD1A0\uB9AC\uC624 \uC2A4\uD1A0\uB77C\uB85C(\uC774\uD0C8\uB9AC\uC544\uC5B4: Vittorio Storaro, 1940\uB144 6\uC6D4 24\uC77C ~ )\uB294 \uC774\uD0C8\uB9AC\uC544\uC758 \uCD2C\uC601 \uAC10\uB3C5\uC774\uB2E4. 2003\uB144 \uAD6D\uC81C \uCD2C\uC601 \uAC10\uB3C5 \uC870\uD569\uC5D0\uC11C \uC2A4\uD1A0\uB77C\uB85C\uB97C \uC5ED\uC0AC\uC0C1 \uAC00\uC7A5 \uC601\uD5A5\uB825 \uC788\uB294 \uCD2C\uC601 \uAC10\uB3C5 \uC911 \uD55C\uBA85\uC73C\uB85C \uC120\uC815\uD558\uC600\uB2E4."@ko . . . . . . . "\uBE44\uD1A0\uB9AC\uC624 \uC2A4\uD1A0\uB77C\uB85C"@ko . . "Vittorio Storaro"@nl .