. . . . . . . . . . . . . . . . . . . . . . . . . "Lijst van films (1980-1989)"@nl . . . . . . . . . . . . . . . . . . . . . . "Cinema da d\u00E9cada de 1980"@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Dit is een lijst van films uit de periode 1980\u20131989. In de jaren 80 zijn vele klassieke films geproduceerd, zowel in Hollywood als daarbuiten. In alle filmgenres werden klassiekers geproduceerd, zoals horrorfilms, actiefilms, sciencefictionfilms, drama's en komedies. \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7"@nl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. The period was when \"high concept\" films gained popularity, where films were expected to be easily marketable and understandable. Therefore, they had short cinematic plots that could be summarized in one or two sentences. The modern Hollywood blockbuster is the most popular film format from the 1980s. Producer Don Simpson is usually credited with the creation of the high-concept picture of the modern Hollywood blockbuster."@en . . "Dit is een lijst van films uit de periode 1980\u20131989. In de jaren 80 zijn vele klassieke films geproduceerd, zowel in Hollywood als daarbuiten. In alle filmgenres werden klassiekers geproduceerd, zoals horrorfilms, actiefilms, sciencefictionfilms, drama's en komedies. \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7 \u00B7"@nl . . . . . . "The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. The period was when \"high concept\" films gained popularity, where films were expected to be easily marketable and understandable. Therefore, they had short cinematic plots that could be summarized in one or two sentences. The modern Hollywood blockbuster is the most popular film format from the 1980s. Producer Don Simpson is usually credited with the creation of the high-concept picture of the modern Hollywood blockbuster."@en . "1980-\u0442\u0456 \u0443 \u043A\u0456\u043D\u043E"@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "O cinema da d\u00E9cada de 1980 se caracteriza pela produtividade do cinema estadunidense, al\u00E9m de aparecerem muitas produ\u00E7\u00F5es de alto n\u00EDvel em pa\u00EDses como Argentina, que venceu seu primeiro \u00D3scar de Melhor Filme Estrangeiro por La Historia Oficial (A Hist\u00F3ria Oficial, 1985); Brasil, onde Hector Babenco iniciou uma revolu\u00E7\u00E3o com seu Pixote - A Lei do Mais Fraco (1981); Jap\u00E3o, quando o anime Akira (Akira, 1988) impressionou pelo enredo e estilo violento e quando Stanley Kubrick entrega uma de suas obra-primas: The Shining (O Iluminado, 1980). O tema viol\u00EAncia se torna a regra dos grandes diretores. Martin Scorsese inova com Touro Indom\u00E1vel, enquanto que Stephen Frears causa espanto na plateia com o indecente Liga\u00E7\u00F5es Perigosas, que apresenta Glenn Close no auge de sua maestria e talento. Transformando as inscri\u00E7\u00F5es Carpe Diem em hino da juventude, Robin Williams encanta a todos com Dead Poets Society (Sociedade dos Poetas Mortos, 1989). O diretor Oliver Stone reabre os arquivos da Guerra do Vietn\u00E3 com Platoon (Platoon, 1986). A mesma guerra tamb\u00E9m \u00E9 assunto para Stanley Kubrick em Full Metal Jacket (Nascido Para Matar, 1987). A com\u00E9dia adolescente Ferris Bueller's Day Off (br: Curtindo a vida adoidado \u2013 pt: O rei dos gazeteiros), entretanto, para o cr\u00EDtico Marcelo Janot, foi o que \"virou cult e s\u00EDmbolo do cinema dos anos 80\u201D"@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "37633"^^ . . . . . . . "137895"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1980s in film"@en . . . . . . . "O cinema da d\u00E9cada de 1980 se caracteriza pela produtividade do cinema estadunidense, al\u00E9m de aparecerem muitas produ\u00E7\u00F5es de alto n\u00EDvel em pa\u00EDses como Argentina, que venceu seu primeiro \u00D3scar de Melhor Filme Estrangeiro por La Historia Oficial (A Hist\u00F3ria Oficial, 1985); Brasil, onde Hector Babenco iniciou uma revolu\u00E7\u00E3o com seu Pixote - A Lei do Mais Fraco (1981); Jap\u00E3o, quando o anime Akira (Akira, 1988) impressionou pelo enredo e estilo violento e quando Stanley Kubrick entrega uma de suas obra-primas: The Shining (O Iluminado, 1980)."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1122616994"^^ . . . . . . . . . . . . . . . . . . . .