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<http://dbpedia.org/resource/Adrian_Boult>	<http://dbpedia.org/ontology/abstract>	"Sir Adrian Cedric Boult, CH (/bo\u028Alt/; 8 April 1889 \u2013 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later. Forced to leave the BBC in 1950 on reaching retirement age, Boult took on the chief conductorship of the LPO. The orchestra had declined from its peak of the 1930s, but under his guidance its fortunes were revived. He retired as its chief conductor in 1957, and later accepted the post of president. Although in the latter part of his career he worked with other orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Royal Philharmonic Orchestra, and his former orchestra, the BBC Symphony, it was the LPO with which he was primarily associated, conducting it in concerts and recordings until 1978, in what was widely called his \"Indian summer\". Boult was known for his championing of British music. He gave the first performance of his friend Gustav Holst's The Planets, and introduced new works by, among others, Elgar, Bliss, Britten, Delius, Rootham, Tippett, Vaughan Williams and Walton. In his BBC years, he introduced works by foreign composers, including Bart\u00F3k, Berg, Stravinsky, Schoenberg and Webern. A modest man who disliked the limelight, Boult felt as comfortable in the recording studio as on the concert platform, making recordings throughout his career. From the mid-1960s until his retirement after his last sessions in 1978 he recorded extensively for EMI. As well as a series of recordings that have remained in the catalogue for three or four decades, Boult's legacy includes his influence on prominent conductors of later generations, including Sir Colin Davis and Vernon Handley."@en .
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<http://dbpedia.org/resource/Adrian_Boult>	<http://dbpedia.org/ontology/abstract>	"Sir Adrian Cedric Boult, f\u00F6dd 8 april 1889 i Chester, Cheshire, d\u00F6d 22 februari 1983 i London, var en brittisk dirigent. Han blev filosofie doktor i Oxford 1911 och studerade d\u00E4refter i Leipzig f\u00F6r bland andra den ungerske dirigenten Arthur Nikisch och Max Reger. Sin karri\u00E4r inledde Boult under f\u00F6rsta v\u00E4rldskriget hos London Symphony Orchestra, d\u00E4r han uruppf\u00F6rde Gustav Holsts Planeterna, Ralph Vaughan Williams London Symphony och Edward Elgars andra symfoni. \u00C5r 1918 blev l\u00E4rare vid Royal College of Music, 1924 dirigent f\u00F6r City of Birmingham Symphony Orchestra, 1928 medarbetare vid BBC och 1930 dess musikchef och f\u00F6rste dirigent. Han adlades 1937. \u00C5r 1942 l\u00E4mnade han posten som musikchef och \u00E4gnade sig d\u00E4refter helt \u00E5t dirigerandet, han genomf\u00F6rde bland annat flera konsertturn\u00E9er i USA. Boult ledde: \n* (1924-1928) \n* (1930- och 1940-talet) med bland annat brittiska premi\u00E4rer av Arnold Sch\u00F6nbergs Variationer (opus 31), Alban Bergs opera Wozzeck och Ralph Vaughan Williams fj\u00E4rde symfoni. \n* London Philharmonic Orchestra (fr\u00E5n 1949) med bland annat uppf\u00F6rande av Ralph Vaughan Williams samtliga symfonier och flera verk av Edward Elgar."@sv .
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<http://dbpedia.org/resource/Adrian_Boult>	<http://dbpedia.org/ontology/abstract>	"Adrian Cedric Boult, CH /bo\u028Alt/ (Chester, 8 aprile 1889 \u2013 Londra, 24 marzo 1983), \u00E8 stato un direttore d'orchestra inglese.Cresciuto in una prospera famiglia mercantile, ha seguito studi musicali in Inghilterra e a Lipsia, in Germania, lavorando presto come direttore d'orchestra a Londra per la Royal Opera House e per la compagnia di balletto di Sergej Pavlovi\u010D Djagilev. Il suo primo incarico importante fu come direttore della Orchestra della Citt\u00E0 di Birmingham nel 1924. Quando la British Broadcasting Corporation lo nomin\u00F2 direttore musicale nel 1930, fond\u00F2 la BBC Symphony Orchestra e divenne il suo direttore principale. L'orchestra stabil\u00EC gli standard di eccellenza con i quali rivaleggiava in Gran Bretagna solo la London Philharmonic Orchestra (LPO), fondata due anni pi\u00F9 tardi. Costretto a lasciare la BBC nel 1950, al raggiungimento dell'et\u00E0 pensionabile, Boult assunse il capo della Direzione d'Orchestra della LPO. L'orchestra era scesa dal suo picco del 1930, ma sotto la sua guida la sua fortuna torn\u00F2 a rivivere. Si ritir\u00F2 come suo direttore principale nel 1957, e in seguito accett\u00F2 la carica di presidente. Anche se nella seconda parte della sua carriera lavor\u00F2 con altre orchestre, tra cui la London Symphony Orchestra, la Philharmonia Orchestra, la Royal Philharmonic Orchestra e la sua ex Orchestra, la BBC Symphony, fu la LPO con la quale fu collegato principalmente, la direzione di concerti e registrazioni fino al 1978, in quella che \u00E8 stata ampiamente chiamata la sua \"Indian Summer\". Boult era noto per la sua difesa della musica britannica. Diede la prima esecuzione di I pianeti, del suo amico Gustav Holst e ha introdotto nuove opere, tra gli altri di Bliss, Britten, Delius, Tippett, Vaughan Williams e Walton. Nei suoi anni alla BBC present\u00F2 opere di compositori stranieri, tra cui Bart\u00F3k, Berg, Stravinsky, Sch\u00F6nberg e Webern. Uomo modesto che non amava le luci della ribalta, Boult si sentiva a suo agio sia in studio di registrazione sia sul podio di un concerto, facendo registrazioni per tutta la sua carriera. Dalla met\u00E0 del 1960 fino al suo ritiro dopo la sua ultima sessione, nel 1978 ha registrato ampiamente per la EMI. Oltre a una serie di registrazioni che sono rimaste nel catalogo per tre o quattro decenni, l'eredit\u00E0 di Boult comprende la sua influenza sui direttori importanti delle generazioni successive, tra cui Colin Davis e Vernon Handley."@it .
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<http://dbpedia.org/resource/Adrian_Boult>	<http://dbpedia.org/ontology/abstract>	"Sir Adrian Cedric Boult CH (* 8. April 1889 in Chester; \u2020 22. Februar 1983 in London) war ein britischer Dirigent. Boult studierte an der Westminster School und in Oxford bei Hugh Allen. Er vervollkommnete seine Ausbildung am k\u00F6niglichen Konservatorium Leipzig, wo die Beobachtung der Arbeit des Dirigenten Arthur Nikisch bei ihm bleibende Eindr\u00FCcke hinterlie\u00DF. Nach seiner R\u00FCckkehr nach Gro\u00DFbritannien wirkte er als Dirigent unter anderem am Royal Opera House in Covent Garden. Von 1919 bis 1930 unterrichtete er am Royal College of Music. Von 1924 bis 1930 war er Direktor des Birmingham Festival Chorus und des City of Birmingham Symphony Orchestra, von 1928 bis 1931 leitete er den Bachchor der BBC. International ber\u00FChmt wurde er als Dirigent des BBC Symphony Orchestra von 1930 bis 1950. Mit dem Orchester trat er 1933 in Wien, 1935 in Boston und Salzburg und 1938 und 1939 in New York City auf. 1936 war er Dirigent bei den Kr\u00F6nungsfeierlichkeiten des K\u00F6nigs George VI., wof\u00FCr er im folgenden Jahr zum Knight Bachelor geschlagen wurde, und 1953 bei den Feierlichkeiten K\u00F6nigin Elisabeth II. Von 1942 bis 1950 leitete er auch die legend\u00E4ren Proms in London. 1944 erhielt er die Goldmedaille (Gold Medal) der Royal Philharmonic Society. Ab 1950 war er Dirigent des London Symphony Orchestra. Diesen Posten gab er 1957 auf und dirigierte ab 1959 erneut das City of Birmingham Symphony Orchestra. 1968 nahm er in der Kathedrale von Canterbury Edward Elgars The Dream of Gerontius f\u00FCr das Fernsehen auf.Im Jahr 1969 ernannte ihn die K\u00F6nigin zum Companion of Honour. 1979 beendete er seine aktive Dirigentenlaufbahn. Boult hatte stets engen Kontakt zu zeitgen\u00F6ssischen Komponisten und leitete zahlreiche Urauff\u00FChrungen: so der Suite The Planets von Gustav Holst (1918), der Music for strings (1935) und des Klavierkonzerts (1939) von Arthur Bliss, der A pastoral symphony (1922) und der Vierten und der Sechsten Sinfonie (1935 und 1948) von Ralph Vaughan Williams und der Trauermusik (1936) von Paul Hindemith. Ralph Vaughan Williams widmete ihm Job: A Masque for Dancing, Herbert Howells das Concert for strings und Malcolm Williamson das Concert for organ and orchestra. Er verfasste mit Walter Emery The Point of the Stick, a Handbook on the Technique of Conducting (Oxford 1921, London 1949) und The Saint Matthew Passion, its Preparation and Performance (London 1949) und ver\u00F6ffentlichte 1973 die Autobiographie My own Trumpet. Ihm zu Ehren wurde 1986 die Konzerthalle des Konservatoriums (Birmingham Conservatoire) der in Adrian Boult Hall benannt."@de .
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