"Alfred James Hipkins"@ca . . . . "47356291"^^ . "\u0410\u043B\u044C\u0444\u0440\u0435\u0434 \u0414\u0436\u0435\u0439\u043C\u0441 \u0425\u0438\u043F\u043A\u0438\u043D\u0441 (\u0430\u043D\u0433\u043B. Alfred James Hipkins; 17 \u0438\u044E\u043D\u044F 1826, \u0412\u0435\u0441\u0442\u043C\u0438\u043D\u0441\u0442\u0435\u0440 \u2014 3 \u0438\u044E\u043D\u044F 1903, \u041A\u0435\u043D\u0441\u0438\u043D\u0433\u0442\u043E\u043D) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u043C\u0443\u0437\u044B\u043A\u043E\u0432\u0435\u0434 \u0438 \u043A\u043E\u043B\u043B\u0435\u043A\u0446\u0438\u043E\u043D\u0435\u0440. \u0412 1840 \u0433. \u043F\u043E\u0441\u0442\u0443\u043F\u0438\u043B \u043D\u0430 \u0440\u0430\u0431\u043E\u0442\u0443 \u043F\u043E\u043C\u043E\u0449\u043D\u0438\u043A\u043E\u043C \u043D\u0430\u0441\u0442\u0440\u043E\u0439\u0449\u0438\u043A\u0430 \u0432 \u0444\u0438\u0440\u043C\u0443 \u043F\u0440\u043E\u0438\u0437\u0432\u043E\u0434\u0438\u0442\u0435\u043B\u0435\u0439 \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u00AB\u0414\u0436\u043E\u043D \u0411\u0440\u043E\u0434\u0432\u0443\u0434 \u0438 \u0441\u044B\u043D\u043E\u0432\u044C\u044F\u00BB \u0438 \u043E\u0441\u0442\u0430\u0432\u0430\u043B\u0441\u044F \u0441\u043E\u0442\u0440\u0443\u0434\u043D\u0438\u043A\u043E\u043C \u044D\u0442\u043E\u0439 \u043A\u043E\u043C\u043F\u0430\u043D\u0438\u0438 \u0434\u043E \u043A\u043E\u043D\u0446\u0430 \u0436\u0438\u0437\u043D\u0438. \u041D\u0435 \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043E\u0431\u0440\u0430\u0437\u043E\u0432\u0430\u043D\u0438\u044F, \u043E\u0434\u043D\u0430\u043A\u043E \u0447\u0430\u0441\u0442\u043D\u044B\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C \u0432\u044B\u0441\u0442\u0443\u043F\u0430\u043B \u043A\u0430\u043A \u043F\u0438\u0430\u043D\u0438\u0441\u0442, \u043E\u0441\u043E\u0431\u0435\u043D\u043D\u043E \u043D\u0430 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u0445, \u0438 \u043E\u043A\u0430\u0437\u0430\u043B \u0431\u043E\u043B\u044C\u0448\u043E\u0435 \u0432\u043B\u0438\u044F\u043D\u0438\u0435 \u043D\u0430 \u0410\u0440\u043D\u043E\u043B\u044C\u0434\u0430 \u0414\u043E\u043B\u043C\u0435\u0447\u0430 \u0438 \u0434\u0440\u0443\u0433\u0438\u0445 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0438\u0445 \u043F\u0438\u043E\u043D\u0435\u0440\u043E\u0432 \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u044C\u0441\u0442\u0432\u0430. \u041D\u0430\u0438\u0431\u043E\u043B\u044C\u0448\u0438\u0439 \u0438\u043D\u0442\u0435\u0440\u0435\u0441 \u0432\u044B\u0437\u044B\u0432\u0430\u043B\u043E \u0438\u0441\u043F\u043E\u043B\u043D\u0435\u043D\u0438\u0435 \u0425\u0438\u043F\u043A\u0438\u043D\u0441\u043E\u043C \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0418\u043E\u0433\u0430\u043D\u043D\u0430 \u0421\u0435\u0431\u0430\u0441\u0442\u044C\u044F\u043D\u0430 \u0411\u0430\u0445\u0430 \u0438 \u0424\u0440\u0438\u0434\u0435\u0440\u0438\u043A\u0430 \u0428\u043E\u043F\u0435\u043D\u0430; \u0425\u0438\u043F\u043A\u0438\u043D\u0441 \u043E\u0441\u0442\u0430\u0432\u0438\u043B \u0440\u0443\u043A\u043E\u043F\u0438\u0441\u043D\u044B\u0435 \u0437\u0430\u043C\u0435\u0442\u043A\u0438 \u0438 \u0432\u043E\u0441\u043F\u043E\u043C\u0438\u043D\u0430\u043D\u0438\u044F \u043E \u0432\u044B\u0441\u0442\u0443\u043F\u043B\u0435\u043D\u0438\u044F\u0445 \u0428\u043E\u043F\u0435\u043D\u0430 \u0432 \u0411\u0440\u0438\u0442\u0430\u043D\u0438\u0438 \u0432 1848 \u0433\u043E\u0434\u0443, \u0438\u0437\u0434\u0430\u043D\u043D\u044B\u0435 \u043F\u043E\u0441\u043C\u0435\u0440\u0442\u043D\u043E \u0435\u0433\u043E \u0434\u043E\u0447\u0435\u0440\u044C\u044E \u043F\u043E\u0434 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435\u043C \u00AB\u041A\u0430\u043A \u0438\u0433\u0440\u0430\u043B \u0428\u043E\u043F\u0435\u043D\u00BB (\u0430\u043D\u0433\u043B. How Chopin played; 1937). \u041F\u0440\u0438\u0437\u043D\u0430\u043D\u043D\u044B\u0439 \u0441\u043F\u0435\u0446\u0438\u0430\u043B\u0438\u0441\u0442 \u043F\u043E \u0438\u0441\u0442\u043E\u0440\u0438\u0438 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0445 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u043E\u0432, \u043F\u0440\u0435\u0438\u043C\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E \u043A\u043B\u0430\u0432\u0438\u0448\u043D\u044B\u0445. \u041E\u043F\u0443\u0431\u043B\u0438\u043A\u043E\u0432\u0430\u043B \u043E\u0431\u0437\u043E\u0440\u043D\u044B\u0439 \u0442\u0440\u0443\u0434 \u00AB\u041C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0435 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u044B: \u0438\u0441\u0442\u043E\u0440\u0438\u0447\u0435\u0441\u043A\u0438\u0435, \u0440\u0435\u0434\u043A\u0438\u0435 \u0438 \u0443\u043D\u0438\u043A\u0430\u043B\u044C\u043D\u044B\u0435\u00BB (\u0430\u043D\u0433\u043B. Musical instruments: historic, rare and unique; 1888, \u043F\u0435\u0440\u0435\u0438\u0437\u0434\u0430\u043D\u0438\u0435 1921) \u0438 \u0431\u043E\u043B\u0435\u0435 \u0441\u043F\u0435\u0446\u0438\u0430\u043B\u0438\u0437\u0438\u0440\u043E\u0432\u0430\u043D\u043D\u0443\u044E \u0440\u0430\u0431\u043E\u0442\u0443 \u00AB\u041E\u043F\u0438\u0441\u0430\u043D\u0438\u0435 \u0438 \u0438\u0441\u0442\u043E\u0440\u0438\u044F \u043F\u0438\u0430\u043D\u043E\u0444\u043E\u0440\u0442\u0435 \u0438 \u0434\u0440\u0443\u0433\u0438\u0445 \u0441\u0442\u0430\u0440\u0438\u043D\u043D\u044B\u0445 \u0441\u0442\u0440\u0443\u043D\u043D\u044B\u0445 \u043A\u043B\u0430\u0432\u0438\u0448\u043D\u044B\u0445 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u043E\u0432\u00BB (\u0430\u043D\u0433\u043B. Description and history of the pianoforte and of the older keyboard stringed instruments; 1896, 3-\u0435 \u0438\u0437\u0434\u0430\u043D\u0438\u0435 1929). \u041D\u0430\u043F\u0438\u0441\u0430\u043B 134 \u0441\u0442\u0430\u0442\u044C\u0438 \u0434\u043B\u044F \u043F\u0435\u0440\u0432\u043E\u0433\u043E \u0438\u0437\u0434\u0430\u043D\u0438\u044F \u041C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0441\u043B\u043E\u0432\u0430\u0440\u044F \u0413\u0440\u043E\u0443\u0432\u0430. \u0411\u043E\u0433\u0430\u0442\u0430\u044F \u043A\u043E\u043B\u043B\u0435\u043A\u0446\u0438\u044F \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0445 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u043E\u0432, \u0441\u043E\u0431\u0440\u0430\u043D\u043D\u0430\u044F \u0425\u0438\u043F\u043A\u0438\u043D\u0441\u043E\u043C, \u043E\u0442\u043E\u0448\u043B\u0430 \u043F\u043E \u0437\u0430\u0432\u0435\u0449\u0430\u043D\u0438\u044E \u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u043E\u043C\u0443 \u043A\u043E\u043B\u043B\u0435\u0434\u0436\u0443 \u043C\u0443\u0437\u044B\u043A\u0438. \u0421\u044B\u043D, \u0414\u0436\u043E\u043D \u0425\u0438\u043F\u043A\u0438\u043D\u0441 (1851\u20141933), \u0440\u043E\u0434\u0438\u043B\u0441\u044F \u0433\u043B\u0443\u0445\u043E\u043D\u0435\u043C\u044B\u043C, \u043D\u043E \u0441\u0442\u0430\u043B \u0432\u044B\u0441\u043E\u043A\u043E\u043F\u0440\u043E\u0444\u0435\u0441\u0441\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u044B\u043C \u0433\u0440\u0430\u0432\u0435\u0440\u043E\u043C, \u0430\u0432\u0442\u043E\u0440\u043E\u043C \u0438\u043B\u043B\u044E\u0441\u0442\u0440\u0430\u0446\u0438\u0439 \u043A \u043A\u043D\u0438\u0433\u0435 \u0441\u0432\u043E\u0435\u0433\u043E \u043E\u0442\u0446\u0430 \u043E \u043A\u043B\u0430\u0432\u0438\u0448\u043D\u044B\u0445 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u0445. \u0414\u043E\u0447\u044C, , \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u0446\u0430, \u0430\u0432\u0442\u043E\u0440 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0433\u043E \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u0430 \u0441\u0432\u043E\u0435\u0433\u043E \u043E\u0442\u0446\u0430. \u041D\u0430 \u0426\u0435\u0440\u043A\u0432\u0438 \u0421\u0432\u044F\u0442\u043E\u0439 \u041C\u0430\u0440\u0433\u0430\u0440\u0438\u0442\u044B \u0432 \u0412\u0435\u0441\u0442\u043C\u0438\u043D\u0441\u0442\u0435\u0440\u0435 \u0443\u0441\u0442\u0430\u043D\u043E\u0432\u043B\u0435\u043D\u0430 \u043C\u0435\u043C\u043E\u0440\u0438\u0430\u043B\u044C\u043D\u0430\u044F \u0434\u043E\u0441\u043A\u0430 \u0432 \u043F\u0430\u043C\u044F\u0442\u044C \u043E \u0425\u0438\u043F\u043A\u0438\u043D\u0441\u0435, \u043E\u0444\u043E\u0440\u043C\u043B\u0435\u043D\u043D\u0430\u044F \u043F\u043E \u044D\u0441\u043A\u0438\u0437\u0443 \u0410\u043B\u044C\u043C\u0430-\u0422\u0430\u0434\u0435\u043C\u044B."@ru . . . "Alfred Hipkins"@fr . . "7023"^^ . . . . . . . . . . . "Alfred James Hipkins (Londres, 17 juin 1826 - Londres, 3 juin 1903) est un musicologue anglais. Int\u00E9ress\u00E9 par la musique, il commen\u00E7a \u00E0 travailler \u00E0 14 ans \u00E0 la manufacture de pianos John Broadwood & Sons comme accordeur de pianos avant d'en gravir rapidement les \u00E9chelons. Il apprit en autodidacte \u00E0 jouer du piano, se forma aupr\u00E8s d'un musicien professionnel puis apprit l'orgue en 1844. Il collabora \u00E0 de nombreuses revues et encyclop\u00E9dies et publia quantit\u00E9 d'articles et ouvrages, notamment A description and history of the pianoforte and of the older keyboard stringed instruments (1896)."@fr . . . . . . . . . . . . . . . . . . "Alfred James Hipkins (Londres, 17 de juny de 1826 - Londres, 3 de juny de 1903) fou un music\u00F2leg angl\u00E8s. Interessat per la m\u00FAsica, va comen\u00E7ar a treballar als 14 anys al fabricant de pianos \"John Broadwood & Sons\" com a afinador de pianos abans d'escalar r\u00E0pidament. Va aprendre a tocar el piano tot sol, es va formar amb un m\u00FAsic professional i despr\u00E9s va aprendre l'orgue el 1844. Va col\u00B7laborar en nombroses revistes i enciclop\u00E8dies i va publicar nombrosos articles i llibres, sobretot Una descripci\u00F3 i hist\u00F2ria del pianoforte i dels instruments de corda de teclat m\u00E9s antics (1896)."@ca . . . . . . . . "\u0425\u0438\u043F\u043A\u0438\u043D\u0441, \u0410\u043B\u044C\u0444\u0440\u0435\u0434 \u0414\u0436\u0435\u0439\u043C\u0441"@ru . . . . . . . . . . . "Alfred James Hipkins (Londres, 17 juin 1826 - Londres, 3 juin 1903) est un musicologue anglais. Int\u00E9ress\u00E9 par la musique, il commen\u00E7a \u00E0 travailler \u00E0 14 ans \u00E0 la manufacture de pianos John Broadwood & Sons comme accordeur de pianos avant d'en gravir rapidement les \u00E9chelons. Il apprit en autodidacte \u00E0 jouer du piano, se forma aupr\u00E8s d'un musicien professionnel puis apprit l'orgue en 1844. Interpr\u00E8te talentueux malgr\u00E9 le peu d'enseignement qu'il avait re\u00E7u, il s'int\u00E9ressa encore plus \u00E0 l'\u00E9tude de la science musicale et \u00E0 l'histoire des instruments, particuli\u00E8rement \u00E0 clavier, dont il devint un sp\u00E9cialiste r\u00E9put\u00E9 au niveau international, cumulant connaissance encyclop\u00E9dique et expertise technique. Ainsi en 1881 il fut charg\u00E9 d'expertiser les instruments des ch\u00E2teaux royaux en Allemagne ; pendant les ann\u00E9es 1880 et 1890, il donna des conf\u00E9rences-concerts sur les clavecins (Kirkman et Shudi) appartenant \u00E0 la collection de sa firme. Il est le premier pianiste anglais vers le milieu du si\u00E8cle \u00E0 consacrer des r\u00E9citals \u00E0 Chopin dont l'\u0153uvre \u00E9tait encore peu diffus\u00E9e en Grande-Bretagne. Il est \u00E9galement l'auteur de souvenirs concernant Chopin, publi\u00E9s en 1937 par sa fille sous le titre How Chopin played[r\u00E9f. souhait\u00E9e]. Il collabora \u00E0 de nombreuses revues et encyclop\u00E9dies et publia quantit\u00E9 d'articles et ouvrages, notamment A description and history of the pianoforte and of the older keyboard stringed instruments (1896). Il est le p\u00E8re de la portraitiste anglaise Edith Hiipkins."@fr . . . . . "Alfred James Hipkins"@en . . "Alfred James Hipkins (Londres, 17 de juny de 1826 - Londres, 3 de juny de 1903) fou un music\u00F2leg angl\u00E8s. Interessat per la m\u00FAsica, va comen\u00E7ar a treballar als 14 anys al fabricant de pianos \"John Broadwood & Sons\" com a afinador de pianos abans d'escalar r\u00E0pidament. Va aprendre a tocar el piano tot sol, es va formar amb un m\u00FAsic professional i despr\u00E9s va aprendre l'orgue el 1844. Int\u00E8rpret amb talent malgrat l'escassa formaci\u00F3 que havia rebut, es va interessar encara m\u00E9s per l'estudi de les ci\u00E8ncies musicals i la hist\u00F2ria dels instruments, en particular pel teclat, dels quals es va convertir en un especialista de renom internacional, combinant coneixements enciclop\u00E8dics i experi\u00E8ncia t\u00E8cnica. Aix\u00ED, el 1881 va rebre l'enc\u00E0rrec d'avaluar els instruments dels castells reials d'Alemanya; durant la d\u00E8cada de 1880 i 1890 va donar confer\u00E8ncies-concerts sobre clavic\u00E8mbals (Kirkman i Shudi) pertanyents a la col\u00B7lecci\u00F3 de la seva firma. Va ser el primer pianista angl\u00E8s a mitjan segle que va dedicar recitals a Chopin, l'obra de la qual encara era poc coneguda a Gran Bretanya.Tamb\u00E9 \u00E9s autor de records sobre Chopin, publicats el 1937 per la seva filla sota el t\u00EDtol de \"Com tocava Chopin\". Va col\u00B7laborar en nombroses revistes i enciclop\u00E8dies i va publicar nombrosos articles i llibres, sobretot Una descripci\u00F3 i hist\u00F2ria del pianoforte i dels instruments de corda de teclat m\u00E9s antics (1896). \u00C9s el pare de la retratista anglesa Edith Hiipkins."@ca . "Alfred James Hipkins FSA (17 June 1826, Westminster \u2013 3 June 1903, Kensington) was an English musician, musicologist and musical antiquary. In 1840, at the age of 14, Hipkins became an apprentice piano tuner in the pianoforte factory of John Broadwood & Sons Ltd. In 1846, he was charged with training all of Broadwood's tuners in equal temperament, as many were still using the older meantone system. In 1849, he was named to the status of \"senior workman,\" and he remained an employee of this company for the rest of his life. Despite having very limited musical training on the pianoforte and the organ, he gained a reputation for his performances of Chopin's music. He wrote many reviews of books on musical ethnology or musical antiquity for The Athen\u00E6um and The Musical Times. In 1891 he gave the Cantor lectures on Musical instruments, their construction and capabilities to the Royal Society of Arts. His chief energies were devoted to a study of the science of music and of the history and quality of keyboard instruments. On the latter subject he became an unrivalled authority. He wrote profusely on musical history, contributing 134 articles to 'Grove's Dictionary', and several to the ninth edition of the 'Encyclop\u00E6dia Britannica'. In 1881 he made a journey through Germany to examine historic pianofortes in the royal palaces, in particular the Gottfried Silbermann pianofortes that had belonged to Frederick the Great. He verified that they were made after the design of Bartolomeo Cristofori, rather than that of Christoph Schroeter, as had previously been believed. His major publications were 'Musical Instruments, Historic, Rare, and Unique' (1881), a standard work illustrated in colour by William Gibb; and 'Description and history of the pianoforte and of the older keyboard stringed instruments' (1896). Hipkins married in October 1850 and the marriage produced a son John, who became a noted wood-engraver, and a daughter Edith, who became a highly successful portrait painter. Hipkins, Carl Engel and Thomas Taphouse created three of the outstanding antiquarian collections of musical instruments in the U.K.According to his will, the Royal Institution received his collection of tuning forks and the Royal College of Music received his collection of musical instruments. Hipkins's performances on harpsichord and clavichord, notably of Bach's \"Goldberg\" Variations and Chromatic Fantasy and Fugue, exerted a strong influence on Arnold Dolmetsch and other early musicians and were highly praised by George Bernard Shaw"@en . . . . "1121782501"^^ . . . . . . . "\u0410\u043B\u044C\u0444\u0440\u0435\u0434 \u0414\u0436\u0435\u0439\u043C\u0441 \u0425\u0438\u043F\u043A\u0438\u043D\u0441 (\u0430\u043D\u0433\u043B. 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"Alfred James Hipkins FSA (17 June 1826, Westminster \u2013 3 June 1903, Kensington) was an English musician, musicologist and musical antiquary. In 1840, at the age of 14, Hipkins became an apprentice piano tuner in the pianoforte factory of John Broadwood & Sons Ltd. In 1846, he was charged with training all of Broadwood's tuners in equal temperament, as many were still using the older meantone system. In 1849, he was named to the status of \"senior workman,\" and he remained an employee of this company for the rest of his life. Despite having very limited musical training on the pianoforte and the organ, he gained a reputation for his performances of Chopin's music. He wrote many reviews of books on musical ethnology or musical antiquity for The Athen\u00E6um and The Musical Times. In 1891 he gave t"@en . . . . . . . . . . . . . . . . . . . . . . .