. . . "5580.0"^^ . . . . . . ""@en . . . . . . . . . . . . "All Souls' Day is the English title for Zaduszki, a film released in 1962, directed by the Polish film director Tadeusz Konwicki. Much like Konwicki's 1958 film The Last Day of Summer, All Souls' Day is a story of survivors and the lasting psychic damage of World War II. In both films, the director embraces his position as a film amateur, self-consciously avoiding genre conventions. Unlike his earlier effort, however, All Souls' Day is driven by more conventional plot and dialogue elements that move beyond experimental filmmaking."@en . . "5580.0"^^ . . . "All Souls' Day"@en . . . "All Souls' Day (film)"@en . . . "93.0"^^ . . . . "La Toussaint (film)"@fr . . . . . . . . . . . . . . . . "6992716"^^ . . . "Zaduszki \u2013 polski film psychologiczny z 1961, w re\u017Cyserii Tadeusza Konwickiego. Film, podobnie jak Ostatni dzie\u0144 lata Konwickiego porusza problem pokolenia \u201Epora\u017Conych wojn\u0105\u201D, kt\u00F3rego emocjonalno\u015B\u0107 zosta\u0142a ca\u0142kowicie ukszta\u0142towana przez czas wojny i kt\u00F3re po jej zako\u0144czeniu ma trudno\u015Bci z nawi\u0105zaniem normalnych zwi\u0105zk\u00F3w uczuciowych. Plenery: Miko\u0142ajki, Baranowo ko\u0142o Miko\u0142ajek i Wroc\u0142aw (ul. Nehringa)."@pl . . . . . . . . . . "1096628374"^^ . . . . . "1944"^^ . . . "La Toussaint (en polonais : Zaduszki) est un film polonais r\u00E9alis\u00E9 par Tadeusz Konwicki, sorti en 1961. Le film, comme Le Dernier Jour de l'\u00E9t\u00E9 du m\u00EAme r\u00E9alisateur, aborde le probl\u00E8me de la g\u00E9n\u00E9ration \u00AB paralys\u00E9e par la guerre \u00BB, dont l'\u00E9motivit\u00E9 a \u00E9t\u00E9 compl\u00E8tement fa\u00E7onn\u00E9e par la guerre et qui a du mal \u00E0 \u00E9tablir des relations affectives normales apr\u00E8s la fin de celle-ci. Cependant, contrairement \u00E0 son pr\u00E9c\u00E9dent effort, La Toussaint est anim\u00E9 par des \u00E9l\u00E9ments d'intrigue et de dialogue plus conventionnels qui vont au-del\u00E0 du cin\u00E9ma exp\u00E9rimental."@fr . . . "1962"^^ . . . . "Zaduszki \u2013 polski film psychologiczny z 1961, w re\u017Cyserii Tadeusza Konwickiego. Film, podobnie jak Ostatni dzie\u0144 lata Konwickiego porusza problem pokolenia \u201Epora\u017Conych wojn\u0105\u201D, kt\u00F3rego emocjonalno\u015B\u0107 zosta\u0142a ca\u0142kowicie ukszta\u0142towana przez czas wojny i kt\u00F3re po jej zako\u0144czeniu ma trudno\u015Bci z nawi\u0105zaniem normalnych zwi\u0105zk\u00F3w uczuciowych. Plenery: Miko\u0142ajki, Baranowo ko\u0142o Miko\u0142ajek i Wroc\u0142aw (ul. Nehringa)."@pl . "Zaduszki (film)"@pl . "All Souls' Day"@en . "Tadeusz Konwicki"@en . . "All Souls' Day is the English title for Zaduszki, a film released in 1962, directed by the Polish film director Tadeusz Konwicki. Much like Konwicki's 1958 film The Last Day of Summer, All Souls' Day is a story of survivors and the lasting psychic damage of World War II. In both films, the director embraces his position as a film amateur, self-consciously avoiding genre conventions. Unlike his earlier effort, however, All Souls' Day is driven by more conventional plot and dialogue elements that move beyond experimental filmmaking. Two young lovers, Wala (Ewa Krzyzewska) and Michael (Edmund Fetting), travel to a provincial town to spend the weekend at a small hotel. Memories of the war and Wala's guilt in the wake of a previous lover's death hang in the air. While both Michael and Wala are starving for love, they cannot transcend their wartime experiences. The film won the Special Jury Award at the International Filmfestival Mannheim-Heidelberg in 1962."@en . . . "La Toussaint (en polonais : Zaduszki) est un film polonais r\u00E9alis\u00E9 par Tadeusz Konwicki, sorti en 1961. Le film, comme Le Dernier Jour de l'\u00E9t\u00E9 du m\u00EAme r\u00E9alisateur, aborde le probl\u00E8me de la g\u00E9n\u00E9ration \u00AB paralys\u00E9e par la guerre \u00BB, dont l'\u00E9motivit\u00E9 a \u00E9t\u00E9 compl\u00E8tement fa\u00E7onn\u00E9e par la guerre et qui a du mal \u00E0 \u00E9tablir des relations affectives normales apr\u00E8s la fin de celle-ci. Cependant, contrairement \u00E0 son pr\u00E9c\u00E9dent effort, La Toussaint est anim\u00E9 par des \u00E9l\u00E9ments d'intrigue et de dialogue plus conventionnels qui vont au-del\u00E0 du cin\u00E9ma exp\u00E9rimental."@fr . . . . . . . . . .