. . . "355.0"^^ . . . . . . . . . "The Velvet Underground and Nico"@en . "355.0"^^ . "\u00ABAll Tomorrows Parties\u00BB \u2014 \u043F\u0435\u0441\u043D\u044F \u0430\u0440\u0442-\u0440\u043E\u043A-\u0433\u0440\u0443\u043F\u043F\u044B The Velvet Underground \u0441 \u0438\u0445 \u0434\u0435\u0431\u044E\u0442\u043D\u043E\u0433\u043E \u0430\u043B\u044C\u0431\u043E\u043C\u0430, \u0432\u044B\u0448\u0435\u0434\u0448\u0430\u044F \u043A\u0430\u043A \u043F\u0435\u0440\u0432\u044B\u0439 \u0438\u0445 \u0441\u0438\u043D\u0433\u043B; \u043E\u0434\u043D\u0430 \u0438\u0437 3 \u043F\u0435\u0441\u0435\u043D \u0441 \u0430\u043B\u044C\u0431\u043E\u043C\u0430, \u0438\u0441\u043F\u043E\u043B\u043D\u0435\u043D\u043D\u044B\u0445 \u041D\u0438\u043A\u043E. \u041F\u0435\u0440\u0432\u0430\u044F \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u0430\u044F \u0437\u0430\u043F\u0438\u0441\u044C \u043F\u0435\u0441\u043D\u0438 \u043E\u0442\u043D\u043E\u0441\u0438\u0442\u0441\u044F \u043A 1965 \u0433\u043E\u0434\u0443. \u0412 \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u043E\u0439 \u0432\u0435\u0440\u0441\u0438\u0438 \u043F\u0435\u0441\u043D\u0438 \u043E\u0434\u043D\u0443 \u0438\u0437 \u0433\u043B\u0430\u0432\u0435\u043D\u0441\u0442\u0432\u0443\u044E\u0449\u0438\u0445 \u0440\u043E\u043B\u0435\u0439 \u0438\u0433\u0440\u0430\u0435\u0442 \u043F\u043E\u0434\u0433\u043E\u0442\u043E\u0432\u043B\u0435\u043D\u043D\u043E\u0435 \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0414\u0436\u043E\u043D\u0430 \u041A\u0435\u0439\u043B\u0430; \u043D\u0430 \u043D\u0435\u0439 \u0442\u0430\u043A\u0436\u0435 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0430 \u043D\u0435\u0441\u0442\u0430\u043D\u0434\u0430\u0440\u0442\u043D\u043E \u043D\u0430\u0441\u0442\u0440\u043E\u0435\u043D\u043D\u0430\u044F \u0433\u0438\u0442\u0430\u0440\u0430 \u041B\u0443 \u0420\u0438\u0434\u0430 (\u0441\u043C. Ostrich guitar). \u041D\u0430 The Velvet Underground and Nico \u0432\u043E\u0448\u043B\u0430 \u043F\u043E\u043B\u043D\u0430\u044F \u0432\u0435\u0440\u0441\u0438\u044F \u043F\u0435\u0441\u043D\u0438, \u0434\u043B\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C\u044E \u0440\u043E\u0432\u043D\u043E 6 \u043C\u0438\u043D.; \u0434\u043B\u044F \u0432\u044B\u043F\u0443\u0441\u043A\u0430 \u0441\u0438\u043D\u0433\u043B\u0430 \u043E\u043D\u0430 \u0431\u044B\u043B\u0430 \u0441\u043E\u043A\u0440\u0430\u0449\u0435\u043D\u0430 \u0434\u043E 2:49. \u041D\u0430 \u0441\u0442\u043E\u0440\u043E\u043D\u0435 \u00AB\u0411\u00BB \u044D\u0442\u043E\u0433\u043E \u0441\u0438\u043D\u0433\u043B\u0430 \u0440\u0430\u0441\u043F\u043E\u043B\u0430\u0433\u0430\u0435\u0442\u0441\u044F \u0435\u0449\u0451 \u043E\u0434\u043D\u0430 \u043F\u0435\u0441\u043D\u044F, \u0441\u043F\u0435\u0442\u0430\u044F \u041D\u0438\u043A\u043E \u2014 \u00ABI\u2019ll Be Your Mirror\u00BB. \u0418\u0437\u0432\u0435\u0441\u0442\u043D\u043E, \u0447\u0442\u043E \u044D\u0442\u0430 \u043F\u0435\u0441\u043D\u044F, \u0438\u0441\u0442\u043E\u0447\u043D\u0438\u043A\u043E\u043C \u0432\u0434\u043E\u0445\u043D\u043E\u0432\u0435\u043D\u0438\u044F \u0434\u043B\u044F \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0438\u044F \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0431\u044B\u043B\u0438 \u043D\u0430\u0431\u043B\u044E\u0434\u0435\u043D\u0438\u044F \u0420\u0438\u0434\u0430 \u0437\u0430 \u0436\u0438\u0437\u043D\u044C\u044E \u00AB\u0424\u0430\u0431\u0440\u0438\u043A\u0438\u00BB \u042D\u043D\u0434\u0438 \u0423\u043E\u0440\u0445\u043E\u043B\u0430, \u0441\u0442\u0430\u043B\u0430 \u0443 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u043B\u044E\u0431\u0438\u043C\u043E\u0439."@ru . . "5.916666666666667"^^ . "All Tomorrow's Parties"@cs . "Lou Reed"@en . . . "13407"^^ . . . . . . . . . . "June 1979"@en . . . . . . "\u201EAll Tomorrow's Parties\u201C je p\u00EDse\u0148 americk\u00E9 rockov\u00E9 skupiny The Velvet Underground, kter\u00E1 p\u016Fvodn\u011B vy\u0161la v \u010Dervenci roku 1966 na singlu spole\u010Dn\u011B s \u201EI'll Be Your Mirror\u201C na jeho B-stran\u011B. O n\u011Bkolik m\u011Bs\u00EDc\u016F pozd\u011Bji, v b\u0159eznu 1967 skladba vy\u0161la na debutov\u00E9m albu nazvan\u00E9m The Velvet Underground & Nico. P\u00EDse\u0148 slo\u017Eil Lou Reed a zp\u00EDv\u00E1 v n\u00ED n\u011Bmeck\u00E1 zp\u011Bva\u010Dka Nico. Jej\u00ED prvn\u00ED verze byla nahr\u00E1na na Ludlow Street v New Yorku v \u010Dervenci 1965 v sestav\u011B Reed, John Cale a Sterling Morrison spolu s dal\u0161\u00EDmi p\u011Bti skladbami. Trio tehdy p\u00EDse\u0148 nahr\u00E1lo n\u011Bkolikr\u00E1t, \u010Dasto v\u0161ak nedo\u0161lo ke konci p\u00EDsn\u011B. Oproti fin\u00E1ln\u00ED verzi m\u00E1 countryov\u00E9 \u010Di folkovo\u00E9 aran\u017Em\u00E1. Tato verze vy\u0161la a\u017E v roce 1995 na albu Peel Slowly and See. Jej\u00ED koncertn\u00ED verze vy\u0161ly na r\u016Fzn\u00FDch albech, jako Live MCMXCIII (1993). Skladbu rovn\u011B\u017E p\u0159i sv\u00FDch vlastn\u00EDch koncertech hr\u00E1l jak Reed, tak i Nico. Nico skladbu vydala na sv\u00E9m koncertn\u00EDm albu Behind the Iron Curtain (1985) a Reed na Animal Serenade (2004). Oba, jak Nico, tak i Reed, spole\u010Dn\u011B s Johnem Calem skladbu p\u0159edstavili i v roce 1972 na spole\u010Dn\u00E9m koncert\u011B, jeho\u017E z\u00E1znam pozd\u011Bji vy\u0161el pod n\u00E1zvem Le Bataclan '72. Verze vydan\u00E1 na debutov\u00E9m albu pozd\u011Bji vy\u0161la na \u0159ad\u011B kompilac\u00ED, jako Andy Warhol's Velvet Underground featuring Nico (1971), The Best of The Velvet Underground: Words and Music of Lou Reed (1989), Chronicles (1991), What Goes On (1993), The Very Best of the Velvet Underground (2003), Gold (2005) a The Velvet Underground Playlist Plus (2008). Skladbu p\u0159ed\u011Blalo mnoho hudebn\u00EDk\u016F, mezi kter\u00E9 pat\u0159\u00ED skupina Buffalo Tom, jej\u00ED\u017E verze vy\u0161la na tribute albu Heaven & Hell: A Tribute to The Velvet Underground (1990) a pozd\u011Bji i na Fifteen Minutes: A Tribute to The Velvet Underground (1994). V roce 2012 p\u00EDse\u0148 vydal francouzsk\u00FD zp\u011Bv\u00E1k Rodolphe Burger na sv\u00E9m albu This Is a Velvet Underground Song That I'd Like to Sing. Vedle nich ji nahr\u00E1li nap\u0159\u00EDklad Nick Cave, Bryan Ferry, Siouxsie and the Banshees nebo Bauhaus. Podle t\u00E9to p\u00EDsn\u011B byl pojmenov\u00E1n festival All Tomorrow's Parties. Jej\u00ED text, kter\u00FD je pod\u00E1v\u00E1n ve t\u0159et\u00ED osob\u011B, je pln\u00FD zoufalstv\u00ED. To je umoc\u0148ov\u00E1no velmi hlubok\u00FDm hlasem Nico a v\u00FDrazn\u00FDmi basov\u00FDmi prvky. V\u00FDraznou \u010D\u00E1st\u00ED instrument\u00E1ln\u00ED slo\u017Eky je Cale\u016Fv preparovan\u00FD klav\u00EDr, v n\u011Bm\u017E se mezi strunami nach\u00E1z\u00ED \u0159et\u011Bz kancel\u00E1\u0159sk\u00FDch sponek. \u010C\u00E1st p\u00EDsn\u011B je rovn\u011B\u017E opat\u0159ena kytarov\u00FDm s\u00F3lem, kter\u00E9 po chv\u00EDli zni\u010Dehonic kon\u010D\u00ED. Autorem celkov\u00E9ho aran\u017Em\u00E1 p\u00EDsn\u011B je Cale. \u0160lo o Warholovu nejobl\u00EDben\u011Bj\u0161\u00ED p\u00EDse\u0148 kapely."@cs . . . "1983-02-27"^^ . "All Tomorrow's Parties--I'll Be Your Mirror.JPG"@en . . "single"@en . "Scepter, New York City"@en . . . "\u00ABAll Tomorrows Parties\u00BB \u2014 \u043F\u0435\u0441\u043D\u044F \u0430\u0440\u0442-\u0440\u043E\u043A-\u0433\u0440\u0443\u043F\u043F\u044B The Velvet Underground \u0441 \u0438\u0445 \u0434\u0435\u0431\u044E\u0442\u043D\u043E\u0433\u043E \u0430\u043B\u044C\u0431\u043E\u043C\u0430, \u0432\u044B\u0448\u0435\u0434\u0448\u0430\u044F \u043A\u0430\u043A \u043F\u0435\u0440\u0432\u044B\u0439 \u0438\u0445 \u0441\u0438\u043D\u0433\u043B; \u043E\u0434\u043D\u0430 \u0438\u0437 3 \u043F\u0435\u0441\u0435\u043D \u0441 \u0430\u043B\u044C\u0431\u043E\u043C\u0430, \u0438\u0441\u043F\u043E\u043B\u043D\u0435\u043D\u043D\u044B\u0445 \u041D\u0438\u043A\u043E. \u041F\u0435\u0440\u0432\u0430\u044F \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u0430\u044F \u0437\u0430\u043F\u0438\u0441\u044C \u043F\u0435\u0441\u043D\u0438 \u043E\u0442\u043D\u043E\u0441\u0438\u0442\u0441\u044F \u043A 1965 \u0433\u043E\u0434\u0443. \u0412 \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u043E\u0439 \u0432\u0435\u0440\u0441\u0438\u0438 \u043F\u0435\u0441\u043D\u0438 \u043E\u0434\u043D\u0443 \u0438\u0437 \u0433\u043B\u0430\u0432\u0435\u043D\u0441\u0442\u0432\u0443\u044E\u0449\u0438\u0445 \u0440\u043E\u043B\u0435\u0439 \u0438\u0433\u0440\u0430\u0435\u0442 \u043F\u043E\u0434\u0433\u043E\u0442\u043E\u0432\u043B\u0435\u043D\u043D\u043E\u0435 \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0414\u0436\u043E\u043D\u0430 \u041A\u0435\u0439\u043B\u0430; \u043D\u0430 \u043D\u0435\u0439 \u0442\u0430\u043A\u0436\u0435 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0430 \u043D\u0435\u0441\u0442\u0430\u043D\u0434\u0430\u0440\u0442\u043D\u043E \u043D\u0430\u0441\u0442\u0440\u043E\u0435\u043D\u043D\u0430\u044F \u0433\u0438\u0442\u0430\u0440\u0430 \u041B\u0443 \u0420\u0438\u0434\u0430 (\u0441\u043C. Ostrich guitar). \u041D\u0430 The Velvet Underground and Nico \u0432\u043E\u0448\u043B\u0430 \u043F\u043E\u043B\u043D\u0430\u044F \u0432\u0435\u0440\u0441\u0438\u044F \u043F\u0435\u0441\u043D\u0438, \u0434\u043B\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C\u044E \u0440\u043E\u0432\u043D\u043E 6 \u043C\u0438\u043D.; \u0434\u043B\u044F \u0432\u044B\u043F\u0443\u0441\u043A\u0430 \u0441\u0438\u043D\u0433\u043B\u0430 \u043E\u043D\u0430 \u0431\u044B\u043B\u0430 \u0441\u043E\u043A\u0440\u0430\u0449\u0435\u043D\u0430 \u0434\u043E 2:49. \u041D\u0430 \u0441\u0442\u043E\u0440\u043E\u043D\u0435 \u00AB\u0411\u00BB \u044D\u0442\u043E\u0433\u043E \u0441\u0438\u043D\u0433\u043B\u0430 \u0440\u0430\u0441\u043F\u043E\u043B\u0430\u0433\u0430\u0435\u0442\u0441\u044F \u0435\u0449\u0451 \u043E\u0434\u043D\u0430 \u043F\u0435\u0441\u043D\u044F, \u0441\u043F\u0435\u0442\u0430\u044F \u041D\u0438\u043A\u043E \u2014 \u00ABI\u2019ll Be Your Mirror\u00BB."@ru . . . . . . . . . "175.0"^^ . . . . . . . . . . . "All Tomorrow\u2019s Parties \u2013 pierwszy singel ameryka\u0144skiego zespo\u0142u rockowego The Velvet Underground. Na utworze pojawi\u0142a si\u0119 niemiecka piosenkarka Nico. Utw\u00F3r pochodzi z ich debiutanckiego albumu The Velvet Underground & Nico. Razem z \u201EAll Tomorrow\u2019s Parties\u201D zosta\u0142 wydany singel \u201EI\u2019ll Be Your Mirror\u201D, kt\u00F3ry jest stron\u0105 B do tego utworu."@pl . . "All Tomorrow's Parties (\u00AB Toutes les f\u00EAtes de demain \u00BB) est une chanson du Velvet Underground, \u00E9crite par Lou Reed et figurant sur le premier album du groupe, The Velvet Underground and Nico. La chanson s'inspire de l'ambiance de la Factory et des gens dans l'entourage d'Andy Warhol, qui selon les dires de Reed parlaient des \u00AB choses les plus \u00E9tonnantes, les plus folles, les plus dr\u00F4les, les plus tristes \u00BB. Il s'agit de la chanson du Velvet Underground que Warhol pr\u00E9f\u00E9rait. La chanson a notamment donn\u00E9 son nom \u00E0 un festival de musique, \u00E0 de Yu Lik-wai et \u00E0 un roman de William Gibson."@fr . . . . . . . . . . . . . . . "All Tomorrow\u2019s Parties"@pl . . "All Tomorrow's Parties \u00E8 un brano musicale dei The Velvet Underground, registrato nel 1966, pubblicato come singolo ed inserito l'anno dopo nell'LP d'esordio del gruppo intitolato The Velvet Underground & Nico."@it . . . "All Tomorrow's Parties (singolo)"@it . "1114579012"^^ . . . . . . "\u201EAll Tomorrow's Parties\u201C je p\u00EDse\u0148 americk\u00E9 rockov\u00E9 skupiny The Velvet Underground, kter\u00E1 p\u016Fvodn\u011B vy\u0161la v \u010Dervenci roku 1966 na singlu spole\u010Dn\u011B s \u201EI'll Be Your Mirror\u201C na jeho B-stran\u011B. O n\u011Bkolik m\u011Bs\u00EDc\u016F pozd\u011Bji, v b\u0159eznu 1967 skladba vy\u0161la na debutov\u00E9m albu nazvan\u00E9m The Velvet Underground & Nico. P\u00EDse\u0148 slo\u017Eil Lou Reed a zp\u00EDv\u00E1 v n\u00ED n\u011Bmeck\u00E1 zp\u011Bva\u010Dka Nico. Podle t\u00E9to p\u00EDsn\u011B byl pojmenov\u00E1n festival All Tomorrow's Parties. \u0160lo o Warholovu nejobl\u00EDben\u011Bj\u0161\u00ED p\u00EDse\u0148 kapely."@cs . "All Tomorrow\u2019s Parties"@ru . . . . . . . . . . . . . . . . "All Tomorrow's Parties \u00E8 un brano musicale dei The Velvet Underground, registrato nel 1966, pubblicato come singolo ed inserito l'anno dopo nell'LP d'esordio del gruppo intitolato The Velvet Underground & Nico."@it . "175.0"^^ . . . . "343.0"^^ . . "\"All Tomorrow's Parties\" is a song by the Velvet Underground and Nico, written by Lou Reed and released on the group's 1967 debut studio album, The Velvet Underground & Nico. Inspiration for the song came from Reed's observation of Andy Warhol\u2019s clique\u2014according to Reed, the song is \"a very apt description of certain people at the Factory at the time. ... I watched Andy. I watched Andy watching everybody. I would hear people say the most astonishing things, the craziest things, the funniest things, the saddest things.\" In a 2006 interview Reed's bandmate John Cale stated: \"The song was about a girl called Darryl, a beautiful petite blonde with three kids, two of whom were taken away from her.\"The song was Andy Warhol's favorite by The Velvet Underground. The song has notably lent its name to a music festival, a William Gibson novel, and a Yu Lik-wai film."@en . "All Tomorrow's Parties"@en . . . . . . "All Tomorrow's Parties"@en . "2.9166666666666665"^^ . . . . "6268101"^^ . . . . . . "DJM Studios, London"@en . . . . "\"In Vogue\""@en . "All Tomorrow\u2019s Parties \u2013 pierwszy singel ameryka\u0144skiego zespo\u0142u rockowego The Velvet Underground. Na utworze pojawi\u0142a si\u0119 niemiecka piosenkarka Nico. Utw\u00F3r pochodzi z ich debiutanckiego albumu The Velvet Underground & Nico. Razem z \u201EAll Tomorrow\u2019s Parties\u201D zosta\u0142 wydany singel \u201EI\u2019ll Be Your Mirror\u201D, kt\u00F3ry jest stron\u0105 B do tego utworu."@pl . . . "1982"^^ . . . . . . . "Single b/w \"I'll Be Your Mirror\""@en . . . "All Tomorrow's Parties (chanson)"@fr . . . "1983"^^ . . . "All Tomorrow's Parties (\u00AB Toutes les f\u00EAtes de demain \u00BB) est une chanson du Velvet Underground, \u00E9crite par Lou Reed et figurant sur le premier album du groupe, The Velvet Underground and Nico. La chanson s'inspire de l'ambiance de la Factory et des gens dans l'entourage d'Andy Warhol, qui selon les dires de Reed parlaient des \u00AB choses les plus \u00E9tonnantes, les plus folles, les plus dr\u00F4les, les plus tristes \u00BB. Il s'agit de la chanson du Velvet Underground que Warhol pr\u00E9f\u00E9rait. La chanson a notamment donn\u00E9 son nom \u00E0 un festival de musique, \u00E0 de Yu Lik-wai et \u00E0 un roman de William Gibson."@fr . . . "1966"^^ . . . . . . . . . "File:Japan All Tomorrow's Parties 1983.jpg"@en . . . . . "Japan"@en . . . . . . . . . . . . . . . . . . . . "All Tomorrow's Parties"@en . . . . . . . . "April 1966"@en . . . ""@en . "212.0"^^ . . . . . . . . . ""@en . . . "\"All Tomorrow's Parties\" is a song by the Velvet Underground and Nico, written by Lou Reed and released on the group's 1967 debut studio album, The Velvet Underground & Nico. Inspiration for the song came from Reed's observation of Andy Warhol\u2019s clique\u2014according to Reed, the song is \"a very apt description of certain people at the Factory at the time. ... I watched Andy. I watched Andy watching everybody. I would hear people say the most astonishing things, the craziest things, the funniest things, the saddest things.\" In a 2006 interview Reed's bandmate John Cale stated: \"The song was about a girl called Darryl, a beautiful petite blonde with three kids, two of whom were taken away from her.\"The song was Andy Warhol's favorite by The Velvet Underground."@en . .