. "Yin, Wei. Zhongguo Qinshi Yanyi \u3010\u4E2D\u56FD\u7434\u53F2\u6F14\u4E49."@en . "Hickmann, Hans. \"Rythme, m\u00E8tre et mesure de la musique instrumentale et vocale des anciens Egyptiens.\" Acta Musicologica 32, no. 1 : 11\u201322."@en . "Antikens musik"@sv . . . . . . . . "In de muziektheorie wordt de oudheid de vroegste periode van de muziekgeschiedenis tot ongeveer 500 na Christus genoemd."@nl . . . . . "\u53E4\u4EE3\u306E\u97F3\u697D"@ja . . . . "\uC11C\uC591\uC758 \uACE0\uB300 \uC74C\uC545"@ko . "Muzyka w staro\u017Cytno\u015Bci"@pl . . . . "\u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0647\u064A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u062A\u064A \u062A\u0637\u0648\u0631\u062A \u0641\u064A \u0627\u0644\u062B\u0642\u0627\u0641\u0627\u062A \u0627\u0644\u0645\u0642\u0631\u0648\u0621\u0629 \u0648\u0627\u0644\u0645\u0643\u062A\u0648\u0628\u0629\u060C \u0644\u062A\u062D\u0644 \u0645\u062D\u0644 \u0645\u0648\u0633\u064A\u0642\u0649 \u0639\u0635\u0631 \u0645\u0627 \u0642\u0628\u0644 \u0627\u0644\u062A\u0627\u0631\u064A\u062E. \u062A\u0634\u064A\u0631 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0625\u0644\u0649 \u0627\u0644\u0623\u0646\u0638\u0645\u0629 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0627\u0644\u0645\u062E\u062A\u0644\u0641\u0629 \u0627\u0644\u062A\u064A \u0637\u064F\u0648\u0631\u062A \u0639\u0628\u0631 \u0627\u0644\u0645\u0646\u0627\u0637\u0642 \u0627\u0644\u062C\u063A\u0631\u0627\u0641\u064A\u0629 \u0627\u0644\u0645\u062E\u062A\u0644\u0641\u0629 \u0645\u062B\u0644 \u0628\u0644\u0627\u062F \u0645\u0627 \u0628\u064A\u0646 \u0627\u0644\u0646\u0647\u0631\u064A\u0646 \u0648\u0627\u0644\u0647\u0646\u062F \u0648\u0628\u0644\u0627\u062F \u0641\u0627\u0631\u0633 \u0648\u0645\u0635\u0631 \u0648\u0627\u0644\u0635\u064A\u0646 \u0648\u0627\u0644\u064A\u0648\u0646\u0627\u0646 \u0648\u0631\u0648\u0645\u0627. \u062D\u064F\u062F\u062F\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0645\u0646 \u062E\u0644\u0627\u0644 \u062A\u0648\u0635\u064A\u0641 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0648\u0627\u0644\u0633\u0644\u0627\u0644\u0645 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0627\u0644\u0623\u0633\u0627\u0633\u064A\u0629. \u0648\u0645\u0646 \u0627\u0644\u0645\u062D\u062A\u0645\u0644 \u0623\u0646\u0647\u0627 \u0627\u0646\u062A\u0642\u0644\u062A \u0645\u0646 \u062E\u0644\u0627\u0644 \u0627\u0644\u0623\u0646\u0638\u0645\u0629 \u0627\u0644\u0634\u0641\u0647\u064A\u0629 \u0623\u0648 \u0627\u0644\u0645\u0643\u062A\u0648\u0628\u0629."@ar . . "Ancient music"@en . . . . . . . . . . . "Muzyka w staro\u017Cytno\u015Bci"@pl . . . . . "La musica dell'antichit\u00E0, nella storia della musica, \u00E8 quella musica che sostitu\u00EC la musica preistorica nelle differenti civilt\u00E0 della cosiddetta Storia antica. Essa si riferisce ai vari sistemi musicali che furono sviluppati in varie regioni geografiche come Mesopotamia, Egitto, Persia, India e Cina, o in vasti bacini d'influenza culturale come quello greco e quello romano, ed \u00E8 designata dalla caratterizzazione dei fondamentali quali note e scale. Potrebbe essere stata trasmessa attraverso metodi orali o scritti."@it . . "1123032933"^^ . . . . . . . . "M\u00FAsica da Antiguidade, na Hist\u00F3ria da m\u00FAsica, designa a m\u00FAsica desenvolvida na Idade Antiga, no seio das primeiras civiliza\u00E7\u00F5es a utilizarem a escrita, estabelecidas em v\u00E1rias partes do mundo. A m\u00FAsica desta \u00E9poca estabeleceu as bases para todo o desenvolvimento musical posterior. A m\u00FAsica da antiguidade cl\u00E1ssica, sobretudo a m\u00FAsica grega estabeleceu as bases para todo o sistema de modos e escalas utilizado na m\u00FAsica ocidental."@pt . . "Antikens musik \u00E4r en epok i musikhistorien som efterf\u00F6ljer den f\u00F6rhistoriska musiken och som motsvarar antiken."@sv . . . . . . . . . "Muzyka w staro\u017Cytno\u015Bci"@pl . . . . "La m\u00FAsica de l'antiguitat \u00E9s la hist\u00F2ria de la m\u00FAsica de l'edat antiga i (donat que la m\u00FAsica \u00E9s una cosa connatural a l'\u00E9sser hum\u00E0, com ha provat l'antropologia) tamb\u00E9 de la que es produ\u00EFa en per\u00EDodes anteriors, no hist\u00F2rics (la Prehist\u00F2ria), tot i que per uns per\u00EDodes hi haur\u00E0 testimonis escrits i per a altres \u00FAnicament les restes de la cultura material lligada a la m\u00FAsica (els propis instruments musicals). No s'ha de confondre la M\u00FAsica de l'antiguitat amb el concepte de M\u00FAsica antiga, que s'utilitza de forma equivalent a la m\u00FAsica cl\u00E0ssica anterior al segle xviii i limitada geogr\u00E0ficament a Europa Occidental."@ca . . . "La m\u00FAsica en la Antig\u00FCedad es la historia de la m\u00FAsica en los tiempos antiguos y dado que la m\u00FAsica es algo connatural al ser humano, como ha probado la antropolog\u00EDa, tambi\u00E9n la que se produc\u00EDa en periodos anteriores, que no eran hist\u00F3ricos (la Prehistoria), a pesar de que para unos per\u00EDodos habr\u00E1 testimonios escritos y para otros \u00FAnicamente los restos de la cultura material ligada a la m\u00FAsica (los propios instrumentos musicales). No debe confundirse con el concepto de M\u00FAsica antigua, que se utiliza de forma equivalente a la m\u00FAsica cl\u00E1sica, anterior al siglo XVIII y limitada geogr\u00E1ficamente a Europa Occidental."@es . "1502321"^^ . "Hickmann, Hans. \"Un Zikr Dans le Mastaba de Debhen, Gu\u00EEzah .\" Journal of the International Folk Music Council 9 : 59\u201362."@en . . . "\u0645\u0648\u0633\u064A\u0642\u0649 \u0642\u062F\u064A\u0645\u0629"@ar . . . . . . "Musica dell'antichit\u00E0"@it . "Die Musik des Altertums bezeichnet in der Geschichte der Musik die Phase der fr\u00FChen Hochkulturen nach dem Ende der Urgeschichte. F\u00FCr den antiken Mittelmeerraum reicht diese Periode bis zum Beginn des Mittelalters. Der Ursprung der Musik war zu allen Zeiten und bei allen V\u00F6lkern ein beliebter Gegenstand der Spekulation und der Forschung. Bei den V\u00F6lkern des Altertums wird die Musik \u00FCbereinstimmend von einer Gottheit hergeleitet. Infolgedessen gilt sie bei ihnen als bildend und veredelnd, unter Umst\u00E4nden auch als Wunder wirkend."@de . . . . . . . . "\u53E4\u4EE3\u306E\u97F3\u697D\uFF08\u3053\u3060\u3044\u306E\u304A\u3093\u304C\u304F\u3001\u82F1: Ancient music\uFF09\u3068\u306F\u521D\u671F\u97F3\u697D\u306E\u6642\u4EE3\u306E\u59CB\u307E\u308A\u3068\u3055\u308C\u3066\u3044\u308B5\u4E16\u7D00\u4EE5\u524D\u306E\u97F3\u697D\u3092\u3055\u3059\u3002\u3055\u3089\u306B\u53E4\u4EE3\u97F3\u697D\u306F\u5148\u53F2\u6642\u4EE3\u306E\u97F3\u697D\uFF08Prehistoric music\uFF09\u3068\u5206\u3051\u3066\u8003\u3048\u3089\u308C\u308B\u3053\u3068\u3082\u3042\u308B\u3002 \u53E4\u4EE3\u306E\u97F3\u697D\u3068\u3044\u3063\u3066\u3082\u3001\u305D\u306E\u8A00\u8449\u3067\u610F\u5473\u3055\u308C\u308B\u97F3\u697D\u306F\u7A2E\u985E\u3082\u5730\u57DF\u3082\u3055\u307E\u3056\u307E\u3067\u3042\u308B\uFF08\u30E1\u30BD\u30DD\u30BF\u30DF\u30A2\u3001\u30A8\u30B8\u30D7\u30C8\u3001\u30DA\u30EB\u30B7\u30A2\u3001\u30A4\u30F3\u30C9\u3001\u4E2D\u56FD\u3001\u65E5\u672C\u3001\u30AE\u30EA\u30B7\u30A2\u3001\u30ED\u30FC\u30DE\u306A\u3069\uFF09\u3002\u53E4\u4EE3\u97F3\u697D\u306F\u3001\u5358\u7D14\u306A\u97F3\u7A0B\u3068\u97F3\u968E\u3068\u3044\u3046\u7279\u5FB4\u3092\u6301\u3061\u3001\u53E3\u627F\u307E\u305F\u306F\u6587\u5B57\u306B\u3088\u3063\u3066\u4F1D\u3048\u3089\u308C\u305F\u3002"@ja . . . "Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world. Succeeding the music of prehistoric societies and lasting until the Post-classical era, major centers of Ancient music developed in China (the Shang, Zhou, Qin and Han dynasties), Egypt (the Old, Middle and New Kingdoms), Greece (the Archaic, Classical and Hellenistic periods), India (the Maurya, Shunga, Kanva, Kushan, Satavahana and Gupta dynasties), Iran/Persia (the Median, Achaemenid, Seleucid, Parthian and Sasanian Empires), the Maya civilization, Mesopotamia, and Rome (the Roman Republic and Empire). Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation and the dominance of text in musical settings."@en . . . . "\u6E56\u5317\u535A\u7269\u9928\u66FE\u4FAF\u4E59\u7DE8\u9418.jpg"@en . . . "\uC11C\uC591\uC758 \uACE0\uB300\uC74C\uC545\uC5D0 \uAD00\uD55C \uBB38\uD5CC\uC774\uB098 \uC545\uBCF4\uB294 \uAC70\uC758 \uB0A8\uC544 \uC788\uC9C0 \uC54A\uC73C\uBBC0\uB85C \uBC1C\uAD74\uB41C \uC545\uAE30 \uB610\uB294 \uD68C\uD654, \uC870\uAC01 \uB4F1\uC5D0\uC11C \uADF8 \uC591\uC0C1\uC744 \uCD94\uC815\uD560 \uC218\uBC16\uC5D0 \uC5C6\uB2E4. \uAE30\uC6D0\uC804 3000-4000\uB144\uACBD \uC138\uACC4 4\uB300 \uBB38\uBA85 \uBC1C\uC0C1\uC9C0 \uC911\uC5D0\uC11C\uB3C4 \uAC00\uC7A5 \uC624\uB798\uB41C \uBA54\uC18C\uD3EC\uD0C0\uBBF8\uC544\uC640 \uC774\uC9D1\uD2B8\uC5D0\uC11C \uC6B0\uC120 \uACE0\uB300\uC74C\uC545\uC758 \uAE30\uC6D0\uC744 \uCC3E\uC544\uBCFC \uC218 \uC788\uB2E4. \uADF8\uB9AC\uACE0 \uD2F0\uADF8\uB9AC\uC2A4, \uC720\uD504\uB77C\uD14C\uC2A4 \uAC15\uACFC \uB098\uC77C \uAC15 \uC720\uC5ED\uC758 \uACE0\uB300 \uC624\uB9AC\uC5D4\uD2B8 \uC5EC\uB7EC \uB098\uB77C\uB85C\uBD80\uD130 \uADF8\uB9AC\uC2A4\uB85C \uC804\uD574\uC838 \uC74C\uC545\uC740 \uACE0\uB3C4\uB85C \uC608\uC220\uD654\uB418\uACE0 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\uD558\uD504\uB098 \uB9AC\uB77C, \uB958\uD2B8(\uD604\uC545\uAE30) \uB4F1 \uB9CE\uC740 \uC545\uAE30\uAC00 \uC788\uC5C8\uB2E4. \uADF8 \uD6C4 \uACE0\uB300 \uBC14\uBE4C\uB85C\uB2C8\uC544, \uCE74\uC2DC\uD2B8\uC870(\u671D), \uC544\uC2DC\uB9AC\uC544, \uC2E0(\u65B0)\uBC14\uBE4C\uB85C\uB2C8\uC544\uC5D0 \uACC4\uC2B9\uB418\uC5B4 \uB354\uC6B1\uB354 \uBC1C\uC804\uD558\uC600\uB2E4. \uADF8\uB9AC\uACE0 \uD638\uB978, \uD2B8\uB7FC\uD3AB, \uB531\uB2E4\uAE30 \uC678\uC5D0\uB3C4 \uB300\uD45C\uC801\uC778 \uD604\uC545\uAE30\uB85C\uB294 \uD558\uD504\uAC00 \uB098\uD0C0\uB098, \uADF8\uAC83\uC774 \uD2B9\uD788 \uC544\uC2DC\uB9AC\uC544\uC5D0\uC11C \uC4F0\uC600\uC74C\uC740 \uC870\uAC01\uC73C\uB85C\uB3C4 \uCD94\uC815\uD560 \uC218 \uC788\uB2E4. \uC774\uC2A4\uB77C\uC5D8\uC740 \uAE30\uC6D0\uC804 1050\uB144\uACBD\uC744 \uACBD\uACC4\uB85C \uD558\uC5EC \uC720\uBAA9\uC2DC\uB300\uC640 \uC655\uC815\uC2DC\uB300\uB85C \uB098\uB258\uB294\uB370, \uC720\uBAA9\uC2DC\uB300\uC5D0\uB294 \uD0B9\uB178\uB974(\uD604\uC545\uAE30), \uD1A0\uD504(\uD070\uBD81\uC758 \uC77C\uC885), \uC1FC\uD30C(\uC591\uC758 \uBFD4\uB85C \uB9CC\uB4E0 \uD53C\uB9AC) \uB4F1\uC758 \uC545\uAE30\uAC00 \uC788\uC5C8\uB2E4. \uADF8\uB9AC\uACE0 \uB2E4\uC717\uC774\uB098 \uC194\uB85C\uBAAC\uC758 \uC655\uC815\uC2DC\uB300\uC5D0\uB294 \uC9C1\uC5C5\uC801\uC778 \uC74C\uC545\uAC00\uAC00 \uB098\uD0C0\uB098 \uC720\uB300\uAD50\uC758 \uD68C\uB2F9\uC744 \uC911\uC2EC\uC73C\uB85C \uAD50\uD68C\uC74C\uC545\uC774 \uC131\uD589\uD558\uC600\uACE0, \uB124\uBCA0\uB974(\uD604\uC545\uAE30), \uC544\uC18C\uB974(\uAD00\uC545\uAE30), \uD558\uB9AC\uB4DC(\uAD00\uC545\uAE30) \uB4F1\uC758 \uC545\uAE30\uAC00 \uB178\uB798\uC758 \uBC18\uC8FC\uC5D0 \uC4F0\uC600\uB2E4. \uC774\uC9D1\uD2B8 \uC74C\uC545\uC740 \uACE0\uC655\uC870, \uC911\uC655\uC870\uC758 \uC804\uBC18\uAE30\uC5D0\uB294 \uD789\uC18C\uC2A4 \uC0AC\uB78C\uC758 \uCE68\uC785 \uB4F1\uC5D0 \uC758\uD55C \uADFC\uB3D9(\u8FD1\u6771), \uC544\uC2DC\uC544\uC758 \uC601\uD5A5\uC744 \uBC1B\uC544 \uD53C\uB9AC, \uD558\uD504, \uBCF5\uAD00 \uD074\uB77C\uB9AC\uB137\uACFC \uAD81\uD615 \uD558\uD504\uB85C \uC774\uB8E8\uC5B4\uC9C0\uB294 \uAE30\uC545\uD569\uC8FC\uB098 \uC131\uC545\uC774 \uC131\uD589\uD558\uACE0 \uC788\uC5C8\uB2E4. \uC2E0\uC655\uC870\uB85C\uBD80\uD130 \uB204\uBE44\uC544, \uC0AC\uC774\uD2B8 \uC2DC\uB300\uAE4C\uC9C0\uC5D0\uB294 \uBD81, \uC624\uBCF4\uC5D0, \uD2B8\uB7FC\uD3AB, \uD4E8\uD2B8 \uB4F1\uC758 \uC545\uAE30\uAC00 \uCD94\uAC00\uB418\uC5B4 \uC774\uC9D1\uD2B8\uC758 \uB3C5\uD2B9\uD55C \uC0C9\uCC44\uB97C \uC9C0\uB2CC \uC74C\uC545\uC73C\uB85C \uBCC0\uD558\uC5EC \uAC14\uB2E4. \uADF8\uB9AC\uC2A4 \uC74C\uC545\uC758 \uD2B9\uC9D5\uC73C\uB85C\uB294 \uC74C\uC545\uC774 \uC2DC\uB098 \uBB34\uC6A9, \uC5F0\uAE30 \uB4F1\uACFC \uAE4A\uC740 \uC720\uB300\uB97C \uAC00\uC9C0\uACE0 \uC788\uC5C8\uB2E4\uB294 \uC810, \uC74C\uC545\uC774 \uC608\uBC30\uB098 \uC81C\uC804 \uB4F1\uC744 \uD1B5\uD558\uC5EC \uAD6D\uAC00\uC801 \uD589\uC0AC\uC640 \uBC00\uC811\uD55C \uAD00\uB828\uC744 \uB9FA\uACE0 \uC788\uC5C8\uB2E4\uB294 \uC810, \uADF8\uB9AC\uACE0 \uC74C\uC545\uC5D0 \uAD00\uD55C \uD559\uBB38\uC801 \uC5F0\uAD6C\uAC00 \uBE44\uB85C\uC18C \uCCB4\uACC4\uC801\uC73C\uB85C \uAC70\uB860\uB418\uC5C8\uB2E4\uB294 \uC810 \uB4F1\uC744 \uB4E4 \uC218 \uC788\uACA0\uB2E4. \uADF8\uB9AC\uC2A4\uC74C\uC545\uC758 \uC5ED\uC0AC\uB294 \uC2A4\uD30C\uB974\uD0C0\uC5D0\uC11C \uAE30\uC6D0\uC804 7\uC138\uAE30 \uC774\uD6C4\uC5D0 \uC2DC\uC791\uB418\uB294\uB370, \uC774 \uC2DC\uB300\uB294 \uC774\uC9D1\uD2B8, \uD06C\uB808\uD0C0\uC758 \uC601\uD5A5\uC744 \uAC15\uD558\uAC8C \uBC1B\uC544 \uD0A4\uD0C0\uB77C(cithara)\uB97C \uC5F0\uC8FC\uD558\uB294 \uD14C\uB974\uD310\uB4DC\uB85C\uC2A4\uB098 \uC544\uC6B8\uB85C\uC2A4(aulos)\uB97C \uCDE8\uC8FC\uD558\uB294 \uC0AC\uCE74\uB2E4\uC2A4, \uADF8 \uBC16\uC5D0 \uD0C8\uB808\uB2E4\uC2A4 \uB4F1\uC758 \uC774\uB984\uC774 \uB0A8\uC544 \uC788\uB2E4. \uADF8 \uD6C4 \uC544\uD2F0\uCE74\uC758 \uC544\uD14C\uB124\uB85C \uBB38\uD654\uC758 \uC911\uC2EC\uC774 \uC62E\uACA8\uC838 \uAC70\uAE30\uC11C \uADF9\uC74C\uC545\uC774 \uBC1C\uC0DD\uD558\uC600\uB2E4. \uB514\uC624\uB2C8\uC18C\uC2A4\uC758 \uBD04\uC758 \uC81C\uC804(\u796D\u5178)\uC778 \uB514\uD29C\uB780\uBCF4\uC2A4\uC5D0\uC11C \uBE44\uADF9\uC774 \uBC1C\uC0DD\uD558\uC600\uC73C\uBA70, \uAE30\uC6D0\uC804 5\uC138\uAE30\uC5D0\uB294 \uADF8\uB9AC\uC2A4 \uBE44\uADF9\uC758 3\uB300 \uC2DC\uC778\uC774\uB77C\uACE0 \uD558\uB294 \uC544\uC774\uC2A4\uD0AC\uB85C\uC2A4, \uC18C\uD3EC\uD074\uB808\uC2A4, \uC5D0\uC6B0\uB9AC\uD53C\uB370\uC2A4\uAC00 \uB098\uC654\uB2E4. \uB610\uD55C \uD76C\uADF9\uC758 \uB300\uD45C\uC801 \uC791\uAC00\uB85C\uB294 \uC544\uB9AC\uC2A4\uD1A0\uD30C\uB124\uC2A4\uB97C \uB4E4 \uC218 \uC788\uC73C\uBA70, \uC0AC\uD3EC, \uC544\uB098\uD074\uB808\uC628, \uD540\uB2E4\uB85C\uC2A4\uC758 \uC11C\uC815\uC2DC\uB3C4 \uC74C\uC545\uC801\uC73C\uB85C \uB0AD\uCC3D(\u90CE\u5531)\uB418\uC5C8\uB2E4."@ko . "M\u00FAsica en la Antig\u00FCedad"@es . . . . . . . . . . "In de muziektheorie wordt de oudheid de vroegste periode van de muziekgeschiedenis tot ongeveer 500 na Christus genoemd."@nl . "Antikens musik \u00E4r en epok i musikhistorien som efterf\u00F6ljer den f\u00F6rhistoriska musiken och som motsvarar antiken."@sv . . . . . . . . "Antzinaroko musika"@eu . . . . . . . . . . . . . "\u53E4\u4EE3\u306E\u97F3\u697D\uFF08\u3053\u3060\u3044\u306E\u304A\u3093\u304C\u304F\u3001\u82F1: Ancient music\uFF09\u3068\u306F\u521D\u671F\u97F3\u697D\u306E\u6642\u4EE3\u306E\u59CB\u307E\u308A\u3068\u3055\u308C\u3066\u3044\u308B5\u4E16\u7D00\u4EE5\u524D\u306E\u97F3\u697D\u3092\u3055\u3059\u3002\u3055\u3089\u306B\u53E4\u4EE3\u97F3\u697D\u306F\u5148\u53F2\u6642\u4EE3\u306E\u97F3\u697D\uFF08Prehistoric music\uFF09\u3068\u5206\u3051\u3066\u8003\u3048\u3089\u308C\u308B\u3053\u3068\u3082\u3042\u308B\u3002 \u53E4\u4EE3\u306E\u97F3\u697D\u3068\u3044\u3063\u3066\u3082\u3001\u305D\u306E\u8A00\u8449\u3067\u610F\u5473\u3055\u308C\u308B\u97F3\u697D\u306F\u7A2E\u985E\u3082\u5730\u57DF\u3082\u3055\u307E\u3056\u307E\u3067\u3042\u308B\uFF08\u30E1\u30BD\u30DD\u30BF\u30DF\u30A2\u3001\u30A8\u30B8\u30D7\u30C8\u3001\u30DA\u30EB\u30B7\u30A2\u3001\u30A4\u30F3\u30C9\u3001\u4E2D\u56FD\u3001\u65E5\u672C\u3001\u30AE\u30EA\u30B7\u30A2\u3001\u30ED\u30FC\u30DE\u306A\u3069\uFF09\u3002\u53E4\u4EE3\u97F3\u697D\u306F\u3001\u5358\u7D14\u306A\u97F3\u7A0B\u3068\u97F3\u968E\u3068\u3044\u3046\u7279\u5FB4\u3092\u6301\u3061\u3001\u53E3\u627F\u307E\u305F\u306F\u6587\u5B57\u306B\u3088\u3063\u3066\u4F1D\u3048\u3089\u308C\u305F\u3002"@ja . . . . . . . . . "Bonampak painting+contrast.jpg"@en . . . "Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world. Succeeding the music of prehistoric societies and lasting until the Post-classical era, major centers of Ancient music developed in China (the Shang, Zhou, Qin and Han dynasties), Egypt (the Old, Middle and New Kingdoms), Greece (the Archaic, Classical and Hellenistic periods), India (the Maurya, Shunga, Kanva, Kushan, Satavahana and Gupta dynasties), Iran/Persia (the Median, Achaemenid, Seleucid, Parthian and Sasanian Empires), the Maya civilization, Mesopotamia, and Rome (the Roman Republic and Empire). Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation and the dominance of text in musical settings."@en . . . . . . . . . . . . "M\u00FAsica da Antiguidade"@pt . . . . "\uC11C\uC591\uC758 \uACE0\uB300\uC74C\uC545\uC5D0 \uAD00\uD55C \uBB38\uD5CC\uC774\uB098 \uC545\uBCF4\uB294 \uAC70\uC758 \uB0A8\uC544 \uC788\uC9C0 \uC54A\uC73C\uBBC0\uB85C \uBC1C\uAD74\uB41C \uC545\uAE30 \uB610\uB294 \uD68C\uD654, \uC870\uAC01 \uB4F1\uC5D0\uC11C \uADF8 \uC591\uC0C1\uC744 \uCD94\uC815\uD560 \uC218\uBC16\uC5D0 \uC5C6\uB2E4. \uAE30\uC6D0\uC804 3000-4000\uB144\uACBD \uC138\uACC4 4\uB300 \uBB38\uBA85 \uBC1C\uC0C1\uC9C0 \uC911\uC5D0\uC11C\uB3C4 \uAC00\uC7A5 \uC624\uB798\uB41C \uBA54\uC18C\uD3EC\uD0C0\uBBF8\uC544\uC640 \uC774\uC9D1\uD2B8\uC5D0\uC11C \uC6B0\uC120 \uACE0\uB300\uC74C\uC545\uC758 \uAE30\uC6D0\uC744 \uCC3E\uC544\uBCFC \uC218 \uC788\uB2E4. \uADF8\uB9AC\uACE0 \uD2F0\uADF8\uB9AC\uC2A4, \uC720\uD504\uB77C\uD14C\uC2A4 \uAC15\uACFC \uB098\uC77C \uAC15 \uC720\uC5ED\uC758 \uACE0\uB300 \uC624\uB9AC\uC5D4\uD2B8 \uC5EC\uB7EC \uB098\uB77C\uB85C\uBD80\uD130 \uADF8\uB9AC\uC2A4\uB85C \uC804\uD574\uC838 \uC74C\uC545\uC740 \uACE0\uB3C4\uB85C \uC608\uC220\uD654\uB418\uACE0 \uCCB4\uACC4\uD654\uB41C \uC774\uB860\uB9C8\uC800 \uB0A8\uAE30\uAC8C \uB418\uC5C8\uB2E4. \uC545\uAE30\uB85C\uB294 \uD558\uD504, \uB9AC\uB77C, \uC30D\uAD00(\u96D9\u7BA1) \uC624\uBCF4\uC5D0, \uBD81 \uB4F1\uC774 \uAC01 \uC9C0\uC5ED\uC5D0\uC11C \uC0AC\uC6A9\uB418\uC5C8\uC73C\uBA70, \uC74C\uC545\uC740 \uCD95\uC81C\uC81C\uB840(\u795D\u796D\u796D\u79AE)\uB098 \uC885\uAD50 \uB4F1 \uAD6D\uAC00\uD589\uC0AC\uC640 \uACB0\uBD80\uB418\uC5B4 \uBC1C\uC804\uD568\uC5D0 \uB530\uB77C \uC9C1\uC5C5\uC801 \uC74C\uC545\uAC00\uAC00 \uB098\uD0C0\uB098\uACE0, \uC724\uB9AC\uC801 \uBAA9\uC801\uC744 \uC704\uD574\uC11C\uB9CC\uC774 \uC544\uB2C8\uB77C \uB2E8\uC21C\uD55C \uC624\uB77D\uC73C\uB85C\uC11C\uB3C4 \uBC1C\uC804\uD558\uAE30\uC5D0 \uC774\uB974\uB800\uB2E4. \uBA54\uC18C\uD3EC\uD0C0\uBBF8\uC544\uB294 \uAE30\uC6D0\uC804 3500\uB144\uACBD \uC218\uBA54\uB974 \uC0AC\uB78C\uC758 \uC6B0\uB974 \uC81C1\uC655\uC870\uC2DC\uB300\uC5D0 \uC74C\uC545\uC774 \uC81C\uB840(\u796D\u79AE)\uC5D0 \uC4F0\uC5EC\uC838, \uC774\uBBF8 \uD558\uD504\uB098 \uB9AC\uB77C, \uB958\uD2B8(\uD604\uC545\uAE30) \uB4F1 \uB9CE\uC740 \uC545\uAE30\uAC00 \uC788\uC5C8\uB2E4. \uADF8 \uD6C4 \uACE0\uB300 \uBC14\uBE4C\uB85C\uB2C8\uC544, \uCE74\uC2DC\uD2B8\uC870(\u671D), \uC544\uC2DC\uB9AC\uC544, \uC2E0(\u65B0)\uBC14\uBE4C\uB85C\uB2C8\uC544\uC5D0 \uACC4\uC2B9\uB418\uC5B4 \uB354\uC6B1\uB354 \uBC1C\uC804\uD558\uC600\uB2E4. \uADF8\uB9AC\uACE0 \uD638\uB978, \uD2B8\uB7FC\uD3AB, \uB531\uB2E4\uAE30 \uC678\uC5D0\uB3C4 \uB300\uD45C\uC801\uC778 \uD604\uC545\uAE30\uB85C\uB294 \uD558\uD504\uAC00 \uB098\uD0C0\uB098, \uADF8\uAC83\uC774 \uD2B9\uD788 \uC544\uC2DC\uB9AC\uC544\uC5D0\uC11C \uC4F0\uC600\uC74C\uC740 \uC870\uAC01\uC73C\uB85C\uB3C4 \uCD94\uC815\uD560 \uC218 \uC788\uB2E4."@ko . . . . . . . "340"^^ . . . . . . . . . . . . "Die Musik des Altertums bezeichnet in der Geschichte der Musik die Phase der fr\u00FChen Hochkulturen nach dem Ende der Urgeschichte. F\u00FCr den antiken Mittelmeerraum reicht diese Periode bis zum Beginn des Mittelalters. Der Ursprung der Musik war zu allen Zeiten und bei allen V\u00F6lkern ein beliebter Gegenstand der Spekulation und der Forschung. Bei den V\u00F6lkern des Altertums wird die Musik \u00FCbereinstimmend von einer Gottheit hergeleitet. Infolgedessen gilt sie bei ihnen als bildend und veredelnd, unter Umst\u00E4nden auch als Wunder wirkend."@de . . . . . . "Musik des Altertums"@de . "23940"^^ . . . . . . . . . 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"La musica dell'antichit\u00E0, nella storia della musica, \u00E8 quella musica che sostitu\u00EC la musica preistorica nelle differenti civilt\u00E0 della cosiddetta Storia antica. Essa si riferisce ai vari sistemi musicali che furono sviluppati in varie regioni geografiche come Mesopotamia, Egitto, Persia, India e Cina, o in vasti bacini d'influenza culturale come quello greco e quello romano, ed \u00E8 designata dalla caratterizzazione dei fondamentali quali note e scale. Potrebbe essere stata trasmessa attraverso metodi orali o scritti."@it . . . "Antzinaroko musika Antzinaroan egindako musika da, bai eta Historiaurrean egindakoa ere (antropologiak frogatua baitu musika gizakiok berezkoa dugula). Nahiz eta zenbait arok idatzizko lekukotasunak utzi dizkiguten, beste batzuetatik material kulturalarekin lotutako ondareak bakarrik (musika tresnak) iritsi zaizkigu. Antzinaroko musika ez dugu antigoaleko musika kontzeptuarekin nahasi behar, azken hori musika klasikoa izendatzeko beste modu bat baita (zehazkiago esanda, XVIII. mendearen aurretiko musika, Mendebaldeko Europara mugatua)."@eu . . "Antzinaroko musika Antzinaroan egindako musika da, bai eta Historiaurrean egindakoa ere (antropologiak frogatua baitu musika gizakiok berezkoa dugula). Nahiz eta zenbait arok idatzizko lekukotasunak utzi dizkiguten, beste batzuetatik material kulturalarekin lotutako ondareak bakarrik (musika tresnak) iritsi zaizkigu. Antzinaroko musika ez dugu antigoaleko musika kontzeptuarekin nahasi behar, azken hori musika klasikoa izendatzeko beste modu bat baita (zehazkiago esanda, XVIII. mendearen aurretiko musika, Mendebaldeko Europara mugatua)."@eu . "Clockwise, from top left:\n* Marble mosaic of a Sasanian harpist playing angular harp, CE, from the palace of Shapur I in Bishapur\n* The monumental Bianzhong of Marquis Yi of Zeng, BCE, from Hubei\n* Musicians from a wall in Bonampak, an Ancient Mayan site"@en . . . . . . . . . . . . . . "La m\u00FAsica de l'antiguitat \u00E9s la hist\u00F2ria de la m\u00FAsica de l'edat antiga i (donat que la m\u00FAsica \u00E9s una cosa connatural a l'\u00E9sser hum\u00E0, com ha provat l'antropologia) tamb\u00E9 de la que es produ\u00EFa en per\u00EDodes anteriors, no hist\u00F2rics (la Prehist\u00F2ria), tot i que per uns per\u00EDodes hi haur\u00E0 testimonis escrits i per a altres \u00FAnicament les restes de la cultura material lligada a la m\u00FAsica (els propis instruments musicals)."@ca . . . . . . . "M\u00FAsica de l'antiguitat"@ca . . . . . . "2"^^ . . . . . . . . . . . . . . . "M\u00FAsica da Antiguidade, na Hist\u00F3ria da m\u00FAsica, designa a m\u00FAsica desenvolvida na Idade Antiga, no seio das primeiras civiliza\u00E7\u00F5es a utilizarem a escrita, estabelecidas em v\u00E1rias partes do mundo. A m\u00FAsica desta \u00E9poca estabeleceu as bases para todo o desenvolvimento musical posterior. As primeiras civiliza\u00E7\u00F5es musicais se estabeleceram principalmente nas regi\u00F5es f\u00E9rteis ao longo das margens de rios na \u00C1sia central, como as aldeias no vale do Jord\u00E3o, na Mesopot\u00E2mia, \u00CDndia (vale do Indo atualmente no Paquist\u00E3o), Egito (rio Nilo) e China (Huang He). A iconografia dessas regi\u00F5es \u00E9 rica em representa\u00E7\u00F5es de instrumentos musicais e de pr\u00E1ticas relacionadas \u00E0 m\u00FAsica. Os primeiros textos destes grupos apresentam a m\u00FAsica como atividade ligada \u00E0 magia, \u00E0 sa\u00FAde, \u00E0 metaf\u00EDsica e at\u00E9 \u00E0 pol\u00EDtica destas civiliza\u00E7\u00F5es, tendo papel frequente em rituais religiosos, festas e guerras. As cosmogonias de v\u00E1rias destas civiliza\u00E7\u00F5es possuem eventos musicais relacionados \u00E0 cria\u00E7\u00E3o do mundo e suas mitologias frequentemente apresentam divindades ligadas \u00E0 m\u00FAsica. A m\u00FAsica da antiguidade cl\u00E1ssica, sobretudo a m\u00FAsica grega estabeleceu as bases para todo o sistema de modos e escalas utilizado na m\u00FAsica ocidental."@pt . . . . . . "La m\u00FAsica en la Antig\u00FCedad es la historia de la m\u00FAsica en los tiempos antiguos y dado que la m\u00FAsica es algo connatural al ser humano, como ha probado la antropolog\u00EDa, tambi\u00E9n la que se produc\u00EDa en periodos anteriores, que no eran hist\u00F3ricos (la Prehistoria), a pesar de que para unos per\u00EDodos habr\u00E1 testimonios escritos y para otros \u00FAnicamente los restos de la cultura material ligada a la m\u00FAsica (los propios instrumentos musicales)."@es . "Muziek in de oudheid"@nl . . . . . "Bishapur zan.jpg"@en . . . .