. . . . . "Animation stand"@en . . . . . . . . "Der Tricktisch ist der traditionelle Arbeitsplatz zum Aufnehmen von analoger 2D-Animation. Er dient aber auch der Aufnahme von Filmtiteln und der Sachaufnahme relativ flacher Objekte, beispielsweise f\u00FCr wissenschaftliche Filme. In seiner einfachsten Form besteht er aus einer Arbeitsplatte, auf die die Animation gelegt wird, einer Beleuchtungseinrichtung, und einem Stativ f\u00FCr die Kamera, die senkrecht von oben auf die Tischplatte blickt. Dieser Grundaufbau kann um viele Elemente erweitert werden, solange der Platz reicht. Wegen der engen Verzahnung von Kamera- und Tricktischfunktionen wurden Tricktische oft als Komplettsystem von Trickfilmkameraherstellern angeboten. Tricktische, die keine Film-, sondern eine Fotokamera beinhalten, nennt man Reprotische."@de . . . . "Tricktisch"@de . "An animation stand is a device assembled for the filming of any kind of animation that is placed on a flat surface, including cel animation, graphic animation, clay animation, and silhouette animation. Traditionally, the flat surface that the animation rests on is some kind of table that the animator sits at. Pegs made specifically for animation are embedded into the table, in at least two slots allowing the pegs to slide from side to side, permitting horizontal movement of images, but can also be easily fixed into position for the accurate positioning (\"registration\") of the artwork. Opposite the animator is a series of supporting arms and supports, on top of which is mounted a film or video camera, pointing down toward the artwork, which films the artwork, frame-by-frame, as it is slowly moved and changed by the operator. The vertical positioning of the animation camera, always shooting down, is the main component that defines an animation stand, as opposed to a stop motion set-up, or other equipment arrangements for animation production. Animation stands can be homemade, from metal or wood, such as that owned by Los Angeles animator Mike Jittlov, and still accomplish impressive animation production; or they can be elaborate (and expensive) professionally made precision systems that allow for the computerised movements of both the art and the camera, as has been traditionally used by professional animation studios and special effects facilities such as the Walt Disney studio (famous for their Multiplane camera) and George Lucas's Industrial Light & Magic (ILM) facilities."@en . "5350354"^^ . . . . . . . . . . . . "1051095980"^^ . . . . . . . . . . "Der Tricktisch ist der traditionelle Arbeitsplatz zum Aufnehmen von analoger 2D-Animation. Er dient aber auch der Aufnahme von Filmtiteln und der Sachaufnahme relativ flacher Objekte, beispielsweise f\u00FCr wissenschaftliche Filme. Tricktische, die keine Film-, sondern eine Fotokamera beinhalten, nennt man Reprotische."@de . "2010"^^ . "An animation stand is a device assembled for the filming of any kind of animation that is placed on a flat surface, including cel animation, graphic animation, clay animation, and silhouette animation. Traditionally, the flat surface that the animation rests on is some kind of table that the animator sits at. Pegs made specifically for animation are embedded into the table, in at least two slots allowing the pegs to slide from side to side, permitting horizontal movement of images, but can also be easily fixed into position for the accurate positioning (\"registration\") of the artwork."@en . . .