"Apolin\u00E8re Enameled est une peinture r\u00E9alis\u00E9e par Marcel Duchamp en 1916-1917. Il s'agit du d\u00E9tournement d'une publicit\u00E9 pour de la peinture de marque Sapolin Enamel qu'il retouche pour en faire un hommage \u00E0 Guillaume Apollinaire. Elle est conserv\u00E9e au Philadelphia Museum of Art, aux \u00C9tats-Unis."@fr . . . . . . . . "Apolin\u00E8re Enameled was painted in 1916\u201317 by Marcel Duchamp, as a heavily altered version of an advertisement for paint (\"Sapolin Enamel\"). The picture depicts a girl painting a bed-frame with white enamelled paint. The depiction of the frame deliberately includes conflicting perspective lines, to produce an impossible object. To emphasise the deliberate impossibility of the shape, a piece of the frame is missing. The piece is sometimes referred to as Duchamp's \"impossible bed\" painting. Apolin\u00E8re is a play-on-words referencing the poet, writer and art critic Guillaume Apollinaire, a close associate of Duchamp during the Cubist adventure. Apollinaire wrote about Duchamp (and others) in his book The Cubist Painters, Aesthetic Meditations of 1913."@en . "Apolin\u00E8re Enameled"@fr . . . . . "Apolin\u00E8re Enameled"@en . . . "11874612"^^ . "Apolin\u00E8re_Enameled_by_Marcel_Duchamp.jpg"@en . . . . . . . "1114759619"^^ . "3135"^^ . "cm"@en . . . "Apolin\u00E8re Enameled"@en . . . "Apolin\u00E8re Enameled est une peinture r\u00E9alis\u00E9e par Marcel Duchamp en 1916-1917. Il s'agit du d\u00E9tournement d'une publicit\u00E9 pour de la peinture de marque Sapolin Enamel qu'il retouche pour en faire un hommage \u00E0 Guillaume Apollinaire. Elle est conserv\u00E9e au Philadelphia Museum of Art, aux \u00C9tats-Unis."@fr . . . . . . . . . . . . . . . . . "1950"^^ . . "34"^^ . . . . . . "Gouache and graphite on painted tin, mounted on cardboard"@en . "24.4"^^ . . . . . . . . "in"@en . "Apolin\u00E8re Enameled was painted in 1916\u201317 by Marcel Duchamp, as a heavily altered version of an advertisement for paint (\"Sapolin Enamel\"). The picture depicts a girl painting a bed-frame with white enamelled paint. The depiction of the frame deliberately includes conflicting perspective lines, to produce an impossible object. To emphasise the deliberate impossibility of the shape, a piece of the frame is missing. The piece is sometimes referred to as Duchamp's \"impossible bed\" painting."@en . . "Apolin\u00E8re Enameled \u00E4r en m\u00E5lning av Marcel Duchamp. Apolin\u00E8re Enameled m\u00E5lades omkring 1916 och \u00E4r en kraftigt \u00E4ndrad version av en kommersiell affisch. Bilden visar en flicka som m\u00E5lar en s\u00E4ngram med vit emaljf\u00E4rg. Avbildningen av s\u00E4ngramen inbegriper olika perspektivlinjer samtidigt, vilka avsiktligt ger en \"om\u00F6jlig figur\". F\u00F6r att understryka formens om\u00F6jlighet saknas ocks\u00E5 en bit av ramen. Marcel Duchamp kallade denna sorts objekt f\u00F6r \"assisted readymade\" Apolin\u00E8re Enameled var menad som en humoristisk hyllning till v\u00E4nnen och poeten Guillaume Apollinaire. Affischen p\u00E5 kartong f\u00F6r m\u00E5larf\u00E4rgen \"Sapolin Enamel\", en f\u00E4rg som brukade anv\u00E4ndes f\u00F6r att m\u00E5la radiatorer, hade han antagligen f\u00E5tt i en f\u00E4rgaff\u00E4r i New York. Marcel Duchamp \u00E4ndrade noggrant bokst\u00E4verna i \"SAPOLIN ENAMEL\" till \"APOLIN\u00C8RE ENAMELED\" genom att m\u00E5la \u00F6ver \"S\" och l\u00E4gga till nya bokst\u00E4ver med vit m\u00E5larf\u00E4rg. Den lilla flickans h\u00E5r i spegeln \u00E4r ocks\u00E5 skuggat med en blyertspenna. Apolin\u00E8re Enameled finns idag p\u00E5 Philadelphia Museum of Art i Philadelphia i USA. Den donerades till museet 1950 av Louise och Walter Arensberg."@sv . . . . "Apolin\u00E8re Enameled"@sv . . "Apolin\u00E8re Enameled"@en . . "Apolin\u00E8re Enameled \u00E4r en m\u00E5lning av Marcel Duchamp. Apolin\u00E8re Enameled m\u00E5lades omkring 1916 och \u00E4r en kraftigt \u00E4ndrad version av en kommersiell affisch. Bilden visar en flicka som m\u00E5lar en s\u00E4ngram med vit emaljf\u00E4rg. Avbildningen av s\u00E4ngramen inbegriper olika perspektivlinjer samtidigt, vilka avsiktligt ger en \"om\u00F6jlig figur\". F\u00F6r att understryka formens om\u00F6jlighet saknas ocks\u00E5 en bit av ramen. Marcel Duchamp kallade denna sorts objekt f\u00F6r \"assisted readymade\""@sv . .