. . . "Red sea passage.jpg"@en . . "Toros taronatsi 1323 AD.jpg"@en . "17"^^ . . . . . . . . . . . . "Armenian Gospel of Skewra, 1193 AD, Italy, St. Ghazar, Mekhitarians old manuscripts library, Ms. 1635-125."@en . . "Female Troubadour with Saz, M6288, Horomos, 1211.jpg"@en . . . . . . . . . "Armenian Prayers roll from the year 1661 AD."@en . . . . . "RabulaGospelsFol13vAscension.jpg"@en . "The Three Marys at the Tomb. Daniel of Uranc\u060C 1463.jpg"@en . . . . . . . "\u0410\u0440\u043C\u044F\u043D\u0441\u043A\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u0430"@ru . . . "T'oros Roslin Gospels, Dedicatory inscription, Walters Manuscript W.539, fol. 12r.jpg"@en . "Armenian Gospel Book made in Isfahan in 1655 .jpg"@en . . . "T'oros Roslin Gospels, The Crucifixion, Walters Manuscript W.539, fol. 124r.jpg"@en . . . . "Canonic table from the 13th century gospel by Sembat.jpg"@en . . . "T'oros Roslin Gospels, The sign of the Son of Man appearing in Heaven, Walters Manuscript W.539, fol. 104r.jpg"@en . . . "horizontal"@en . . "Queen Mlke Gospel.jpg"@en . "\u0412\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0430 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u0430"@uk . . "Manuscript of Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 11.jpg"@en . . . . . . "Gospel of eight painters; title page of Matthew gospel."@en . . . "Descent from the Cross, Daniel of Uranc\u060C 1463.jpg"@en . . . . . "-600.0"^^ . . . . . "Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 10.jpg"@en . . "right"@en . "Pages from MS206, Toros Taronatsi, 1318 AD."@en . "David playing a musical instrument by Ghazar, late 14th century."@en . . . . . "Miniatury manuskrypt\u00F3w ormia\u0144skich stanowi\u0105 wa\u017Cn\u0105 cz\u0119\u015B\u0107 dziedzictwa kulturalnego narodu ormia\u0144skiego. Gdy Armenia w roku 301 przyjmowa\u0142a chrze\u015Bcija\u0144stwo \u2013 pierwsza w \u015Bwiecie \u2013 jako religi\u0119 pa\u0144stwow\u0105, jej historia liczy\u0142a ju\u017C ponad tysi\u0105c lat. \u015Awi\u0119ty Mesrop Masztoc stworzy\u0142 w roku 406 alfabet ormia\u0144ski. W klasztorach mnisi mogli przepisywa\u0107 ewangeliarze i inne \u015Bwi\u0119te ksi\u0119gi w ojczystym j\u0119zyku ormia\u0144skim. Pisano na pergaminie, cz\u0119\u015Bciej dwustronnie, rzadko jednostronnie. Mnisi-miniaturzy\u015Bci zdobili ksi\u0119gi iluminacjami. Farby zag\u0119szczano spoiwem z bia\u0142ka jaj kurzych, stosowano zdobienie z\u0142otem listkowym. Stylistycznie miniatury zgodne by\u0142y z wymaganiami ikonografii chrze\u015Bcija\u0144skiej, wykazywa\u0142y jednak wp\u0142ywy miniatur perskich. Opr\u00F3cz postaci biblijnych ukazywa\u0142y fantastyczne stworzenia, bogate "@pl . "Avag-ms212-04-l 02.jpg"@en . . "Bible_from_Khizan.jpg"@en . . . "Pages from the Alexander romance, 14th century ."@en . "1323"^^ . . "Manuscript Kilikia 13AD.jpg"@en . "Title page by Toros Roslin, Gospel of the eight painters 13th century."@en . . . . . "Avag-ms212-04-l 04.jpg"@en . . "Canon tables painted by Toros Roslin."@en . . "The annunciation, presentation of Jesus at the temple and Wedding at Cana. Resurrection of Lazarus, genealogy of Jesus and the cursing of the fig tree. Entry of Jesus into Jerusalem, the crucifixion and the visitation. \nPages from the MS. 212 Gospels, written and illuminated by Avag during his stay in Tabriz, Iran, 1337 AD."@en . "Biblical Magi.jpg"@en . . . "550"^^ . . . . "Pages from the Mlke gospels, 862 AD."@en . "Akhtamar paintings 9.jpg"@en . . . . . "Triumphal entry into Jerusalem"@en . . "LeonIIQueenGueraneAndTheirFiveChildren1272.jpg"@en . . . . . . . . "Pages illuminated by Malnazar, 17th century."@en . . . . . . . . . . . . "Christ on throne scene"@en . . . . . . "T'oros Roslin - Canon Table Page - Google Art Project .jpg"@en . . "Vartanantz.jpg"@en . . . "Avag-ms212-04-l 06.jpg"@en . . "Gospels of Georg Alexief, Crucifixion, Walters Manuscript W.546, fol. 16v.jpg"@en . . . . . . . . "Apocalypse of John, Armenian bible of Bologna, Italy, completed in Crimea, 1368 AD."@en . . "Avag-ms212-04-l 08.jpg"@en . . "Mesrop of khizan harrow of hell.jpg"@en . . . . "Grigor Narekatsi 1.jpg"@en . . . "Annunciation from 13th century Armenian Gospel.jpg"@en . "Comparison between an ascension scene from the Rabbula gospels and the Mlke gospel."@en . . . . "Armenian Gospel of Moghni, Miniature St. Mateos, 11th century, Yerevan, Matenadaran, Ms. 7736, no. 22v.jpg"@en . . . . . . . . "Matenadaran - biggest and smallest.jpg"@en . . . . . "Matthew the Evangelist by Sargis Pitzak."@en . . "Grigor Narekatsi Prostrate before Christ.jpg"@en . . . "1568.55"^^ . . . . "\u0410\u0440\u043C\u044F\u043D\u0441\u043A\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u0430 \u2014 \u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u043E\u0439 \u0410\u0440\u043C\u0435\u043D\u0438\u0438, \u041A\u0438\u043B\u0438\u043A\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0430\u0440\u043C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u0446\u0430\u0440\u0441\u0442\u0432\u0430 \u0438 \u043D\u0435\u043A\u043E\u0442\u043E\u0440\u044B\u0445 \u0430\u0440\u043C\u044F\u043D\u0441\u043A\u0438\u0445 \u043A\u043E\u043B\u043E\u043D\u0438\u0439. \u0410\u0440\u043C\u044F\u043D\u0441\u043A\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u0430 \u0438\u043C\u0435\u0435\u0442 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u043E \u043E\u0441\u043D\u043E\u0432\u043D\u044B\u0445 \u0433\u0440\u0443\u043F\u043F \u0438 \u044D\u0442\u0430\u043F\u043E\u0432 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044F: \u0434\u043E XI \u0432.; \u0448\u043A\u043E\u043B\u044B \u0412\u0435\u043B\u0438\u043A\u043E\u0439 \u0438 \u041C\u0430\u043B\u043E\u0439 \u0410\u0440\u043C\u0435\u043D\u0438\u0438 XI\u2014XII \u0432\u0432.; \u041A\u0438\u043B\u0438\u043A\u0438\u0439\u0441\u043A\u043E\u0439 \u0410\u0440\u043C\u0435\u043D\u0438\u0438 XII\u2014XIV \u0432\u0432.; \u0448\u043A\u043E\u043B\u044B \u0411\u0430\u0440\u0434\u0437\u0440-\u0410\u0439\u043A\u0430, \u0410\u043D\u0438, \u0410\u0440\u0446\u0430\u0445\u0430, \u0413\u043B\u0430\u0434\u0437\u043E\u0440\u0430, \u0422\u0430\u0442\u0435\u0432\u0430, \u0412\u0430\u0441\u043F\u0443\u0440\u0430\u043A\u0430\u043D\u0430 \u0441 XIII \u0432.; \u043F\u043E\u0441\u043B\u0435 XIII \u0432. \u0442\u0430\u043A\u0436\u0435 \u0432 \u043A\u043E\u043B\u043E\u043D\u0438\u044F\u0445 \u0430\u0440\u043C\u044F\u043D\u0441\u043A\u043E\u0439 \u0434\u0438\u0430\u0441\u043F\u043E\u0440\u044B."@ru . . . . . . . . . . "Targmanchats Gospels1.jpg"@en . . . . "Armenian illuminated manuscripts (Armenian: \u0540\u0561\u0575\u056F\u0561\u056F\u0561\u0576 \u0574\u0561\u0576\u0580\u0561\u0576\u056F\u0561\u0580\u0579\u0578\u0582\u0569\u0575\u0578\u0582\u0576, romanized: Haykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, and to Byzantine illuminated manuscripts. The earliest surviving examples date back to the Golden Age of Armenian art and literature in the 5th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values. The most famous Armenian miniaturist, Toros Roslin, lived in the 13th century. The art form flourished in Greater Armenia, Lesser Armenia and the Armenian Diaspora. Its appearance dates back to the creation of the Armenian alphabet in Armenia, in the year 405 AD. Very few fragments of illuminated manuscript from the 6th and 7th centuries have survived. The oldest fully preserved manuscript dates from the 9th century. The art experienced a golden age in the 13th and 14th centuries, when the main schools and centers started to pop-up (fifteen hundred centers of writing and illumination). The most striking are those of Syunik, Vaspurakan and Cilicia. Many Armenian illuminated manuscripts outside the country of Armenia have also survived the centuries. Despite the creation of the Armenian printing press in the 16th century, the production of miniatures continued until the 19th century and survives through modern Armenian painting and cinema. Armenian miniaturists have always been in contact with other artists of the East and the West whose art has deeply and richly influenced Armenian illumination. According to the Russian poet Valery Bryusov, \"crossing and intertwining before merging into a single and entirely new whole, two forces, two opposing principles have, over the centuries, governed the destiny of Armenia and shaped the character of its people: the principle of the West and that of the East, the spirit of Europe and the spirit of Asia\". The most famous works of Armenian miniaturists are distinguished by precise skill in execution, originality of composition and color treatment, brilliance due to the use of pigments mainly prepared with the bases of metal oxides and by an extremely stylized portrayal of the world. The Matenadaran Institute in Yerevan has the largest collection of Armenian manuscripts, including the Mugni Gospels and Echmiadzin Gospels. The second-largest collection of Armenian illuminated manuscripts is stored in the depository of the St. James Cathedral, of the Holy Apostolic Church's Patriarchate of Jerusalem. Other collections exist in the British Library, Biblioth\u00E8que nationale de France, and other large collections at the Mechitarist establishments in Venice and Vienna, as well as in the United States. The University of California, Los Angeles (UCLA) keeps an Armenian illuminated manuscript dating back to the 14th century among its collection of Armenian manuscripts, which is one of the largest in the world. They also have the manuscript of the (cf. University of Gladzor)."@en . . "8468344"^^ . . . . "Die Armenische Buchmalerei stand, wie die Armenische Kunst im Allgemeinen, in byzantinischer aber auch syrischer Tradition. Der bekannteste armenische Buchmaler, Toros Roslin, lebte im 13. Jahrhundert. Die Bibliothek Matenadaran in Jerewan beherbergt die gr\u00F6\u00DFte Sammlung armenischer Prachthandschriften, die seit 1997 zum Weltdokumentenerbe der UNESCO geh\u00F6rt. Zu den bedeutendsten Objekten z\u00E4hlen das Etschmiadzin-Evangeliar von 989 mit Elfenbein-Buchdeckeln aus dem 6. Jahrhundert und das Mughni-Evangeliar um 1060. Die zweitgr\u00F6\u00DFte Sammlung armenischer Handschriften wird in der Jakobuskirche im armenischen Viertel von Jerusalem aufbewahrt. Weitere armenische illuminierte Handschriften gibt es in der British Library, der Biblioth\u00E8que nationale de France, den Bibliotheken der Mechitaristen in Venedig und Wien und in anderen gro\u00DFen Sammlungen in Europa und in den Vereinigten Staaten. Die University of California, Los Angeles (UCLA) bewahrt unter anderem eine armenische Prachthandschrift aus dem 14. Jahrhundert auf."@de . . . . . . "Targmanchats Gospels3.jpg"@en . "Presentation of Jesus at the temple"@en . "Sargis Pitsak, self portrait, 1338.jpg"@en . . "The Gospel of St. John, Chapter 1, first page, the annunciation, the entry of Jesus into Jerusalem and Canon tables from the Ms. 6289 Gospels, 1323, Gladzor Monastery, Syunik. Written and illuminated by Toros Taronatsi."@en . . . . . "Targmanchats Gospels5.jpg"@en . . . "Echmiadzin gospels 1.jpg"@en . . "Jesus walking on water. Daniel of Uranc, 1433.jpg"@en . . "Frescoes and reliefs from the 10th-Century Akdamar Church, Lake Van, Turkey."@en . . . . . "La miniature arm\u00E9nienne est l'expression particuli\u00E8re de la miniature en Grande-Arm\u00E9nie, en Petite-Arm\u00E9nie et dans la diaspora arm\u00E9nienne. Son apparition remonte \u00E0 la cr\u00E9ation de l'alphabet arm\u00E9nien en Arm\u00E9nie, soit en l'an 405. Tr\u00E8s peu de fragments de manuscrits enlumin\u00E9s des VIe et VIIe si\u00E8cles ont surv\u00E9cu, le plus ancien conserv\u00E9 en entier datant du IXe si\u00E8cle. L'\u00E2ge d'or se situe aux XIIIe et XIVe si\u00E8cles, p\u00E9riode de la formation d\u00E9finitive des principales \u00E9coles et tendances (quinze cents centres d'\u00E9criture et d'enluminure). Les plus \u00E9clatantes sont celles de Siounie, du Vaspourakan et de Cilicie. De nombreux manuscrits arm\u00E9niens enlumin\u00E9s hors du pays d'Arm\u00E9nie ont aussi travers\u00E9 les si\u00E8cles. Malgr\u00E9 l'apparition de l'imprimerie arm\u00E9nienne au XVIe si\u00E8cle, la production de miniatures "@fr . . . "The three pages belong to the Walters Manuscript W.539."@en . . . "Gospels of Georg Alexief, Last Judgement, Walters Manuscript W.546, fol. 21r.jpg"@en . . "Echmiadzin gospels 4.jpg"@en . . . "Echmiazdin gospels.jpg"@en . "Ms6782.2.jpg"@en . . . . . . . . . . . . . . . "Die Armenische Buchmalerei stand, wie die Armenische Kunst im Allgemeinen, in byzantinischer aber auch syrischer Tradition. Der bekannteste armenische Buchmaler, Toros Roslin, lebte im 13. Jahrhundert. Die Bibliothek Matenadaran in Jerewan beherbergt die gr\u00F6\u00DFte Sammlung armenischer Prachthandschriften, die seit 1997 zum Weltdokumentenerbe der UNESCO geh\u00F6rt. Zu den bedeutendsten Objekten z\u00E4hlen das Etschmiadzin-Evangeliar von 989 mit Elfenbein-Buchdeckeln aus dem 6. Jahrhundert und das Mughni-Evangeliar um 1060."@de . . . . . . . "\u0410\u0445\u043F\u0430\u0442\u0441\u043A\u043E\u0435 \u0435\u0432\u0430\u043D\u0433\u0435\u043B\u0438\u0435.jpg"@en . . . "Malnazar - Saint Matthew - Google Art Project.jpg"@en . "Miniature arm\u00E9nienne"@fr . "Presentation at the temple, Eusebian Canon, scene of the life of Matthew the apostle and the baptism of Jesus. The four pages belong to the Mughni Gospel, 11th century AD."@en . . . . . . . "M10780G 22 EusebianLetter.jpg"@en . . "Female Troubadour with Saz"@en . "Portrait of Leon II and queen Guerane and their five children; 1272 AD."@en . "450"^^ . "Gospel, Isfahan, 1610.jpg"@en . . . . . . . . . . . . . . . . "M10780G 6 EusebianLetter.jpg"@en . . . "Part of a larger Armenian prayer roll representing Sargis the general, 1655 AD."@en . . . . . "\"the creation of the world\", by Malnazar, 1637-1638."@en . . "Biblical Magi by Yovannes De Barkri, 1362 AD."@en . "Mugni.jpg"@en . . . . . . . "500"^^ . . . . . . "Insel Akdamar \u0531\u0572\u0569\u0561\u0574\u0561\u0580, armenische Kirche zum Heiligen Kreuz \u054D\u0578\u0582\u0580\u0562 \u056D\u0561\u0579 .jpg"@en . . . . . . . "Armenian Gospel of Skewra, 1193. Italy, St. Ghazar, Mekhitarians old manuscripts library, Ms. 1635-125, no. 98v.jpg"@en . . . . "Homiliarium, Matenadaran, Ms. 7729.jpg"@en . "400"^^ . . . . . . . . "Birth of Jesus, washing of the feet, the transfiguration and the entombment of christ. Pages from the Yerven, Matenadaran, MS 6792 New Testament, 1302 AD, Siunik', scribe and artist; Momik."@en . . . . . . . . . . . "Page from Armenian bible illuminated by T'oros Roslin, 1256.jpg"@en . . . . . . "Miniatury manuskrypt\u00F3w ormia\u0144skich stanowi\u0105 wa\u017Cn\u0105 cz\u0119\u015B\u0107 dziedzictwa kulturalnego narodu ormia\u0144skiego. Gdy Armenia w roku 301 przyjmowa\u0142a chrze\u015Bcija\u0144stwo \u2013 pierwsza w \u015Bwiecie \u2013 jako religi\u0119 pa\u0144stwow\u0105, jej historia liczy\u0142a ju\u017C ponad tysi\u0105c lat. \u015Awi\u0119ty Mesrop Masztoc stworzy\u0142 w roku 406 alfabet ormia\u0144ski. W klasztorach mnisi mogli przepisywa\u0107 ewangeliarze i inne \u015Bwi\u0119te ksi\u0119gi w ojczystym j\u0119zyku ormia\u0144skim. Pisano na pergaminie, cz\u0119\u015Bciej dwustronnie, rzadko jednostronnie. Mnisi-miniaturzy\u015Bci zdobili ksi\u0119gi iluminacjami. Farby zag\u0119szczano spoiwem z bia\u0142ka jaj kurzych, stosowano zdobienie z\u0142otem listkowym. Stylistycznie miniatury zgodne by\u0142y z wymaganiami ikonografii chrze\u015Bcija\u0144skiej, wykazywa\u0142y jednak wp\u0142ywy miniatur perskich. Opr\u00F3cz postaci biblijnych ukazywa\u0142y fantastyczne stworzenia, bogate ornamenty ro\u015Blinne. Wiele pomys\u0142owo\u015Bci wida\u0107 w kompozycjach inicja\u0142\u00F3w, otaczaj\u0105cych litery bogat\u0105 dekoracj\u0105. Stylistycznie wyr\u00F3\u017Cnia si\u0119 kilka szk\u00F3\u0142, zwi\u0105zanych z klasztorami. Szczyt rozwoju sztuki miniatury ormia\u0144skiej przypada na XIII wiek. Za najwybitniejszego tw\u00F3rc\u0119 miniatury ormia\u0144skiej tego okresu krytycy sztuki uwa\u017Caj\u0105 Torosa Roslina (ur. 1210-1216, zm. 1270-1288). Zachowa\u0142o si\u0119 kilkana\u015Bcie manuskrypt\u00F3w z sygnatur\u0105 Roslina. Jego dzie\u0142a charakteryzuje niezwyk\u0142a precyzja. Na marginesach wok\u00F3\u0142 g\u0142\u00F3wnych miniatur rozmieszcza\u0142 niezwi\u0105zane z tematem rysunki fantastycznych ro\u015Blin i zwierz\u0105t. Twarze os\u00F3b mia\u0142y wyraziste rysy, wyra\u017Caj\u0105ce r\u00F3\u017Cne uczucia. Roslin zna\u0142 tw\u00F3rczo\u015B\u0107 mistrz\u00F3w miniatury Europy i Bizancjum, ale zachowa\u0142 w\u0142asny styl.Malarstwem miniaturowym zajmowali si\u0119 r\u00F3wnie\u017C arty\u015Bci diaspory ormia\u0144skiej w Europie i na Bliskim Wschodzie, tak\u017Ce we Lwowie. Podczas cz\u0119stych najazd\u00F3w mongolskich, arabskich, potem osma\u0144skich na ziemie Armenii \u015Bwi\u0119te ksi\u0119gi ukrywano i chroniono przed zniszczeniem. Najwi\u0119kszy ksi\u0119gozbi\u00F3r zgromadzono przez stulecia w Katolikacie Autokefalicznego Ko\u015Bcio\u0142a Apostolskiego Armenii w Eczmiadzinie. Wiele r\u0119kopis\u00F3w zgromadzono r\u00F3wnie\u017C w klasztorze mechitaryst\u00F3w na wyspie \u015Bw. \u0141azarza w Wenecji i w klasztorze \u015Bw. Akopa (Jakuba) w Jerozolimie. Ksi\u0119gozbi\u00F3r Katolikatu zosta\u0142 w roku 1920 skonfiskowany i upa\u0144stwowiony. Dopiero w roku 1939 przewieziono go do Erywania, tworz\u0105c Instytut Matenadaran (orm. \"ksi\u0119gozbi\u00F3r\") nazwany w roku 1962 imieniem tw\u00F3rcy pisma ormia\u0144skiego \u2013 Mesropa Masztoca. W latach 1945 \u2013 1957 zbudowano wed\u0142ug projektu architekta Marka Grigoriana budynek Instytutu.Do naukowego opracowania ksi\u0119gozbioru Matenadaranu przyczyni\u0142a si\u0119 szczeg\u00F3lnie historyczka sztuki ze Smole\u0144ska \u2013 Lidia Durnowo (1885-1963). Skazana w roku 1934 w Leningradzie jako rzekomy \u201Eaktywny cz\u0142onek kontrrewolucyjnej organizacji faszystowskiej\u201D na zes\u0142anie, przedosta\u0142a si\u0119 do Armenii i zaj\u0119\u0142a w latach 1937-1951 m.in. badaniami nad miniaturami r\u0119kopis\u00F3w ormia\u0144skich. Prace naukowe mog\u0142a jednak publikowa\u0107 tylko pod pseudonimem."@pl . . . . . . . "La miniature arm\u00E9nienne est l'expression particuli\u00E8re de la miniature en Grande-Arm\u00E9nie, en Petite-Arm\u00E9nie et dans la diaspora arm\u00E9nienne. Son apparition remonte \u00E0 la cr\u00E9ation de l'alphabet arm\u00E9nien en Arm\u00E9nie, soit en l'an 405. Tr\u00E8s peu de fragments de manuscrits enlumin\u00E9s des VIe et VIIe si\u00E8cles ont surv\u00E9cu, le plus ancien conserv\u00E9 en entier datant du IXe si\u00E8cle. L'\u00E2ge d'or se situe aux XIIIe et XIVe si\u00E8cles, p\u00E9riode de la formation d\u00E9finitive des principales \u00E9coles et tendances (quinze cents centres d'\u00E9criture et d'enluminure). Les plus \u00E9clatantes sont celles de Siounie, du Vaspourakan et de Cilicie. De nombreux manuscrits arm\u00E9niens enlumin\u00E9s hors du pays d'Arm\u00E9nie ont aussi travers\u00E9 les si\u00E8cles. Malgr\u00E9 l'apparition de l'imprimerie arm\u00E9nienne au XVIe si\u00E8cle, la production de miniatures s'est prolong\u00E9e jusqu'au XIXe si\u00E8cle et survit \u00E0 travers la peinture et le cin\u00E9ma arm\u00E9niens modernes. Le peuple d'Arm\u00E9nie a toujours \u00E9t\u00E9 en relation avec les autres peuples de l'Orient et de l'Occident dont l'art a influenc\u00E9 en profondeur et en richesses l'enluminure arm\u00E9nienne. Selon le po\u00E8te russe Val\u00E9ry Brioussov, \u00AB se croisant et s'entrela\u00E7ant avant de fusionner en un tout unique et enti\u00E8rement neuf, deux forces, deux principes oppos\u00E9s ont, au cours des si\u00E8cles, r\u00E9gi le destin de l'Arm\u00E9nie et fa\u00E7onn\u00E9 le caract\u00E8re de son peuple : le principe de l'Occident et celui de l'Orient, l'esprit de l'Europe et l'esprit de l'Asie \u00BB. Les plus belles \u0153uvres des miniaturistes arm\u00E9niens se distinguent par une grande habilet\u00E9 d'ex\u00E9cution, l'originalit\u00E9 de la composition et du traitement des couleurs, \u00E0 la brillance due \u00E0 l'utilisation de pigments principalement pr\u00E9par\u00E9s \u00E0 base d'oxydes m\u00E9talliques, ainsi que par une perception du monde extr\u00EAmement personnalis\u00E9e. Sur les 30 000 manuscrits arm\u00E9niens actuellement r\u00E9pertori\u00E9s dans le monde, environ 10 000 sont ornement\u00E9s, et entre 5 000 et 7 000 d'entre eux renferment des miniatures. La majeure partie est conserv\u00E9e au Matenadaran d'Erevan (plus de dix mille manuscrits et fragments de manuscrits)."@fr . "Toros Taronatsi.jpg"@en . . . . . "Portrait of John and Prochoros"@en . . . "Portrait of St. Matthew"@en . . . . . . . "Portrait of St. Mark"@en . . "2"^^ . "T'oros Roslin Gospels, Decorated page with image of Carpianus, Walters Manuscript W.539, fol. 2r.jpg"@en . "3"^^ . . . "T'oros Roslin Gospels, Portrait of John and Prochoros, Walters Manuscript W.539, fol. 317v.jpg"@en . . "Armenian illuminated manuscripts (Armenian: \u0540\u0561\u0575\u056F\u0561\u056F\u0561\u0576 \u0574\u0561\u0576\u0580\u0561\u0576\u056F\u0561\u0580\u0579\u0578\u0582\u0569\u0575\u0578\u0582\u0576, romanized: Haykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, and to Byzantine illuminated manuscripts. The earliest surviving examples date back to the Golden Age of Armenian art and literature in the 5th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values."@en . . . "The Rabbula gospels, 586 AD"@en . "Decorated Text Page with half figure of Eusebius - Google Art Project.jpg"@en . "Mlke gospel.jpg"@en . . "Armenianartil.jpg"@en . . . . . . . . "Scenes of the annunciation, nativity of Jesus, the last supper, dormition of Mary, Prochorus and John the apostle and the last judgment scene by Grigor, 1232, Targmanchats Gospels, MS2743 Matenadaran collection."@en . . . "Malnazar - David in Prayer - Google Art Project.jpg"@en . . . "Zeytun gospel.jpg"@en . . . "Dedicatory inscription"@en . . . . . "Skevra Evangeliary .jpg"@en . . "\u0412\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0430 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u0430 \u2014 \u043D\u0430\u0446\u0456\u043E\u043D\u0430\u043B\u044C\u043D\u0438\u0439 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u043D\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441 \u0441\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0432\u0456\u0447\u043D\u043E\u0457 \u0412\u0456\u0440\u043C\u0435\u043D\u0456\u0457, \u041A\u0456\u043B\u0456\u043A\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0446\u0430\u0440\u0441\u0442\u0432\u0430 \u0456 \u0434\u0435\u044F\u043A\u0438\u0445 \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0438\u0445 \u043A\u043E\u043B\u043E\u043D\u0456\u0439. \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0430 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u0430 \u043C\u0430\u0454 \u0434\u0435\u043A\u0456\u043B\u044C\u043A\u0430 \u043E\u0441\u043D\u043E\u0432\u043D\u0438\u0445 \u0433\u0440\u0443\u043F \u0456 \u0435\u0442\u0430\u043F\u0456\u0432 \u0440\u043E\u0437\u0432\u0438\u0442\u043A\u0443: \u0434\u043E XI \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F; \u0448\u043A\u043E\u043B\u0438 \u0412\u0435\u043B\u0438\u043A\u043E\u0457 \u0456 \u041C\u0430\u043B\u043E\u0457 \u0412\u0456\u0440\u043C\u0435\u043D\u0456\u0457 XI\u2013XII \u0441\u0442\u043E\u043B\u0456\u0442\u044C; \u041A\u0456\u043B\u0456\u043A\u0456\u0439\u0441\u044C\u043A\u043E\u0457 \u0412\u0456\u0440\u043C\u0435\u043D\u0456\u0457 XII\u2013XIV \u0441\u0442\u043E\u043B\u0456\u0442\u044C; \u0448\u043A\u043E\u043B\u0438 , \u0410\u043D\u0456, \u0410\u0440\u0446\u0430\u0445\u0430, \u0413\u043B\u0430\u0434\u0437\u043E\u0440\u0430, \u0422\u0430\u0442\u0435\u0432\u0430, \u0412\u0430\u0441\u043F\u0443\u0440\u0430\u043A\u0430\u043D\u0430 \u0437 XIII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F; \u043F\u0456\u0441\u043B\u044F XIII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F \u0442\u0430\u043A\u043E\u0436 \u0432 \u043A\u043E\u043B\u043E\u043D\u0456\u044F\u0445 \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u043E\u0457 \u0434\u0456\u0430\u0441\u043F\u043E\u0440\u0438."@uk . "Akdamar Church.JPG"@en . . . . "Turecko kostel svat\u00E9ho K\u0159\u00ED\u017Ee .jpg"@en . . . "Malnazar - The Creation of the World - Google Art Project.jpg"@en . . . . . "Mesrop of Khizan - Saint John the Evangelist - Google Art Project.jpg"@en . "Alexander romance. Armenian illuminated manuscript of XIV century .jpg"@en . . . . . . . . . . . "Pages from the 13th century gospel of Smbat."@en . "Avag-ms212-04-l 01.jpg"@en . . . . "Alexander romance, armenian illuminated manuscript of XIV century .jpg"@en . . . . "General Mushegh Mamikonian , the King Pap and Armenian cavalry soldiers. Miniature from the 16th century..jpg"@en . "left"@en . "Avag-ms212-04-l 03.jpg"@en . "Malnazar - Canon Table Page - Google Art Project .jpg"@en . . "Pages illuminated by Mesrop of khizan, 16-17th century."@en . "Pages from the M6288, Horomos, 1211 AD."@en . "Notrgir 1661.jpg"@en . . "Akhtamar paintings 6.jpg"@en . . . . "Avag-ms212-04-l 05.jpg"@en . . . "Alexander romance. Armenian illuminated manuscript of XIV century .jpg"@en . . "Pages from the Vehapar Gospel, 1088 AD."@en . . . . "Apocalypse of John, 1368.jpg"@en . "Gospels of Georg Alexief, Annunciation; Joseph's dream, Walters Manuscript W.546, fol. 4v.jpg"@en . . "\u041F\u0435\u0432\u0447\u0435\u0441\u043A\u0438\u0439 \u0441\u0431\u043E\u0440\u043D\u0438\u043A. 1322 \u0433. .jpg"@en . . . . . . "Miniatury manuskrypt\u00F3w ormia\u0144skich"@pl . . "Pages illuminated by Sargis Pitsak."@en . . . "Artist - Grigor Tatevatsi, 1378.jpg"@en . "Narek Matenadaran manuscript.jpg"@en . . . . . . . . . "Fresco of Christ's Crucifixion - Inside 10th-Century Akdamar Church - Lake Van - Turkey .jpg"@en . . "The Gospels .jpg"@en . "Gospels of Georg Alexief, Last Judgement, Walters Manuscript W.546, 17th century."@en . . . "\u0410\u0440\u043C\u044F\u043D\u0441\u043A\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u0430 \u2014 \u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u043E\u0439 \u0410\u0440\u043C\u0435\u043D\u0438\u0438, \u041A\u0438\u043B\u0438\u043A\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0430\u0440\u043C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u0446\u0430\u0440\u0441\u0442\u0432\u0430 \u0438 \u043D\u0435\u043A\u043E\u0442\u043E\u0440\u044B\u0445 \u0430\u0440\u043C\u044F\u043D\u0441\u043A\u0438\u0445 \u043A\u043E\u043B\u043E\u043D\u0438\u0439. \u0410\u0440\u043C\u044F\u043D\u0441\u043A\u0430\u044F \u043C\u0438\u043D\u0438\u0430\u0442\u044E\u0440\u0430 \u0438\u043C\u0435\u0435\u0442 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u043E \u043E\u0441\u043D\u043E\u0432\u043D\u044B\u0445 \u0433\u0440\u0443\u043F\u043F \u0438 \u044D\u0442\u0430\u043F\u043E\u0432 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044F: \u0434\u043E XI \u0432.; \u0448\u043A\u043E\u043B\u044B \u0412\u0435\u043B\u0438\u043A\u043E\u0439 \u0438 \u041C\u0430\u043B\u043E\u0439 \u0410\u0440\u043C\u0435\u043D\u0438\u0438 XI\u2014XII \u0432\u0432.; \u041A\u0438\u043B\u0438\u043A\u0438\u0439\u0441\u043A\u043E\u0439 \u0410\u0440\u043C\u0435\u043D\u0438\u0438 XII\u2014XIV \u0432\u0432.; \u0448\u043A\u043E\u043B\u044B \u0411\u0430\u0440\u0434\u0437\u0440-\u0410\u0439\u043A\u0430, \u0410\u043D\u0438, \u0410\u0440\u0446\u0430\u0445\u0430, \u0413\u043B\u0430\u0434\u0437\u043E\u0440\u0430, \u0422\u0430\u0442\u0435\u0432\u0430, \u0412\u0430\u0441\u043F\u0443\u0440\u0430\u043A\u0430\u043D\u0430 \u0441 XIII \u0432.; \u043F\u043E\u0441\u043B\u0435 XIII \u0432. \u0442\u0430\u043A\u0436\u0435 \u0432 \u043A\u043E\u043B\u043E\u043D\u0438\u044F\u0445 \u0430\u0440\u043C\u044F\u043D\u0441\u043A\u043E\u0439 \u0434\u0438\u0430\u0441\u043F\u043E\u0440\u044B."@ru . "Avag-ms212-04-l 07.jpg"@en . . . . . "The Bible .jpg"@en . "120794"^^ . "Sacrifice of Abraham.jpg"@en . . "Manuscript of Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 09.jpg"@en . . . "Mesrop of khizan christ jerusalem.jpg"@en . . . . . . . . . "Illuminated Armenian Gospel of Tatev monastery. Miniature by Grigor Tatevatsi, 1376. Yerevan, Matenadaran, Ms. no. 7482."@en . "Avag-ms212-10-l.jpg"@en . . . . . . . "Miniature1286.jpg"@en . "The holy women at the empty tomb"@en . . . . . . . "V1144G 5 StMark.jpg"@en . . . "\u0412\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0430 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u0430 \u2014 \u043D\u0430\u0446\u0456\u043E\u043D\u0430\u043B\u044C\u043D\u0438\u0439 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u043D\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441 \u0441\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0432\u0456\u0447\u043D\u043E\u0457 \u0412\u0456\u0440\u043C\u0435\u043D\u0456\u0457, \u041A\u0456\u043B\u0456\u043A\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0446\u0430\u0440\u0441\u0442\u0432\u0430 \u0456 \u0434\u0435\u044F\u043A\u0438\u0445 \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0438\u0445 \u043A\u043E\u043B\u043E\u043D\u0456\u0439. \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u0430 \u043C\u0456\u043D\u0456\u0430\u0442\u044E\u0440\u0430 \u043C\u0430\u0454 \u0434\u0435\u043A\u0456\u043B\u044C\u043A\u0430 \u043E\u0441\u043D\u043E\u0432\u043D\u0438\u0445 \u0433\u0440\u0443\u043F \u0456 \u0435\u0442\u0430\u043F\u0456\u0432 \u0440\u043E\u0437\u0432\u0438\u0442\u043A\u0443: \u0434\u043E XI \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F; \u0448\u043A\u043E\u043B\u0438 \u0412\u0435\u043B\u0438\u043A\u043E\u0457 \u0456 \u041C\u0430\u043B\u043E\u0457 \u0412\u0456\u0440\u043C\u0435\u043D\u0456\u0457 XI\u2013XII \u0441\u0442\u043E\u043B\u0456\u0442\u044C; \u041A\u0456\u043B\u0456\u043A\u0456\u0439\u0441\u044C\u043A\u043E\u0457 \u0412\u0456\u0440\u043C\u0435\u043D\u0456\u0457 XII\u2013XIV \u0441\u0442\u043E\u043B\u0456\u0442\u044C; \u0448\u043A\u043E\u043B\u0438 , \u0410\u043D\u0456, \u0410\u0440\u0446\u0430\u0445\u0430, \u0413\u043B\u0430\u0434\u0437\u043E\u0440\u0430, \u0422\u0430\u0442\u0435\u0432\u0430, \u0412\u0430\u0441\u043F\u0443\u0440\u0430\u043A\u0430\u043D\u0430 \u0437 XIII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F; \u043F\u0456\u0441\u043B\u044F XIII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F \u0442\u0430\u043A\u043E\u0436 \u0432 \u043A\u043E\u043B\u043E\u043D\u0456\u044F\u0445 \u0432\u0456\u0440\u043C\u0435\u043D\u0441\u044C\u043A\u043E\u0457 \u0434\u0456\u0430\u0441\u043F\u043E\u0440\u0438."@uk . . "V1144G 4v StMatthew.jpg"@en . "Gospel of eight painters, Matthew the Evangelist by Sargis Pitzak.jpg"@en . . "Matenadaran, MS 6792.jpg"@en . . . . . . . . "Presentation at the temple"@en . . . "10"^^ . . . . . . . . . . . . "Targmanchats Gospels2.jpg"@en . . . . . "1124745039"^^ . "Targmanchats Gospels4.jpg"@en . "Manuscript of Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 12.jpg"@en . "Armenian illuminated manuscripts."@en . . "Sargis Pitsak.jpg"@en . . . . . . . . "Malnazar - Saint Paul and Sergius, Roman Proconsul in Cyprus - Google Art Project.jpg"@en . "Examples of Armenian illuminated manuscripts from the Gladzor University, 13-14th century."@en . "Crucifixion"@en . . . "Decorated page with image of Carpianus, Walters Manuscript W.539."@en . "Armenian illuminated manuscripts"@en . "Pages from the Homiliary of Mush, Matenadaran, 1200-1202"@en . "Echmiadzin gospels 2.jpg"@en . . . . . . . . . . . "Echmiadzin tempietto.jpg"@en . . . . . "Ms6782.1.jpg"@en . . "Lectionary of Hethum II, Matenadaran, Ms. 979."@en . . "Armenische Buchmalerei"@de . "\u0421\u0432\u044F\u0442\u043E\u0439_\u0421\u0430\u0440\u043A\u0438\u0441_-_\u043F\u043E\u043A\u0440\u043E\u0432\u0438\u0442\u0435\u043B\u044C_\u0432\u043B\u044E\u0431\u043B\u0451\u043D\u043D\u044B\u0445.jpg"@en . . . . . . "Hovhannes Sandghkavanetsi.jpg"@en . . . "The Mlke gospel, 862 AD"@en . . . . . . "T'oros Roslin Gospels, The Last Judgment, Walters Manuscript W.539, fol. 109v.jpg"@en . . . . . . "Ms6782.3.jpg"@en . . . . . . . . . . . . . . "Tempietto , probably meant to represent the church of the Holy Sepulchre"@en . "Malnazar - Saint Luke - Google Art Project.jpg"@en . . . . . "Gospel 1260.jpg"@en . . "Malnazar - Decorated Incipit Page - Google Art Project.jpg"@en . . . . . . . . . "Christ on throne from Etchmiadzin gospel 989.jpg"@en . "M10780G 28 EusebianLetter.jpg"@en . . . "Gospels of Georg Alexief, Presentation in the Temple, Walters Manuscript W.546, fol. 8v.jpg"@en . . . . "Illuminated Armenian Gospel of Tatev monastery, 1297. Miniature by Grigor Tatevatsi, 1376. Yerevan, Matenadaran, Ms. no. 7482.jpg"@en . "Various pages from Armenian manuscripts illuminated by Toros Roslin."@en . "Annunciation"@en . "Portrait of Levon V in manuscript of Armenian translation of Assises d'Antioche.jpg"@en . "Feeding the multitude, Daniel of Uranc, 1433.jpg"@en . . . "Gospels of Georg Alexief, probably produced in Constantinople, 17th century."@en . "Christ, the donor and the scribe .jpg"@en . "Mugni page.jpg"@en . . . . . . "Gospel of eight painters Title page of Matthew gospel by Toros Roslin.jpg"@en . "Crucifixion of Jesus, Sargis Pitsak .jpg"@en . . "Skevra Evangeliary , National Library of Poland, Rps akc.17680."@en . . "Canon table"@en . . . . "Mesrop of Khizan - The Baptism of Christ - Google Art Project.jpg"@en . . . . . "Pages from Armenian illuminated manuscripts produced in Isfahan, 17th century AD.\n General Mushegh Mamikonian, the King Pap and Armenian cavalry soldiers, 16th century and a page by Karapet de Berkri, 15th century."@en . . . . . . . . . "The sign of the Son of Man appearing in Heaven"@en . . "Fresco inside 10th-Century Akdamar Church - Lake Van - Turkey - 02 .jpg"@en . . . "David .jpg"@en . . . "Sacrifice of Abraham"@en . . "Book of Lamentations by Grigor Narekatsi, Ms. 1568 , Matenadaran, Yerevan, Armenia, painted by Grigor Mlichetsi."@en . . "Toros Roslin Manrankar.jpg"@en . "Various examples of pages from manuscripts illuminated by Daniel of Uranc."@en . . . . .