"1002205933"^^ . . "La actitud, en t\u00E9rminos de las bellas artes, se refiere a la postura o gesto que le da un pintor o escultor a una figura. Se aplica al cuerpo y no al estado mental, pero se presume que la disposici\u00F3n del cuerpo sirve un prop\u00F3sito comunicativo o expresivo. Un ejemplo de una actitud convencional en el arte es la proskynesis para indicar el respeto sumiso hacia Dios, hacia los emperadores, hacia los cl\u00E9rigos de alto rango y hacia los iconos religiosos; en el arte bizantino, es particularmente caracter\u00EDstica en las representaciones del emperador que rinde homenaje a Cristo. En el estudio de la historia del arte de los siglos XX y XXI, la actitud se utiliza generalmente para etiquetar una de estas posturas convencionales; otro ejemplo es la postura de orante. La actitud era probablemente m\u00E1s importante como t\u00E9rmino est\u00E9tico en el siglo XIX cuando se defin\u00EDa en un diccionario, relacionado con el arte, como la postura o inclinaci\u00F3n de las extremidades de una figura, por la cual descubrimos la acci\u00F3n en la que est\u00E1 comprometida, y el sentimiento mismo que se supone que est\u00E1 en la mente de la persona representada. La actitud comprende todos los movimientos del cuerpo y requiere un conocimiento perfecto de la proporci\u00F3n y de todo lo que se refiera al centro de gravedad; pero cualquiera que sea la actitud que se le d\u00E9 a una figura, esa actitud debe mostrar las partes hermosas, tanto como el tema lo permita; hay que dejar al tema ser lo que quiera ser. Adem\u00E1s, debe tener un giro que pueda difundir la belleza por sobre la acci\u00F3n, pero manteniendo la probabilidad o el car\u00E1cter de la figura. Se permite que la elecci\u00F3n de actitudes finas constituya la mayor parte de las bellezas del agrupamiento."@es . "Attitude (art)"@en . "\u0641\u0646 \u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062C\u0633\u0645\u064A\u0629"@ar . . . . . "\u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062C\u0633\u0645\u064A\u0629 \u0647\u064A \u062A\u0639\u0628\u064A\u0631 \u0639\u0646 \u0641\u0646\u0648\u0646 \u062C\u0645\u064A\u0644\u0629 \u062A\u0634\u064A\u0631 \u0625\u0644\u0649 \u0647\u064A\u0626\u0629 \u0623\u0648 \u0639\u0645\u0644 \u0641\u0646\u064A \u0645\u0644\u0641\u062A \u0628\u0648\u0627\u0633\u0637\u0629 \u0631\u0633\u0627\u0645 \u0623\u0648 \u0646\u062D\u0627\u062A. \u064A\u0646\u0637\u0628\u0642 \u0639\u0644\u0649 \u0627\u0644\u0647\u064A\u0626\u0629 \u0648\u0644\u064A\u0633 \u0639\u0644\u0649 \u0627\u0644\u062D\u0627\u0644\u0629 \u0627\u0644\u0639\u0642\u0644\u064A\u0629\u060C \u0644\u0643\u0646 \u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u0647\u064A\u0626\u0629 \u064A\u0641\u062A\u0631\u0636 \u0627\u0646 \u062A\u062E\u062F\u0645 \u0627\u0644\u063A\u0631\u0636 \u0627\u0644\u0645\u0631\u0627\u062F \u0627\u064A\u0635\u0627\u0644\u0647 \u0648\u0627\u0644\u062A\u0639\u0628\u064A\u0631 \u0639\u0646\u0647. \u0645\u0646 \u0627\u0644\u0623\u0645\u062B\u0644\u0629 \u0639\u0644\u0649 \u0641\u0646 \u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062A\u0642\u0644\u064A\u062F\u064A \u0627\u0644\u0639\u0628\u0627\u062F\u0629 (PROSKYNESIS) \u0627\u0644\u0630\u064A \u064A\u0634\u064A\u0631 \u0627\u0644\u0627\u062D\u062A\u0631\u0627\u0645 \u0648\u0627\u0644\u062E\u0636\u0648\u0639 \u0625\u0644\u0649 \u0627\u0644\u0627\u0644\u0647\u060C \u0627\u0644\u0627\u0628\u0627\u0637\u0631\u0629\u060C \u0627\u0644\u0643\u0647\u0646\u0629 (\u0631\u062C\u0627\u0644 \u0627\u0644\u062F\u064A\u0646)\u060C \u0630\u0648 \u0627\u0644\u0645\u0643\u0627\u0646\u0627\u062A \u0627\u0644\u0639\u0627\u0644\u064A\u0629\u060C \u0627\u0644\u0631\u0645\u0648\u0632 \u0627\u0644\u062F\u064A\u0646\u064A\u0629\u061B \u0641\u064A \u0627\u0644\u0641\u0646 \u0627\u0644\u0628\u064A\u0632\u0646\u0637\u064A \u0627\u0644\u0630\u064A \u064A\u062A\u0645\u064A\u0632 \u0628\u0634\u0643\u0644 \u062E\u0627\u0635 \u0628\u0648\u0635\u0641 \u0627\u0644\u0625\u0645\u0628\u0631\u0627\u0637\u0648\u0631 \u0627\u0644\u0630\u064A \u064A\u0643\u0631\u0645 \u0627\u0644\u0645\u0633\u064A\u062D. \u0641\u064A \u0627\u0644\u0642\u0631\u0646 20-21 \u0641\u064A \u062A\u0627\u0631\u064A\u062E \u0641\u0646 \u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062C\u0633\u0645\u064A\u0629 \u062A\u0645 \u0627\u0633\u062A\u062E\u062F\u0627\u0645\u0647 \u0641\u064A \u0645\u0639\u0638\u0645 \u0627\u0644\u0623\u062D\u064A\u0627\u0646 \u0644\u062A\u0645\u064A\u064A\u0632 \u0625\u062D\u062F\u0649 \u062A\u0644\u0643 \u0627\u0644\u0647\u064A\u0626\u0627\u062A \u0627\u0644\u062A\u0642\u0644\u064A\u062F\u064A\u0629 \u0643\u0648\u0636\u0639\u064A\u0629 \u0623\u0648\u0631\u0627\u0646\u0633."@ar . "4205"^^ . . . . . . . . . . . "Attitude as a term of fine art refers to the posture or gesture given to a figure by a painter or sculptor. It applies to the body and not to a mental state, but the arrangement of the body is presumed to serve a communicative or expressive purpose. An example of a conventional attitude in art is proskynesis to indicate submissive respect toward God, emperors, clerics of high status, and religious icons; in Byzantine art, it is particularly characteristic in depictions of the emperor paying homage to Christ. In 20th- and 21st-century art history, \"attitude\" is used most often to label one of these conventional postures; another example is the orans pose."@en . . . . "Attitude as a term of fine art refers to the posture or gesture given to a figure by a painter or sculptor. It applies to the body and not to a mental state, but the arrangement of the body is presumed to serve a communicative or expressive purpose. An example of a conventional attitude in art is proskynesis to indicate submissive respect toward God, emperors, clerics of high status, and religious icons; in Byzantine art, it is particularly characteristic in depictions of the emperor paying homage to Christ. In 20th- and 21st-century art history, \"attitude\" is used most often to label one of these conventional postures; another example is the orans pose. \"Attitude\" was arguably more important as an aesthetic term in the 19th century, when it was defined in one art-related dictionary as the posture or disposition of the limbs and members of a figure, by which we discover the action in which it is engaged, and the very sentiment supposed to be in the mind of the person represented. It comprehends all the motions of the body, and requires a perfect knowledge of ponderation, and whatever refers to the centre of gravity; but whatsoever attitude be given to any figure, that attitude must show the beautiful parts, as much as the subject will permit, let the subject be what it will. It must, besides, have such a turn as, without departing from probability, or from the character of the figure, may diffuse a beauty over the action. It is allowed that the choice of fine attitudes constitutes the greatest part of the beauties of grouping."@en . . . . . . . "23767901"^^ . . "Actitud (arte)"@es . "\u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062C\u0633\u0645\u064A\u0629 \u0647\u064A \u062A\u0639\u0628\u064A\u0631 \u0639\u0646 \u0641\u0646\u0648\u0646 \u062C\u0645\u064A\u0644\u0629 \u062A\u0634\u064A\u0631 \u0625\u0644\u0649 \u0647\u064A\u0626\u0629 \u0623\u0648 \u0639\u0645\u0644 \u0641\u0646\u064A \u0645\u0644\u0641\u062A \u0628\u0648\u0627\u0633\u0637\u0629 \u0631\u0633\u0627\u0645 \u0623\u0648 \u0646\u062D\u0627\u062A. \u064A\u0646\u0637\u0628\u0642 \u0639\u0644\u0649 \u0627\u0644\u0647\u064A\u0626\u0629 \u0648\u0644\u064A\u0633 \u0639\u0644\u0649 \u0627\u0644\u062D\u0627\u0644\u0629 \u0627\u0644\u0639\u0642\u0644\u064A\u0629\u060C \u0644\u0643\u0646 \u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u0647\u064A\u0626\u0629 \u064A\u0641\u062A\u0631\u0636 \u0627\u0646 \u062A\u062E\u062F\u0645 \u0627\u0644\u063A\u0631\u0636 \u0627\u0644\u0645\u0631\u0627\u062F \u0627\u064A\u0635\u0627\u0644\u0647 \u0648\u0627\u0644\u062A\u0639\u0628\u064A\u0631 \u0639\u0646\u0647. \u0645\u0646 \u0627\u0644\u0623\u0645\u062B\u0644\u0629 \u0639\u0644\u0649 \u0641\u0646 \u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062A\u0642\u0644\u064A\u062F\u064A \u0627\u0644\u0639\u0628\u0627\u062F\u0629 (PROSKYNESIS) \u0627\u0644\u0630\u064A \u064A\u0634\u064A\u0631 \u0627\u0644\u0627\u062D\u062A\u0631\u0627\u0645 \u0648\u0627\u0644\u062E\u0636\u0648\u0639 \u0625\u0644\u0649 \u0627\u0644\u0627\u0644\u0647\u060C \u0627\u0644\u0627\u0628\u0627\u0637\u0631\u0629\u060C \u0627\u0644\u0643\u0647\u0646\u0629 (\u0631\u062C\u0627\u0644 \u0627\u0644\u062F\u064A\u0646)\u060C \u0630\u0648 \u0627\u0644\u0645\u0643\u0627\u0646\u0627\u062A \u0627\u0644\u0639\u0627\u0644\u064A\u0629\u060C \u0627\u0644\u0631\u0645\u0648\u0632 \u0627\u0644\u062F\u064A\u0646\u064A\u0629\u061B \u0641\u064A \u0627\u0644\u0641\u0646 \u0627\u0644\u0628\u064A\u0632\u0646\u0637\u064A \u0627\u0644\u0630\u064A \u064A\u062A\u0645\u064A\u0632 \u0628\u0634\u0643\u0644 \u062E\u0627\u0635 \u0628\u0648\u0635\u0641 \u0627\u0644\u0625\u0645\u0628\u0631\u0627\u0637\u0648\u0631 \u0627\u0644\u0630\u064A \u064A\u0643\u0631\u0645 \u0627\u0644\u0645\u0633\u064A\u062D. \u0641\u064A \u0627\u0644\u0642\u0631\u0646 20-21 \u0641\u064A \u062A\u0627\u0631\u064A\u062E \u0641\u0646 \u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062C\u0633\u0645\u064A\u0629 \u062A\u0645 \u0627\u0633\u062A\u062E\u062F\u0627\u0645\u0647 \u0641\u064A \u0645\u0639\u0638\u0645 \u0627\u0644\u0623\u062D\u064A\u0627\u0646 \u0644\u062A\u0645\u064A\u064A\u0632 \u0625\u062D\u062F\u0649 \u062A\u0644\u0643 \u0627\u0644\u0647\u064A\u0626\u0627\u062A \u0627\u0644\u062A\u0642\u0644\u064A\u062F\u064A\u0629 \u0643\u0648\u0636\u0639\u064A\u0629 \u0623\u0648\u0631\u0627\u0646\u0633. \u0643\u0627\u0646 \u0641\u0646 \u0627\u0644\u0647\u064A\u0626\u0629 \u0627\u0644\u062C\u0633\u0645\u064A\u0629 \u0623\u0643\u062B\u0631 \u0623\u0647\u0645\u064A\u0629 \u0643\u0645\u0635\u0637\u0644\u062D \u062C\u0645\u0627\u0644\u064A \u0641\u064A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u062A\u0627\u0633\u0639 \u0639\u0634\u0631\u060C \u062A\u0645 \u062A\u0639\u0631\u064A\u0641\u0647 \u0641\u064A \u0642\u0627\u0645\u0648\u0633 \u0641\u0646\u064A \u0648\u0627\u062D\u062F \u0639\u0644\u0649 \u0627\u0646\u0647 \u0627\u0644\u0647\u064A\u0626\u0629 \u0623\u0648 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0644\u0623\u0637\u0631\u0627\u0641 \u0648\u0623\u0639\u0636\u0627\u0621 \u0627\u0644\u0634\u0643\u0644 \u0648\u0627\u0644\u0630\u064A \u0645\u0646 \u062E\u0644\u0627\u0644\u0647\u0645 \u0646\u0643\u062A\u0634\u0641 \u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0630\u064A \u0627\u0631\u062A\u0628\u0637 \u0628\u0647 \u0648\u0627\u0644\u0645\u0634\u0627\u0639\u0631 \u0630\u0627\u062A\u0647\u0627 \u0627\u0644\u062A\u064A \u062A\u0641\u062A\u0631\u0636 \u0627\u0646 \u062A\u0643\u0648\u0646 \u0641\u064A \u0630\u0647\u0646 \u0627\u0644\u0634\u062E\u0635 \u0627\u0644\u0630\u064A \u064A\u062A\u0645 \u062A\u0645\u062B\u064A\u0644\u0647. \u064A\u0641\u0647\u0645 \u0647\u0630\u0627 \u0627\u0644\u0641\u0646 \u0643\u0644 \u062A\u062D\u0631\u0643\u0627\u062A \u0627\u0644\u062C\u0633\u0645\u060C \u0648\u064A\u062A\u0637\u0644\u0628 \u0627\u0644\u0645\u0639\u0631\u0641\u0629 \u0627\u0644\u0643\u0627\u0645\u0644\u0629 \u0628\u0627\u0644\u062A\u0641\u0643\u064A\u0631\u060C \u0648\u0623\u064A\u0627 \u0643\u0627\u0646 \u0645\u0627 \u064A\u0634\u064A\u0631 \u0625\u0644\u0649 \u0645\u0631\u0643\u0632 \u0627\u0644\u062C\u0627\u0630\u0628\u064A\u0629\u061B \u0648\u0644\u0643\u0646 \u0645\u0647\u0645\u0627 \u0643\u0627\u0646 \u0645\u0648\u0642\u0641 \u0623\u064A \u0634\u062E\u0635\u064A\u0629\u060C \u064A\u062C\u0628 \u0627\u0646 \u064A\u0628\u064A\u0646 \u0627\u0644\u0623\u062C\u0632\u0627\u0621 \u0627\u0644\u062C\u0645\u064A\u0644\u0629 \u0628\u0642\u062F\u0631 \u0645\u0627 \u0633\u064A\u0633\u0645\u062D \u0628\u0647 \u0627\u0644\u0645\u0648\u0636\u0648\u0639\u060C \u0641\u0644\u064A\u0643\u0646 \u0627\u0644\u0645\u0648\u0636\u0648\u0639 \u0645\u0627 \u0633\u064A\u0643\u0648\u0646 \u0639\u0644\u064A\u0647. \u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0630\u0644\u0643\u060C \u064A\u062C\u0628 \u0627\u0646 \u064A\u062D\u062A\u0648\u064A \u0639\u0644\u0649 \u062F\u0648\u0631 \u0628\u062F\u0648\u0646 \u0627\u0644\u062E\u0631\u0648\u062C \u0639\u0646 \u0627\u0644\u0627\u062D\u062A\u0645\u0627\u0644 \u0623\u0648 \u0639\u0646 \u0637\u0628\u064A\u0639\u0629 \u0627\u0644\u0634\u062E\u0635\u064A\u0629\u060C \u0641\u0642\u062F \u064A\u0639\u0637\u064A \u062C\u0645\u0627\u0644\u0627 \u0625\u0636\u0627\u0641\u064A \u0644\u0644\u0639\u0645\u0644. \u0643\u0645\u0627 \u0647\u0648 \u0645\u0633\u0645\u0648\u062D \u0628\u0627\u062E\u062A\u064A\u0627\u0631 \u0627\u0644\u0645\u0648\u0627\u0642\u0641 \u0627\u0644\u062A\u064A \u062A\u0634\u0643\u0644 \u0627\u0644\u062C\u0632\u0621 \u0627\u0644\u0623\u0631\u0648\u0639 \u0645\u0646 \u062C\u0645\u0627\u0644\u064A\u0627\u062A \u0627\u0644\u0641\u0646."@ar . . . . . "La actitud, en t\u00E9rminos de las bellas artes, se refiere a la postura o gesto que le da un pintor o escultor a una figura. Se aplica al cuerpo y no al estado mental, pero se presume que la disposici\u00F3n del cuerpo sirve un prop\u00F3sito comunicativo o expresivo. Un ejemplo de una actitud convencional en el arte es la proskynesis para indicar el respeto sumiso hacia Dios, hacia los emperadores, hacia los cl\u00E9rigos de alto rango y hacia los iconos religiosos; en el arte bizantino, es particularmente caracter\u00EDstica en las representaciones del emperador que rinde homenaje a Cristo. En el estudio de la historia del arte de los siglos XX y XXI, la actitud se utiliza generalmente para etiquetar una de estas posturas convencionales; otro ejemplo es la postura de orante."@es . . . . . . . . . . . . .