. . . "Baraka (film)"@en . . . . . . . . . . . . "Baraka ist ein experimenteller Dokumentarfilm aus dem Jahr 1992 von Ron Fricke. Das Wort \u201EBaraka\u201C im Titel weist auf die islamische \u201ESegenskraft\u201C hin. Fricke hatte zuvor als Kameramann bei dem Film Koyaanisqatsi, zu dem Parallelen bestehen, mitgewirkt."@de . "Baraka (pel\u00EDcula)"@es . . . "None"@en . . . . . . . . . "\u5929\u5730\u7384\u9EC4"@zh . . . . . . . . . . . . . . . . . . . "\uBC14\uB77C\uCE74(Baraka)\uB294 \uBBF8\uAD6D\uC5D0\uC11C \uC81C\uC791\uB41C \uAC10\uB3C5\uC758 1992\uB144 \uB2E4\uD050\uBA58\uD130\uB9AC, \uC804\uC7C1 \uC601\uD654\uC774\uB2E4. \uC774 \uC601\uD654\uB294 24\uAC1C\uAD6D 152\uAC1C \uC9C0\uC5ED\uC5D0\uC11C \uCD2C\uC601\uB418\uC5C8\uB2E4."@ko . . . "Baraka \u00E4r en dokument\u00E4rfilm fr\u00E5n 1992 som skildrar kultur, natur och olika religi\u00F6sa ritualer. Bakom Baraka st\u00E5r den amerikanska regiss\u00F6ren och filmfotografen Ron Fricke. Ordet Baraka kommer fr\u00E5n arabiska och betyder en v\u00E4lsignelse. Filmen \u00E4r icke narrativ och har varken handling eller sk\u00E5despelare. Filmmusiken \u00E4r skriven av bland annat . Musiken \u00E4r inspirerad av religi\u00F6sa ritualer och natur. Baraka \u00E4r filmad med 70mm film. Det planeras att sl\u00E4ppas en uppf\u00F6ljare \u00E5r 2011, Samsara. I oktober 2008 sl\u00E4pptes en digital remastrad version av Baraka ut p\u00E5 Blu-Ray Disc och DVD."@sv . . . . "103767"^^ . "Mark Magidson"@en . . . . . . . . . . . "\u300A\u5929\u5730\u7384\u9EC4\u300B\uFF08Baraka\uFF09\u662F\u4E00\u90E81992\u5E74\u7531\u5BFC\u6F14\uFF0C\u91C7\u7528\uFF08\uFF09\u80F6\u7247\u62CD\u6444\u7684\u7EAA\u5F55\u7247\u3002 \u82F1\u6587\u540D\u5728\u8BF8\u591A\u4E0D\u540C\u8BED\u8A00\u4E2D\u4E3A\u7948\u795E\u7977\u544A\u4E4B\u610F\uFF0C\u6E90\u81EA\u963F\u62C9\u4F2F\u8BED \u0628\u0631\u0643\u0629\u2014\u2014\u4ECE\u5929\u800C\u964D\u7684\u95EA\u65CF\u7956\u5148\uFF0C\u4E0E\u5E0C\u4F2F\u6765\u8BED\u201CBerakhah\u201D\u540C\u6E90\u3002\u4E2D\u6587\u540D\u201C\u5929\u5730\u7384\u9EC4\u201D \u5219\u51FA\u81EA\u300A\u6613\u7ECF\u300B\u201C\u5929\u7384\u5730\u9EC4\u201D\u4E00\u8BED\uFF0C\u540E\u4E8E\u300A\u6DEE\u5357\u5B50\u300B\u4E2D\u6240\u8FF0\u5408\u79F0\u4E3A\u201C\u5929\u5730\u7384\u9EC4\uFF0C\u5B87\u5B99\u6D2A\u8352\u201D\uFF0C\u610F\u4E3A\u4E16\u95F4\u6DF7\u4E71\u6DF7\u6C8C\u72B6\u6001\u3002\u7531\u4E8E\u7C7B\u4F3C\u7684\u4E3B\u9898\u548C\u62CD\u6444\u624B\u6CD5\uFF0C\u8BE5\u7247\u5E38\u88AB\u4EBA\u62FF\u6765\u4E0E\u300A\u5931\u8861\u751F\u6D3B\u300B\u6BD4\u8F83\u3002"@zh . . . . . . . "1300000.0"^^ . . "2000000.0"^^ . . . . . "Ron Fricke"@en . . . . . . . . . . . . . . . . . . . . . . . "Baraka (film)"@it . . . "\uBC14\uB77C\uCE74(Baraka)\uB294 \uBBF8\uAD6D\uC5D0\uC11C \uC81C\uC791\uB41C \uAC10\uB3C5\uC758 1992\uB144 \uB2E4\uD050\uBA58\uD130\uB9AC, \uC804\uC7C1 \uC601\uD654\uC774\uB2E4. \uC774 \uC601\uD654\uB294 24\uAC1C\uAD6D 152\uAC1C \uC9C0\uC5ED\uC5D0\uC11C \uCD2C\uC601\uB418\uC5C8\uB2E4."@ko . . "Ron Fricke"@en . . . . "1300000.0"^^ . . "\u00AB\u0411\u0430\u0440\u0430\u0301\u043A\u0430\u00BB (\u0430\u043D\u0433\u043B. Baraka) \u2014 \u0434\u043E\u043A\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u0420\u043E\u043D\u0430 \u0424\u0440\u0438\u043A\u0435, \u0436\u0430\u043D\u0440 \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u043C\u043E\u0436\u0435\u0442 \u0431\u044B\u0442\u044C \u0442\u0430\u043A\u0436\u0435 \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D \u043A\u0430\u043A \u0444\u0438\u043B\u043E\u0441\u043E\u0444\u0441\u043A\u043E\u0435 \u043A\u0438\u043D\u043E\u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0435 \u044D\u0441\u0441\u0435. \u0412 \u044D\u0442\u043E\u043C \u0444\u0438\u043B\u044C\u043C\u0435 \u0420\u043E\u043D \u0424\u0440\u0438\u043A\u0435 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u0435\u0442 \u0438\u0437\u043E\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u0443\u044E \u0442\u0435\u0445\u043D\u0438\u043A\u0443, \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u043D\u043D\u0443\u044E \u0438\u043C \u0432 \u0441\u0432\u043E\u0438\u0445 \u043F\u0440\u0435\u0434\u044B\u0434\u0443\u0449\u0438\u0445 \u043A\u0430\u0440\u0442\u0438\u043D\u0430\u0445 \u0425\u0440\u043E\u043D\u043E\u0441 (1985) \u0438 Sacred Site (1986), \u0430 \u0435\u0449\u0451 \u0440\u0430\u043D\u0435\u0435 \u2014 \u0432 \u00AB\u041A\u043E\u044F\u043D\u0438\u0441\u043A\u0430\u0446\u0446\u0438\u00BB (1983) \u0413\u043E\u0434\u0444\u0440\u0438 \u0420\u0435\u0434\u0436\u0438\u043E, \u0433\u0434\u0435 \u0420\u043E\u043D \u0432\u044B\u0441\u0442\u0443\u043F\u0430\u043B \u043A\u0430\u043A \u0441\u043E\u0430\u0432\u0442\u043E\u0440 \u0438 \u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440. \u0420\u043E\u043D \u0424\u0440\u0438\u043A\u0435 \u0438 \u0432\u043C\u0435\u0441\u0442\u0435 \u0441 \u043A\u043E\u043C\u0430\u043D\u0434\u043E\u0439 \u0438\u0437 \u0442\u0440\u0451\u0445 \u0447\u0435\u043B\u043E\u0432\u0435\u043A \u0432 \u0442\u0435\u0447\u0435\u043D\u0438\u0435 14 \u043C\u0435\u0441\u044F\u0446\u0435\u0432 \u0441\u044A\u0451\u043C\u043E\u043A \u043F\u043E\u0431\u044B\u0432\u0430\u043B\u0438 \u0432 24 \u0441\u0442\u0440\u0430\u043D\u0430\u0445. \u0424\u0438\u043B\u044C\u043C \u0441\u043D\u044F\u0442 \u043A\u0430\u043C\u0435\u0440\u043E\u0439 \u0448\u0438\u0440\u043E\u043A\u043E\u0444\u043E\u0440\u043C\u0430\u0442\u043D\u043E\u0439 \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u0441\u0438\u0441\u0442\u0435\u043C\u044B \u00ABTodd-AO\u00BB (65 \u043C\u043C), \u0434\u043B\u044F \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0420\u043E\u043D \u0441\u043A\u043E\u043D\u0441\u0442\u0440\u0443\u0438\u0440\u043E\u0432\u0430\u043B \u0446\u0435\u0439\u0442\u0440\u0430\u0444\u0435\u0440, \u043F\u043E\u0437\u0432\u043E\u043B\u044F\u044E\u0449\u0438\u0439 \u0441\u043D\u0438\u043C\u0430\u0442\u044C \u0443\u0434\u0438\u0432\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u0435 \u043A\u0430\u0434\u0440\u044B \u0441 \u0443\u0441\u043A\u043E\u0440\u0435\u043D\u043D\u044B\u043C \u0445\u043E\u0434\u043E\u043C \u0432\u0440\u0435\u043C\u0435\u043D\u0438. \u0421\u043B\u043E\u0432\u043E \u00AB\u0431\u0430\u0440\u0430\u043A\u0430\u00BB \u0432 \u0430\u0440\u0430\u0431\u0441\u043A\u043E\u043C, \u0430 \u0442\u0430\u043A\u0436\u0435 \u043F\u043E\u0434\u0432\u0435\u0440\u0433\u0448\u0438\u0445\u0441\u044F \u0430\u0440\u0430\u0431\u0441\u043A\u043E\u043C\u0443 \u0432\u043B\u0438\u044F\u043D\u0438\u044E \u044F\u0437\u044B\u043A\u0430\u0445 (\u0441\u0443\u0430\u0445\u0438\u043B\u0438, \u0442\u0443\u0440\u0435\u0446\u043A\u043E\u043C, \u0443\u0440\u0434\u0443, \u0444\u0430\u0440\u0441\u0438) \u043E\u0437\u043D\u0430\u0447\u0430\u0435\u0442 \u00AB\u0431\u043B\u0430\u0433\u043E\u0441\u043B\u043E\u0432\u0435\u043D\u0438\u0435\u00BB. \u0421\u0445\u043E\u0434\u043D\u043E\u0435 \u043F\u043E \u0441\u043C\u044B\u0441\u043B\u0443 \u0441\u043B\u043E\u0432\u043E \u0435\u0441\u0442\u044C \u0438 \u0432 \u0438\u0443\u0434\u0435\u0439\u0441\u043A\u043E\u0439 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 (\u0411\u0440\u0430\u0445\u0430\u0301 \u2014 \u0438\u0432\u0440. \u200F\u05D1\u05E8\u05DB\u05D4\u200F\u200E). \u0412 \u043A\u043E\u043D\u0442\u0435\u043A\u0441\u0442\u0435 \u0441\u0443\u0444\u0438\u0439\u0441\u043A\u0438\u0445 \u0443\u0447\u0435\u043D\u0438\u0439 \u00AB\u0431\u0430\u0440\u0430\u043A\u0430\u00BB \u0438\u043C\u0435\u0435\u0442 \u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u00AB\u0434\u044B\u0445\u0430\u043D\u0438\u0435 \u0436\u0438\u0437\u043D\u0438\u00BB."@ru . . . . . . . . . . . . . "2000000.0"^^ . . . . . . . . "Baraka"@in . . "\u00AB\u0411\u0430\u0440\u0430\u0301\u043A\u0430\u00BB (\u0430\u043D\u0433\u043B. Baraka) \u2014 \u0434\u043E\u043A\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u0420\u043E\u043D\u0430 \u0424\u0440\u0438\u043A\u0435, \u0436\u0430\u043D\u0440 \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u043C\u043E\u0436\u0435\u0442 \u0431\u044B\u0442\u044C \u0442\u0430\u043A\u0436\u0435 \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D \u043A\u0430\u043A \u0444\u0438\u043B\u043E\u0441\u043E\u0444\u0441\u043A\u043E\u0435 \u043A\u0438\u043D\u043E\u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0435 \u044D\u0441\u0441\u0435. \u0412 \u044D\u0442\u043E\u043C \u0444\u0438\u043B\u044C\u043C\u0435 \u0420\u043E\u043D \u0424\u0440\u0438\u043A\u0435 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u0435\u0442 \u0438\u0437\u043E\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u0443\u044E \u0442\u0435\u0445\u043D\u0438\u043A\u0443, \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u043D\u043D\u0443\u044E \u0438\u043C \u0432 \u0441\u0432\u043E\u0438\u0445 \u043F\u0440\u0435\u0434\u044B\u0434\u0443\u0449\u0438\u0445 \u043A\u0430\u0440\u0442\u0438\u043D\u0430\u0445 \u0425\u0440\u043E\u043D\u043E\u0441 (1985) \u0438 Sacred Site (1986), \u0430 \u0435\u0449\u0451 \u0440\u0430\u043D\u0435\u0435 \u2014 \u0432 \u00AB\u041A\u043E\u044F\u043D\u0438\u0441\u043A\u0430\u0446\u0446\u0438\u00BB (1983) \u0413\u043E\u0434\u0444\u0440\u0438 \u0420\u0435\u0434\u0436\u0438\u043E, \u0433\u0434\u0435 \u0420\u043E\u043D \u0432\u044B\u0441\u0442\u0443\u043F\u0430\u043B \u043A\u0430\u043A \u0441\u043E\u0430\u0432\u0442\u043E\u0440 \u0438 \u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440."@ru . "Baraka"@en . "Mark Magidson"@en . . . . . . "Baraka is a 1992 American non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as cinematographer. It was photographed in the 70 mm Todd-AO format, and is the first film ever to be restored and scanned at 8K resolution."@en . . . "David Aubrey"@en . . . "Baraka (film)"@fr . . . . . . . . . . . . . . . . . . . . "\uBC14\uB77C\uCE74 (\uC601\uD654)"@ko . . . . . . . . . . . . . . . . . . . . ""@en . . . . . "Baraka is een niet-verhalende film uit 1992, geregisseerd door Ron Fricke. De titel betekent zegen in meerdere talen en vindt zijn oorsprong in het Arabische woord \u0628\u0631\u0643\u0629 De film wordt vaak vergeleken met Koyaanisqatsi, dat het eerste deel is uit de van voor wie Fricke director of photography was. Baraka was de eerste film die weer werd gefilmd in 70mm -formaat na meer dan twintig jaar."@nl . . . . "Baraka (Film)"@de . . . "Baraka (filme)"@pt . . "Baraka"@en . . . . . . . "5820.0"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . "Baraka"@en . . . . . . . . "\u0411\u0430\u0440\u0430\u043A\u0430 (\u0444\u0456\u043B\u044C\u043C, 1992)"@uk . "1124160521"^^ . . . . "Baraka es una pel\u00EDcula puramente visual dirigida por Ron Fricke y producida por Mark Magidson en 1992. Aunque generalmente es calificada como documental, la pel\u00EDcula pertenece a un nuevo estilo de cinematograf\u00EDa, cuyos m\u00E1ximos exponentes son Koyaanisqatsi (1982), Baraka y su secuela, Samsara (2011)."@es . . . . . . . . . . . . . . . . . "14076"^^ . . . "Constantine Nicholas"@en . . . "97.0"^^ . "183619"^^ . . "Baraka est un film documentaire, sans commentaires, r\u00E9alis\u00E9 par Ron Fricke et sorti en 1992. Sa musique comprend notamment des morceaux de Michael Stearns et Dead Can Dance. Baraka approfondit des th\u00E8mes chers \u00E0 Ron Fricke explor\u00E9s aussi dans Chronos, sorti en 1985, et dans le film Samsara, sorti en 2011. Certaines s\u00E9quences de Baraka ont \u00E9t\u00E9 reprises au d\u00E9but de Ultimate Game ainsi que dans le jeu vid\u00E9o Sid Meier's Alpha Centauri."@fr . . . . . . "\u300A\u5929\u5730\u7384\u9EC4\u300B\uFF08Baraka\uFF09\u662F\u4E00\u90E81992\u5E74\u7531\u5BFC\u6F14\uFF0C\u91C7\u7528\uFF08\uFF09\u80F6\u7247\u62CD\u6444\u7684\u7EAA\u5F55\u7247\u3002 \u82F1\u6587\u540D\u5728\u8BF8\u591A\u4E0D\u540C\u8BED\u8A00\u4E2D\u4E3A\u7948\u795E\u7977\u544A\u4E4B\u610F\uFF0C\u6E90\u81EA\u963F\u62C9\u4F2F\u8BED \u0628\u0631\u0643\u0629\u2014\u2014\u4ECE\u5929\u800C\u964D\u7684\u95EA\u65CF\u7956\u5148\uFF0C\u4E0E\u5E0C\u4F2F\u6765\u8BED\u201CBerakhah\u201D\u540C\u6E90\u3002\u4E2D\u6587\u540D\u201C\u5929\u5730\u7384\u9EC4\u201D \u5219\u51FA\u81EA\u300A\u6613\u7ECF\u300B\u201C\u5929\u7384\u5730\u9EC4\u201D\u4E00\u8BED\uFF0C\u540E\u4E8E\u300A\u6DEE\u5357\u5B50\u300B\u4E2D\u6240\u8FF0\u5408\u79F0\u4E3A\u201C\u5929\u5730\u7384\u9EC4\uFF0C\u5B87\u5B99\u6D2A\u8352\u201D\uFF0C\u610F\u4E3A\u4E16\u95F4\u6DF7\u4E71\u6DF7\u6C8C\u72B6\u6001\u3002\u7531\u4E8E\u7C7B\u4F3C\u7684\u4E3B\u9898\u548C\u62CD\u6444\u624B\u6CD5\uFF0C\u8BE5\u7247\u5E38\u88AB\u4EBA\u62FF\u6765\u4E0E\u300A\u5931\u8861\u751F\u6D3B\u300B\u6BD4\u8F83\u3002"@zh . . . "United States"@en . . . . "\u0411\u0430\u0440\u0430\u043A\u0430 (\u0444\u0438\u043B\u044C\u043C)"@ru . . . . . . "Baraka adalah sebuah film dokumenter yang dirilis pada tahun 1992. Film tanpa narasi yang disutradarai oleh . Judul Baraka (bahasa Arab: \u0628\u0631\u0643\u0629\u200E) berarti berkah, sebuah kosakata yang telah diserap berbagai bahasa. Istilah ini berasal dari rumpun bahasa Semit, istilah yang juga digunakan dalam bahasa Ibrani, berakhah. Film ini sering dibandingkan dengan film Koyaanisqatsi yang merupakan bagian pertama dari yang diproduksi oleh , dan Fricke selaku sinematografer. Baraka merupakan film pertama dalam rentang waktu lebih dari dua dekade yang direkam menggunakan kamera 70mm format Todd-AO. Film ini juga film pertama yang didaurulang dan dipindai menjadi video beresolusi ."@in . . "Baraka ist ein experimenteller Dokumentarfilm aus dem Jahr 1992 von Ron Fricke. Das Wort \u201EBaraka\u201C im Titel weist auf die islamische \u201ESegenskraft\u201C hin. Fricke hatte zuvor als Kameramann bei dem Film Koyaanisqatsi, zu dem Parallelen bestehen, mitgewirkt."@de . . . . . . . . . . "Baraka est un film documentaire, sans commentaires, r\u00E9alis\u00E9 par Ron Fricke et sorti en 1992. Sa musique comprend notamment des morceaux de Michael Stearns et Dead Can Dance. Baraka approfondit des th\u00E8mes chers \u00E0 Ron Fricke explor\u00E9s aussi dans Chronos, sorti en 1985, et dans le film Samsara, sorti en 2011. Certaines s\u00E9quences de Baraka ont \u00E9t\u00E9 reprises au d\u00E9but de Ultimate Game ainsi que dans le jeu vid\u00E9o Sid Meier's Alpha Centauri."@fr . . "0103767" . . . . . . . . "Baraka \u00E4r en dokument\u00E4rfilm fr\u00E5n 1992 som skildrar kultur, natur och olika religi\u00F6sa ritualer. Bakom Baraka st\u00E5r den amerikanska regiss\u00F6ren och filmfotografen Ron Fricke. Ordet Baraka kommer fr\u00E5n arabiska och betyder en v\u00E4lsignelse. Filmen \u00E4r icke narrativ och har varken handling eller sk\u00E5despelare. Filmmusiken \u00E4r skriven av bland annat . Musiken \u00E4r inspirerad av religi\u00F6sa ritualer och natur. De fem personer som utgjorde filmteamet bes\u00F6kte 152 orter i 24 l\u00E4nder \u00F6ver 13 m\u00E5nader. Baraka filmades i l\u00E4nder i sex olika kontinenter: Argentina, Australien, Brasilien, Kambodja, Kina, Ecuador, Egypten, Frankrike, Hongkong, Indien, Indonesien, Iran, Israel, Italien, Japan, Kenya, Kuwait, Nepal, Polen, Saudiarabien, Tanzania, Thailand, Turkiet och USA. Baraka \u00E4r bland annat filmad i koncentrationsl\u00E4ger i Auschwitz och i det kommunistiska f\u00E4ngelset Tuol Sleng i Kambodja. Filmen visar hur m\u00E4nniskans relation till naturen och livet b\u00E5de \u00E4r harmoniskt och destruktivt. Den visar sekvenser med allt ifr\u00E5n massgravar, skogssk\u00F6vling till sl\u00E5ende naturscener. Baraka \u00E4r filmad med 70mm film. Det planeras att sl\u00E4ppas en uppf\u00F6ljare \u00E5r 2011, Samsara. I oktober 2008 sl\u00E4pptes en digital remastrad version av Baraka ut p\u00E5 Blu-Ray Disc och DVD. Baraka finns \u00E4ven som fotobok \u201DBaraka a visual journal\u201D. Den inneh\u00E5ller 58 fotografier som \u00E4r tagna av Barakas producent, Mark Magidson, som under skapandet av filmen tog bilderna."@sv . . . . . . "\u00AB\u0411\u0430\u0440\u0430\u043A\u0430\u00BB \u2014 \u043A\u0456\u043D\u043E\u0444\u0456\u043B\u044C\u043C \u0440\u0435\u0436\u0438\u0441\u0435\u0440\u0430 , \u0449\u043E \u0432\u0438\u0439\u0448\u043E\u0432 \u043D\u0430 \u0435\u043A\u0440\u0430\u043D\u0438 \u0432 1992 \u0440\u043E\u0446\u0456."@uk . . . . . . . "Baraka \u00E9 um filme estadunidense de 1992, um document\u00E1rio experimental dirigido por , cinematografista de Koyaanisqatsi, o primeiro da trilogia Qatsi, de Godfrey Reggio. Frequentemente comparado a Koyaanisqatsi, o assunto principal de Baraka \u00E9, de fato, similar, incluindo filmagens de v\u00E1rias paisagens, igrejas, ru\u00EDnas, cerim\u00F4nias religiosas e cidades, misturando com vida, numa busca para que cada quadro consiga capturar a grande pulsa\u00E7\u00E3o da humanidade nas atividades di\u00E1rias."@pt . . . . . . . . . "Baraka es una pel\u00EDcula puramente visual dirigida por Ron Fricke y producida por Mark Magidson en 1992. Aunque generalmente es calificada como documental, la pel\u00EDcula pertenece a un nuevo estilo de cinematograf\u00EDa, cuyos m\u00E1ximos exponentes son Koyaanisqatsi (1982), Baraka y su secuela, Samsara (2011)."@es . "Theatrical release poster"@en . . . . . . . . . . . . . . . . "Baraka (film)"@nl . . . . . . . "Baraka \u00E9 um filme estadunidense de 1992, um document\u00E1rio experimental dirigido por , cinematografista de Koyaanisqatsi, o primeiro da trilogia Qatsi, de Godfrey Reggio. Frequentemente comparado a Koyaanisqatsi, o assunto principal de Baraka \u00E9, de fato, similar, incluindo filmagens de v\u00E1rias paisagens, igrejas, ru\u00EDnas, cerim\u00F4nias religiosas e cidades, misturando com vida, numa busca para que cada quadro consiga capturar a grande pulsa\u00E7\u00E3o da humanidade nas atividades di\u00E1rias. O document\u00E1rio foi filmado em 70 mm,colorido,em 23 pa\u00EDses: Argentina, Brasil, Camboja, China, Equador, Egito, Fran\u00E7a, Hong Kong, \u00CDndia, Indon\u00E9sia, Ir\u00E3, Israel, It\u00E1lia, Jap\u00E3o, Qu\u00EAnia, Kuweit, Nepal, Pol\u00F4nia, Ar\u00E1bia Saudita, Tanz\u00E2nia, Tail\u00E2ndia, Turquia e EUA. Ele n\u00E3o contem di\u00E1logos ou cenas coesas, mas apenas imagens e som ambiente, conversas ou cantos, que podem ser considerados o narrador latente de uma inten\u00E7\u00E3o universal espiritual."@pt . . . . . . . . . "Baraka adalah sebuah film dokumenter yang dirilis pada tahun 1992. Film tanpa narasi yang disutradarai oleh . Judul Baraka (bahasa Arab: \u0628\u0631\u0643\u0629\u200E) berarti berkah, sebuah kosakata yang telah diserap berbagai bahasa. Istilah ini berasal dari rumpun bahasa Semit, istilah yang juga digunakan dalam bahasa Ibrani, berakhah."@in . . . . "Baraka \u00E8 un film documentario del 1992 diretto da Ron Fricke. Il regista \u00E8 stato in precedenza direttore della fotografia in Koyaanisqatsi, il primo film della trilogia qatsi di Godfrey Reggio. Spesso paragonato proprio a Koyaanisqatsi, il soggetto di Baraka ha alcune somiglianze, incluse riprese di panorami, chiese, cerimonie religiose e citt\u00E0 nella loro vita quotidiana, con i precedenti lavori svolti in collaborazione con Reggio."@it . . . . . "Baraka (film)"@sv . . . . . . "Baraka is a 1992 American non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as cinematographer. It was photographed in the 70 mm Todd-AO format, and is the first film ever to be restored and scanned at 8K resolution."@en . "5820.0"^^ . "Magidson Films"@en . . . . . . "Genevieve Nicholas"@en . . . . . . . "\u00AB\u0411\u0430\u0440\u0430\u043A\u0430\u00BB \u2014 \u043A\u0456\u043D\u043E\u0444\u0456\u043B\u044C\u043C \u0440\u0435\u0436\u0438\u0441\u0435\u0440\u0430 , \u0449\u043E \u0432\u0438\u0439\u0448\u043E\u0432 \u043D\u0430 \u0435\u043A\u0440\u0430\u043D\u0438 \u0432 1992 \u0440\u043E\u0446\u0456."@uk . . . . . . . ""@en . . . . . . . . . . . . . . . . "Baraka is een niet-verhalende film uit 1992, geregisseerd door Ron Fricke. De titel betekent zegen in meerdere talen en vindt zijn oorsprong in het Arabische woord \u0628\u0631\u0643\u0629 De film wordt vaak vergeleken met Koyaanisqatsi, dat het eerste deel is uit de van voor wie Fricke director of photography was. Baraka was de eerste film die weer werd gefilmd in 70mm -formaat na meer dan twintig jaar."@nl . . . . . "Baraka \u00E8 un film documentario del 1992 diretto da Ron Fricke. Il regista \u00E8 stato in precedenza direttore della fotografia in Koyaanisqatsi, il primo film della trilogia qatsi di Godfrey Reggio. Spesso paragonato proprio a Koyaanisqatsi, il soggetto di Baraka ha alcune somiglianze, incluse riprese di panorami, chiese, cerimonie religiose e citt\u00E0 nella loro vita quotidiana, con i precedenti lavori svolti in collaborazione con Reggio."@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . .