. . . . . . . "Canal Contempor\u00E2neo is a digital community and publication focused on Brazilian contemporary art. It holds and spreads information, knowledge and debates in its different online modules: e-bulletins, blogs, forums, portfolios and art calendar. Based on concepts like Virtual Community (Howard Rheingold), Radical Media (J. D. H. Downing) and Tactical media (D. Garcia/G. Lovink), Canal Contempor\u00E2neo has been efficient in rousing communication and interaction, connecting people and institutions around the 27 Brazilian states and over 80 countries."@en . . . . . . . . . . "958363055"^^ . "Canal Contempor\u00E2neo is a digital community and publication focused on Brazilian contemporary art. It holds and spreads information, knowledge and debates in its different online modules: e-bulletins, blogs, forums, portfolios and art calendar. Based on concepts like Virtual Community (Howard Rheingold), Radical Media (J. D. H. Downing) and Tactical media (D. Garcia/G. Lovink), Canal Contempor\u00E2neo has been efficient in rousing communication and interaction, connecting people and institutions around the 27 Brazilian states and over 80 countries. Created by the artist Patricia Canetti in 2000-2001, Canal Contempor\u00E2neo was born like a bulletin (the so-called e-nforme), which was sent to an initial list of 200 electronic addresses. Six years after its creation and succeeding developments, it has become the most influential medium of information and politization of Brazilian contemporary art in the Internet, being visited by more than 80 thousand people per month. Canal Contempor\u00E2neo and the works in it are also inserted in the exhibitions context. Performing as an \u201Cartist\u201D in the contemporary art circuit, it completes its mission as a collective work and a space of engagement for the needs of the visual and technological arts. Its on-line activism with petitions, forums and lists of discussion guides frequent journal articles and has been able to encourage mobilization. It got clear in the episode [1] that turned the community against the use of public funds for the construction of a Guggenheim Museum in Rio de Janeiro (2003) and in the process of including the Digital Art in the scope of the Brazilian Funding laws (2004). Though the visibility given by Canal Contempor\u00E2neo since 2001, the applications for national art salons increased three times and, for the regional ones, they were multiplied by 10. Canal Contempor\u00E2neo made its debut in exhibitions in 2004. The first one was the hiPer> rela\u00E7\u00F5es eletro // digitais (hiPer>electro//digital relations), curated by Daniela Bousso for the Sergio Motta Art and Technology Award and for the Santander Cultural, in Porto Alegre, with the work \"Quebra de Padr\u00E3o\" (Breaking standards). Then, came \"Tudo aquilo que escapa\" (Everything that escapes), curated by Cristiana Tejo, as part of the 46th Visual Arts Salon of Pernambuco, at Museu do Estado in Recife, with the work \"Para que servem os Sal\u00F5es?\" (What are the salons made for?). Canal Contempor\u00E2neo was also invited to take part in the Digital Communities category in Ars Electronica and, since then, Patricia Canetti, Canal Contempor\u00E2neo's coordinator, has been a member of the International Advisory Board of Digital Communities. Canal Contempor\u00E2neo has also taken part of the Documenta 12 magazines, collaborating with several theoretical and artistic works and being invited to talk in the \u201CPaper and Pixel\u201D week in Kassel (Germany), in July 2007. Since 2005, the special projects of Canal Contempor\u00E2neo have been sponsored by Petrobras, Brazilian major cultural sponsor."@en . . "12785692"^^ . . . . . . . . . . . . . . . "O Canal Contempor\u00E2neo \u00E9 uma publica\u00E7\u00E3o digital e uma comunidade virtual focado em arte contempor\u00E2nea brasileira. Criado pela artista brasileira Patricia Canetti, o s\u00EDtio entrou no ar e enviou o primeiro convite eletr\u00F4nico, precursor do seu informativo \u2013 e-nformes, em 1\u00BA de dezembro de 2000. Todas as edi\u00E7\u00F5es publicadas desde ent\u00E3o - mais de 1.800 - est\u00E3o arquivadas online e podem ser acessadas via buscadores."@pt . . . . . . . . . . . . . . . . "6050"^^ . . . . . . "O Canal Contempor\u00E2neo \u00E9 uma publica\u00E7\u00E3o digital e uma comunidade virtual focado em arte contempor\u00E2nea brasileira. Criado pela artista brasileira Patricia Canetti, o s\u00EDtio entrou no ar e enviou o primeiro convite eletr\u00F4nico, precursor do seu informativo \u2013 e-nformes, em 1\u00BA de dezembro de 2000. Todas as edi\u00E7\u00F5es publicadas desde ent\u00E3o - mais de 1.800 - est\u00E3o arquivadas online e podem ser acessadas via buscadores. As v\u00E1rias se\u00E7\u00F5es do s\u00EDtio do Canal Contempor\u00E2neo re\u00FAnem informa\u00E7\u00F5es sobre eventos (exposi\u00E7\u00F5es, sal\u00F5es e pr\u00EAmios de arte, cursos, semin\u00E1rios), imagens de obras de arte e textos cr\u00EDticos e te\u00F3ricos, que s\u00E3o enviados pela coletividade de arte e selecionados, editados e publicados pela equipe do Canal Contempor\u00E2neo. Artigos sobre arte contempor\u00E2nea e pol\u00EDticas p\u00FAblicas de cultura, de revistas e jornais brasileiros \u2013 Di\u00E1rio de Pernambuco, Di\u00E1rio do Nordeste, Folha de S. Paulo, Jornal do Brasil, Isto \u00C9, O Estado de S. Paulo, O Globo, O Povo, entre outros \u2013, s\u00E3o republicados gerando discuss\u00F5es e mobiliza\u00E7\u00F5es pol\u00EDticas de interesse da \u00E1rea. Todo esse processo colaborativo armazenado e divulgado formam a mem\u00F3ria coletiva atual do meio de arte contempor\u00E2nea brasileiro. A atua\u00E7\u00E3o pol\u00EDtica, ou ativismo art\u00EDstico, mobilizou a comunidade em epis\u00F3dios com resultados historicamente importantes como no caso da constru\u00E7\u00E3o do museu Guggenheim no Rio de Janeiro e a legitima\u00E7\u00E3o das artes tecnol\u00F3gicas no Minist\u00E9rio da Cultura (Brasil). O Canal Contempor\u00E2neo fez sua estreia em exposi\u00E7\u00F5es em 2004, participando de \"Hiper Rela\u00E7\u00F5es eletro / Digitais\", com curadoria de Daniela Bousso para o , no Santander Cultural, em Porto Alegre, com o trabalho \"Quebra de Padr\u00E3o\", e da mostra \"Tudo Aquilo Que Escapa\", com curadoria de , no \u00E2mbito do 46\u00BA Sal\u00E3o de Artes Pl\u00E1sticas de Pernambuco, no Museu do Estado, em Recife, com a obra \"Para que servem os sal\u00F5es?\". Em 2007, participou da Documenta 12 magazines, com a colabora\u00E7\u00E3o de diversos trabalhos art\u00EDsticos e te\u00F3ricos da comunidade, e foi convidado a participar da semana \"Paper and Pixel\" em Kassel, na Alemanha, durante a 12\u00AA edi\u00E7\u00E3o da Documenta em julho do mesmo ano. O Canal Contempor\u00E2neo \u00E9 sustentado desde 2002 por contribui\u00E7\u00F5es de associados \u2013 usu\u00E1rios (artistas, cr\u00EDticos, curadores, pesquisadores, professores, estudantes, jornalistas, muse\u00F3logos, gestores de institui\u00E7\u00F5es culturais, colecionadores, marchands) e organismos (galerias, produtoras, museus, espa\u00E7os culturais, pr\u00EAmios, empresas patrocinadoras). Foi patrocinado pela Petrobras entre 2005 e 2013, com o apoio da Lei de Incentivo \u00E0 Cultura do MinC."@pt . . . . . . . . . . . "Canal Contempor\u00E2neo"@pt . . "Canal Contempor\u00E2neo"@en . . . . . . . . . .