. . . . . . "\u041A\u0430\u0440\u043B \u0424\u0438\u043B\u0438\u043F\u043F \u041A\u0440\u0438\u0441\u0442\u0438\u0430\u043D \u0444\u043E\u043D \u0413\u043E\u043D\u0442\u0430\u0440\u0434 (\u043D\u0435\u043C. Carl Philipp Christian von Gontard; 13 \u044F\u043D\u0432\u0430\u0440\u044F 1731, \u041C\u0430\u043D\u0433\u0435\u0439\u043C \u2014 23 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1791, \u0411\u0440\u0435\u0441\u043B\u0430\u0432\u043B\u044C) \u2014 \u043D\u0435\u043C\u0435\u0446\u043A\u0438\u0439 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440, \u0440\u0430\u0431\u043E\u0442\u0430\u0432\u0448\u0438\u0439 \u043F\u0440\u0435\u0438\u043C\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E \u0432 \u041F\u043E\u0442\u0441\u0434\u0430\u043C\u0435, \u0411\u0435\u0440\u043B\u0438\u043D\u0435 \u0438 \u0411\u0430\u0439\u0440\u043E\u0439\u0442\u0435. \u041A\u0430\u0440\u043B \u0413\u043E\u043D\u0442\u0430\u0440\u0434 \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u0434\u043E\u043B\u0436\u043D\u043E\u0441\u0442\u044C \u043F\u0440\u0438\u0434\u0432\u043E\u0440\u043D\u043E\u0433\u043E \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440\u0430 \u043C\u0430\u0440\u043A\u0433\u0440\u0430\u0444\u0438\u043D\u0438 \u0411\u0430\u0439\u0440\u0435\u0439\u0442\u0441\u043A\u043E\u0439 \u0412\u0438\u043B\u044C\u0433\u0435\u043B\u044C\u043C\u0438\u043D\u044B, \u0430 \u043F\u043E\u0441\u043B\u0435 \u0435\u0451 \u0441\u043C\u0435\u0440\u0442\u0438 \u043F\u043E\u0441\u0442\u0443\u043F\u0438\u043B \u043D\u0430 \u0441\u043B\u0443\u0436\u0431\u0443 \u043A \u0435\u0451 \u0431\u0440\u0430\u0442\u0443 \u0424\u0440\u0438\u0434\u0440\u0438\u0445\u0443 \u0412\u0435\u043B\u0438\u043A\u043E\u043C\u0443. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u043E\u0431\u0438\u043B\u0438\u0435 \u0441\u043E\u0445\u0440\u0430\u043D\u0438\u0432\u0448\u0438\u0445\u0441\u044F \u0440\u0430\u0431\u043E\u0442 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440\u0430, \u0432 \u0435\u0433\u043E \u043A\u0430\u0440\u044C\u0435\u0440\u0435 \u0441\u043B\u0443\u0447\u0438\u043B\u0441\u044F \u0438 \u043A\u0440\u0443\u043F\u043D\u044B\u0439 \u043F\u0440\u043E\u0432\u0430\u043B. \u0412 \u0411\u0435\u0440\u043B\u0438\u043D\u0435 \u043D\u0430 \u0416\u0430\u043D\u0434\u0430\u0440\u043C\u0435\u043D\u043C\u0430\u0440\u043A\u0442 \u043F\u043E\u0434 \u0442\u044F\u0436\u0435\u0441\u0442\u044C\u044E \u043A\u0443\u043F\u043E\u043B\u0430 \u0440\u0443\u0445\u043D\u0443\u043B \u0432\u043E\u0437\u0432\u043E\u0434\u0438\u0432\u0448\u0438\u0439\u0441\u044F \u0438\u043C \u041D\u0435\u043C\u0435\u0446\u043A\u0438\u0439 \u0441\u043E\u0431\u043E\u0440, \u0438 \u0432 \u0438\u044E\u043B\u0435 1781 \u0433\u043E\u0434\u0430 \u0413\u043E\u043D\u0442\u0430\u0440\u0434\u0430 \u0441\u043C\u0435\u043D\u0438\u043B \u0413\u0435\u043E\u0440\u0433 \u041A\u0440\u0438\u0441\u0442\u0438\u0430\u043D \u0423\u043D\u0433\u0435\u0440."@ru . . . . . "Carl Philipp Christian von Gontard (* 13. janvier 1731 \u00E0 Mannheim; \u2020 23. septembre 1791 \u00E0 Breslau) fut un architecte allemand d'origine huguenote \u00E0 la troisi\u00E8me g\u00E9n\u00E9ration. Il exer\u00E7a et \u0153uvra essentiellement \u00E0 Potsdam, Berlin et Bayreuth. \u00C9l\u00E8ve de Jacques-Fran\u00E7ois Blondel, il a laiss\u00E9 \u00E0 la post\u00E9rit\u00E9 une \u0153uvre personnelle qui se situe d'un point de vue architectural \u00E0 mi-chemin entre le rococo combin\u00E9 au palladianisme de Georg Wenzeslaus von Knobelsdorff et le classicisme de David et Fr\u00E9d\u00E9ric Gilly, eux-m\u00EAmes r\u00E9fugi\u00E9s huguenots. Carl von Gontard fait partie des quatre architectes honor\u00E9s et li\u00E9s \u00E0 la tradition urbanistique la ville de Potsdam aux c\u00F4t\u00E9s de von Knobelsdorff, Karl Friedrich Schinkel et le natif de Potsdam Reinhold Persius. Ces quatre personnages ont leur m\u00E9daillon sur l'ob\u00E9lis"@fr . . . . . . "Carl Philipp Christian von Gontard (* 13. Januar 1731 in Mannheim; \u2020 23. September 1791 in Breslau) war ein deutscher Architekt, der vor allem in Potsdam, Berlin und Bayreuth wirkte. Gontards Schaffen steht architekturhistorisch selbst\u00E4ndig ohne Nachfolge zwischen dem palladianischen Rokoko Knobelsdorffs und dem Klassizismus des \u00E4lteren und j\u00FCngeren Gilly und ihrer Sch\u00FCler."@de . . . . "\u041A\u0430\u0440\u043B \u0424\u0456\u043B\u0456\u043F \u041A\u0440\u0456\u0441\u0442\u0456\u0430\u043D \u0444\u043E\u043D \u0490\u043E\u043D\u0442\u0430\u0440\u0434 (\u043D\u0456\u043C. Carl Philipp Christian von Gontard; 13 \u0441\u0456\u0447\u043D\u044F 1731 , \u041C\u0430\u043D\u0433\u0435\u0439\u043C, \u0421\u0432\u044F\u0449\u0435\u043D\u043D\u0430 \u0420\u0438\u043C\u0441\u044C\u043A\u0430 \u0456\u043C\u043F\u0435\u0440\u0456\u044F \u2014 23 \u0432\u0435\u0440\u0435\u0441\u043D\u044F 1791, \u0411\u0440\u0435\u0441\u043B\u0430\u0443, \u041A\u043E\u0440\u043E\u043B\u0456\u0432\u0441\u0442\u0432\u043E \u041F\u0440\u0443\u0441\u0441\u0456\u044F) \u2014 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u0438\u0439 \u0430\u0440\u0445\u0456\u0442\u0435\u043A\u0442\u043E\u0440, \u044F\u043A\u0438\u0439 \u043F\u0440\u0430\u0446\u044E\u0432\u0430\u0432 \u043F\u0435\u0440\u0435\u0432\u0430\u0436\u043D\u043E \u0432 \u041F\u043E\u0442\u0441\u0434\u0430\u043C\u0456, \u0411\u0435\u0440\u043B\u0456\u043D\u0456 \u0442\u0430 \u0411\u0430\u0439\u0440\u043E\u0439\u0442\u0456."@uk . . . "Carl Philipp Christian von Gontard (13 January 1731 in Mannheim \u2013 23 September 1791 in Breslau) was a German architect who worked primarily in Berlin, Potsdam, and Bayreuth in the style of late Baroque Classicism. Next to Knobelsdorff he was considered the most important architect of the era of Frederick the Great of Prussia. He had significant followers in G. C. Unger, F. W. Titel, and H. Gentz, but no long-lasting successors as his style did not survive the change in architectural taste that came with the end of Frederick the Great's era."@en . . "1068060255"^^ . "\u041A\u0430\u0440\u043B \u0424\u0438\u043B\u0438\u043F\u043F \u041A\u0440\u0438\u0441\u0442\u0438\u0430\u043D \u0444\u043E\u043D \u0413\u043E\u043D\u0442\u0430\u0440\u0434 (\u043D\u0435\u043C. Carl Philipp Christian von Gontard; 13 \u044F\u043D\u0432\u0430\u0440\u044F 1731, \u041C\u0430\u043D\u0433\u0435\u0439\u043C \u2014 23 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1791, \u0411\u0440\u0435\u0441\u043B\u0430\u0432\u043B\u044C) \u2014 \u043D\u0435\u043C\u0435\u0446\u043A\u0438\u0439 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440, \u0440\u0430\u0431\u043E\u0442\u0430\u0432\u0448\u0438\u0439 \u043F\u0440\u0435\u0438\u043C\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E \u0432 \u041F\u043E\u0442\u0441\u0434\u0430\u043C\u0435, \u0411\u0435\u0440\u043B\u0438\u043D\u0435 \u0438 \u0411\u0430\u0439\u0440\u043E\u0439\u0442\u0435."@ru . . . . . "Carl Philipp Christian von Gontard (13 January 1731 in Mannheim \u2013 23 September 1791 in Breslau) was a German architect who worked primarily in Berlin, Potsdam, and Bayreuth in the style of late Baroque Classicism. Next to Knobelsdorff he was considered the most important architect of the era of Frederick the Great of Prussia. Carl von Gontard descended from a Huguenot family living in the French province of Dauphin\u00E9. He married Sophia von Erckert and had numerous children, including Carl Friedrich Ludwig von Gontard, a Prussian army officer who was granted hereditary nobility by the Holy Roman Emperor Joseph II. After two years of study in Paris under Jacques-Fran\u00E7ois Blondel and a lengthy sojourn in Italy he gained a reputation as a valued court architect to Wilhelmine of Prussia, Margravine of Brandenburg-Bayreuth. In Bayreuth he designed an extension to the Bayreuth Palace and numerous palaces for the nobility and residences for prosperous citizens, buildings recognized as being of high artistic quality and giving the townscape a distinctive accent. Gontard also taught architecture at the Bayreuth Academy of Arts. When her husband, reigning prince Frederick, Margrave of Brandenburg-Bayreuth, died in 1763, Gontard no long received regular commissions because of the policy of austerity of Frederick's successor, Frederick Christian, Margrave of Brandenburg-Bayreuth. In 1764 Gontard was employed by Wilhelmine's brother, Frederick the Great of Prussia, who soon put him in charge of all royal construction projects in Potsdam and Berlin. From 1765 to 1769 he was the artistic director of the New Palace in Potsdam, whose construction had started in 1763. Gontard had a major role in the arrangement and design of the palace interior, as well as the architecture of the formal auxiliary buildings (Communs) facing the palace forecourt and several structures in Park Sanssouci, such as the Temple of Friendship, Frederick the Great's tribute to his sister, Wilhelmine, and the Antique Temple. His next major work in Potsdam, the Military Orphanage, was undertaken 1771-1778 and contained a distinctive central block and a spiraling stairwell. Gontard also designed and built private residences in Potsdam, such as an impressive parade of houses, Am Bassin, and Potsdam's Brandenburg Gate. Gontard's main works in Berlin include the colonnade portico and tower of the German and French churches on Gendarmenmarkt; two decorative colonnaded bridges across the former moat, a remnant of the city's 17th century fortifications, (in 1776 the Spittelkolonnaden on Leipziger Strasse, and in 1777/1778 the K\u00F6nigskolonnaden, originally near Alexanderplatz but later relocated to Heinrich-von-Kleist-Park); the Oranienburg Gate (1787/88) historic drawing; and supervision of the construction of the Royal Library on today's Bebelplatz, which he furnished with a grand staircase and a formal hall for festivities. Immediately after the death of Frederick the Great, his successor, Friedrich Wilhelm II, commissioned Gontard to decorate the Potsdam City Palace and Garrison Church for the funeral rites. Major royal assignments followed. Between 1787 and 1790 he furnished nine of the Royal Chambers in the Berlin City Palace. At the same time he created the Marble Palace in Potsdam, one of his most outstanding achievements. His last work was the \u2018\u2018Holl\u00E4ndische Etablissement\u2019\u2019, an ensemble of so-called \u201CDutch Houses\u201D in the New Garden, Potsdam. Under Frederick William II Gontard became a member of the Royal Prussian Academy of Arts and Mechanical Sciences, where he taught until his death. He had significant followers in G. C. Unger, F. W. Titel, and H. Gentz, but no long-lasting successors as his style did not survive the change in architectural taste that came with the end of Frederick the Great's era."@en . "Carl Philipp Christian von Gontard, f\u00F6dd 13 januari 1731 i Mannheim, d\u00F6d 23 september 1791 i Breslau, var en tysk arkitekt. Gontard tj\u00E4nstgjorde hos Fredrik II av Preussen och utf\u00F6rde monumentala byggnadsverk i Berlin och Potsdam."@sv . . "Karl Philipp Christian von Gontard (ur. 13 stycznia 1731 w Mannheim, zm. 23 wrze\u015Bnia 1791 we Wroc\u0142awiu) \u2013 niemiecki architekt wczesnego klasycyzmu, dzia\u0142aj\u0105cy g\u0142\u00F3wnie na terenie Poczdamu, Berlina i Bayreuth."@pl . "Carl von Gontard"@sv . "Carl Philipp Christian von Gontard (* 13. Januar 1731 in Mannheim; \u2020 23. September 1791 in Breslau) war ein deutscher Architekt, der vor allem in Potsdam, Berlin und Bayreuth wirkte. Gontards Schaffen steht architekturhistorisch selbst\u00E4ndig ohne Nachfolge zwischen dem palladianischen Rokoko Knobelsdorffs und dem Klassizismus des \u00E4lteren und j\u00FCngeren Gilly und ihrer Sch\u00FCler."@de . . "Carl Philipp Christian von Gontard (* 13. janvier 1731 \u00E0 Mannheim; \u2020 23. septembre 1791 \u00E0 Breslau) fut un architecte allemand d'origine huguenote \u00E0 la troisi\u00E8me g\u00E9n\u00E9ration. Il exer\u00E7a et \u0153uvra essentiellement \u00E0 Potsdam, Berlin et Bayreuth. \u00C9l\u00E8ve de Jacques-Fran\u00E7ois Blondel, il a laiss\u00E9 \u00E0 la post\u00E9rit\u00E9 une \u0153uvre personnelle qui se situe d'un point de vue architectural \u00E0 mi-chemin entre le rococo combin\u00E9 au palladianisme de Georg Wenzeslaus von Knobelsdorff et le classicisme de David et Fr\u00E9d\u00E9ric Gilly, eux-m\u00EAmes r\u00E9fugi\u00E9s huguenots. Carl von Gontard fait partie des quatre architectes honor\u00E9s et li\u00E9s \u00E0 la tradition urbanistique la ville de Potsdam aux c\u00F4t\u00E9s de von Knobelsdorff, Karl Friedrich Schinkel et le natif de Potsdam Reinhold Persius. Ces quatre personnages ont leur m\u00E9daillon sur l'ob\u00E9lisque du Alter Markt o\u00F9 se trouve l'h\u00F4tel de ville, l'\u00E9glise Saint-Nicolas et le ch\u00E2teau royal."@fr . . . . . . . . . . . . . . . "Carl Philipp Christian von Gontard (Mannheim, 13 gennaio 1731 \u2013 Breslavia, 23 settembre 1791) \u00E8 stato un architetto tedesco.Fu attivo soprattutto a Potsdam, Berlino e Bayreuth.Le opere di Gontard sono architetturalmente a s\u00E9 stanti, senza seguaci, tra il rococ\u00F2 palladiano, quello di Georg Wenzeslaus von Knobelsdorff ed il classicismo dei Gilly, e figlio, e dei loro seguaci.Era figlio di Alexander von Gontard (1706\u20131747) e della sua consorte Elisabeth Kurz (\u2020 1776)."@it . . . "5944"^^ . . . "\u041A\u0430\u0440\u043B \u0424\u0456\u043B\u0456\u043F \u041A\u0440\u0456\u0441\u0442\u0456\u0430\u043D \u0444\u043E\u043D \u0490\u043E\u043D\u0442\u0430\u0440\u0434 (\u043D\u0456\u043C. Carl Philipp Christian von Gontard; 13 \u0441\u0456\u0447\u043D\u044F 1731 , \u041C\u0430\u043D\u0433\u0435\u0439\u043C, \u0421\u0432\u044F\u0449\u0435\u043D\u043D\u0430 \u0420\u0438\u043C\u0441\u044C\u043A\u0430 \u0456\u043C\u043F\u0435\u0440\u0456\u044F \u2014 23 \u0432\u0435\u0440\u0435\u0441\u043D\u044F 1791, \u0411\u0440\u0435\u0441\u043B\u0430\u0443, \u041A\u043E\u0440\u043E\u043B\u0456\u0432\u0441\u0442\u0432\u043E \u041F\u0440\u0443\u0441\u0441\u0456\u044F) \u2014 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u0438\u0439 \u0430\u0440\u0445\u0456\u0442\u0435\u043A\u0442\u043E\u0440, \u044F\u043A\u0438\u0439 \u043F\u0440\u0430\u0446\u044E\u0432\u0430\u0432 \u043F\u0435\u0440\u0435\u0432\u0430\u0436\u043D\u043E \u0432 \u041F\u043E\u0442\u0441\u0434\u0430\u043C\u0456, \u0411\u0435\u0440\u043B\u0456\u043D\u0456 \u0442\u0430 \u0411\u0430\u0439\u0440\u043E\u0439\u0442\u0456."@uk . . . . . . . "Karl von Gontard"@pl . . . . . . . . . . . . . . . . . . . . . "Karl Philipp Christian von Gontard (ur. 13 stycznia 1731 w Mannheim, zm. 23 wrze\u015Bnia 1791 we Wroc\u0142awiu) \u2013 niemiecki architekt wczesnego klasycyzmu, dzia\u0142aj\u0105cy g\u0142\u00F3wnie na terenie Poczdamu, Berlina i Bayreuth."@pl . . . . "Carl von Gontard"@en . . . . "\u0413\u043E\u043D\u0442\u0430\u0440\u0434, \u041A\u0430\u0440\u043B \u0444\u043E\u043D"@ru . . "Carl Philipp Christian von Gontard, f\u00F6dd 13 januari 1731 i Mannheim, d\u00F6d 23 september 1791 i Breslau, var en tysk arkitekt. Gontard tj\u00E4nstgjorde hos Fredrik II av Preussen och utf\u00F6rde monumentala byggnadsverk i Berlin och Potsdam."@sv . "Carl von Gontard"@de . "\u041A\u0430\u0440\u043B \u0444\u043E\u043D \u0490\u043E\u043D\u0442\u0430\u0440\u0434"@uk . . . . . "3714708"^^ . . . . . "Carl von Gontard"@it . "Carl Philipp Christian von Gontard (Mannheim, 13 gennaio 1731 \u2013 Breslavia, 23 settembre 1791) \u00E8 stato un architetto tedesco.Fu attivo soprattutto a Potsdam, Berlino e Bayreuth.Le opere di Gontard sono architetturalmente a s\u00E9 stanti, senza seguaci, tra il rococ\u00F2 palladiano, quello di Georg Wenzeslaus von Knobelsdorff ed il classicismo dei Gilly, e figlio, e dei loro seguaci.Era figlio di Alexander von Gontard (1706\u20131747) e della sua consorte Elisabeth Kurz (\u2020 1776)."@it . . . . "Carl von Gontard"@fr . . . .