. . . . . "12288988"^^ . . . . . . "1067565211"^^ . . "1983-07-01"^^ . . . "Cheong Soo Pieng"@en . . . . "Zh\u014Dng S\u00EC B\u012Bn"@en . . "Cheong Soo Pieng (simplified Chinese: \u949F\u6CD7\u5BBE; traditional Chinese: \u937E\u6CD7\u8CD3; pinyin: Zh\u014Dng S\u00EC B\u012Bn; Pe\u030Dh-\u014De-j\u012B: Tsing S\u00EC-pin) was a Singaporean artist who was a pioneer of the Nanyang art style, and a driving force to the development of Modernism in visual art in the early 20th-century Singapore. He was also known for his signature depiction of Southeast Asian indigenous tribal people with elongated limbs and torso, almond-shaped faces and eyes in his paintings."@en . . . . . . . . . . . . "Cheong Soo Pieng (simplified Chinese: \u949F\u6CD7\u5BBE; traditional Chinese: \u937E\u6CD7\u8CD3; pinyin: Zh\u014Dng S\u00EC B\u012Bn; Pe\u030Dh-\u014De-j\u012B: Tsing S\u00EC-pin) was a Singaporean artist who was a pioneer of the Nanyang art style, and a driving force to the development of Modernism in visual art in the early 20th-century Singapore. He was also known for his signature depiction of Southeast Asian indigenous tribal people with elongated limbs and torso, almond-shaped faces and eyes in his paintings."@en . . . . . . . . . . "Cheong Soo Pieng"@en . . . . . "1983-07-01"^^ . . . . . . . . . "\u937E\u6CD7\u8CD3"@en . . . . "5059"^^ . "1962"^^ . . . . "Cheong Soo Pieng"@en . . . . . . . . . . . "Tsing S\u00EC-pin"@en . . . "1917"^^ . . . . . . "\u949F\u6CD7\u5BBE"@en . . . . . . . . "Xiamen Academy of Fine Art"@en . . . . . . . . . . . . . . . . . . . . . . . "Amoy,"@en . . . "Modernism, Nanyang art style"@en . . . . . . . .