"Four of the most common ninth chords, all built on C: major , dominant , dominant minor ninth , and minor"@en . "13.0"^^ . "9.0"^^ . . . . . . . . . . . . . "1124209233"^^ . . . . . . "Le chiffrage des accords est une notation repr\u00E9sentant les accords dans la musique tonale. Utilis\u00E9 \u00E0 l'origine \u00E0 la p\u00E9riode baroque (XVIIe et XVIIIe si\u00E8cles) pour construire la basse continue, il sert \u00E0 partir du XXe si\u00E8cle pour improviser le jazz et \u00E0 la retranscription des grilles harmoniques de rock et de pop, ainsi qu'\u00E0 l'analyse harmonique."@fr . . "Akordsimbolojn oni uzas en notacio por karakterizi akordojn. La nuntempe plejofte uzataj simboloj devenas el la \u0135azo kaj la populara muziko. Oni evoluigis kaj uzis ilin por helpi la soloiston \u0109e la improvizado pri certa akordserio."@eo . . . . . . . . . . "43197"^^ . . . . "Added ninth chord built on C, written as Cadd 9"@en . . . "Cifrado (m\u00FAsica)"@es . . "Cifra (m\u00FAsica)"@pt . . "Chiffrage des accords"@fr . . . . . . . . . . "{\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble\n \\time 4/4\n \\key c \\major\n 1^\\markup { \"C\" }\n ^\\markup { \"C\u2013\" }\n ^\\markup { \"C+\" }\n ^\\markup { \\concat { \"C\" \\raise #1 \\small \"o\" } }\n} }"@en . "Ackordanalys \u00E4r en form av musiknotation d\u00E4r ackordsymboler (till exempel Cmaj13+11) anv\u00E4nds f\u00F6r att beteckna harmonier. Dessa symboler kan sedan kombineras f\u00F6r att notera harmoniska f\u00F6rlopp. De vanligaste anv\u00E4ndningsomr\u00E5dena \u00E4r inom jazz- och popul\u00E4rmusik. Ackordanalys skrivs ofta ut ovanf\u00F6r ett notsystem, exempelvis med s\u00E5ng- eller melodist\u00E4mmor och \u00E4ven ovanf\u00F6r en s\u00E5ngtext. Ackordanalys kan ofta ers\u00E4tta ackompanjemangsnoter f\u00F6r instrument s\u00E5som gitarr, bas och piano, och kan ge musikern st\u00F6rre frihet \u00E4n vad noter ger. Ackordanalys kan \u00E4ven ge v\u00E4gledning vid jazzimprovisation, eftersom till varje ackord h\u00F6r en eller flera modala skalor."@sv . . . "Akordov\u00E1 zna\u010Dka (nebo Akordick\u00E1 zna\u010Dka) je zjednodu\u0161en\u00FD z\u00E1pis akordu mimo b\u011B\u017Enou notaci. Pou\u017E\u00EDv\u00E1 se tam, kde nez\u00E1le\u017E\u00ED na konkr\u00E9tn\u00ED v\u00FD\u0161ce t\u00F3n\u016F v akordu, ale pouze na jejich harmonick\u00E9 funkci. P\u0159\u00EDkladem je kytarov\u00FD doprovod p\u00EDsn\u011B, kde je zp\u011Bv zaps\u00E1n jako melodick\u00E1 linka a kytara obstar\u00E1v\u00E1 harmonick\u00FD a rytmick\u00FD doprovod pouze na z\u00E1klad\u011B akordov\u00FDch zna\u010Dek. Akordov\u00E1 zna\u010Dka ur\u010Duje , (dur nebo moll) a jednotliv\u00E9 t\u00F3ny akordu."@cs . . . . "\u0411\u0443\u043A\u0432\u0435\u043D\u043D\u043E-\u0446\u0438\u0444\u0440\u043E\u0432\u043E\u0435 \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u0430\u043A\u043A\u043E\u0440\u0434\u0430"@ru . "Three eleventh chords, all built on C: an eleventh chord , a major eleventh chord , and a minor eleventh chord"@en . . "Cifra \u00E9 um sistema de nota\u00E7\u00E3o musical usado para indicar os acordes a serem executados por um instrumento musical (como uma guitarra, um teclado ou um viol\u00E3o, por exemplo). As cifras s\u00E3o utilizadas principalmente na m\u00FAsica popular, acima das letras ou partituras de uma composi\u00E7\u00E3o musical, indicando o acorde que deve ser tocado em conjunto com a melodia principal."@pt . . "Five of the most common seventh chord, all built on C: major , dominant , minor , half-diminished , and diminished"@en . "7.0"^^ . . "11.0"^^ . . "Major seventh chord on C, notated as C\u03947"@en . . . . "Musicians use various kinds of chord names and symbols in different contexts to represent musical chords. In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: C \u2013 Am \u2013 Dm \u2013 G7."@en . . . "Ackordanalys"@sv . "\u30B3\u30FC\u30C9\u30CD\u30FC\u30E0\uFF08Chord Symbol\uFF09\u306F\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u3067\u958B\u767A\u3055\u308C\u305F\u548C\u97F3\u8A18\u53F7\u3067\u3001\u4E3B\u306B\u30DD\u30D4\u30E5\u30E9\u30FC\u97F3\u697D\u306E\u89E3\u6790\u306B\u7528\u3044\u3089\u308C\u308B\u8A18\u53F7\u3067\u3042\u308B\u3002\u30A2\u30E1\u30EA\u30AB\u306E\u307F\u306A\u3089\u305A\u5168\u4E16\u754C\u3067\u5E45\u5E83\u304F\u901A\u7528\u3059\u308B\u548C\u97F3\u8A18\u53F7\u3067\u3042\u308B\u3002\u30A2\u30E1\u30EA\u30AB\u3067\u306F\u300C\u30B3\u30FC\u30C9\u30B7\u30F3\u30DC\u30EB\u300D\u3068\u547C\u3070\u308C\u3001\u30B3\u30FC\u30C9\u30CD\u30FC\u30E0\u3068\u306F\u547C\u3070\u308C\u3066\u3044\u306A\u3044\u3002"@ja . . . . . . . . . . "Akordsimbolojn oni uzas en notacio por karakterizi akordojn. La nuntempe plejofte uzataj simboloj devenas el la \u0135azo kaj la populara muziko. Oni evoluigis kaj uzis ilin por helpi la soloiston \u0109e la improvizado pri certa akordserio."@eo . . . . "300"^^ . . . . . . . . . "Cifra \u00E9 um sistema de nota\u00E7\u00E3o musical usado para indicar os acordes a serem executados por um instrumento musical (como uma guitarra, um teclado ou um viol\u00E3o, por exemplo). As cifras s\u00E3o utilizadas principalmente na m\u00FAsica popular, acima das letras ou partituras de uma composi\u00E7\u00E3o musical, indicando o acorde que deve ser tocado em conjunto com a melodia principal."@pt . . . . "Akkordsymbole werden in der Musik verwendet, um Akkorde zu bezeichnen. Sie legen die jeweils zu spielenden Akkordt\u00F6ne fest, aber nicht den Oktavraum, auch nicht die jeweilige Umkehrung des Akkordes usw. Insofern stellen sie nur die jeweilige \u201EHarmonie\u201C dar, die genaue Reihenfolge der Akkordt\u00F6ne (das \"Voicing\") bleibt unter Beachtung des musikalischen Zusammenhangs frei w\u00E4hlbar. Die hier beschriebenen Symbole als Akkord-Symbolschrift werden vor allem in Jazz und Popularmusik benutzt. Mit ihnen k\u00F6nnen die in einem St\u00FCck auftretenden Harmonien ohne Noten kompakt dargestellt werden. Dadurch kann eine Melodie improvisierend mit gro\u00DFer Freiheit begleitet werden. Dem melodiespielenden Solisten hilft die kompakte harmonische Darstellung bei Improvisationen."@de . . "{\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble\n \\time 4/4\n \\key c \\major\n 1\n \n} }"@en . . . . "\u0411\u0443\u043A\u0432\u0435\u043D\u043D\u043E-\u0446\u0438\u0444\u0440\u043E\u0432\u043E\u0435 \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u0430\u043A\u043A\u043E\u0440\u0434\u0430 \u2014 \u043C\u0435\u0442\u043E\u0434 \u0443\u043F\u0440\u043E\u0449\u0451\u043D\u043D\u043E\u0439 \u0437\u0430\u043F\u0438\u0441\u0438 \u0430\u043A\u043A\u043E\u0440\u0434\u043E\u0432 \u0432 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u043C \u0430\u043A\u043A\u043E\u043C\u043F\u0430\u043D\u0435\u043C\u0435\u043D\u0442\u0435, \u0448\u0438\u0440\u043E\u043A\u043E \u043F\u0440\u0438\u043C\u0435\u043D\u044F\u044E\u0449\u0438\u0439\u0441\u044F \u0432 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0435 \u0438 \u0434\u0436\u0430\u0437\u0435."@ru . . . . "\u30B3\u30FC\u30C9\u30CD\u30FC\u30E0 (\u548C\u97F3\u8A18\u53F7)"@ja . . . . "Een akkoordsymbool is in de muziek een korte notatie in de vorm van een of meer letters, cijfers en andere tekens als aanduiding van een te spelen akkoord. Het gebruik van akkoordsymbolen maakt het voor de componist of arrangeur gemakkelijker bepaalde begeleidingspartijen te noteren. De akkoordsymbolen worden onder of boven de notenbalk of te begeleiden tekst geplaatst. Deze notatie wordt onder meer gebruikt in jazzmuziek. Ook in liedteksten en songteksten die door een gitaar begeleid worden, wordt vaak gebruikgemaakt van akkoordsymbolen."@nl . . . "The four triads, all built on C: major , minor , augmented , and diminished"@en . "El cifrado en la m\u00FAsica hace referencia a los sistemas de notaci\u00F3n y nomenclatura que utilizan signos de cifras (y por extensi\u00F3n de letras) para expresar los fen\u00F3menos sonoros; o, dicho de otra manera es el lenguaje universal, aquellos sistemas que no utilicen los s\u00EDmbolos particulares de la notaci\u00F3n musical convencional a trav\u00E9s del pentagrama para expresar los eventos musicales y las cifras del pentagrama. Los diferentes sistemas cifrados, dado el car\u00E1cter taquigr\u00E1fico de todos ellos, siempre han procurado de servirse con el menor n\u00FAmero posible de signos y se han utilizado en diferentes estilos y per\u00EDodos de la m\u00FAsica. Usado en origen como representaci\u00F3n de estructuras de acordes o abreviatura de ellos, los sistemas de cifrado han evolucionado y adapt\u00E1ndose con el tiempo a la evoluci\u00F3n misma de la m\u00FAsica."@es . "Ackordanalys \u00E4r en form av musiknotation d\u00E4r ackordsymboler (till exempel Cmaj13+11) anv\u00E4nds f\u00F6r att beteckna harmonier. Dessa symboler kan sedan kombineras f\u00F6r att notera harmoniska f\u00F6rlopp. De vanligaste anv\u00E4ndningsomr\u00E5dena \u00E4r inom jazz- och popul\u00E4rmusik. Ackordanalys skrivs ofta ut ovanf\u00F6r ett notsystem, exempelvis med s\u00E5ng- eller melodist\u00E4mmor och \u00E4ven ovanf\u00F6r en s\u00E5ngtext. Ackordanalys kan ofta ers\u00E4tta ackompanjemangsnoter f\u00F6r instrument s\u00E5som gitarr, bas och piano, och kan ge musikern st\u00F6rre frihet \u00E4n vad noter ger. Ackordanalys kan \u00E4ven ge v\u00E4gledning vid jazzimprovisation, eftersom till varje ackord h\u00F6r en eller flera modala skalor."@sv . "Chord notation"@en . . "Letters for triads built on C"@en . "{\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble\n \\time 4/4\n \\key c \\major\n 1^\\markup { \"C\" }\n 1^\\markup { \"c\" }\n 1^\\markup { \"C+\" }\n 1^\\markup { \\concat { \"c\" \\raise #1 \\small \"o\" } }\n} }"@en . . . . . "{\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble\n \\time 4/4\n \\key c \\major\n 1\n 1\n} }"@en . . . "First- and second-inversion C major triads, written as C/E and C/G"@en . . "Le chiffrage des accords est une notation repr\u00E9sentant les accords dans la musique tonale. Utilis\u00E9 \u00E0 l'origine \u00E0 la p\u00E9riode baroque (XVIIe et XVIIIe si\u00E8cles) pour construire la basse continue, il sert \u00E0 partir du XXe si\u00E8cle pour improviser le jazz et \u00E0 la retranscription des grilles harmoniques de rock et de pop, ainsi qu'\u00E0 l'analyse harmonique."@fr . . . . . . . "El cifrado en la m\u00FAsica hace referencia a los sistemas de notaci\u00F3n y nomenclatura que utilizan signos de cifras (y por extensi\u00F3n de letras) para expresar los fen\u00F3menos sonoros; o, dicho de otra manera es el lenguaje universal, aquellos sistemas que no utilicen los s\u00EDmbolos particulares de la notaci\u00F3n musical convencional a trav\u00E9s del pentagrama para expresar los eventos musicales y las cifras del pentagrama."@es . "Akkordsymbol"@de . . . . "Three thirteenth chords, all built on C: an thirteenth chord , a major thirteenth chord , and a minor thirteenth chord"@en . . "sus2 and sus4 chords built on C, written as Csus2 and Csus4, respectively"@en . . . . . . . . . . . . . "Akordov\u00E1 zna\u010Dka"@cs . . . "28985781"^^ . . "Musicians use various kinds of chord names and symbols in different contexts to represent musical chords. In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: 1. \n* the root note (e.g. C\u266F), 2. \n* the (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords), 3. \n* whether the chord is a triad, seventh chord, or an extended chord (e.g. \u03947), 4. \n* any altered notes (e.g. sharp five, or \u266F5), 5. \n* any added tones (e.g. add2), and 6. \n* the bass note if it is not the root (e.g. a slash chord). For instance, the name C augmented seventh, and the corresponding symbol Caug7, or C+7, are both composed of parts 1 (letter 'C'), 2 ('aug' or '+'), and 3 (digit '7'). These indicate a chord formed by the notes C\u2013E\u2013G\u266F\u2013B\u266D. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G\u266F, and the (minor) seventh interval from C to B\u266D. Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis, these names and symbols are \"universally used in jazz and popular music\", in lead sheets, fake books, and chord charts, to specify the chords that make up the chord progression of a song or other piece of music. A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C \u2013 Am \u2013 Dm \u2013 G7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in the chord chart."@en . . . "Akkordsymbole werden in der Musik verwendet, um Akkorde zu bezeichnen. Sie legen die jeweils zu spielenden Akkordt\u00F6ne fest, aber nicht den Oktavraum, auch nicht die jeweilige Umkehrung des Akkordes usw. Insofern stellen sie nur die jeweilige \u201EHarmonie\u201C dar, die genaue Reihenfolge der Akkordt\u00F6ne (das \"Voicing\") bleibt unter Beachtung des musikalischen Zusammenhangs frei w\u00E4hlbar."@de . . . "\u30B3\u30FC\u30C9\u30CD\u30FC\u30E0\uFF08Chord Symbol\uFF09\u306F\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u3067\u958B\u767A\u3055\u308C\u305F\u548C\u97F3\u8A18\u53F7\u3067\u3001\u4E3B\u306B\u30DD\u30D4\u30E5\u30E9\u30FC\u97F3\u697D\u306E\u89E3\u6790\u306B\u7528\u3044\u3089\u308C\u308B\u8A18\u53F7\u3067\u3042\u308B\u3002\u30A2\u30E1\u30EA\u30AB\u306E\u307F\u306A\u3089\u305A\u5168\u4E16\u754C\u3067\u5E45\u5E83\u304F\u901A\u7528\u3059\u308B\u548C\u97F3\u8A18\u53F7\u3067\u3042\u308B\u3002\u30A2\u30E1\u30EA\u30AB\u3067\u306F\u300C\u30B3\u30FC\u30C9\u30B7\u30F3\u30DC\u30EB\u300D\u3068\u547C\u3070\u308C\u3001\u30B3\u30FC\u30C9\u30CD\u30FC\u30E0\u3068\u306F\u547C\u3070\u308C\u3066\u3044\u306A\u3044\u3002"@ja . . "Een akkoordsymbool is in de muziek een korte notatie in de vorm van een of meer letters, cijfers en andere tekens als aanduiding van een te spelen akkoord. Het gebruik van akkoordsymbolen maakt het voor de componist of arrangeur gemakkelijker bepaalde begeleidingspartijen te noteren. De akkoordsymbolen worden onder of boven de notenbalk of te begeleiden tekst geplaatst. Deze notatie wordt onder meer gebruikt in jazzmuziek. Ook in liedteksten en songteksten die door een gitaar begeleid worden, wordt vaak gebruikgemaakt van akkoordsymbolen. Akkoordsymbolen worden vaak ook in een leadsheet genoteerd. Aan de hand van de akkoordsymbolen bij de genoteerde melodie kan de musicus dan zelf al spelend een begeleiding of arrangement improviseren aan de hand van de gesuggereerde akkoorden. De tabel toont de akkoorden die gebaseerd zijn op A. Natuurlijk kan elke andere toon gesubstitueerd worden."@nl . . . "350"^^ . . . . . . . . "Akordov\u00E1 zna\u010Dka (nebo Akordick\u00E1 zna\u010Dka) je zjednodu\u0161en\u00FD z\u00E1pis akordu mimo b\u011B\u017Enou notaci. Pou\u017E\u00EDv\u00E1 se tam, kde nez\u00E1le\u017E\u00ED na konkr\u00E9tn\u00ED v\u00FD\u0161ce t\u00F3n\u016F v akordu, ale pouze na jejich harmonick\u00E9 funkci. P\u0159\u00EDkladem je kytarov\u00FD doprovod p\u00EDsn\u011B, kde je zp\u011Bv zaps\u00E1n jako melodick\u00E1 linka a kytara obstar\u00E1v\u00E1 harmonick\u00FD a rytmick\u00FD doprovod pouze na z\u00E1klad\u011B akordov\u00FDch zna\u010Dek. Akordov\u00E1 zna\u010Dka ur\u010Duje , (dur nebo moll) a jednotliv\u00E9 t\u00F3ny akordu."@cs . . . "6"^^ . . . . . "Akordsimbolo"@eo . "Akkoordsymbool"@nl . . . . . "\u0411\u0443\u043A\u0432\u0435\u043D\u043D\u043E-\u0446\u0438\u0444\u0440\u043E\u0432\u043E\u0435 \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u0430\u043A\u043A\u043E\u0440\u0434\u0430 \u2014 \u043C\u0435\u0442\u043E\u0434 \u0443\u043F\u0440\u043E\u0449\u0451\u043D\u043D\u043E\u0439 \u0437\u0430\u043F\u0438\u0441\u0438 \u0430\u043A\u043A\u043E\u0440\u0434\u043E\u0432 \u0432 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u043C \u0430\u043A\u043A\u043E\u043C\u043F\u0430\u043D\u0435\u043C\u0435\u043D\u0442\u0435, \u0448\u0438\u0440\u043E\u043A\u043E \u043F\u0440\u0438\u043C\u0435\u043D\u044F\u044E\u0449\u0438\u0439\u0441\u044F \u0432 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0435 \u0438 \u0434\u0436\u0430\u0437\u0435."@ru . . "{\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble\n \\time 4/4\n \\key c \\major\n 1\n} }"@en . . . . . . . . . .