. . . . . . . . . . . . . . . . . . . . . . . . . "El cine sovi\u00E9tico comprende el arte del cine y pel\u00EDculas creativas realizadas entre 1922 y 1991 en la Uni\u00F3n Sovi\u00E9tica. Tambi\u00E9n, en sentido estricto, es el nombre que suele darse a la corriente vanguardista integrada por artistas como Sergu\u00E9i Eisenstein, Lev Kuleshov, Vs\u00E9volod Pudovkin y Dziga V\u00E9rtov."@es . "\u041A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0301\u0433\u0440\u0430\u0444 \u0421\u0420\u0421\u0420 \u2014 \u043A\u0456\u043D\u043E\u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E \u0456 \u043A\u0456\u043D\u043E\u0456\u043D\u0434\u0443\u0441\u0442\u0440\u0456\u044F \u0432 \u0421\u0420\u0421\u0420."@uk . . . . "El cinema rus i sovi\u00E8tic va ser durant molt de temps un dels m\u00E9s importants del cinema europeu. Ha conegut una important crisi durant els anys 1990 i compta, des de mitjans dels anys 2000, de nou entre les cinematografies europees m\u00E9s prol\u00EDfiques. La frase de Lenin, \u00ABel cinema \u00E9s per a nosaltres, de tots els arts, el m\u00E9s important\u00BB, va fer la volta al m\u00F3n. La pel\u00B7l\u00EDcula d'Eisenstein El cuirassat Potemkin (1925), que posa en imatges la Revoluci\u00F3 russa de 1905, figura sempre al primer rang del pante\u00F3 dels historiadors del cinema. El cinema sovi\u00E8tic ha donat lloc a diverses interpretacions que s'han enfocat, o sobre el cinema com a obra d'art, el cinema com a propaganda o el cinema com a objecte d'espectacle. La fama mundial del cinema mut sovi\u00E8tic revolucionari ha emmascarat tanmateix l'exist\u00E8ncia, sota el r\u00E8gim tsarista, d'un ric cinema rus, avui descobert per les filmoteques."@ca . . . . . . . . . . . . . . "\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u306E\u6620\u753B\u306B\u306F\u3001\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u3092\u69CB\u6210\u3059\u308B\u5171\u548C\u56FD\u306B\u3088\u3063\u3066\u88FD\u4F5C\u3055\u308C\u305F\u6620\u753B\u304C\u542B\u307E\u308C\u3066\u3044\u308B\u3002\u305D\u308C\u3089\u3059\u3079\u3066\u306F\u30E2\u30B9\u30AF\u30EF\u4E2D\u592E\u653F\u5E9C\u306B\u3088\u3063\u3066\u7D71\u5236\u3055\u308C\u3066\u3044\u305F\u304C\u3001\u30BD\u30D3\u30A8\u30C8\u4EE5\u524D\u306E\u6587\u5316\u3001\u8A00\u8A9E\u3001\u6B74\u53F2\u7684\u8981\u7D20\u306E\u8981\u7D20\u3092\u53CD\u6620\u3057\u3066\u3044\u308B\u3002\u30ED\u30B7\u30A2\u30FB\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u793E\u4F1A\u4E3B\u7FA9\u5171\u548C\u56FD\u306B\u7D9A\u304D\u3001\u5171\u548C\u56FD\u306E\u6620\u753B\u88FD\u4F5C\u306B\u304A\u3044\u3066\u30A2\u30EB\u30E1\u30CB\u30A2\u3001\u30A2\u30BC\u30EB\u30D0\u30A4\u30B8\u30E3\u30F3\u3001\u30B8\u30E7\u30FC\u30B8\u30A2\u3001\u30A6\u30AF\u30E9\u30A4\u30CA\u304C\u6700\u3082\u591A\u4F5C\u3067\u3042\u308A\u3001\u6B21\u3044\u3067\u30EA\u30C8\u30A2\u30CB\u30A2\u3001\u30D9\u30E9\u30EB\u30FC\u30B7\u3001\u30E2\u30EB\u30C0\u30F4\u30A3\u30A2\u3082\u3001\u305D\u308C\u307B\u3069\u591A\u304F\u306F\u306A\u3044\u304C\u6620\u753B\u3092\u88FD\u4F5C\u3057\u305F\u3002\u540C\u6642\u306B\u3001\u56FD\u306E\u6620\u753B\u7523\u696D\u306F\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u306E\u6B74\u53F2\u306E\u307B\u3068\u3093\u3069\u306E\u9593\u3092\u901A\u3058\u3066\u5B8C\u5168\u306B\u56FD\u55B6\u5316\u3055\u308C\u305F\u3082\u306E\u3067\u3042\u308A\u3001\u6620\u753B\u306B\u5BFE\u3059\u308B\u65B0\u305F\u306A\u7406\u5FF5\u3067\u3042\u308B\u793E\u4F1A\u4E3B\u7FA9\u30EA\u30A2\u30EA\u30BA\u30E0\u3092\u5C0E\u5165\u3057\u305F\u72EC\u5360\u7684\u306A\u30BD\u30D3\u30A8\u30C8\u5171\u7523\u515A\u306B\u3088\u3063\u3066\u63D0\u5531\u3055\u308C\u305F\u54F2\u5B66\u3068\u6CD5\u5F8B\u306B\u3088\u3063\u3066\u4E3B\u5C0E\u3055\u308C\u3066\u304A\u308A\u3001\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u304C\u3067\u304D\u308B\u524D\u307E\u305F\u306F\u5D29\u58CA\u3057\u305F\u5F8C\u3068\u3067\u306F\u7570\u306A\u308B\u72B6\u6CC1\u3067\u6620\u753B\u304C\u88FD\u4F5C\u3055\u308C\u305F\u3002"@ja . . . . "\u041A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444 \u0421\u0421\u0421\u0420"@ru . . . . . . . . . . . . . "\u041A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0301\u0433\u0440\u0430\u0444 \u0421\u0420\u0421\u0420 \u2014 \u043A\u0456\u043D\u043E\u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E \u0456 \u043A\u0456\u043D\u043E\u0456\u043D\u0434\u0443\u0441\u0442\u0440\u0456\u044F \u0432 \u0421\u0420\u0421\u0420."@uk . . . . . . . "El cinema rus i sovi\u00E8tic va ser durant molt de temps un dels m\u00E9s importants del cinema europeu. Ha conegut una important crisi durant els anys 1990 i compta, des de mitjans dels anys 2000, de nou entre les cinematografies europees m\u00E9s prol\u00EDfiques. La frase de Lenin, \u00ABel cinema \u00E9s per a nosaltres, de tots els arts, el m\u00E9s important\u00BB, va fer la volta al m\u00F3n. La pel\u00B7l\u00EDcula d'Eisenstein El cuirassat Potemkin (1925), que posa en imatges la Revoluci\u00F3 russa de 1905, figura sempre al primer rang del pante\u00F3 dels historiadors del cinema."@ca . . . . . . . . . . . . . "\uC18C\uBE44\uC5D0\uD2B8 \uC5F0\uBC29 \uC601\uD654\uB294 \uB7EC\uC2DC\uC544\uC5B4 \uC601\uD654\uAC00 \uC8FC\uB97C \uC774\uB8E8\uAE30\uB294 \uD558\uC9C0\uB9CC \uB7EC\uC2DC\uC544\uC758 \uC601\uD654\uC640 \uB2E4\uB974\uB2E4. \uC18C\uBE44\uC5D0\uD2B8 \uC5F0\uBC29\uC744 \uC774\uB8E8\uB294 \uACF5\uD654\uAD6D\uB4E4\uC774 \uC18C\uBE44\uC5D0\uD2B8 \uC774\uC804\uC758 \uBB38\uD654, \uC5B8\uC5B4, \uC5ED\uC0AC\uB97C \uAC00\uC838\uC654\uB2E4. \uC601\uD654\uC5D0 \uAC00\uC7A5 \uB208\uC5D0 \uB744\uB294 \uAE30\uC5EC\uB97C \uD55C \uB098\uB77C\uB294 \uB7EC\uC2DC\uC544 \uC18C\uBE44\uC5D0\uD2B8 \uC5F0\uBC29 \uC0AC\uD68C\uC8FC\uC758 \uACF5\uD654\uAD6D, \uC544\uB974\uBA54\uB2C8\uC544 \uC18C\uBE44\uC5D0\uD2B8 \uC0AC\uD68C\uC8FC\uC758 \uACF5\uD654\uAD6D, \uC6B0\uD06C\uB77C\uC774\uB098 \uC18C\uBE44\uC5D0\uD2B8 \uC0AC\uD68C\uC8FC\uC758 \uACF5\uD654\uAD6D\uB4F1\uC774\uB2E4. \uC720\uB7FD \uC601\uD654\uC0AC\uC5D0\uC11C \uAC00\uC7A5 \uC911\uC694\uD55C \uBD80\uBD84 \uC911 \uD558\uB098\uC600\uB2E4. \uB808\uB2CC\uC740 '\uC601\uD654\uAC00 \uC6B0\uB9AC\uC5D0\uAC8C \uC788\uC5B4\uC11C \uBAA8\uB4E0 \uC608\uC220 \uC911 \uAC00\uC7A5 \uC911\uC694\uD558\uB2E4'\uACE0 \uB9D0\uD55C \uBC14 \uC788\uB2E4. \uD2B9\uD788 \uB7EC\uC2DC\uC544 \uD601\uBA85 (1905\uB144)\uC744 \uADF8\uB9B0 \uC5D0\uC774\uC820\uC2A4\uD0C0\uC778\uC758 \uC804\uD568 \uD3EC\uD15C\uD0A8\uC740 \uC601\uD654 \uC804\uBB38\uAC00\uB4E4 \uC0AC\uC774\uC5D0\uC11C \uC5ED\uC0AC \uC0C1 \uCD5C\uACE0\uC758 \uC601\uD654\uB85C \uAF3D\uD600\uC654\uB2E4."@ko . . . . . . . . . . . "\u041A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444 \u0421\u0420\u0421\u0420"@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u306E\u6620\u753B\u306B\u306F\u3001\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u3092\u69CB\u6210\u3059\u308B\u5171\u548C\u56FD\u306B\u3088\u3063\u3066\u88FD\u4F5C\u3055\u308C\u305F\u6620\u753B\u304C\u542B\u307E\u308C\u3066\u3044\u308B\u3002\u305D\u308C\u3089\u3059\u3079\u3066\u306F\u30E2\u30B9\u30AF\u30EF\u4E2D\u592E\u653F\u5E9C\u306B\u3088\u3063\u3066\u7D71\u5236\u3055\u308C\u3066\u3044\u305F\u304C\u3001\u30BD\u30D3\u30A8\u30C8\u4EE5\u524D\u306E\u6587\u5316\u3001\u8A00\u8A9E\u3001\u6B74\u53F2\u7684\u8981\u7D20\u306E\u8981\u7D20\u3092\u53CD\u6620\u3057\u3066\u3044\u308B\u3002\u30ED\u30B7\u30A2\u30FB\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u793E\u4F1A\u4E3B\u7FA9\u5171\u548C\u56FD\u306B\u7D9A\u304D\u3001\u5171\u548C\u56FD\u306E\u6620\u753B\u88FD\u4F5C\u306B\u304A\u3044\u3066\u30A2\u30EB\u30E1\u30CB\u30A2\u3001\u30A2\u30BC\u30EB\u30D0\u30A4\u30B8\u30E3\u30F3\u3001\u30B8\u30E7\u30FC\u30B8\u30A2\u3001\u30A6\u30AF\u30E9\u30A4\u30CA\u304C\u6700\u3082\u591A\u4F5C\u3067\u3042\u308A\u3001\u6B21\u3044\u3067\u30EA\u30C8\u30A2\u30CB\u30A2\u3001\u30D9\u30E9\u30EB\u30FC\u30B7\u3001\u30E2\u30EB\u30C0\u30F4\u30A3\u30A2\u3082\u3001\u305D\u308C\u307B\u3069\u591A\u304F\u306F\u306A\u3044\u304C\u6620\u753B\u3092\u88FD\u4F5C\u3057\u305F\u3002\u540C\u6642\u306B\u3001\u56FD\u306E\u6620\u753B\u7523\u696D\u306F\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u306E\u6B74\u53F2\u306E\u307B\u3068\u3093\u3069\u306E\u9593\u3092\u901A\u3058\u3066\u5B8C\u5168\u306B\u56FD\u55B6\u5316\u3055\u308C\u305F\u3082\u306E\u3067\u3042\u308A\u3001\u6620\u753B\u306B\u5BFE\u3059\u308B\u65B0\u305F\u306A\u7406\u5FF5\u3067\u3042\u308B\u793E\u4F1A\u4E3B\u7FA9\u30EA\u30A2\u30EA\u30BA\u30E0\u3092\u5C0E\u5165\u3057\u305F\u72EC\u5360\u7684\u306A\u30BD\u30D3\u30A8\u30C8\u5171\u7523\u515A\u306B\u3088\u3063\u3066\u63D0\u5531\u3055\u308C\u305F\u54F2\u5B66\u3068\u6CD5\u5F8B\u306B\u3088\u3063\u3066\u4E3B\u5C0E\u3055\u308C\u3066\u304A\u308A\u3001\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u304C\u3067\u304D\u308B\u524D\u307E\u305F\u306F\u5D29\u58CA\u3057\u305F\u5F8C\u3068\u3067\u306F\u7570\u306A\u308B\u72B6\u6CC1\u3067\u6620\u753B\u304C\u88FD\u4F5C\u3055\u308C\u305F\u3002"@ja . . . . . . . . . "The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic, were Armenia, Azerbaijan, Georgia, Ukraine, and, to a lesser degree, Lithuania, Belarus and Moldavia. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union."@en . . . . . . . . . "Cin\u00E9ma russe et sovi\u00E9tique"@fr . . . . . . . . . . . . . . . . . . . . . . . "Cine sovi\u00E9tico"@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u0627\u062A\u062D\u0627\u062F \u0627\u0644\u0633\u0648\u0641\u064A\u062A\u064A"@ar . . . . . . . . . . . . . . . . . . "Sobietar zinema"@eu . . . . . . . . . . . . . . . . . "\uC18C\uBE44\uC5D0\uD2B8 \uC5F0\uBC29 \uC601\uD654\uB294 \uB7EC\uC2DC\uC544\uC5B4 \uC601\uD654\uAC00 \uC8FC\uB97C \uC774\uB8E8\uAE30\uB294 \uD558\uC9C0\uB9CC \uB7EC\uC2DC\uC544\uC758 \uC601\uD654\uC640 \uB2E4\uB974\uB2E4. \uC18C\uBE44\uC5D0\uD2B8 \uC5F0\uBC29\uC744 \uC774\uB8E8\uB294 \uACF5\uD654\uAD6D\uB4E4\uC774 \uC18C\uBE44\uC5D0\uD2B8 \uC774\uC804\uC758 \uBB38\uD654, \uC5B8\uC5B4, \uC5ED\uC0AC\uB97C \uAC00\uC838\uC654\uB2E4. \uC601\uD654\uC5D0 \uAC00\uC7A5 \uB208\uC5D0 \uB744\uB294 \uAE30\uC5EC\uB97C \uD55C \uB098\uB77C\uB294 \uB7EC\uC2DC\uC544 \uC18C\uBE44\uC5D0\uD2B8 \uC5F0\uBC29 \uC0AC\uD68C\uC8FC\uC758 \uACF5\uD654\uAD6D, \uC544\uB974\uBA54\uB2C8\uC544 \uC18C\uBE44\uC5D0\uD2B8 \uC0AC\uD68C\uC8FC\uC758 \uACF5\uD654\uAD6D, \uC6B0\uD06C\uB77C\uC774\uB098 \uC18C\uBE44\uC5D0\uD2B8 \uC0AC\uD68C\uC8FC\uC758 \uACF5\uD654\uAD6D\uB4F1\uC774\uB2E4. \uC720\uB7FD \uC601\uD654\uC0AC\uC5D0\uC11C \uAC00\uC7A5 \uC911\uC694\uD55C \uBD80\uBD84 \uC911 \uD558\uB098\uC600\uB2E4. \uB808\uB2CC\uC740 '\uC601\uD654\uAC00 \uC6B0\uB9AC\uC5D0\uAC8C \uC788\uC5B4\uC11C \uBAA8\uB4E0 \uC608\uC220 \uC911 \uAC00\uC7A5 \uC911\uC694\uD558\uB2E4'\uACE0 \uB9D0\uD55C \uBC14 \uC788\uB2E4. \uD2B9\uD788 \uB7EC\uC2DC\uC544 \uD601\uBA85 (1905\uB144)\uC744 \uADF8\uB9B0 \uC5D0\uC774\uC820\uC2A4\uD0C0\uC778\uC758 \uC804\uD568 \uD3EC\uD15C\uD0A8\uC740 \uC601\uD654 \uC804\uBB38\uAC00\uB4E4 \uC0AC\uC774\uC5D0\uC11C \uC5ED\uC0AC \uC0C1 \uCD5C\uACE0\uC758 \uC601\uD654\uB85C \uAF3D\uD600\uC654\uB2E4."@ko . "Le cin\u00E9ma russe et sovi\u00E9tique fut pendant longtemps l'un des plus importants du cin\u00E9ma europ\u00E9en. Il a connu une importante crise durant les ann\u00E9es 1990 et compte, depuis le milieu des ann\u00E9es 2000, de nouveau parmi les cin\u00E9matographies europ\u00E9ennes les plus prolifiques. La phrase de L\u00E9nine, \u00AB le cin\u00E9ma est pour nous, de tous les arts, le plus important \u00BB, a fait le tour du monde. Le film d'Eisenstein, le Cuirass\u00E9 Potemkine (r\u00E9alis\u00E9 en 1925) et qui met en images la r\u00E9volution russe de 1905, figure toujours au premier rang du panth\u00E9on des historiens du cin\u00E9ma. Le cin\u00E9ma sovi\u00E9tique a donn\u00E9 lieu \u00E0 diverses interpr\u00E9tations qui se sont focalis\u00E9es soit sur \u00AB le cin\u00E9ma comme \u0153uvre d'art \u00BB, \u00AB le cin\u00E9ma comme propagande \u00BB ou \u00AB le cin\u00E9ma comme objet de spectacle \u00BB. La c\u00E9l\u00E9brit\u00E9 mondiale du cin\u00E9ma muet sovi\u00E9tique r\u00E9volutionnaire a cependant masqu\u00E9 l'existence, sous le r\u00E9gime tsariste, d'un riche cin\u00E9ma russe, aujourd'hui red\u00E9couvert par les cin\u00E9math\u00E8ques."@fr . "Kinematografia radziecka"@pl . . "\u041A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0301\u0433\u0440\u0430\u0444 \u0421\u0421\u0421\u0420 \u2014 \u043A\u0438\u043D\u043E\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E \u0438 \u043A\u0438\u043D\u043E\u0438\u043D\u0434\u0443\u0441\u0442\u0440\u0438\u044F \u0432 \u0421\u0421\u0421\u0420."@ru . . . . . . . . . . "Kinematografia radziecka (kinematografia sowiecka) \u2013 og\u00F3\u0142 produkcji i dystrybucji filmowej na obszarze Zwi\u0105zku Socjalistycznych Republik Radzieckich, istniej\u0105cego w latach 1922\u20131991."@pl . . . . . . "\u30BD\u30D3\u30A8\u30C8\u9023\u90A6\u306E\u6620\u753B"@ja . . . . . "10786"^^ . . "El cine sovi\u00E9tico comprende el arte del cine y pel\u00EDculas creativas realizadas entre 1922 y 1991 en la Uni\u00F3n Sovi\u00E9tica. Tambi\u00E9n, en sentido estricto, es el nombre que suele darse a la corriente vanguardista integrada por artistas como Sergu\u00E9i Eisenstein, Lev Kuleshov, Vs\u00E9volod Pudovkin y Dziga V\u00E9rtov."@es . . . . . . . . . "The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic, were Armenia, Azerbaijan, Georgia, Ukraine, and, to a lesser degree, Lithuania, Belarus and Moldavia. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union."@en . . . . . . . . . . . . . . . . . . . . "\uC18C\uB828 \uC601\uD654"@ko . . 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"N\u00E4r bolsjevikerna tog makten i Sovjetunionen ans\u00E5g man att filmen var det mest genomslagskraftiga kommunikationsmedlet. Filmindustrin f\u00F6rstatligades d\u00E4rf\u00F6r i augusti 1919, och Nadezjda Konstantinovna Krupskaja sattes att styra densamma. Sergej Eisensteins stumfilm Pansarkryssaren Potemkin fr\u00E5n 1925 \u00E4r f\u00F6rmodligen den mest k\u00E4nda av de tidiga filmerna. \u00C5r 1919 l\u00E4t sovjetledaren Vladimir Lenin etablera v\u00E4rldens f\u00F6rsta filminstitut, VGIK. Under NEP-politikens tid var filmen i Sovjetunionen mer marknadsinriktad, och \u00E4ven utl\u00E4ndskt sponsorkapital blev till\u00E5tet."@sv . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Film i Sovjetunionen"@sv . . . . . . . . . . . . . "Sobietar zinema SESBen egindako zinema da, hizkuntza nagusia errusiera izanik. Lanik esanguratsuenak Armeniar SES, Errusiar SESF, Georgiar SES eta Ukrainar SESetan egin zen eta, maila txikiago batean, Bielorrusiar SES, Lituaniar SES eta Moldaviar SESetan."@eu . . . . . . . . "57434"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u041A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0301\u0433\u0440\u0430\u0444 \u0421\u0421\u0421\u0420 \u2014 \u043A\u0438\u043D\u043E\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E \u0438 \u043A\u0438\u043D\u043E\u0438\u043D\u0434\u0443\u0441\u0442\u0440\u0438\u044F \u0432 \u0421\u0421\u0421\u0420."@ru . . . . "Le cin\u00E9ma russe et sovi\u00E9tique fut pendant longtemps l'un des plus importants du cin\u00E9ma europ\u00E9en. Il a connu une importante crise durant les ann\u00E9es 1990 et compte, depuis le milieu des ann\u00E9es 2000, de nouveau parmi les cin\u00E9matographies europ\u00E9ennes les plus prolifiques. La phrase de L\u00E9nine, \u00AB le cin\u00E9ma est pour nous, de tous les arts, le plus important \u00BB, a fait le tour du monde. Le film d'Eisenstein, le Cuirass\u00E9 Potemkine (r\u00E9alis\u00E9 en 1925) et qui met en images la r\u00E9volution russe de 1905, figure toujours au premier rang du panth\u00E9on des historiens du cin\u00E9ma."@fr . . . . . . . "Cinema rus i sovi\u00E8tic"@ca . . . . . "N\u00E4r bolsjevikerna tog makten i Sovjetunionen ans\u00E5g man att filmen var det mest genomslagskraftiga kommunikationsmedlet. Filmindustrin f\u00F6rstatligades d\u00E4rf\u00F6r i augusti 1919, och Nadezjda Konstantinovna Krupskaja sattes att styra densamma. Sergej Eisensteins stumfilm Pansarkryssaren Potemkin fr\u00E5n 1925 \u00E4r f\u00F6rmodligen den mest k\u00E4nda av de tidiga filmerna. \u00C5r 1919 l\u00E4t sovjetledaren Vladimir Lenin etablera v\u00E4rldens f\u00F6rsta filminstitut, VGIK. Under NEP-politikens tid var filmen i Sovjetunionen mer marknadsinriktad, och \u00E4ven utl\u00E4ndskt sponsorkapital blev till\u00E5tet. Filmproduktionen var reglerad med som centralt ansvarig myndighet med mycket starkt inflytande och Sovexportfilm som exporterade och importerade filmer. Michail Kalatozovs film Och tranorna flyga bel\u00F6nades med guldpalmen p\u00E5 Filmfestivalen i Cannes 1958. Solaris (p\u00E5 ryska: \u0421\u043E\u043B\u044F\u0440\u0438\u0441, 1972) av Andrej Tarkovskij \u00E5terspeglade d\u00E5tidens framtidstro inom rymdf\u00E4rder och m\u00E4nniskans psykologiska gr\u00E4nser. Filmen vann Grand Prix Sp\u00E9cial du Jury och FIPRESCI-priset p\u00E5 filmfestivalen i Cannes. Michail Gorbatjovs tilltr\u00E4de och f\u00F6ljande reformer innebar omfattande liberalisering av Sovjetunionens filmer. Regiss\u00F6rer fick en friare roll, och filmer om verklighetsflykt b\u00F6rjade spelas in. Sovjetunionens fall 1991 innebar stora f\u00F6r\u00E4ndringar f\u00F6r filmen. En utbredd uppfattning \u00E4r att uppl\u00F6sningen satte stopp f\u00F6r rysk kvalitetsfilm, d\u00E5 filmindustrin blev mer inriktad p\u00E5 kommersiell g\u00E5ngbarhet \u00E4n konstn\u00E4rlighet."@sv . . . . . . . . . . . . . . . . . . . "Cinema of the Soviet Union"@en . . . . . . . . . . . . . . . . . . . . . "Kinematografia radziecka (kinematografia sowiecka) \u2013 og\u00F3\u0142 produkcji i dystrybucji filmowej na obszarze Zwi\u0105zku Socjalistycznych Republik Radzieckich, istniej\u0105cego w latach 1922\u20131991."@pl . . . . . . . . . . . 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"1121829070"^^ . "Sobietar zinema SESBen egindako zinema da, hizkuntza nagusia errusiera izanik. Lanik esanguratsuenak Armeniar SES, Errusiar SESF, Georgiar SES eta Ukrainar SESetan egin zen eta, maila txikiago batean, Bielorrusiar SES, Lituaniar SES eta Moldaviar SESetan."@eu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .