. "1943"^^ . . . . . . . . "Come Sunday"@en . . . . . . . . . . . . . . "2713"^^ . "Come Sunday"@en . . . . "\"Come Sunday\" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled Black, Brown and Beige. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie Hall Concerts: January 1943). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. \"Come Sunday\" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity."@en . . . . . . . . . "song"@en . . "\"Come Sunday\" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled Black, Brown and Beige. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie Hall Concerts: January 1943). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. \"Come Sunday\" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity."@en . . . . . . . "1091372058"^^ . . . "37918700"^^ . . . "Come Sunday"@en . . . .