. . . . . . . . . . . . . . . "Periodo della pratica comune"@it . "\u5171\u6653\u65F6\u671F"@zh . . . . . "El per\u00EDodo de la pr\u00E1ctica com\u00FAn es aquel de la m\u00FAsica occidental europea que transcurre entre la formaci\u00F3n del sistema tonal hasta la creaci\u00F3n del sistema atonal. Abarca aproximadamente unos trescientos a\u00F1os, desde aproximadamente 1600 a 1900, y recorre los per\u00EDodos Barroco, Clasicismo y Romanticismo. Los compositores m\u00E1s destacados fueron Antonio Vivaldi, Georg Friedrich H\u00E4ndel, Johann Sebastian Bach, Joseph Haydn, Richard Wagner, Niccolo Paganini, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert y muchos otros m\u00E1s que todav\u00EDa hoy se interpretan con frecuencia. No hay fechas exactas para este per\u00EDodo, ya que si bien prevalecen ciertos modelos y convenciones, tambi\u00E9n se produce una considerable evoluci\u00F3n estil\u00EDstica. Por lo tanto, las fechas dadas son necesariamente nebulosas, y sus l\u00EDmites arbitrarios dependen del contexto."@es . . "In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent, unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis."@en . . . . . "Si deve al compositore statunitense Walter Piston (1894-1976), che lo coni\u00F2 nel 1941, il termine periodo della pratica comune per riferirsi all'epoca del maggiore splendore della musica classica. Esso abbraccia circa 300 anni, approssimativamente dal 1600 al 1900, e comprende il barocco, il classicismo e il romanticismo. Fra i compositori pi\u00F9 importanti si annoverano Antonio Vivaldi, Georg Friedrich H\u00E4ndel, Johann Sebastian Bach, Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert e molti altri ancora."@it . . . . . "In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent, unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis."@en . . . "Komunpraktika periodo a\u016D periodo de komuna praktiko estas epoko de klasika muziko. En la historio de e\u016Dropa altkultura muziko (pli lar\u011De nomata klasika muziko), la nomita komunpraktika periodo \u2013 etenda al plej de la baroka, klasika, kaj romantika muzikoj \u2013 da\u016Draj el \u0109irka\u016D 1600 al \u0109irka\u016D 1900. Foje, terminologioj estas inversataj \u0109e kelkaj fakuloj."@eo . . . . "\u0641\u062A\u0631\u0629 \u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0634\u0627\u0626\u0639\u0629 \u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 Common practice period \u0641\u064A \u062A\u0627\u0631\u064A\u062E \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0623\u0648\u0631\u0628\u064A\u0629 \u0627\u0644\u062A\u064A \u062A\u0639\u0631\u0641 \u0628\u0627\u0633\u0645 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A\u0629\u060C \u0641\u062A\u0631\u0629 \u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0634\u0627\u0626\u0639\u0629 - \u0627\u0644\u062A\u064A \u062A\u0633\u062A\u063A\u0631\u0642 \u0639\u0635\u0631 \u0627\u0644\u0628\u0627\u0631\u0648\u0643 \u0648\u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u0633\u064A \u062F\u0627\u0645 \u0645\u0646 \u0646\u062D\u0648 1600 \u062D\u062A\u0649 \u0646\u062D\u0648 1900."@ar . . . . . "\u5728\u53E4\u5178\u97F3\u4E50\u53F2\u4E2D\uFF0C\u5171\u6653\u65F6\u671F\uFF08\u82F1\u8A9E\uFF1ACommon practice period\uFF09\u662F\u6307\u4ECE\u8C03\u6027\u4F53\u7CFB\u7684\u5F62\u6210\u5230\u74E6\u89E3\u7684\u8FD9\u6BB5\u65F6\u671F\u3002\u4E00\u822C\u6765\u8BF4\uFF0C\u5DF4\u6D1B\u514B\u97F3\u4E50\u4E2D\u540E\u671F\u3001\u53E4\u5178\u4E3B\u4E49\u65F6\u671F\u548C\u6D6A\u6F2B\u4E3B\u4E49\u65F6\u671F\uFF0C\u6216\u8005\u8BF4\u4ECE\u5927\u7EA61650\u5E74\u52301900\u5E74\u7684\u8FD9\u6BB5\u65F6\u671F\u662F\u5178\u578B\u7684\u5171\u6653\u65F6\u671F\u3002\u5171\u6653\u65F6\u671F\u7279\u6709\u7684\u4E3B\u6D41\u97F3\u4E50\u6A21\u5F0F\u548C\u4E00\u4E9B\u7EA6\u5B9A\u4FD7\u6210\u7684\u60EF\u4F8B\u5C06\u5176\u540C\u5176\u4ED6\u97F3\u4E50\u65F6\u671F\u533A\u5206\u5F00\u6765\uFF0C\u5176\u4E2D\u6700\u5177\u8BC6\u522B\u6027\u7684\u7279\u5F81\u662F\u5176\u5BF9\u8C03\u6027\u4F53\u7CFB\u7684\u5F3A\u70C8\u4F9D\u8D56\u3002"@zh . . . "1111532970"^^ . . . . . . "\u0641\u062A\u0631\u0629 \u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0634\u0627\u0626\u0639\u0629"@ar . . "8186"^^ . "\u0641\u062A\u0631\u0629 \u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0634\u0627\u0626\u0639\u0629 \u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 Common practice period \u0641\u064A \u062A\u0627\u0631\u064A\u062E \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0623\u0648\u0631\u0628\u064A\u0629 \u0627\u0644\u062A\u064A \u062A\u0639\u0631\u0641 \u0628\u0627\u0633\u0645 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A\u0629\u060C \u0641\u062A\u0631\u0629 \u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0634\u0627\u0626\u0639\u0629 - \u0627\u0644\u062A\u064A \u062A\u0633\u062A\u063A\u0631\u0642 \u0639\u0635\u0631 \u0627\u0644\u0628\u0627\u0631\u0648\u0643 \u0648\u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u0633\u064A \u062F\u0627\u0645 \u0645\u0646 \u0646\u062D\u0648 1600 \u062D\u062A\u0649 \u0646\u062D\u0648 1900."@ar . . . "415263"^^ . . . . . . . . . . . "Komunpraktika periodo"@eo . . . . . . "London, Justin . \"Rhythm, \u00A7II: Historical Studies of Rhythm\". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers."@en . . . "Common practice period"@en . "\u5728\u53E4\u5178\u97F3\u4E50\u53F2\u4E2D\uFF0C\u5171\u6653\u65F6\u671F\uFF08\u82F1\u8A9E\uFF1ACommon practice period\uFF09\u662F\u6307\u4ECE\u8C03\u6027\u4F53\u7CFB\u7684\u5F62\u6210\u5230\u74E6\u89E3\u7684\u8FD9\u6BB5\u65F6\u671F\u3002\u4E00\u822C\u6765\u8BF4\uFF0C\u5DF4\u6D1B\u514B\u97F3\u4E50\u4E2D\u540E\u671F\u3001\u53E4\u5178\u4E3B\u4E49\u65F6\u671F\u548C\u6D6A\u6F2B\u4E3B\u4E49\u65F6\u671F\uFF0C\u6216\u8005\u8BF4\u4ECE\u5927\u7EA61650\u5E74\u52301900\u5E74\u7684\u8FD9\u6BB5\u65F6\u671F\u662F\u5178\u578B\u7684\u5171\u6653\u65F6\u671F\u3002\u5171\u6653\u65F6\u671F\u7279\u6709\u7684\u4E3B\u6D41\u97F3\u4E50\u6A21\u5F0F\u548C\u4E00\u4E9B\u7EA6\u5B9A\u4FD7\u6210\u7684\u60EF\u4F8B\u5C06\u5176\u540C\u5176\u4ED6\u97F3\u4E50\u65F6\u671F\u533A\u5206\u5F00\u6765\uFF0C\u5176\u4E2D\u6700\u5177\u8BC6\u522B\u6027\u7684\u7279\u5F81\u662F\u5176\u5BF9\u8C03\u6027\u4F53\u7CFB\u7684\u5F3A\u70C8\u4F9D\u8D56\u3002"@zh . . "Komunpraktika periodo a\u016D periodo de komuna praktiko estas epoko de klasika muziko. En la historio de e\u016Dropa altkultura muziko (pli lar\u011De nomata klasika muziko), la nomita komunpraktika periodo \u2013 etenda al plej de la baroka, klasika, kaj romantika muzikoj \u2013 da\u016Draj el \u0109irka\u016D 1600 al \u0109irka\u016D 1900. Foje, terminologioj estas inversataj \u0109e kelkaj fakuloj. La komunpraktika muziko uzas du tipojn de muzikaj normoj: unue, \u011Di uzas konvenciigitajn sekvencojn de akordoj, kiaj I\u2013IV\u2013V\u2013I (vidu artikolon \u015Ctupoteorio). Due, \u011Di kongruas kun specifajn kontrapunktajn normojn, kiaj la evito de kvintparaleloj kaj oktavojn."@eo . "Per\u00EDodo de la pr\u00E1ctica com\u00FAn"@es . . . . . . . . "El per\u00EDodo de la pr\u00E1ctica com\u00FAn es aquel de la m\u00FAsica occidental europea que transcurre entre la formaci\u00F3n del sistema tonal hasta la creaci\u00F3n del sistema atonal. Abarca aproximadamente unos trescientos a\u00F1os, desde aproximadamente 1600 a 1900, y recorre los per\u00EDodos Barroco, Clasicismo y Romanticismo. Los compositores m\u00E1s destacados fueron Antonio Vivaldi, Georg Friedrich H\u00E4ndel, Johann Sebastian Bach, Joseph Haydn, Richard Wagner, Niccolo Paganini, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert y muchos otros m\u00E1s que todav\u00EDa hoy se interpretan con frecuencia."@es . . "Tanner, Paul, and Maurice Gerow . A Study of Jazz. Dubuque, Iowa: William C. Brown Publishers. Cited in Robert M. Baker, \"A Brief History of the Blues\". TheBlueHighway.com."@en . "Winold, Allen . \"Rhythm in Twentieth-Century Music\". In Aspects of Twentieth-Century Music, edited by Richard Peter Delone and Gary Wittlich, Englewood Cliffs, New Jersey: Prentice-Hall. . pp. 208-269."@en . . . . "Si deve al compositore statunitense Walter Piston (1894-1976), che lo coni\u00F2 nel 1941, il termine periodo della pratica comune per riferirsi all'epoca del maggiore splendore della musica classica. Esso abbraccia circa 300 anni, approssimativamente dal 1600 al 1900, e comprende il barocco, il classicismo e il romanticismo. Fra i compositori pi\u00F9 importanti si annoverano Antonio Vivaldi, Georg Friedrich H\u00E4ndel, Johann Sebastian Bach, Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert e molti altri ancora."@it . . . . . . . . "Kliewer, Vernon . \"Melody: Linear Aspects of Twentieth-Century Music\". In Aspects of Twentieth-Century Music, edited by Gary Wittlich, pp. 270\u2013301. Englewood Cliffs, New Jersey: Prentice-Hall. ."@en . .