. . "Confessio Amantis"@it . . . . "Confessio Amantis"@es . . . . . . . . "Confessio Amantis \u00E9s un poema medieval de John Gower del segle xiv que cont\u00E9 una hist\u00F2ria marc on un home es confessa sobre els seus amors passats i la seva vida, fet que serveix per inserir hist\u00F2ries de diversos tipus, incloent-hi episodis mitol\u00F2gics, especialment extrets d'Ovidi. Va ser una obra \u00E0mpliament difosa durant la baixa edat mitjana i un dels testimonis claus per a la hist\u00F2ria de la llengua anglesa. Es tracta d'un llarg poema (m\u00E9s de 33000 versos octos\u00EDl\u00B7labs) influ\u00EFt pel to melangi\u00F3s de la Consolaci\u00F3 de la filosofia de Boeci i pels ideals de l'amor cort\u00E8s. Despr\u00E9s d'un pr\u00F2leg on es critica la societat coet\u00E0nia a l'autor, segueixen vuit llibres on es detallen contes que il\u00B7lustren els sets pecats capitals amb un excurs sobre la correcta educaci\u00F3. Les hist\u00F2ries se succeeixen les "@ca . . . . . "Confessio Amantis (\"Confessione di un amante\") \u00E8 un poema di 33 000 versi scritto in lingua inglese media da John Gower, che usa la confessione fatta da un anziano amante, alla sacerdotessa di Venere, come motivo conduttore per unire una serie di brevi poemi narrativi. Secondo il prologo, fu composto su commissione di Riccardo II. Si erge, assieme agli scritti di Chaucer, Langland, e il , come una delle grandi opere del tardo XIV secolo. In genere \u00E8 di solito considerato un poema di consolazione, una forma medievale ispirata a De consolatione philosophiae di Boezio e caratterizzata da opere come . Nonostante questo, \u00E8 pi\u00F9 spesso studiato insieme ad altre collezioni di racconti con strutture simili, come il Decameron di Boccaccio, e in particolare I racconti di Canterbury di Chaucer, con i quali Confessio ha diverse storie in comune."@it . . . . . "266"^^ . . . . . . . . . . . . . . . . . . . "3072524"^^ . . . . . "Confessio Amantis"@ca . . . . . . "Confessio Amantis, en ingl\u00E9s The Lover's Confession es un poema de 33 000 versos en ingl\u00E9s escrito por John Gower, que utiliza la confesi\u00F3n hecha por un amante anciano al capell\u00E1n de Venus como una historia marco para una colecci\u00F3n de poemas narrativos m\u00E1s cortos. Seg\u00FAn su pr\u00F3logo, fue compuesto a petici\u00F3n de Ricardo II. Se encuentra al nivel de las obras de Chaucer, Langland y el poeta Pearl como una de las grandes obras de la literatura inglesa de finales del siglo XIV. El \u00EDndice de \u00ABMiddle English Verse\u00BB muestra que en la \u00E9poca anterior a la imprenta era uno de los manuscritos m\u00E1s copiados \u201459 copias\u2014 junto con Los cuentos de Canterbury \u201472 copias\u2014 y Pedro el Labrador \u201463 copias\u2014.\u200B"@es . "Confessio Amantis"@ru . . "Confessio Amantis"@en . . . . . "Confessio Amantis (\"Confessione di un amante\") \u00E8 un poema di 33 000 versi scritto in lingua inglese media da John Gower, che usa la confessione fatta da un anziano amante, alla sacerdotessa di Venere, come motivo conduttore per unire una serie di brevi poemi narrativi. Secondo il prologo, fu composto su commissione di Riccardo II. Si erge, assieme agli scritti di Chaucer, Langland, e il , come una delle grandi opere del tardo XIV secolo."@it . "Confessio Amantis \u00E9s un poema medieval de John Gower del segle xiv que cont\u00E9 una hist\u00F2ria marc on un home es confessa sobre els seus amors passats i la seva vida, fet que serveix per inserir hist\u00F2ries de diversos tipus, incloent-hi episodis mitol\u00F2gics, especialment extrets d'Ovidi. Va ser una obra \u00E0mpliament difosa durant la baixa edat mitjana i un dels testimonis claus per a la hist\u00F2ria de la llengua anglesa. Es tracta d'un llarg poema (m\u00E9s de 33000 versos octos\u00EDl\u00B7labs) influ\u00EFt pel to melangi\u00F3s de la Consolaci\u00F3 de la filosofia de Boeci i pels ideals de l'amor cort\u00E8s. Despr\u00E9s d'un pr\u00F2leg on es critica la societat coet\u00E0nia a l'autor, segueixen vuit llibres on es detallen contes que il\u00B7lustren els sets pecats capitals amb un excurs sobre la correcta educaci\u00F3. Les hist\u00F2ries se succeeixen les unes a les altres, sovint sense transici\u00F3 i tenen una durada molt desigual. Apareixen relats b\u00EDblics, al\u00B7lusions a altres llibres famosos i cl\u00E0ssics grecollatins."@ca . . . "Confessio Amantis (\u00AB\u0418\u0441\u043F\u043E\u0432\u0435\u0434\u044C \u0432\u043B\u044E\u0431\u043B\u0451\u043D\u043D\u043E\u0433\u043E\u00BB) \u2014 \u043F\u043E\u044D\u043C\u0430 \u043D\u0430 33000 \u0441\u0442\u0440\u043E\u043A, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u044B\u043C \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u043C \u043F\u043E\u044D\u0442\u043E\u043C \u0414\u0436\u043E\u043D\u043E\u043C \u0413\u0430\u0443\u044D\u0440\u043E\u043C, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u0435\u0442\u0441\u044F \u043F\u0440\u0438\u0437\u043D\u0430\u043D\u0438\u0435, \u0441\u0434\u0435\u043B\u0430\u043D\u043D\u043E\u0435 \u041A\u0430\u043F\u0435\u043B\u043B\u0430\u043D\u043E\u043C \u0412\u0435\u043D\u0435\u0440\u044B, \u043E\u0444\u043E\u0440\u043C\u043B\u0435\u043D\u043D\u043E\u0435 \u0432 \u043A\u043E\u043B\u043B\u0435\u043A\u0446\u0438\u0438 \u043A\u043E\u0440\u043E\u0442\u043A\u0438\u0445 \u043F\u043E\u044D\u043C. \u0412\u0432\u043E\u0434\u043D\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u043F\u043E\u044D\u043C\u044B \u0431\u044B\u043B\u0430 \u0441\u043E\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0430 \u043F\u043E \u043F\u0440\u043E\u0441\u044C\u0431\u0435 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u043A\u043E\u0440\u043E\u043B\u044F \u0420\u0438\u0447\u0430\u0440\u0434\u0430 II. Confessio Amantis \u043D\u0430\u0445\u043E\u0434\u0438\u0442\u0441\u044F \u0432 \u0441\u043F\u0438\u0441\u043A\u0435 \u0432\u0435\u043B\u0438\u0447\u0430\u0439\u0448\u0438\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0439 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B XIV \u0432\u0435\u043A\u0430 \u043D\u0430\u0440\u044F\u0434\u0443 \u0441 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F\u043C\u0438 \u0414\u0436\u043E\u0444\u0440\u0438 \u0427\u043E\u0441\u0435\u0440\u0430, \u041B\u0430\u043D\u0433\u043B\u0430\u043D\u0434\u0430, \u0438 \u041F\u0435\u0440\u043B-\u043F\u043E\u044D\u0442\u0430."@ru . . . . . . . . . "Confessio Amantis, en ingl\u00E9s The Lover's Confession es un poema de 33 000 versos en ingl\u00E9s escrito por John Gower, que utiliza la confesi\u00F3n hecha por un amante anciano al capell\u00E1n de Venus como una historia marco para una colecci\u00F3n de poemas narrativos m\u00E1s cortos. Seg\u00FAn su pr\u00F3logo, fue compuesto a petici\u00F3n de Ricardo II. Se encuentra al nivel de las obras de Chaucer, Langland y el poeta Pearl como una de las grandes obras de la literatura inglesa de finales del siglo XIV. El \u00EDndice de \u00ABMiddle English Verse\u00BB muestra que en la \u00E9poca anterior a la imprenta era uno de los manuscritos m\u00E1s copiados \u201459 copias\u2014 junto con Los cuentos de Canterbury \u201472 copias\u2014 y Pedro el Labrador \u201463 copias\u2014.\u200B En el g\u00E9nero se lo considera un \u00ABpoema de consuelo\u00BB, una forma medieval inspirada en la Consolaci\u00F3n de la filosof\u00EDa de Boecio y ejemplificado por obras como Perla. A pesar de esto, se estudia m\u00E1s habitualmente junto con otras colecciones de cuentos con estructuras similares, como el Decameron de Boccaccio y, en particular, Los cuentos de Canterbury de Chaucer, con los que la Confessio tiene varias historias en com\u00FAn."@es . . "Confessio Amantis"@fr . . . . . . . . . . . . . "27192"^^ . . . . "Confessio Amantis (\u00AB\u0418\u0441\u043F\u043E\u0432\u0435\u0434\u044C \u0432\u043B\u044E\u0431\u043B\u0451\u043D\u043D\u043E\u0433\u043E\u00BB) \u2014 \u043F\u043E\u044D\u043C\u0430 \u043D\u0430 33000 \u0441\u0442\u0440\u043E\u043A, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u044B\u043C \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u043C \u043F\u043E\u044D\u0442\u043E\u043C \u0414\u0436\u043E\u043D\u043E\u043C \u0413\u0430\u0443\u044D\u0440\u043E\u043C, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u0435\u0442\u0441\u044F \u043F\u0440\u0438\u0437\u043D\u0430\u043D\u0438\u0435, \u0441\u0434\u0435\u043B\u0430\u043D\u043D\u043E\u0435 \u041A\u0430\u043F\u0435\u043B\u043B\u0430\u043D\u043E\u043C \u0412\u0435\u043D\u0435\u0440\u044B, \u043E\u0444\u043E\u0440\u043C\u043B\u0435\u043D\u043D\u043E\u0435 \u0432 \u043A\u043E\u043B\u043B\u0435\u043A\u0446\u0438\u0438 \u043A\u043E\u0440\u043E\u0442\u043A\u0438\u0445 \u043F\u043E\u044D\u043C. \u0412\u0432\u043E\u0434\u043D\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u043F\u043E\u044D\u043C\u044B \u0431\u044B\u043B\u0430 \u0441\u043E\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0430 \u043F\u043E \u043F\u0440\u043E\u0441\u044C\u0431\u0435 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u043A\u043E\u0440\u043E\u043B\u044F \u0420\u0438\u0447\u0430\u0440\u0434\u0430 II. Confessio Amantis \u043D\u0430\u0445\u043E\u0434\u0438\u0442\u0441\u044F \u0432 \u0441\u043F\u0438\u0441\u043A\u0435 \u0432\u0435\u043B\u0438\u0447\u0430\u0439\u0448\u0438\u0445 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0439 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B XIV \u0432\u0435\u043A\u0430 \u043D\u0430\u0440\u044F\u0434\u0443 \u0441 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F\u043C\u0438 \u0414\u0436\u043E\u0444\u0440\u0438 \u0427\u043E\u0441\u0435\u0440\u0430, \u041B\u0430\u043D\u0433\u043B\u0430\u043D\u0434\u0430, \u0438 \u041F\u0435\u0440\u043B-\u043F\u043E\u044D\u0442\u0430. Confessio Amantis \u043E\u0442\u043D\u043E\u0441\u044F\u0442 \u043A \u0436\u0430\u043D\u0440\u0443 \u0443\u0442\u0435\u0448\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u0445 \u0441\u0442\u0438\u0445\u043E\u0442\u0432\u043E\u0440\u0435\u043D\u0438\u0439, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u044F\u044E\u0442 \u0441\u043E\u0431\u043E\u0439 \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u0443\u044E \u0444\u043E\u0440\u043C\u0443 \u0432\u0434\u043E\u0445\u043D\u043E\u0432\u0435\u043D\u0438\u044F \u0444\u0438\u043B\u043E\u0441\u043E\u0444\u0438\u0435\u0439 \u0411\u043E\u044D\u0446\u0438\u044F. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u044D\u0442\u043E, \u043E\u0431\u044B\u0447\u043D\u043E \u0438\u0437\u0443\u0447\u0430\u0435\u0442\u0441\u044F \u043D\u0430\u0440\u044F\u0434\u0443 \u0441 \u0434\u0440\u0443\u0433\u0438\u043C\u0438 \u043F\u0440\u0438\u043C\u0435\u0440\u0430\u043C\u0438 \u0441\u0442\u0438\u0445\u043E\u0442\u0432\u043E\u0440\u0435\u043D\u0438\u0439 \u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u043E\u0433\u043E \u0441\u0440\u0435\u0434\u043D\u0435\u0432\u0435\u043A\u043E\u0432\u044C\u044F, \u0442\u0430\u043A\u0438\u043C\u0438 \u043A\u0430\u043A \u0411\u043E\u043A\u043A\u0430\u0447\u0447\u043E \u0414\u0435\u043A\u0430\u043C\u0435\u0440\u043E\u043D\u0430, \u0438, \u0432 \u0447\u0430\u0441\u0442\u043D\u043E\u0441\u0442\u0438 \u041A\u0435\u043D\u0442\u0435\u0440\u0431\u0435\u0440\u0438\u0439\u0441\u043A\u0438\u0435 \u0440\u0430\u0441\u0441\u043A\u0430\u0437\u044B \u0427\u043E\u0441\u0435\u0440\u0430, \u0441 \u043A\u043E\u0442\u043E\u0440\u044B\u043C Confessio Amantis \u0438\u043C\u0435\u0435\u0442 \u043C\u043D\u043E\u0433\u043E \u043E\u0431\u0449\u0435\u0433\u043E."@ru . . . . . "Confessio Amantis"@en . . . "Confessio Amantis (\"The Lover's Confession\") is a 33,000-line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts (59 copies) along with Canterbury Tales (72 copies) and Piers Plowman (63 copies)."@en . . . "Confessio Amantis (\u00AB Confession d\u2019un amant \u00BB) est un po\u00E8me de 33 000 vers en moyen anglais de John Gower, po\u00E8te de l\u2019Angleterre m\u00E9di\u00E9vale, qui utilise la confession faite par un amant \u00E2g\u00E9 \u00E0 l\u2019aum\u00F4nier de V\u00E9nus comme cadre pour une s\u00E9rie de petits po\u00E8mes narratifs. Selon son prologue, il fut compos\u00E9 \u00E0 la requ\u00EAte de Richard II d'Angleterre. Avec les travaux de Geoffrey Chaucer, William Langland et le Pearl Poet, il s'agit d'une des plus grandes \u0153uvres de la litt\u00E9rature anglaise du XIVe si\u00E8cle."@fr . . . . . . . . . . . . . . . . . . . "1058048608"^^ . "Confessio Amantis (\u00AB Confession d\u2019un amant \u00BB) est un po\u00E8me de 33 000 vers en moyen anglais de John Gower, po\u00E8te de l\u2019Angleterre m\u00E9di\u00E9vale, qui utilise la confession faite par un amant \u00E2g\u00E9 \u00E0 l\u2019aum\u00F4nier de V\u00E9nus comme cadre pour une s\u00E9rie de petits po\u00E8mes narratifs. Selon son prologue, il fut compos\u00E9 \u00E0 la requ\u00EAte de Richard II d'Angleterre. Avec les travaux de Geoffrey Chaucer, William Langland et le Pearl Poet, il s'agit d'une des plus grandes \u0153uvres de la litt\u00E9rature anglaise du XIVe si\u00E8cle."@fr . . . . . . . . . . . . . . . . . . . . . "Confessio Amantis (\"The Lover's Confession\") is a 33,000-line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts (59 copies) along with Canterbury Tales (72 copies) and Piers Plowman (63 copies). In genre it is usually considered a poem of consolation, a medieval form inspired by Boethius' Consolation of Philosophy and typified by works such as Pearl. Despite this, it is more usually studied alongside other tale collections with similar structures, such as the Decameron of Boccaccio, and particularly Chaucer's Canterbury Tales, with which the Confessio has several stories in common."@en . . . . . . . . . .