. . . . "Rock cubain"@fr . "M\u00FAsica rock en Cuba"@es . . . . . . . . . . . . . . . . . . "2499302"^^ . . "21746"^^ . . . . "1097453650"^^ . . . . "Le rock cubain d\u00E9signe le rock interpr\u00E9t\u00E9 par des groupes et artistes cubains."@fr . "Cuban rock"@en . . . . . . . . . . . . . "Rock and roll music was introduced in Cuba in the late 1950s, with many Cuban artists of the time covering American songs translated into Spanish, as was occurring in Mexico at the same time. \"The Batista police never looked kindly on Rock and Roll, and much less after the screening of films like Rebel Without a Cause and The Bad Seed, among others. After 1959, Rock and Roll followed the same path, although artists like Argentinean Luis Aguile emerged.\" When Cuba and the United States broke relations, some people considered rock \"the music of the enemy, the language of the enemy\". Then, there was the time of the Cold War, the Bay of Pigs, the Cuban Missile Crisis and the uprising of armed bands throughout the country. Nevertheless, rock continued to be played. And though it didn't have a good reputation, it was tolerated. And though somehow its performers were considered to have a deviant ideology, many groups continued playing the genre. Among these were included Los Vampiros and Los Sat\u00E9lites. These bands were composed of black people and had a style similar to that of Limbo Rock in the United States. This was the origin of street rock. And the situation continued like that until 1965. Salvador Terry's Los Vampiros and Los Sat\u00E9lites helped keep Cuban rock alive and showed that black and mixed race people also loved it. From 1961 to 1964, they made people put aside the old quarrels and misunderstandings that rock was the music of high life of the white majority. Today, all the manifestations and subgenres of rock are performed in the underground environment are interpreted, no matter how atypical they are."@en . . . . . . "Rock and roll music was introduced in Cuba in the late 1950s, with many Cuban artists of the time covering American songs translated into Spanish, as was occurring in Mexico at the same time. \"The Batista police never looked kindly on Rock and Roll, and much less after the screening of films like Rebel Without a Cause and The Bad Seed, among others. After 1959, Rock and Roll followed the same path, although artists like Argentinean Luis Aguile emerged.\""@en . . . . . . . . . . . . . . . . "Le rock cubain d\u00E9signe le rock interpr\u00E9t\u00E9 par des groupes et artistes cubains."@fr . . . . . "La interacci\u00F3n musical entre Cuba y los Estados Unidos es muy antigua. Ya desde el siglo XVIII, durante el dominio espa\u00F1ol de Luisiana (1763-1803), las orquestas y bandas habaneras ofrec\u00EDan conciertos en New Orleans, y en el siglo XIX la contradanza cubana era muy popular en los Estados Unidos.\u200B A comienzos del siglo XX comienzan a crearse en Cuba las primeras Jazz Bands al estilo de los grupos norteamericanos. La Jazz Band \u201CSagua\u201D fue fundada en Sagua la Grande en 1914 por Pedro Stacholy (director y piano). El grupo toc\u00F3 durante 14 a\u00F1os en el Teatro Principal de Sagua.\u200B"@es . . . . "La interacci\u00F3n musical entre Cuba y los Estados Unidos es muy antigua. Ya desde el siglo XVIII, durante el dominio espa\u00F1ol de Luisiana (1763-1803), las orquestas y bandas habaneras ofrec\u00EDan conciertos en New Orleans, y en el siglo XIX la contradanza cubana era muy popular en los Estados Unidos.\u200B A comienzos del siglo XX comienzan a crearse en Cuba las primeras Jazz Bands al estilo de los grupos norteamericanos. La Jazz Band \u201CSagua\u201D fue fundada en Sagua la Grande en 1914 por Pedro Stacholy (director y piano). El grupo toc\u00F3 durante 14 a\u00F1os en el Teatro Principal de Sagua.\u200B La \u201CJazz Band Cubana\u201D fue fundada en 1922 por Jaime Prats en La Habana, pero existieron grupos m\u00E1s antiguos.\u200B En 1924, Mois\u00E9s Simons (piano) fund\u00F3 una orquesta que toc\u00F3 en la terraza del Hotel Plaza en La Habana, la cual consist\u00EDa en piano, viol\u00EDn, dos saxofones, banjo, contrabajo, drums y timbales.\u200B Durante los a\u00F1os treinta, varias bandas tocaron Jazz en La Habana, como las de Armando Romeu, Isidro P\u00E9rez, Chico O'Farrill y Germ\u00E1n Lebatard.\u200B"@es . . . . . . . . . . . . . . . . . . . . . . . . . . .