. . . . . "Eduardo Kac"@de . . "Eduardo Kac"@en . . . . . . . . . . . . . . . "Eduardo Kac (Rio de Janeiro, 3 de julho de 1962) \u00E9 um artista contempor\u00E2neo e pioneiro da arte digital, arte hologr\u00E1fica, arte da telepresen\u00E7a e bioarte."@pt . . . "Eduardo Kac [\u025Bdwardo\u028A k\u00E6ts; \u0115d\u00B7w\u00E2r\u2032\u00B7d\u014D k\u0103ts] (1962) is a Brazilian contemporary artist whose artworks span a wide range of practices, including performance art, poetry, holography, interactive art, telematic art and transgenic art. He is particularly well known for his works that integrate biotechnology, politics and aesthetics. Kac began his art career in the early 1980s as performance artist in Rio de Janeiro, Brazil. Within a few years he was involved in exploring holography as an interactive art form. At the same time, he began creating animated poetic works on the French Minitel platform."@en . . . . . . . "Eduardo Kac (* 3. Juli 1962 in Rio de Janeiro) ist ein brasilianisch-amerikanischer K\u00FCnstler."@de . . "1962"^^ . . "\uC5D0\uB450\uC544\uB974\uB3C4 \uCE75(Eduardo Kac, 1962\uB144 ~ )\uC740 \uBC14\uC774\uC624 \uC544\uD2F0\uC2A4\uD2B8\uC774\uB2E4. \uBBF8\uC220\uC791\uD488\uC5D0 \uC720\uC804\uD559\uACFC \uC138\uD3EC\uC0DD\uBB3C\uD559\uC5D0\uC11C \uC0AC\uC6A9\uD558\uB294 \uC0DD\uBB3C\uACF5\uD559\uAE30\uC220\uC744 \uCC28\uC6A9\uD558\uACE0 \uC774\uB97C \uBC14\uC774\uC624\uC544\uD2B8\uB77C\uACE0 \uBA85\uBA85\uD588\uB2E4. \uADF8\uB294 \uC774\uC5D0 \uB300\uD574 '\uC138\uC0C1 \uC5B4\uB514\uC5D0\uB3C4 \uC5C6\uB294 \uC0B4\uC544 \uC788\uB294 \uC874\uC7AC\uB97C \uCC3D\uC870\uD574\uB0B4\uAE30 \uC704\uD574, \uD569\uC131 \uC720\uC804\uC790\uB97C \uC0DD\uCCB4\uC5D0 \uC774\uC2DD\uD558\uAC70\uB098 \uD55C \uC885\uC5D0\uC11C \uB2E4\uB978 \uC885\uC73C\uB85C \uC790\uC5F0 \uC720\uC804 \uBB3C\uC9C8\uC744 \uC774\uC2DD\uD558\uB294 \uC720\uC804\uACF5\uD559 \uAE30\uC220\uC5D0 \uADFC\uAC70\uD55C \uC0C8\uB85C\uC6B4 \uD615\uD0DC\uC758 \uBBF8\uC220'\uC774\uB77C\uACE0 \uB9D0\uD588\uB2E4."@ko . . . . . . . . . . . . . . . . "Eduardo Kac"@en . . . . . . . . . . . . . "\u041A\u0430\u0446, \u042D\u0434\u0443\u0430\u0440\u0434\u043E"@ru . . . "\uC5D0\uB450\uC544\uB974\uB3C4 \uCE75"@ko . . . . . . . . . . . "\u042D\u0434\u0443\u0430\u0440\u0434\u043E \u041A\u0430\u0446 (\u043F\u043E\u0440\u0442. Eduardo Kac; \u0440\u043E\u0434. 3 \u0438\u044E\u043B\u044F 1962, \u0420\u0438\u043E-\u0434\u0435-\u0416\u0430\u043D\u0435\u0439\u0440\u043E) \u2014 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u043A\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u044B\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0438 \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u043E\u0440, \u0447\u044C\u0438 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u043E\u0445\u0432\u0430\u0442\u044B\u0432\u0430\u044E\u0442 \u0448\u0438\u0440\u043E\u043A\u0438\u0439 \u0441\u043F\u0435\u043A\u0442\u0440 \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u0445 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0445 \u043F\u0440\u0430\u043A\u0442\u0438\u043A, \u0432\u043A\u043B\u044E\u0447\u0430\u044F \u043F\u0435\u0440\u0444\u043E\u0440\u043C\u0430\u043D\u0441, \u043F\u043E\u044D\u0437\u0438\u044E, \u0433\u043E\u043B\u043E\u0433\u0440\u0430\u0444\u0438\u044E, \u0438\u043D\u0442\u0435\u0440\u0430\u043A\u0442\u0438\u0432\u043D\u043E\u0435, \u0442\u0435\u043B\u0435\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0435 \u0438 \u0442\u0440\u0430\u043D\u0441\u0433\u0435\u043D\u043D\u043E\u0435 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E. \u0425\u043E\u0440\u043E\u0448\u043E \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u0441\u0432\u043E\u0438\u043C\u0438 \u0440\u0430\u0431\u043E\u0442\u0430\u043C\u0438, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043E\u0431\u044A\u0435\u0434\u0438\u043D\u044F\u044E\u0442 \u043F\u043E\u043B\u0438\u0442\u0438\u043A\u0443, \u044D\u0441\u0442\u0435\u0442\u0438\u043A\u0443 \u0438 \u0431\u0438\u043E\u0442\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u044E."@ru . . . . . . . . . . "Eduardo Kac"@en . . "Eduardo Kac, n\u00E9 le 3 juillet 1962 \u00E0 Rio de Janeiro, est un artiste contemporain am\u00E9ricano-br\u00E9silien."@fr . "Eduardo Kac [\u025Bdwardo\u028A k\u00E6ts; \u0115d\u00B7w\u00E2r\u2032\u00B7d\u014D k\u0103ts] (1962) is a Brazilian contemporary artist whose artworks span a wide range of practices, including performance art, poetry, holography, interactive art, telematic art and transgenic art. He is particularly well known for his works that integrate biotechnology, politics and aesthetics. Kac began his art career in the early 1980s as performance artist in Rio de Janeiro, Brazil. Within a few years he was involved in exploring holography as an interactive art form. At the same time, he began creating animated poetic works on the French Minitel platform. Before moving from Brazil to the United States in the late 1980s, Kac began creating his first telematic artworks that used electronic technologies to bridge two or more physical locations. During the 1990s he continued to produce these works, at the same time as he coined the phrase bioart. In addition to bioart Kac coined numerous neologisms to describe his transdisciplinary art practice, including holoart, transgenic art (the integration of human genes in an artwork) and plantimal, referring to a plant infused with human genes. Kac is perhaps best known for his transgenic artworks that use biotechnology to intervene on the natural genetic structure of plants and animals. His works Time Capsule, GFP Bunny and Natural History of the Enigma in particular are recognized as notable works for having joined biotechnology, art and bioethics together into politically charged artworks. In 2017 Kac collaborated with the French Space Observatory office to have a sculpture made aboard the International Space Station. A multidisciplinary artist, Kac has also employed poetry, fax, photocopying, photography, video, fractals, RFID implants, virtual reality, networks, robotics, satellites, telerobotics, Morse code and DNA extraction in his practice."@en . . . . . "\u042D\u0434\u0443\u0430\u0440\u0434\u043E \u041A\u0430\u0446 (\u043F\u043E\u0440\u0442. Eduardo Kac; \u0440\u043E\u0434. 3 \u0438\u044E\u043B\u044F 1962, \u0420\u0438\u043E-\u0434\u0435-\u0416\u0430\u043D\u0435\u0439\u0440\u043E) \u2014 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u043A\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u044B\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0438 \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u043E\u0440, \u0447\u044C\u0438 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u043E\u0445\u0432\u0430\u0442\u044B\u0432\u0430\u044E\u0442 \u0448\u0438\u0440\u043E\u043A\u0438\u0439 \u0441\u043F\u0435\u043A\u0442\u0440 \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u0445 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0445 \u043F\u0440\u0430\u043A\u0442\u0438\u043A, \u0432\u043A\u043B\u044E\u0447\u0430\u044F \u043F\u0435\u0440\u0444\u043E\u0440\u043C\u0430\u043D\u0441, \u043F\u043E\u044D\u0437\u0438\u044E, \u0433\u043E\u043B\u043E\u0433\u0440\u0430\u0444\u0438\u044E, \u0438\u043D\u0442\u0435\u0440\u0430\u043A\u0442\u0438\u0432\u043D\u043E\u0435, \u0442\u0435\u043B\u0435\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0435 \u0438 \u0442\u0440\u0430\u043D\u0441\u0433\u0435\u043D\u043D\u043E\u0435 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E. \u0425\u043E\u0440\u043E\u0448\u043E \u0438\u0437\u0432\u0435\u0441\u0442\u0435\u043D \u0441\u0432\u043E\u0438\u043C\u0438 \u0440\u0430\u0431\u043E\u0442\u0430\u043C\u0438, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043E\u0431\u044A\u0435\u0434\u0438\u043D\u044F\u044E\u0442 \u043F\u043E\u043B\u0438\u0442\u0438\u043A\u0443, \u044D\u0441\u0442\u0435\u0442\u0438\u043A\u0443 \u0438 \u0431\u0438\u043E\u0442\u0435\u0445\u043D\u043E\u043B\u043E\u0433\u0438\u044E."@ru . . . . . "24439"^^ . . . . "Eduardo Kac's installation Genesis, displayed at the 1999 Ars Electronica Festival."@en . . . . "Eduardo Kac"@fr . "Eduardo Kac (R\u00EDo de Janeiro, 3 de julio de 1962) es un artista contempor\u00E1neo multidisciplinar de origen brasilero conocido principalmente por crear obras que usan la biotecnolog\u00EDa para intervenir en la estructura gen\u00E9tica de animales. Kac se form\u00F3 en Comunicaci\u00F3n Social en la Pontificia Universidad Cat\u00F3lica de R\u00EDo de Janeiro. Inici\u00F3 su trayectoria art\u00EDstica en los a\u00F1os 80, realizando performances. Entre 1985 y 1986, comenz\u00F3 a incursionar en el entonces emergente \"arte digital\", usando un sistema de videotexto. En 1989, Kac viaja a Estados Unidos para continuar su formaci\u00F3n en la School of the Art Institute of Chicago."@es . . . . "Brazilian-American"@en . . . . . . "Eduardo Kac"@es . "Eduardo Kac (* 3. Juli 1962 in Rio de Janeiro) ist ein brasilianisch-amerikanischer K\u00FCnstler."@de . . . "\uC5D0\uB450\uC544\uB974\uB3C4 \uCE75(Eduardo Kac, 1962\uB144 ~ )\uC740 \uBC14\uC774\uC624 \uC544\uD2F0\uC2A4\uD2B8\uC774\uB2E4. \uBBF8\uC220\uC791\uD488\uC5D0 \uC720\uC804\uD559\uACFC \uC138\uD3EC\uC0DD\uBB3C\uD559\uC5D0\uC11C \uC0AC\uC6A9\uD558\uB294 \uC0DD\uBB3C\uACF5\uD559\uAE30\uC220\uC744 \uCC28\uC6A9\uD558\uACE0 \uC774\uB97C \uBC14\uC774\uC624\uC544\uD2B8\uB77C\uACE0 \uBA85\uBA85\uD588\uB2E4. \uADF8\uB294 \uC774\uC5D0 \uB300\uD574 '\uC138\uC0C1 \uC5B4\uB514\uC5D0\uB3C4 \uC5C6\uB294 \uC0B4\uC544 \uC788\uB294 \uC874\uC7AC\uB97C \uCC3D\uC870\uD574\uB0B4\uAE30 \uC704\uD574, \uD569\uC131 \uC720\uC804\uC790\uB97C \uC0DD\uCCB4\uC5D0 \uC774\uC2DD\uD558\uAC70\uB098 \uD55C \uC885\uC5D0\uC11C \uB2E4\uB978 \uC885\uC73C\uB85C \uC790\uC5F0 \uC720\uC804 \uBB3C\uC9C8\uC744 \uC774\uC2DD\uD558\uB294 \uC720\uC804\uACF5\uD559 \uAE30\uC220\uC5D0 \uADFC\uAC70\uD55C \uC0C8\uB85C\uC6B4 \uD615\uD0DC\uC758 \uBBF8\uC220'\uC774\uB77C\uACE0 \uB9D0\uD588\uB2E4."@ko . . . . "Eduardo Kac (Rio de Janeiro, 3 de julho de 1962) \u00E9 um artista contempor\u00E2neo e pioneiro da arte digital, arte hologr\u00E1fica, arte da telepresen\u00E7a e bioarte."@pt . . . . "1120365961"^^ . "619545"^^ . . . . . . . . . "Eduardo Kac (R\u00EDo de Janeiro, 3 de julio de 1962) es un artista contempor\u00E1neo multidisciplinar de origen brasilero conocido principalmente por crear obras que usan la biotecnolog\u00EDa para intervenir en la estructura gen\u00E9tica de animales. Kac se form\u00F3 en Comunicaci\u00F3n Social en la Pontificia Universidad Cat\u00F3lica de R\u00EDo de Janeiro. Inici\u00F3 su trayectoria art\u00EDstica en los a\u00F1os 80, realizando performances. Entre 1985 y 1986, comenz\u00F3 a incursionar en el entonces emergente \"arte digital\", usando un sistema de videotexto."@es . "Ars Electronica Golden Nica"@en . "Eduardo Kac, n\u00E9 le 3 juillet 1962 \u00E0 Rio de Janeiro, est un artiste contemporain am\u00E9ricano-br\u00E9silien."@fr . "Eduardo Kac"@pt . . . . . . . . . . . .