. . . . . . . "New York City"@en . . . . . . . . "\u0625\u0644\u064A\u0632\u0627\u0628\u064A\u062B \u0643\u0627\u0631\u0644\u0633\u0646 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Elizabeth Karlsen)\u200F \u0647\u064A \u0633\u064A\u062F\u0629 \u0623\u0639\u0645\u0627\u0644 \u0623\u0645\u0631\u064A\u0643\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 1960 \u0641\u064A \u0646\u064A\u0648\u064A\u0648\u0631\u0643 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Film producer"@en . . . . . . "46817904"^^ . . . . . "Elizabeth Karlsen"@en . . . . . . . "Elizabeth Karlsen (born 1960) is a British film producer. She co-founded Number 9 Films in 2002 with production partner and husband Stephen Woolley. Karlsen's producing credits include Terence Davies\u2019 The Neon Bible, starring Gena Rowlands and selected for Cannes competition; Mark Herman\u2019s Little Voice, nominated for six Golden Globe Awards, six BAFTA Awards and an Academy Award; the HBO single drama Mrs. Harris, starring Annette Bening and Ben Kingsley, nominated for 12 Primetime Emmys, three Golden Globes, and a Producers Guild of America Award and for which Karlsen received the Women's Image Network Award; the BAFTA-nominated Great Expectations, directed by Mike Newell, starring Ralph Fiennes and Helena Bonham Carter; Byzantium, directed by Neil Jordan, starring Saoirse Ronan; and Made "@en . . . . . . . . . . . "1960"^^ . . . . . . . . . . . . . . "Elizabeth Karlsen (born 1960) is a British film producer. She co-founded Number 9 Films in 2002 with production partner and husband Stephen Woolley. Karlsen's producing credits include Terence Davies\u2019 The Neon Bible, starring Gena Rowlands and selected for Cannes competition; Mark Herman\u2019s Little Voice, nominated for six Golden Globe Awards, six BAFTA Awards and an Academy Award; the HBO single drama Mrs. Harris, starring Annette Bening and Ben Kingsley, nominated for 12 Primetime Emmys, three Golden Globes, and a Producers Guild of America Award and for which Karlsen received the Women's Image Network Award; the BAFTA-nominated Great Expectations, directed by Mike Newell, starring Ralph Fiennes and Helena Bonham Carter; Byzantium, directed by Neil Jordan, starring Saoirse Ronan; and Made in Dagenham, nominated for three BAFTAs. She also produced the international box office success Ladies in Lavender, starring Maggie Smith and Judi Dench, and co-produced Neil Jordan's The Crying Game, nominated for six Academy Awards. Her latest films \u2212 Carol, written by Phyllis Nagy, directed by Todd Haynes and starring Cate Blanchett and Rooney Mara, and Youth, directed by Paolo Sorrentino, starring Michael Caine and Harvey Keitel \u2212 premiered in main competition at the 2015 Cannes Film Festival. Projects in development include an original project from Cam\u00E9ra d'Or winner Anthony Chen and a co-production with Killer Films, written and directed by Wash West. Karlsen has served on the board of EM Media, the Edinburgh Festival and is currently Chair of . In 2019 she was awarded the BAFTA Outstanding British Contribution to Cinema Award, together with Stephen Woolley."@en . . . "\u0625\u0644\u064A\u0632\u0627\u0628\u064A\u062B \u0643\u0627\u0631\u0644\u0633\u0646"@ar . . . . "1986"^^ . . . "Elizabeth Karlsen"@en . . . . . . . . . "13380"^^ . . . . . . . . "\u0625\u0644\u064A\u0632\u0627\u0628\u064A\u062B \u0643\u0627\u0631\u0644\u0633\u0646 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Elizabeth Karlsen)\u200F \u0647\u064A \u0633\u064A\u062F\u0629 \u0623\u0639\u0645\u0627\u0644 \u0623\u0645\u0631\u064A\u0643\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 1960 \u0641\u064A \u0646\u064A\u0648\u064A\u0648\u0631\u0643 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629."@ar . . . . . . . . . . . . . . . . . . . . . "1986"^^ . . . "1090494534"^^ . . . . . . . . . "Elizabeth Karlsen"@en . .