. . . . . . . . "Elizabeth Knepp"@en . . . . . "Elizabeth Knepp (ou Knipp ; d\u00E9c\u00E9d\u00E9e en 1681) est une com\u00E9dienne, danseuse et chanteuse anglaise de la p\u00E9riode de la Restauration. Ses premi\u00E8res prestations th\u00E9\u00E2trales connues remontent \u00E0 1664, lorsqu'elle est choisie par le dramaturge Thomas Killigrew pour le r\u00F4le de Lusetta dans sa pi\u00E8ce Thomaso. Ceci indique qu'elle faisait vraisemblablement partie de sa troupe, la King's Company, \u00E0 cette p\u00E9riode. \u00C0 partir de 1666, elle figure dans la distribution de nombreuses pi\u00E8ces, dans lesquelles elle incarne toutes sortes de r\u00F4les, aussi bien tragiques que comiques, dont celui de Lady Fidget dans La Provinciale de William Wycherley. De temps \u00E0 autre, il lui arrivait aussi de r\u00E9citer les prologues et les \u00E9pilogues des pi\u00E8ces, ainsi que de chanter et danser au cours des entractes."@fr . . . . . . . . . "1615707"^^ . . . "Elizabeth Knepp (ou Knipp ; d\u00E9c\u00E9d\u00E9e en 1681) est une com\u00E9dienne, danseuse et chanteuse anglaise de la p\u00E9riode de la Restauration. Ses premi\u00E8res prestations th\u00E9\u00E2trales connues remontent \u00E0 1664, lorsqu'elle est choisie par le dramaturge Thomas Killigrew pour le r\u00F4le de Lusetta dans sa pi\u00E8ce Thomaso. Ceci indique qu'elle faisait vraisemblablement partie de sa troupe, la King's Company, \u00E0 cette p\u00E9riode."@fr . . . . . . . . . . . . . . . . . "1045209901"^^ . . . . . . . . "Elizabeth Knepp or Knipp (died 1681) was a British actress, singer, and dancer. The earliest theatrical reference to Knepp is from 1664, as being intended by Thomas Killigrew to play the part of Lusetta in his play Thomaso. This means that she was probably in his troupe, the King's Company, by that time. From 1666 onwards she is recorded as playing many parts, both tragic and comic, including Lady Fidget in William Wycherley's The Country Wife. In 1664, she became the first woman to perform the title role in Jonson's Epicoene. She also occasionally spoke prologues and epilogues, and often danced and sang in or between acts. Knepp's husband was reputedly \"ill-natured\" and treated her badly. Samuel Pepys was fascinated by Knepp, and his diary for 1666\u201468 is full of references to her, including mentions of amorous encounters, and descriptions of how much he enjoyed her flirtatiousness and especially her singing. In the late 1670s she became mistress to the actor Joseph Haines, and died in 1681 giving birth to his stillborn child."@en . . . . . . . . . . . . . . . . . "Elizabeth Knepp or Knipp (died 1681) was a British actress, singer, and dancer. The earliest theatrical reference to Knepp is from 1664, as being intended by Thomas Killigrew to play the part of Lusetta in his play Thomaso. This means that she was probably in his troupe, the King's Company, by that time. From 1666 onwards she is recorded as playing many parts, both tragic and comic, including Lady Fidget in William Wycherley's The Country Wife. In 1664, she became the first woman to perform the title role in Jonson's Epicoene. She also occasionally spoke prologues and epilogues, and often danced and sang in or between acts."@en . . . "1851"^^ . . "Elizabeth Knepp"@fr . . . . . . . . . . . . . . . . . . .