. . . . . . . . . "Felix Cartal"@en . . . . . . . . . "Producer, DJ, songwriter"@en . . . . . . . . . . "13410"^^ . "1987-04-09"^^ . . . . . . . . "Taelor Deitcher (born April 9, 1987), better known by his stage name Felix Cartal, is a Canadian DJ and electronic dance music producer. He released his first EP Skeleton in 2009 once he signed with Dim Mak Records. Since then he has gone on to release four full-length albums, 2010's Popular Music, 2012's Different Faces, 2018's Next Season, and 2021's Expensive Sounds for Nice People. Deitcher has toured with Wolfgang Gartner, MSTRKRFT, and Bloody Beetroots. Deitcher set the trend of collaborating with unpredictable vocalists in the dance scene such as Sebastien Grainger of Death from Above 1979, Maja Ivarsson of The Sounds and Johnny Whitney of The Blood Brothers."@en . . . . . . . . . . . . . . "2006"^^ . "Felix Cartal in 2020"@en . . . . . . . . . . . . . . . "1987-04-09"^^ . . . . "35245396"^^ . . "Taelor Deitcher"@en . . . . . . . . . . . . . . "1121865209"^^ . "New Westminster, British Columbia, Canada"@en . . . . . . . . . . . . . . . . . . . . . . "Taelor Deitcher (born April 9, 1987), better known by his stage name Felix Cartal, is a Canadian DJ and electronic dance music producer. He released his first EP Skeleton in 2009 once he signed with Dim Mak Records. Since then he has gone on to release four full-length albums, 2010's Popular Music, 2012's Different Faces, 2018's Next Season, and 2021's Expensive Sounds for Nice People. Deitcher has toured with Wolfgang Gartner, MSTRKRFT, and Bloody Beetroots. Deitcher set the trend of collaborating with unpredictable vocalists in the dance scene such as Sebastien Grainger of Death from Above 1979, Maja Ivarsson of The Sounds and Johnny Whitney of The Blood Brothers."@en . . . . . . . . . . . . . "Universal Music Group, Dim Mak, Physical Presents"@en . . . . . . . . . . . . . . . "Felix Cartal"@en . . . . "Taelor Deitcher"@en . . . "Felix Cartal"@en . . . . . . . . . . . . . . . . . . "2006"^^ . . . . . . . . . . . . . . . . . . . . . . .