"Fidelio, op. 72, est l\u2019unique op\u00E9ra de Ludwig van Beethoven, d'abord compos\u00E9 en 1804. La version d\u00E9finitive date de 1814. Le livret est de Joseph Sonnleithner. Les principaux th\u00E8mes d\u00E9velopp\u00E9s par le livret sont la d\u00E9nonciation de l\u2019arbitraire, incarn\u00E9 par le gouverneur d\u2019une prison espagnole, l\u2019appel \u00E0 la libert\u00E9, et l\u2019amour (notamment conjugal) qui pousse Leonore, d\u00E9guis\u00E9e en homme, \u00E0 risquer sa vie pour lib\u00E9rer son \u00E9poux Florestan. Dans la tradition du Singspiel, l'ouvrage comporte des dialogues parl\u00E9s."@fr . . . . . . . . . . . "Fidelio (Op. 72b) \u00E8 un'opera in due atti di Ludwig van Beethoven su libretto di Joseph Sonnleithner e Georg Friedrich Treitschke. La prima rappresentazione fu data il 20 novembre 1805 al Theater an der Wien (Vienna) diretta da Ignaz von Seyfried."@it . . . . "Fidelio o el amor conyugal (t\u00EDtulo original en alem\u00E1n, Fidelio oder die eheliche Liebe, Op. 72) es una \u00F3pera en dos actos con m\u00FAsica de Ludwig van Beethoven. El libreto en alem\u00E1n es obra de , a partir del texto original en franc\u00E9s de Jean-Nicolas Bouilly que se hab\u00EDa usado para la \u00F3pera de 1798 L\u00E9onore, ou l\u2019amour conjugal de Pierre Gaveaux, y para la \u00F3pera de 1804 Leonora de Ferdinando Paer (Beethoven ten\u00EDa una partitura de esta). Es la \u00FAnica \u00F3pera que compuso Beethoven. La \u00F3pera cuenta c\u00F3mo Leonora, disfrazada como un guardia de la prisi\u00F3n llamado \"Fidelio\", rescata a su marido Florest\u00E1n de la condena de muerte por razones pol\u00EDticas."@es . . "38475"^^ . . . . . . . "Fidelio ist die einzige Oper von Ludwig van Beethoven. Sie hat zwei \u2013 bzw. in der Urfassung unter dem Titel Leonore drei \u2013 Akte. Das Libretto schrieben Joseph Sonnleithner, Stephan von Breuning und Georg Friedrich Treitschke; als Vorlage diente ihnen die Oper L\u00E9onore, ou L\u2019amour conjugal (1798; Libretto: Jean Nicolas Bouilly, Musik: Pierre Gaveaux). Die Urauff\u00FChrung der ersten Fassung des Fidelio fand am 20. November 1805 am Theater an der Wien statt, jene der zweiten Fassung ebenda am 29. M\u00E4rz 1806, die der endg\u00FCltigen Fassung am 23. Mai 1814 im Wiener K\u00E4rntnertortheater."@de . . . "Fidelio (/f\u026A\u02C8de\u026Aljo\u028A/; German: [fi\u02C8de\u02D0lio]), originally titled Leonore, oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the K\u00E4rntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as Leonore."@en . "Fidelio"@nl . . . ""@en . "Fidelio"@it . "\u03A6\u03B9\u03BD\u03C4\u03AD\u03BB\u03B9\u03BF"@el . . . . . "Fidelio \u00E4r den slutliga versionen i tv\u00E5 akter av en opera med musik av Ludwig van Beethoven. Det \u00E4r Beethovens enda opera. I ursprungsversionen, med titeln Leonore, hade operan tre akter. Libretton av , Georg Friedrich Treitschke och Stephan von Breuning bygger p\u00E5 ett franskt original, L\u00E9onore ou l'Amour conjugal, av Jean-Nicolas Bouilly."@sv . . . "Fidelio"@cs . "Fidelio oder Die Eheliche Liebe (opus 72) is de enige opera die Ludwig van Beethoven schreef. De uiteindelijke versie kent twee actes, de oorspronkelijke versie, getiteld \"Leonore\", kent er drie.Het Duitse libretto werd geschreven door op basis van de Franse tekst van (L\u00E9onore, ou l'amour conjugal) geschreven voor een andere componist: Pierre Gaveaux. De opera verhaalt hoe L\u00E9onore vermomd als gevangenbewaarder genaamd \"Fidelio\" haar echtgenoot Florestan van de dood redt in een politieke gevangenis."@nl . . . . "Fidelio"@sv . . . . . . "\uD53C\uB378\uB9AC\uC624"@ko . "\u300A\u8D39\u5FB7\u91CC\u5965\u300B\uFF08Fidelio\uFF0C\u4E5F\u8BD1\u4E3A\u83F2\u5CB1\u91CC\u5965\uFF09\uFF0C\u4F5C\u54C172\uFF0C\u539F\u540D\u300A\u91CC\u5967\u8AFE\u96F7\u300B\uFF08Leonore\uFF09\uFF0C\u662F\u8D1D\u591A\u82AC\u552F\u4E00\u4E00\u90E8\u6B4C\u5267\u3002\u6B4C\u5267\u7684\u6700\u7EC8\u7248\u672C\u662F\u4E24\u5E55\u5267\uFF0C\u4F46\u9996\u6F14\u7684\u65F6\u5019\u662F\u4E09\u5E55\u3002"@zh . . . "Fidelio estas la unusola opero de Ludwig van Beethoven. En la finversio la opero konsistas el du aktoj, en la praversio \u2013 sub la titolo \u201ELeonore\u201C \u2013 el tri aktoj. La libreton verkis Joseph Sonnleithner, Stephan von Breuning kaj Georg Friedrich Treitschke; kiel modelo servis al ili la opero L\u00E9onore ou L'amour conjugal (1798; libreto: Jean Nicolas Bouilly, muziko: Pierre Gaveaux). La unua prezentado de la unua versio de Fidelio okazis la 20-an de novembro 1805 en la Teatro \u0109e la Vieno (dua versio, samloke: 29-an de marto 1806, finversio: 23-an de majo 1814, Teatro \u0109e Karintia Portalo en Vieno)."@eo . "\u300E\u30D5\u30A3\u30C7\u30EA\u30AA\u300F\uFF08Fidelio\uFF09\u4F5C\u54C172\u306F\u3001\u30EB\u30FC\u30C8\u30F4\u30A3\u30D2\u30FB\u30F4\u30A1\u30F3\u30FB\u30D9\u30FC\u30C8\u30FC\u30F4\u30A7\u30F3\u304C\u5B8C\u6210\u3055\u305B\u305F\u552F\u4E00\u306E\u30AA\u30DA\u30E9\u3067\u3042\u308B\u3002\u539F\u4F5C\u306F\u306B\u3088\u308A\u3001\u30C9\u30A4\u30C4\u8A9E\u53F0\u672C\u306F\u304A\u3088\u3073\u306B\u3088\u308B\u3002\u4E3B\u4EBA\u516C\u30EC\u30AA\u30CE\u30FC\u30EC\u304C\u300C\u30D5\u30A3\u30C7\u30EA\u30AA\u300D\u3068\u3044\u3046\u540D\u3067\u7537\u6027\u306B\u5909\u88C5\u3057\u3066\u76E3\u7344\u306B\u6F5C\u5165\u3057\u3001\u653F\u6CBB\u72AF\u3068\u3057\u3066\u62D8\u7981\u3055\u308C\u3066\u3044\u308B\u592B\u30D5\u30ED\u30EC\u30B9\u30BF\u30F3\u3092\u6551\u51FA\u3059\u308B\u7269\u8A9E\u3067\u3042\u308B\u3002 \u30D9\u30FC\u30C8\u30FC\u30F4\u30A7\u30F3\u304C\u69CB\u60F3\u3057\u305F\u30AA\u30DA\u30E9\u306B\u306F\u3001\u4ED6\u306B\u300E\u30F4\u30A7\u30B9\u30BF\u306E\u706B\u300F\uFF08Vestas Feuer\uFF09H115\uFF081803\u5E74\uFF09\u304C\u3042\u308B\u304C\u3001\u7D50\u5C401\u5E55\u306E\u307F\u3067\u672A\u5B8C\u3068\u306A\u3063\u305F\u3002 \u7B2C2\u5E55\u3067\u30D5\u30ED\u30EC\u30B9\u30BF\u30F3\u3068\u518D\u4F1A\u3057\u305F\u6642\u306B\u6B4C\u308F\u308C\u308B\u30EC\u30AA\u30CE\u30FC\u30EC\u306E\u30A2\u30EA\u30A2\u306B\u306F\u3001\u300E\u7687\u5E1D\u30E8\u30FC\u30BC\u30D52\u4E16\u846C\u9001\u30AB\u30F3\u30BF\u30FC\u30BF\u300F\uFF08WoO.87\u30011790\u5E74\uFF09\u306E\u7B2C4\u66F2\u304C\u8EE2\u7528\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . "\u00AB\u0424\u0456\u0434\u0435\u043B\u0456\u043E\u00BB (\u043D\u0456\u043C. Fidelio) \u2014 \u043E\u043F\u0435\u0440\u0430 \u043D\u0430 \u0434\u0432\u0456 \u0434\u0456\u0457 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u041B\u044E\u0434\u0432\u0456\u0433\u0430 \u0432\u0430\u043D \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D\u0430 (Op. 72) , \u0454\u0434\u0438\u043D\u0438\u0439 \u0442\u0432\u0456\u0440 \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D\u0430 \u0443 \u0446\u044C\u043E\u043C\u0443 \u0436\u0430\u043D\u0440\u0456. \u0410\u0432\u0442\u043E\u0440\u0438 \u043B\u0456\u0431\u0440\u0435\u0442\u043E \u0456 \u0413\u0435\u043E\u0440\u0433 \u0424\u0440\u0456\u0434\u0440\u0456\u0445 \u0422\u0440\u0430\u0439\u0447\u043A\u0435 \u0437\u0430 \u0434\u0440\u0430\u043C\u043E\u044E \u00AB\u041B\u0435\u043E\u043D\u043E\u0440\u0430, \u0430\u0431\u043E \u041F\u043E\u0434\u0440\u0443\u0436\u043D\u044F \u043B\u044E\u0431\u043E\u0432\u00BB ."@uk . . . . . "First two premieres at Theater an der Wien, Vienna. Final version at K\u00E4rntnertortheater, Vienna"@en . "performed by Alice Guszalewicz"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "--05-23"^^ . . . . . . "\u0641\u064A\u062F\u064A\u0644\u064A\u0648 (\u0628\u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u0629: Fidelio)\u060C \u0647\u064A \u0623\u0648\u0628\u0631\u0627 \u0628\u0627\u0644\u0644\u063A\u0629 \u0623\u0644\u0645\u0627\u0646\u064A\u0629 \u0645\u0646 \u062A\u0623\u0644\u064A\u0641 \u0628\u0644\u0648\u062F\u0641\u064A\u063A \u0641\u0627\u0646 \u064A\u062A\u0647\u0648\u0641\u0646\u060C \u0643\u062A\u0628 \u0627\u0644\u0644\u064A\u0628\u064A\u0631\u062A\u0648 \u0627\u0644\u0634\u0627\u0639\u0631 \u0648\u0627\u0644\u062B\u0648\u0631\u064A \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u060C \u062A\u0631\u062C\u0645\u0647\u0627 \u0648\u0623\u062E\u0631\u062C\u0647\u0627 \u0628\u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u0629 \u064A\u0648\u0632\u064A\u0641 \u0633\u0648\u0646\u0644\u0627\u064A\u062A\u0631. \u0639\u0631\u0636\u062A \u0644\u0623\u0648\u0644 \u0645\u0631\u0629 \u0641\u064A 20 \u0646\u0648\u0641\u0645\u0628\u0631 1805 \u0639\u0644\u0649 \u062E\u0634\u0628\u0629 \u0641\u064A \u0641\u064A\u064A\u0646\u0627."@ar . . . . . . . . . . "\u0641\u064A\u062F\u064A\u0644\u064A\u0648 (\u0628\u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u0629: Fidelio)\u060C \u0647\u064A \u0623\u0648\u0628\u0631\u0627 \u0628\u0627\u0644\u0644\u063A\u0629 \u0623\u0644\u0645\u0627\u0646\u064A\u0629 \u0645\u0646 \u062A\u0623\u0644\u064A\u0641 \u0628\u0644\u0648\u062F\u0641\u064A\u063A \u0641\u0627\u0646 \u064A\u062A\u0647\u0648\u0641\u0646\u060C \u0643\u062A\u0628 \u0627\u0644\u0644\u064A\u0628\u064A\u0631\u062A\u0648 \u0627\u0644\u0634\u0627\u0639\u0631 \u0648\u0627\u0644\u062B\u0648\u0631\u064A \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u060C \u062A\u0631\u062C\u0645\u0647\u0627 \u0648\u0623\u062E\u0631\u062C\u0647\u0627 \u0628\u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u0629 \u064A\u0648\u0632\u064A\u0641 \u0633\u0648\u0646\u0644\u0627\u064A\u062A\u0631. \u0639\u0631\u0636\u062A \u0644\u0623\u0648\u0644 \u0645\u0631\u0629 \u0641\u064A 20 \u0646\u0648\u0641\u0645\u0628\u0631 1805 \u0639\u0644\u0649 \u062E\u0634\u0628\u0629 \u0641\u064A \u0641\u064A\u064A\u0646\u0627."@ar . . . . . . . . . . . . . . . . . . . "Fidelio \u2013 dwuaktowa (w pierwszej wersji z 1805 trzyaktowa) opera z muzyk\u0105 Ludwiga van Beethovena oraz librettem poprawionym w roku 1806 przez a nast\u0119pnie w 1814 przez ."@pl . . . "Fidelio \u2013 dwuaktowa (w pierwszej wersji z 1805 trzyaktowa) opera z muzyk\u0105 Ludwiga van Beethovena oraz librettem poprawionym w roku 1806 przez a nast\u0119pnie w 1814 przez ."@pl . . "Komm' o Hoffnung.ogg"@en . . . "\u8D39\u5FB7\u91CC\u5965"@zh . . "Fidelio (z latiny fidelis = v\u011Brn\u00FD), je osvobozovac\u00ED opera o dvou d\u011Bjstv\u00EDch n\u011Bmeck\u00E9ho skladatele Ludwiga van Beethovena (Op. 72). V p\u016Fvodn\u00ED verzi m\u011Bla d\u011Bjstv\u00ED t\u0159i a jmenovala se Leonora. Skladatel ji pozd\u011Bji n\u011Bkolikr\u00E1t p\u0159epracoval. Libreto napsali , a . P\u0159edlohou jim byla opera (Leonora aneb man\u017Eelsk\u00E1 l\u00E1ska) z roku 1798, jej\u00ED\u017E libreto napsal a hudbu slo\u017Eil . Bouillyho libreto bylo ov\u0161em tak\u00E9 podkladem pro operu Ferdinanda Pa\u00EBra Leonora (1804), a pro d\u00EDlo Johanna Simona Mayra L\u2019amor coniugale (1805). P\u016Fvodn\u00ED t\u0159\u00EDaktov\u00E1 verze opery m\u011Bla premi\u00E9ru v Divadle na V\u00EDde\u0148ce ve V\u00EDdni dne 20. listopadu 1805. N\u00E1sleduj\u00EDc\u00EDho roku ji Stephan von Breuning \u00FApravou libreta zkr\u00E1til na dvouaktovou verzi. Po dal\u0161\u00EDch zm\u011Bn\u00E1ch libreta proveden\u00FDch Georgem Friedrichem Treitschkem vznikla fin\u00E1ln\u00ED verze, poprv\u00E9 uveden\u00E1 ve v\u00EDde\u0148sk\u00E9m K\u00E4rntnertortheater dne 23. kv\u011Btna 1814. Fidelio je jedin\u00E1 Beethovenova opera. Libreto, z\u010D\u00E1sti s mluven\u00FDmi dialogy, vypr\u00E1v\u00ED p\u0159\u00EDb\u011Bh Leonory, kterak v p\u0159estrojen\u00ED za v\u011Bze\u0148sk\u00E9ho dozorce jm\u00E9nem Fidelio zachr\u00E1n\u00ED sv\u00E9ho man\u017Eela, politick\u00E9ho v\u011Bzn\u011B Florestana p\u0159ed smrt\u00ED v \u017Eal\u00E1\u0159i. Bouillyho sc\u00E9n\u00E1\u0159, p\u0159\u00EDb\u011Bh osobn\u00ED ob\u011Bti, hrdinstv\u00ED a kone\u010Dn\u00E9ho triumfu, vyhovoval Beethovenov\u011B estetick\u00E9mu a politick\u00E9mu c\u00EDt\u011Bn\u00ED. Z\u00E1kladn\u00ED t\u00E9ma boje za svobodu a spravedlnost, zrcadl\u00EDc\u00ED dobov\u00E1 politick\u00E1 hnut\u00ED v Evrop\u011B, bylo typick\u00FDm pro Beethovenovo st\u0159edn\u00ED tv\u016Fr\u010D\u00ED obdob\u00ED. Mezi nejzn\u00E1m\u011Bj\u0161\u00ED \u010D\u00EDsla opery pat\u0159\u00ED \u201EV\u011Bze\u0148sk\u00FD sbor\u201C (O welche Lust), \u00F3da na svobodu zp\u00EDvan\u00E1 sborem politick\u00FDch v\u011Bz\u0148\u016F, Florestanova vize Leonory, p\u0159ich\u00E1zej\u00EDc\u00ED jako and\u011Bl, kter\u00FD ho zachr\u00E1n\u00ED, a sc\u00E9na, ve kter\u00E9 se nakonec z\u00E1chrana odehr\u00E1v\u00E1. Fin\u00E1le oslavuje Leono\u0159inu state\u010Dnost st\u0159\u00EDdaj\u00EDc\u00EDmi se zp\u011Bvy s\u00F3list\u016F a sboru."@cs . "Fidelio o el amor conyugal (t\u00EDtulo original en alem\u00E1n, Fidelio oder die eheliche Liebe, Op. 72) es una \u00F3pera en dos actos con m\u00FAsica de Ludwig van Beethoven. El libreto en alem\u00E1n es obra de , a partir del texto original en franc\u00E9s de Jean-Nicolas Bouilly que se hab\u00EDa usado para la \u00F3pera de 1798 L\u00E9onore, ou l\u2019amour conjugal de Pierre Gaveaux, y para la \u00F3pera de 1804 Leonora de Ferdinando Paer (Beethoven ten\u00EDa una partitura de esta). Es la \u00FAnica \u00F3pera que compuso Beethoven. La \u00F3pera cuenta c\u00F3mo Leonora, disfrazada como un guardia de la prisi\u00F3n llamado \"Fidelio\", rescata a su marido Florest\u00E1n de la condena de muerte por razones pol\u00EDticas."@es . . "Fidelio, op. 72, est l\u2019unique op\u00E9ra de Ludwig van Beethoven, d'abord compos\u00E9 en 1804. La version d\u00E9finitive date de 1814. Le livret est de Joseph Sonnleithner. Les principaux th\u00E8mes d\u00E9velopp\u00E9s par le livret sont la d\u00E9nonciation de l\u2019arbitraire, incarn\u00E9 par le gouverneur d\u2019une prison espagnole, l\u2019appel \u00E0 la libert\u00E9, et l\u2019amour (notamment conjugal) qui pousse Leonore, d\u00E9guis\u00E9e en homme, \u00E0 risquer sa vie pour lib\u00E9rer son \u00E9poux Florestan. Dans la tradition du Singspiel, l'ouvrage comporte des dialogues parl\u00E9s."@fr . . . . . "Fidelio (Op. 72b) \u00E8 un'opera in due atti di Ludwig van Beethoven su libretto di Joseph Sonnleithner e Georg Friedrich Treitschke. La prima rappresentazione fu data il 20 novembre 1805 al Theater an der Wien (Vienna) diretta da Ignaz von Seyfried."@it . . . . . . "Komm, Hoffnung"@en . . . . . . "1805-11-20"^^ . . . . "Fidelio"@en . . "\u0641\u064A\u062F\u064A\u0644\u064A\u0648"@ar . . . "\u0424\u0438\u0434\u0435\u0301\u043B\u0438\u043E (Op. 72; \u043D\u0435\u043C. Fidelio) \u2014 \u0435\u0434\u0438\u043D\u0441\u0442\u0432\u0435\u043D\u043D\u0430\u044F \u043E\u043F\u0435\u0440\u0430 \u043D\u0435\u043C\u0435\u0446\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u041B\u044E\u0434\u0432\u0438\u0433\u0430 \u0432\u0430\u043D \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D\u0430. \u041E\u043F\u0435\u0440\u0430 \u0432 \u0434\u0432\u0443\u0445 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u044F\u0445. \u041B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0438 \u0413. \u0424. \u0422\u0440\u0435\u0439\u0447\u043A\u0435 \u043F\u043E \u0434\u0440\u0430\u043C\u0435 \u00AB\u041B\u0435\u043E\u043D\u043E\u0440\u0430, \u0438\u043B\u0438 \u0421\u0443\u043F\u0440\u0443\u0436\u0435\u0441\u043A\u0430\u044F \u043B\u044E\u0431\u043E\u0432\u044C\u00BB \u0416\u0430\u043D\u0430-\u041D\u0438\u043A\u043E\u043B\u044F \u0411\u0443\u0439\u0438. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043E \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044F\u0445 \u043E\u043F\u0435\u0440\u044B \u0441\u043F\u0430\u0441\u0435\u043D\u0438\u044F."@ru . . "music"@en . . "\u00AB\u0424\u0456\u0434\u0435\u043B\u0456\u043E\u00BB (\u043D\u0456\u043C. Fidelio) \u2014 \u043E\u043F\u0435\u0440\u0430 \u043D\u0430 \u0434\u0432\u0456 \u0434\u0456\u0457 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u041B\u044E\u0434\u0432\u0456\u0433\u0430 \u0432\u0430\u043D \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D\u0430 (Op. 72) , \u0454\u0434\u0438\u043D\u0438\u0439 \u0442\u0432\u0456\u0440 \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D\u0430 \u0443 \u0446\u044C\u043E\u043C\u0443 \u0436\u0430\u043D\u0440\u0456. \u0410\u0432\u0442\u043E\u0440\u0438 \u043B\u0456\u0431\u0440\u0435\u0442\u043E \u0456 \u0413\u0435\u043E\u0440\u0433 \u0424\u0440\u0456\u0434\u0440\u0456\u0445 \u0422\u0440\u0430\u0439\u0447\u043A\u0435 \u0437\u0430 \u0434\u0440\u0430\u043C\u043E\u044E \u00AB\u041B\u0435\u043E\u043D\u043E\u0440\u0430, \u0430\u0431\u043E \u041F\u043E\u0434\u0440\u0443\u0436\u043D\u044F \u043B\u044E\u0431\u043E\u0432\u00BB ."@uk . . . . "Fidelio (z latiny fidelis = v\u011Brn\u00FD), je osvobozovac\u00ED opera o dvou d\u011Bjstv\u00EDch n\u011Bmeck\u00E9ho skladatele Ludwiga van Beethovena (Op. 72). V p\u016Fvodn\u00ED verzi m\u011Bla d\u011Bjstv\u00ED t\u0159i a jmenovala se Leonora. Skladatel ji pozd\u011Bji n\u011Bkolikr\u00E1t p\u0159epracoval. Libreto napsali , a . P\u0159edlohou jim byla opera (Leonora aneb man\u017Eelsk\u00E1 l\u00E1ska) z roku 1798, jej\u00ED\u017E libreto napsal a hudbu slo\u017Eil . Bouillyho libreto bylo ov\u0161em tak\u00E9 podkladem pro operu Ferdinanda Pa\u00EBra Leonora (1804), a pro d\u00EDlo Johanna Simona Mayra L\u2019amor coniugale (1805)."@cs . . . "Fidelio estas la unusola opero de Ludwig van Beethoven. En la finversio la opero konsistas el du aktoj, en la praversio \u2013 sub la titolo \u201ELeonore\u201C \u2013 el tri aktoj. La libreton verkis Joseph Sonnleithner, Stephan von Breuning kaj Georg Friedrich Treitschke; kiel modelo servis al ili la opero L\u00E9onore ou L'amour conjugal (1798; libreto: Jean Nicolas Bouilly, muziko: Pierre Gaveaux). La unua prezentado de la unua versio de Fidelio okazis la 20-an de novembro 1805 en la Teatro \u0109e la Vieno (dua versio, samloke: 29-an de marto 1806, finversio: 23-an de majo 1814, Teatro \u0109e Karintia Portalo en Vieno)."@eo . . "\u039F \u03A6\u03B9\u03BD\u03C4\u03AD\u03BB\u03B9\u03BF (\u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AC: Fidelio\u200E) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03C3\u03B5 \u03B4\u03CD\u03BF \u03C0\u03C1\u03AC\u03BE\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5 \u039B\u03BF\u03CD\u03BD\u03C4\u03B2\u03B9\u03C7 \u03B2\u03B1\u03BD \u039C\u03C0\u03B5\u03C4\u03CC\u03B2\u03B5\u03BD. \u0393\u03C1\u03AC\u03C6\u03C4\u03B7\u03BA\u03B5 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03C4\u03BF \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03BC\u03B9\u03B1\u03C2 \u03C0\u03B1\u03BB\u03B1\u03B9\u03CC\u03C4\u03B5\u03C1\u03B7\u03C2 \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03AE\u03C2 \u03CC\u03C0\u03B5\u03C1\u03B1\u03C2, \u03C4\u03B7\u03C2 \u03C4\u03BF\u03C5 , \u03CC\u03C0\u03C9\u03C2 \u03B4\u03B9\u03B1\u03C3\u03BA\u03B5\u03C5\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B1 \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AC, \u03C0\u03C1\u03CE\u03C4\u03B1 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD \u03BA\u03B1\u03B9 \u03C3\u03C4\u03B7 \u03C3\u03C5\u03BD\u03AD\u03C7\u03B5\u03B9\u03B1 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD ."@el . . . "Fidelio oder Die Eheliche Liebe (opus 72) is de enige opera die Ludwig van Beethoven schreef. De uiteindelijke versie kent twee actes, de oorspronkelijke versie, getiteld \"Leonore\", kent er drie.Het Duitse libretto werd geschreven door op basis van de Franse tekst van (L\u00E9onore, ou l'amour conjugal) geschreven voor een andere componist: Pierre Gaveaux. De premi\u00E8re vond plaats op 20 november 1805 in het Theater an der Wien in Wenen, onder leiding van de componist; bij deze uitvoering werd de ouverture Leonora nr. 2 (in C-groot) gespeeld. De eerste gereviseerde versie werd op 29 maart 1806 in hetzelfde theater voor het eerst uitgevoerd, opnieuw onder leiding van de componist, met de ouverture Leonora nr. 3 (eveneens in C). De tweede gereviseerde versie ging ten slotte op 23 april 1814 in het K\u00E4rntnertortheater in premi\u00E8re, met de Fidelio-ouverture in E-groot. De opera verhaalt hoe L\u00E9onore vermomd als gevangenbewaarder genaamd \"Fidelio\" haar echtgenoot Florestan van de dood redt in een politieke gevangenis."@nl . . . "Fidelio"@eo . . . . . . . "\u300A\u8D39\u5FB7\u91CC\u5965\u300B\uFF08Fidelio\uFF0C\u4E5F\u8BD1\u4E3A\u83F2\u5CB1\u91CC\u5965\uFF09\uFF0C\u4F5C\u54C172\uFF0C\u539F\u540D\u300A\u91CC\u5967\u8AFE\u96F7\u300B\uFF08Leonore\uFF09\uFF0C\u662F\u8D1D\u591A\u82AC\u552F\u4E00\u4E00\u90E8\u6B4C\u5267\u3002\u6B4C\u5267\u7684\u6700\u7EC8\u7248\u672C\u662F\u4E24\u5E55\u5267\uFF0C\u4F46\u9996\u6F14\u7684\u65F6\u5019\u662F\u4E09\u5E55\u3002"@zh . . . . "\u0424\u0438\u0434\u0435\u0301\u043B\u0438\u043E (Op. 72; \u043D\u0435\u043C. Fidelio) \u2014 \u0435\u0434\u0438\u043D\u0441\u0442\u0432\u0435\u043D\u043D\u0430\u044F \u043E\u043F\u0435\u0440\u0430 \u043D\u0435\u043C\u0435\u0446\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u041B\u044E\u0434\u0432\u0438\u0433\u0430 \u0432\u0430\u043D \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D\u0430. \u041E\u043F\u0435\u0440\u0430 \u0432 \u0434\u0432\u0443\u0445 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u044F\u0445. \u041B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0438 \u0413. \u0424. \u0422\u0440\u0435\u0439\u0447\u043A\u0435 \u043F\u043E \u0434\u0440\u0430\u043C\u0435 \u00AB\u041B\u0435\u043E\u043D\u043E\u0440\u0430, \u0438\u043B\u0438 \u0421\u0443\u043F\u0440\u0443\u0436\u0435\u0441\u043A\u0430\u044F \u043B\u044E\u0431\u043E\u0432\u044C\u00BB \u0416\u0430\u043D\u0430-\u041D\u0438\u043A\u043E\u043B\u044F \u0411\u0443\u0439\u0438. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043E \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044F\u0445 \u043E\u043F\u0435\u0440\u044B \u0441\u043F\u0430\u0441\u0435\u043D\u0438\u044F."@ru . "Fidelio (em portugu\u00EAs Fid\u00E9lio), Op. 72b, \u00E9 um Singspiel em dois atos, de Ludwig van Beethoven, com libretto de Joseph Sonnleithner e Georg Friedrich Treitschke baseado no libreto de L\u00E9onore ou L\u2019Amour Conjugal (1798), pe\u00E7a em \"prosa entremeada de canto\", de Jean-Nicolas Bouilly, baseada nas mem\u00F3rias do autor sobre os acontecimentos da Fran\u00E7a durante o Terror, quando ele era promotor p\u00FAblico do Tribunal Revolucion\u00E1rio de Tours."@pt . "1123117969"^^ . . . "29377"^^ . . . . . "1.2"^^ . . . . . "Fidelio"@pt . . . . "\u039F \u03A6\u03B9\u03BD\u03C4\u03AD\u03BB\u03B9\u03BF (\u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AC: Fidelio\u200E) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03C3\u03B5 \u03B4\u03CD\u03BF \u03C0\u03C1\u03AC\u03BE\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5 \u039B\u03BF\u03CD\u03BD\u03C4\u03B2\u03B9\u03C7 \u03B2\u03B1\u03BD \u039C\u03C0\u03B5\u03C4\u03CC\u03B2\u03B5\u03BD. \u0393\u03C1\u03AC\u03C6\u03C4\u03B7\u03BA\u03B5 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03C4\u03BF \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03BC\u03B9\u03B1\u03C2 \u03C0\u03B1\u03BB\u03B1\u03B9\u03CC\u03C4\u03B5\u03C1\u03B7\u03C2 \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03AE\u03C2 \u03CC\u03C0\u03B5\u03C1\u03B1\u03C2, \u03C4\u03B7\u03C2 \u03C4\u03BF\u03C5 , \u03CC\u03C0\u03C9\u03C2 \u03B4\u03B9\u03B1\u03C3\u03BA\u03B5\u03C5\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B1 \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AC, \u03C0\u03C1\u03CE\u03C4\u03B1 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD \u03BA\u03B1\u03B9 \u03C3\u03C4\u03B7 \u03C3\u03C5\u03BD\u03AD\u03C7\u03B5\u03B9\u03B1 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD . \u03A4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03B1\u03C1\u03BF\u03C5\u03C3\u03B9\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C9\u03C2 \u03C4\u03C1\u03AF\u03C0\u03C1\u03B1\u03BA\u03C4\u03BF \u03C5\u03C0\u03CC \u03C4\u03BF\u03BD \u03C4\u03AF\u03C4\u03BB\u03BF \u039B\u03B5\u03BF\u03BD\u03CE\u03C1\u03B1 (\u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AC: Leonore\u200E) \u03C4\u03BF 1805 \u03C3\u03C4\u03B7 \u0392\u03B9\u03AD\u03BD\u03BD\u03B7 \u03C7\u03C9\u03C1\u03AF\u03C2 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B7 \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03AF\u03B1: \u03C4\u03BF \u03BA\u03BF\u03B9\u03BD\u03CC \u03B5\u03AF\u03C7\u03B5 \u03C3\u03BF\u03B2\u03B1\u03C1\u03CC\u03C4\u03B5\u03C1\u03B1 \u03C0\u03C1\u03AC\u03B3\u03BC\u03B1\u03C4\u03B1 \u03BD\u03B1 \u03B1\u03C3\u03C7\u03BF\u03BB\u03B7\u03B8\u03B5\u03AF, \u03B1\u03C6\u03BF\u03CD \u03B7 \u03C0\u03CC\u03BB\u03B7 \u03B5\u03AF\u03C7\u03B5 \u03BC\u03CC\u03BB\u03B9\u03C2 \u03BA\u03B1\u03C4\u03B1\u03BB\u03B7\u03C6\u03B8\u03B5\u03AF \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD \u039D\u03B1\u03C0\u03BF\u03BB\u03AD\u03BF\u03BD\u03C4\u03B1, \u03B5\u03BD\u03CE \u03BA\u03B1\u03B9 \u03B1\u03C0\u03CC \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03B5\u03C7\u03BD\u03B9\u03BA\u03AE \u03C3\u03BA\u03BF\u03C0\u03B9\u03AC \u03B5\u03AF\u03C7\u03B5 \u03B5\u03BC\u03C6\u03B1\u03BD\u03B5\u03AF\u03C2 \u03B1\u03B4\u03C5\u03BD\u03B1\u03BC\u03AF\u03B5\u03C2. \u03A4\u03BF \u039C\u03AC\u03C1\u03C4\u03B9\u03BF \u03C4\u03BF\u03C5 1806 \u03C0\u03B1\u03C1\u03BF\u03C5\u03C3\u03B9\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03BE\u03B1\u03BD\u03AC \u03C9\u03C2 \u03B4\u03AF\u03C0\u03C1\u03B1\u03BA\u03C4\u03BF \u03BA\u03B1\u03B9 \u03BC\u03B5 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AD\u03C2 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\u03B5\u03C0\u03CC\u03BC\u03B5\u03BD\u03B1 \u03C7\u03C1\u03CC\u03BD\u03B9\u03B1 \u03B7 \u039B\u03B5\u03BF\u03BD\u03CE\u03C1\u03B1 \u03AD\u03BC\u03B5\u03B9\u03BD\u03B5 \u03C3\u03C4\u03B1 \u03C3\u03C5\u03C1\u03C4\u03AC\u03C1\u03B9\u03B1 \u03C4\u03BF \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03BF\u03CD \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7. \u039A\u03AC\u03C0\u03BF\u03B9\u03B1 \u03C3\u03C4\u03B9\u03B3\u03BC\u03AE \u03B1\u03C0\u03BF\u03C6\u03AC\u03C3\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03B5\u03C0\u03B1\u03BD\u03B5\u03C0\u03B5\u03BE\u03B5\u03C1\u03B3\u03B1\u03C3\u03C4\u03B5\u03AF \u03C4\u03B7 \u03C3\u03CD\u03BD\u03B8\u03B5\u03C3\u03B7, \u03B5\u03BD\u03CE \u03C0\u03C1\u03BF\u03C3\u03AD\u03BB\u03B1\u03B2\u03B5 \u03C4\u03BF\u03BD \u03A4\u03C1\u03AC\u03B9\u03C4\u03C3\u03BA\u03B5 \u03B3\u03B9\u03B1 \u03BD\u03B1 \u03BA\u03AC\u03BD\u03B5\u03B9 \u03BA\u03AC\u03C0\u03BF\u03B9\u03B5\u03C2 \u03B1\u03BB\u03BB\u03B1\u03B3\u03AD\u03C2 \u03C3\u03C4\u03BF \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03C4\u03BF\u03C5 \u0396\u03BF\u03BD\u03BB\u03AC\u03B9\u03C4\u03BD\u03B5\u03C1. \u0391\u03C5\u03C4\u03AE \u03B7 \u03C4\u03C1\u03AF\u03C4\u03B7 \u03B5\u03BA\u03B4\u03BF\u03C7\u03AE \u03AD\u03BA\u03B1\u03BD\u03B5 \u03C0\u03C1\u03B5\u03BC\u03B9\u03AD\u03C1\u03B1 \u03C9\u03C2 \u03A6\u03B9\u03BD\u03C4\u03AD\u03BB\u03B9\u03BF \u03C4\u03BF 1814, \u03B3\u03BD\u03CE\u03C1\u03B9\u03C3\u03B5 \u03C0\u03BF\u03BB\u03CD \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7 \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03AF\u03B1 \u03BA\u03B1\u03B9 \u03AD\u03BC\u03B5\u03BB\u03BB\u03B5 \u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03BF\u03C1\u03B9\u03C3\u03C4\u03B9\u03BA\u03AE. \u0391\u03BD\u03B1\u03BA\u03BF\u03C5\u03C6\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF\u03C2 \u03BC\u03B5\u03C4\u03AC \u03B1\u03C0\u03CC \u03BC\u03B9\u03B1 \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1 \u03C0\u03C1\u03BF\u03C3\u03C0\u03B1\u03B8\u03B5\u03B9\u03CE\u03BD, \u03BF \u039C\u03C0\u03B5\u03C4\u03CC\u03B2\u03B5\u03BD \u03AD\u03B3\u03C1\u03B1\u03C8\u03B5 \u03C4\u03CC\u03C4\u03B5 \u03C3\u03C4\u03BF \u03C3\u03C5\u03BD\u03B5\u03C1\u03B3\u03AC\u03C4\u03B7 \u03C4\u03BF\u03C5: \u00AB\u03A3\u03B1\u03C2 \u03B4\u03B9\u03B1\u03B2\u03B5\u03B2\u03B1\u03B9\u03CE\u03BD\u03C9, \u03B1\u03B3\u03B1\u03C0\u03B7\u03C4\u03AD \u03A4\u03C1\u03AC\u03B9\u03C4\u03C3\u03BA\u03B5, \u03CC\u03C4\u03B9 \u03B1\u03C5\u03C4\u03AE \u03B7 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03B8\u03B1 \u03BC\u03BF\u03C5 \u03C7\u03B1\u03C1\u03AF\u03C3\u03B5\u03B9 \u03C4\u03BF \u03C6\u03C9\u03C4\u03BF\u03C3\u03C4\u03AD\u03C6\u03B1\u03BD\u03BF \u03C4\u03BF\u03C5 \u03BC\u03AC\u03C1\u03C4\u03C5\u03C1\u03B1\u00BB."@el . . "2009-04-27"^^ . . . . . "German"@en . . . . . . . "\uD53C\uB378\uB9AC\uC624(Fidelio), \uC791\uD488 \uBC88\uD638 72\uB294 \uB8E8\uD2B8\uBE44\uD788 \uD310 \uBCA0\uD1A0\uBCA4\uC774 \uC720\uC77C\uD558\uAC8C \uC791\uACE1\uD55C \uC624\uD398\uB77C\uC774\uB2E4. \uC758 \uD504\uB791\uC2A4 \uC6D0\uC791\uC744 \uAE30\uCD08\uB85C \uC640 \uAC00 \uC4F4 \uB3C5\uC77C\uC5B4 \uB300\uBCF8\uC744 \uBC14\uD0D5\uC73C\uB85C \uD558\uACE0 \uC788\uB2E4. \uB2E4\uB978 \uC624\uD398\uB77C \uB300\uBCF8\uB4E4\uC740 \uADF8\uC5D0\uAC8C \uAD00\uC2EC\uC744 \uB04C\uC5B4\uB4E4\uC774\uAC8C \uD560 \uB9CC\uD55C \uC694\uC18C\uB4E4\uC774 \uC5C6\uC5C8\uAE30 \uB54C\uBB38\uC5D0 \uADF8\uB294 \uC804\uD600 \uAC70\uB4E4\uB5A0 \uBCF4\uC9C0 \uC54A\uC558\uB2E4\uACE0 \uD55C\uB2E4. \uADF8\uAC83\uC774 \uADF8\uAC00 \uC624\uD398\uB77C\uB97C \uB2E8 \uD55C \uACE1 \uBC16\uC5D0 \uC368 \uB0B4\uC9C0 \uC54A\uC740 \uC774\uC720\uC774\uB2E4. \uADF8\uB294 \uB2E8\uC9C0 \uD558\uB8FB\uBC24 \uAD6C\uACBD\uAC70\uB9AC\uB85C \uB05D\uB098\uB294 \uC774\uD0C8\uB9AC\uC544 \uD48D\uC758 Opera Buffa (\"\uC624\uD398\uB77C \uBD80\uD30C\")\uB97C \uB9E4\uC6B0 \uC2EB\uC5B4\uD588\uC73C\uBA70, \uB2F9\uC2DC \uD06C\uAC8C \uC720\uD589\uB418\uC5B4 \uACE7\uC798 \uC0C1\uC5F0\uC774 \uB418\uACE0 \uB300\uC911\uC758 \uC778\uAE30\uB97C \uB3C5\uCC28\uC9C0 \uD558\uACE0 \uC788\uB358 \uC774\uD0C8\uB9AC\uC544 \uC791\uACE1\uAC00\uC758 \uC791\uD488\uC740 \uBB3C\uB860, \uBAA8\uCC28\uB974\uD2B8\uC758 \uD53C\uAC00\uB85C\uC758 \uACB0\uD63C\uC774\uB098 \uB3C8 \uC870\uBC18\uB2C8\uC5D0 \uB300\uD574\uC11C\uB3C4 \uB178\uACE8\uC801\uC778 \uD610\uC624\uAC10\uC744 \uB4DC\uB7EC\uB0C8\uB2E4. \uADF8\uAC00 \uC6D0\uD588\uB358 \uC624\uD398\uB77C\uB294 \uADF8\uC758 \uB9C8\uC74C \uC18D\uC744 \uCC28\uC9C0\uD558\uACE0 \uC788\uB358 \uC815\uC758, \uC6A9\uAE30, \uC22D\uACE0\uD568, \uC5C4\uC219\uD568, \uC560\uC815, \uC601\uC6C5\uC801\uC778 \uAE30\uBD84\uC774 \uBAA8\uB450 \uD3EC\uD568\uB418\uC5B4 \uC788\uC5B4\uC57C \uD588\uAE30 \uB54C\uBB38\uC774\uB2E4."@ko . . "\u0424\u0438\u0434\u0435\u043B\u0438\u043E"@ru . "Fidelio ist die einzige Oper von Ludwig van Beethoven. Sie hat zwei \u2013 bzw. in der Urfassung unter dem Titel Leonore drei \u2013 Akte. Das Libretto schrieben Joseph Sonnleithner, Stephan von Breuning und Georg Friedrich Treitschke; als Vorlage diente ihnen die Oper L\u00E9onore, ou L\u2019amour conjugal (1798; Libretto: Jean Nicolas Bouilly, Musik: Pierre Gaveaux). Die Urauff\u00FChrung der ersten Fassung des Fidelio fand am 20. November 1805 am Theater an der Wien statt, jene der zweiten Fassung ebenda am 29. M\u00E4rz 1806, die der endg\u00FCltigen Fassung am 23. Mai 1814 im Wiener K\u00E4rntnertortheater. Bouillys Libretto war auch die Grundlage f\u00FCr Ferdinando Pa\u00EBrs Oper Leonora (1804) und f\u00FCr Simon Mayrs Werk L\u2019amor coniugale (1805). Der Name Fidelio ist Shakespeares Romanze Cymbeline entlehnt, wo die K\u00F6nigstochter Imogen ebenfalls in M\u00E4nnerkleidern den Namen Fidelio annimmt. Wie in Beethovens Oper wird mit diesem sprechenden Namen auf ihre unersch\u00FCtterliche Treue (lateinisch fidelitas) angespielt, da sie ihrem Ehemann Posthumus trotz dessen Verbannung durch ihren Vater gegen alle Widerst\u00E4nde die Treue h\u00E4lt."@de . . . . . "Fidelio"@fr . "Fidelio, Op.72"@en . . . . . "\u0424\u0456\u0434\u0435\u043B\u0456\u043E"@uk . "Fidelio (em portugu\u00EAs Fid\u00E9lio), Op. 72b, \u00E9 um Singspiel em dois atos, de Ludwig van Beethoven, com libretto de Joseph Sonnleithner e Georg Friedrich Treitschke baseado no libreto de L\u00E9onore ou L\u2019Amour Conjugal (1798), pe\u00E7a em \"prosa entremeada de canto\", de Jean-Nicolas Bouilly, baseada nas mem\u00F3rias do autor sobre os acontecimentos da Fran\u00E7a durante o Terror, quando ele era promotor p\u00FAblico do Tribunal Revolucion\u00E1rio de Tours."@pt . . . . . . . "Fidelio"@es . . . . . "Fidelio"@pl . . "\uD53C\uB378\uB9AC\uC624(Fidelio), \uC791\uD488 \uBC88\uD638 72\uB294 \uB8E8\uD2B8\uBE44\uD788 \uD310 \uBCA0\uD1A0\uBCA4\uC774 \uC720\uC77C\uD558\uAC8C \uC791\uACE1\uD55C \uC624\uD398\uB77C\uC774\uB2E4. \uC758 \uD504\uB791\uC2A4 \uC6D0\uC791\uC744 \uAE30\uCD08\uB85C \uC640 \uAC00 \uC4F4 \uB3C5\uC77C\uC5B4 \uB300\uBCF8\uC744 \uBC14\uD0D5\uC73C\uB85C \uD558\uACE0 \uC788\uB2E4. \uB2E4\uB978 \uC624\uD398\uB77C \uB300\uBCF8\uB4E4\uC740 \uADF8\uC5D0\uAC8C \uAD00\uC2EC\uC744 \uB04C\uC5B4\uB4E4\uC774\uAC8C \uD560 \uB9CC\uD55C \uC694\uC18C\uB4E4\uC774 \uC5C6\uC5C8\uAE30 \uB54C\uBB38\uC5D0 \uADF8\uB294 \uC804\uD600 \uAC70\uB4E4\uB5A0 \uBCF4\uC9C0 \uC54A\uC558\uB2E4\uACE0 \uD55C\uB2E4. \uADF8\uAC83\uC774 \uADF8\uAC00 \uC624\uD398\uB77C\uB97C \uB2E8 \uD55C \uACE1 \uBC16\uC5D0 \uC368 \uB0B4\uC9C0 \uC54A\uC740 \uC774\uC720\uC774\uB2E4. \uADF8\uB294 \uB2E8\uC9C0 \uD558\uB8FB\uBC24 \uAD6C\uACBD\uAC70\uB9AC\uB85C \uB05D\uB098\uB294 \uC774\uD0C8\uB9AC\uC544 \uD48D\uC758 Opera Buffa (\"\uC624\uD398\uB77C \uBD80\uD30C\")\uB97C \uB9E4\uC6B0 \uC2EB\uC5B4\uD588\uC73C\uBA70, \uB2F9\uC2DC \uD06C\uAC8C \uC720\uD589\uB418\uC5B4 \uACE7\uC798 \uC0C1\uC5F0\uC774 \uB418\uACE0 \uB300\uC911\uC758 \uC778\uAE30\uB97C \uB3C5\uCC28\uC9C0 \uD558\uACE0 \uC788\uB358 \uC774\uD0C8\uB9AC\uC544 \uC791\uACE1\uAC00\uC758 \uC791\uD488\uC740 \uBB3C\uB860, \uBAA8\uCC28\uB974\uD2B8\uC758 \uD53C\uAC00\uB85C\uC758 \uACB0\uD63C\uC774\uB098 \uB3C8 \uC870\uBC18\uB2C8\uC5D0 \uB300\uD574\uC11C\uB3C4 \uB178\uACE8\uC801\uC778 \uD610\uC624\uAC10\uC744 \uB4DC\uB7EC\uB0C8\uB2E4. \uADF8\uAC00 \uC6D0\uD588\uB358 \uC624\uD398\uB77C\uB294 \uADF8\uC758 \uB9C8\uC74C \uC18D\uC744 \uCC28\uC9C0\uD558\uACE0 \uC788\uB358 \uC815\uC758, \uC6A9\uAE30, \uC22D\uACE0\uD568, \uC5C4\uC219\uD568, \uC560\uC815, \uC601\uC6C5\uC801\uC778 \uAE30\uBD84\uC774 \uBAA8\uB450 \uD3EC\uD568\uB418\uC5B4 \uC788\uC5B4\uC57C \uD588\uAE30 \uB54C\uBB38\uC774\uB2E4."@ko . . . "2020-05-28"^^ . . . . . . . "Fidelio (/f\u026A\u02C8de\u026Aljo\u028A/; German: [fi\u02C8de\u02D0lio]), originally titled Leonore, oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the K\u00E4rntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as Leonore. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named \"Fidelio\", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring contemporary political movements in Europe, such topics are typical of Beethoven's \"middle period\". Notable moments in the opera include the \"Prisoners' Chorus\" (O welche Lust\u2014\"O what a joy\"), an ode to freedom sung by a chorus of political prisoners, Florestan's vision of Leonore come as an angel to rescue him, and the scene in which the rescue finally takes place. The finale celebrates Leonore's bravery with alternating contributions of soloists and chorus."@en . . . . . . "Fidelio"@en . "\u300E\u30D5\u30A3\u30C7\u30EA\u30AA\u300F\uFF08Fidelio\uFF09\u4F5C\u54C172\u306F\u3001\u30EB\u30FC\u30C8\u30F4\u30A3\u30D2\u30FB\u30F4\u30A1\u30F3\u30FB\u30D9\u30FC\u30C8\u30FC\u30F4\u30A7\u30F3\u304C\u5B8C\u6210\u3055\u305B\u305F\u552F\u4E00\u306E\u30AA\u30DA\u30E9\u3067\u3042\u308B\u3002\u539F\u4F5C\u306F\u306B\u3088\u308A\u3001\u30C9\u30A4\u30C4\u8A9E\u53F0\u672C\u306F\u304A\u3088\u3073\u306B\u3088\u308B\u3002\u4E3B\u4EBA\u516C\u30EC\u30AA\u30CE\u30FC\u30EC\u304C\u300C\u30D5\u30A3\u30C7\u30EA\u30AA\u300D\u3068\u3044\u3046\u540D\u3067\u7537\u6027\u306B\u5909\u88C5\u3057\u3066\u76E3\u7344\u306B\u6F5C\u5165\u3057\u3001\u653F\u6CBB\u72AF\u3068\u3057\u3066\u62D8\u7981\u3055\u308C\u3066\u3044\u308B\u592B\u30D5\u30ED\u30EC\u30B9\u30BF\u30F3\u3092\u6551\u51FA\u3059\u308B\u7269\u8A9E\u3067\u3042\u308B\u3002 \u30D9\u30FC\u30C8\u30FC\u30F4\u30A7\u30F3\u304C\u69CB\u60F3\u3057\u305F\u30AA\u30DA\u30E9\u306B\u306F\u3001\u4ED6\u306B\u300E\u30F4\u30A7\u30B9\u30BF\u306E\u706B\u300F\uFF08Vestas Feuer\uFF09H115\uFF081803\u5E74\uFF09\u304C\u3042\u308B\u304C\u3001\u7D50\u5C401\u5E55\u306E\u307F\u3067\u672A\u5B8C\u3068\u306A\u3063\u305F\u3002 \u7B2C2\u5E55\u3067\u30D5\u30ED\u30EC\u30B9\u30BF\u30F3\u3068\u518D\u4F1A\u3057\u305F\u6642\u306B\u6B4C\u308F\u308C\u308B\u30EC\u30AA\u30CE\u30FC\u30EC\u306E\u30A2\u30EA\u30A2\u306B\u306F\u3001\u300E\u7687\u5E1D\u30E8\u30FC\u30BC\u30D52\u4E16\u846C\u9001\u30AB\u30F3\u30BF\u30FC\u30BF\u300F\uFF08WoO.87\u30011790\u5E74\uFF09\u306E\u7B2C4\u66F2\u304C\u8EE2\u7528\u3055\u308C\u3066\u3044\u308B\u3002"@ja . "Fidelio"@de . "Fidelio \u00E4r den slutliga versionen i tv\u00E5 akter av en opera med musik av Ludwig van Beethoven. Det \u00E4r Beethovens enda opera. I ursprungsversionen, med titeln Leonore, hade operan tre akter. Libretton av , Georg Friedrich Treitschke och Stephan von Breuning bygger p\u00E5 ett franskt original, L\u00E9onore ou l'Amour conjugal, av Jean-Nicolas Bouilly."@sv . . . . . . . "Originally prepared by Joseph Sonnleithner, from the French of Jean-Nicolas Bouilly. Later shortened by Stephan von Breuning and edited by Georg Friedrich Treitschke."@en . . . . . . . . "\u30D5\u30A3\u30C7\u30EA\u30AA"@ja . . . . . . .