. "Final girl (pol. \u201Efina\u0142owa dziewczyna\u201D) \u2013 termin z dziedziny filmoznawstwa, topos okre\u015Blaj\u0105cy posta\u0107 p\u0142ci \u017Ce\u0144skiej ocala\u0142\u0105 w horrorze (najcz\u0119\u015Bciej slasherze). Jest to posta\u0107 kobiety lub nastoletniej dziewczyny, kt\u00F3rej udaje si\u0119 uj\u015B\u0107 z \u017Cyciem z konfrontacji z zagra\u017Caj\u0105cym jej niebezpiecze\u0144stwem, najcz\u0119\u015Bciej zab\u00F3jc\u0105. Nie istnieje spolszczony odpowiednik poj\u0119cia w formie spopularyzowanej."@pl . . . . "\u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Final girl)\u200F \u0647\u0648 \u0645\u064F\u0633\u0645\u0649 \u0645\u062C\u0627\u0632\u064A \u0641\u064A \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628\u060C \u0648\u0644\u0627 \u0633\u064A\u0645\u0627 \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0642\u062A\u0644 \u0627\u0644\u0645\u064F\u062A\u0633\u0644\u0633\u0644. \u0648\u064A\u064F\u0634\u064A\u0631 \u0625\u0644\u0649 \u0622\u062E\u0631 \u0627\u0645\u0631\u0623\u0629 \u062A\u0646\u062C\u0648 \u0648\u062A\u0628\u0642\u0649 \u0639\u0644\u0649 \u0642\u064A\u062F \u0627\u0644\u062D\u064A\u0627\u0629 \u0644\u062A\u0648\u0627\u062C\u0647 \u0627\u0644\u0642\u0627\u062A\u0644\u060C \u0628\u062D\u062C\u0629 \u0623\u0646\u0647\u0627 \u0627\u0644\u0628\u0637\u0644\u0629 \u0627\u0644\u0645\u064F\u062A\u0628\u0642\u064A\u0629 \u0644\u0631\u0648\u0627\u064A\u0629 \u0627\u0644\u0642\u0635\u0629. \u0644\u064F\u0648\u062D\u0638 \u0638\u0647\u0648\u0631 \u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629 \u0641\u064A \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0641\u0644\u0627\u0645\u060C \u0628\u0645\u0627 \u0641\u064A \u0630\u0644\u0643 \u0633\u0644\u0633\u0644\u0629 \u0645\u062C\u0632\u0631\u0629 \u0645\u0646\u0634\u0627\u0631 \u062A\u0643\u0633\u0627\u0633 (1974) \u0648\u0639\u064A\u062F \u0627\u0644\u0645\u064A\u0644\u0627\u062F \u0627\u0644\u0623\u0633\u0648\u062F (1974) \u0648\u0647\u0627\u0644\u0648\u064A\u0646 (1987) \u0648\u0641\u0636\u0627\u0626\u064A \u0648\u064A\u0648\u0645 \u0627\u0644\u062C\u0645\u0639\u0629 \u0627\u0644\u062B\u0627\u0644\u062B \u0639\u0634\u0631 \u0648\u0643\u0627\u0628\u0648\u0633 \u0634\u0627\u0631\u0639 \u0625\u064A\u0644\u0645 \u0648\u0635\u0631\u062E\u0629 (2005) (2011) \u0648\u0643\u0648\u062E \u0627\u0644\u063A\u0627\u0628\u0629 (2012) \u0648\u0627\u0644\u0634\u0631 \u0627\u0644\u0645\u0645\u064A\u062A (2013). \u0648\u0635\u0627\u063A\u062A \u0627\u0644\u0643\u0627\u062A\u0628\u0629 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629 \u0643\u0627\u0631\u0648\u0644 \u062C\u0627\u064A \u0643\u0644\u0648\u0641\u0631 \u0647\u0630\u0627 \u0627\u0644\u0645\u0635\u0637\u0644\u062D \u0641\u064A \u0643\u062A\u0627\u0628\u0647\u0627 \u0627\u0644\u0631\u062C\u0627\u0644 \u0648\u0627\u0644\u0646\u0633\u0627\u0621 \u0648\u0627\u0644\u0645\u0646\u0627\u0634\u064A\u0631 \u0627\u0644\u0633\u0644\u0633\u0644\u064A\u0629\u060C \u0641\u064A \u0641\u064A\u0644\u0645 \u0627\u0644\u0631\u0639\u0628 \u0627\u0644\u062D\u062F\u064A\u062B \u0639\u0627\u0645 1992. \u0648\u0627\u0642\u062A\u0631\u062D\u062A \u0643\u0644\u0648\u0641\u0631 \u0641\u0643\u0631\u0629 \u0623\u0646 \u0627\u0644\u0645\u064F\u0634\u0627\u0647\u062F \u0641\u064A \u0647\u0630\u0647 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u064A\u0628\u062F\u0623 \u0628\u0645\u064F\u0634\u0627\u0631\u0643\u0629 \u0648\u062C\u0647\u0629 \u0646\u0638\u0631 \u0627\u0644\u0642\u0627\u062A\u0644\u060C \u0648\u0644\u0643\u0646\u0647 \u064A\u0634\u0647\u062F \u062A\u062D\u0648\u0644\u064B\u0627 \u0641\u064A \u062A\u062D\u062F\u064A\u062F \u0647\u0648\u064A\u0629 \u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629 \u0628\u0634\u0643\u0644 \u062C\u0632\u0626\u064A \u062E\u0644\u0627\u0644 \u0627\u0644\u0641\u064A\u0644\u0645."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "31497"^^ . "Final girl"@pl . . . . . "1122767007"^^ . . . . . . "\u30D5\u30A1\u30A4\u30CA\u30EB\u30FB\u30AC\u30FC\u30EB"@ja . . "Final girl (lett. Ragazza finale) \u00E8 un'espressione in lingua inglese con cui viene definito lo stereotipo di un personaggio immaginario femminile che, nei film horror, riesce a sfuggire o sconfiggere l'assassino e sopravvivere fino alla conclusione della storia. Il termine \u00E8 stato utilizzato per la prima volta dalla scrittrice statunitense nel libro (1992). Il personaggio della final girl \u00E8 stato osservato in molti film horror, tra cui si ricordano Non aprite quella porta, Halloween, Venerd\u00EC 13, Nightmare, So cosa hai fatto e Scream."@it . . . . "\u03A4\u03BF final girl (\u03B5\u03BB\u03BB: \u03C4\u03B5\u03BB\u03B9\u03BA\u03CC \u03BA\u03BF\u03C1\u03AF\u03C4\u03C3\u03B9) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03C3\u03C7\u03AE\u03BC\u03B1 \u03BB\u03CC\u03B3\u03BF\u03C5 \u03C3\u03C4\u03B9\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 (\u03BA\u03C5\u03C1\u03AF\u03C9\u03C2 \u03C3\u03C4\u03B9\u03C2 \u03C3\u03BB\u03AC\u03C3\u03B5\u03C1 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2). \u0391\u03BD\u03B1\u03C6\u03AD\u03C1\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B7\u03BD \u03C4\u03B5\u03BB\u03B5\u03C5\u03C4\u03B1\u03AF\u03B1 \u03B6\u03C9\u03BD\u03C4\u03B1\u03BD\u03AE \u03B3\u03C5\u03BD\u03B1\u03AF\u03BA\u03B1 \u03C0\u03BF\u03C5 \u03AD\u03C1\u03C7\u03B5\u03C4\u03B1\u03B9 \u03B1\u03BD\u03C4\u03B9\u03BC\u03AD\u03C4\u03C9\u03C0\u03B7 \u03BC\u03B5 \u03C4\u03BF \u03B4\u03BF\u03BB\u03BF\u03C6\u03CC\u03BD\u03BF, \u03C6\u03B1\u03B9\u03BD\u03BF\u03BC\u03B5\u03BD\u03B9\u03BA\u03AC \u03B7 \u03BC\u03BF\u03BD\u03B1\u03B4\u03B9\u03BA\u03AE \u03C0\u03BF\u03C5 \u03B1\u03C0\u03BF\u03BC\u03AD\u03BD\u03B5\u03B9 \u03BA\u03B1\u03B9 \u03B1\u03C6\u03B7\u03B3\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B1. \u03A4\u03BF final girl \u03AD\u03C7\u03B5\u03B9 \u03B2\u03C1\u03B5\u03B8\u03B5\u03AF \u03C6\u03B1\u03B9\u03BD\u03BF\u03BC\u03B5\u03BD\u03B9\u03BA\u03AC \u03C3\u03B5 \u03C0\u03BF\u03BB\u03BB\u03AD\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C3\u03C5\u03BC\u03C0\u03B5\u03C1\u03B9\u03BB\u03B1\u03BC\u03B2\u03B1\u03BD\u03BF\u03BC\u03AD\u03BD\u03BF\u03C5 \u03C4\u03B7\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B1\u03C2 Alien (\u0386\u03BB\u03B9\u03B5\u03BD) \u03BA\u03B1\u03B9 Halloween (\u0397 \u039D\u03CD\u03C7\u03C4\u03B1 \u03BC\u03B5 \u03C4\u03B9\u03C2 \u039C\u03AC\u03C3\u03BA\u03B5\u03C2). \u039F \u03CC\u03C1\u03BF\u03C2 \u03B5\u03C0\u03B9\u03BD\u03BF\u03AE\u03B8\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u039A\u03AC\u03C1\u03BF\u03BB \u03A4\u03B6. \u039A\u03BB\u03CC\u03B2\u03B5\u03C1 \u03C3\u03C4\u03BF \u03B2\u03B9\u03B2\u03BB\u03AF\u03BF \u03C4\u03B7\u03C2 \u03C0\u03BF\u03C5 \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03CC\u03C1\u03B7\u03C3\u03B5 \u03C4\u03BF 1992 Men, Women, and Chainsaws: Gender in the Modern Horror Film. \u0397 \u039A\u03BB\u03CC\u03B2\u03B5\u03C1 \u03C5\u03C0\u03B1\u03B9\u03BD\u03B9\u03C3\u03C3\u03CC\u03C4\u03B1\u03BD \u03CC\u03C4\u03B9 \u03C3\u03B5 \u03B1\u03C5\u03C4\u03AD\u03C2 \u03C4\u03B9\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03BF \u03B8\u03B5\u03B1\u03C4\u03AE\u03C2 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03BC\u03BF\u03B9\u03C1\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B1\u03BD\u03C4\u03AF\u03BB\u03B7\u03C8\u03B7 \u03C4\u03BF\u03C5 \u03B4\u03BF\u03BB\u03BF\u03C6\u03CC\u03BD\u03BF\u03C5, \u03B1\u03BB\u03BB\u03AC \u03B2\u03AF\u03C9\u03C3\u03B5 \u03BC\u03B9\u03B1 \u03B1\u03BB\u03BB\u03B1\u03B3\u03AE \u03C3\u03C4\u03B7\u03BD \u03B1\u03BD\u03B1\u03B3\u03BD\u03CE\u03C1\u03B9\u03C3\u03B7 \u03C4\u03BF\u03C5 final girl \u03BA\u03B1\u03C4\u03AC \u03C4\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B1\u03C2."@el . . . . "Final girl (lett. Ragazza finale) \u00E8 un'espressione in lingua inglese con cui viene definito lo stereotipo di un personaggio immaginario femminile che, nei film horror, riesce a sfuggire o sconfiggere l'assassino e sopravvivere fino alla conclusione della storia. Il termine \u00E8 stato utilizzato per la prima volta dalla scrittrice statunitense nel libro (1992). Il personaggio della final girl \u00E8 stato osservato in molti film horror, tra cui si ricordano Non aprite quella porta, Halloween, Venerd\u00EC 13, Nightmare, So cosa hai fatto e Scream."@it . . "Chica final o final girl es un t\u00E9rmino utilizado para referirse a la \u00FAltima mujer viva que enfrenta al asesino en la mayor\u00EDa de las pel\u00EDculas de terror modernas, particularmente en las pel\u00EDculas del g\u00E9nero slasher.\u200B Este recurso ha sido usado en muchas producciones, incluyendo populares del g\u00E9nero como The Texas Chain Saw Massacre, Halloween, Alien: el octavo pasajero, Friday the 13th, Black Christmas, A Nightmare on Elm Street y Scream.\u200B El t\u00E9rmino fue acu\u00F1ado por la escritora Carol J. Clover en su libro Men, Women and Chainsaws: Gender in the Modern Horror Film (Hombres, mujeres y motosierras: el g\u00E9nero en el cine de horror moderno) de 1992. Clover sugiere que en el cine de terror, el espectador comienza compartiendo la perspectiva del asesino, pero empieza a identificarse con la chica f"@es . . "\u041F\u043E\u0441\u043B\u0435\u0434\u043D\u044F\u044F (\u0437\u0430\u043A\u043B\u044E\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u0430\u044F) \u0434\u0435\u0432\u0443\u0448\u043A\u0430 (\u0430\u043D\u0433\u043B. Final Girl) \u2014 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u044B\u0439 \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0443\u0436\u0430\u0441\u043E\u0432, \u0433\u0434\u0435 \u0434\u0430\u043D\u043D\u0430\u044F \u0433\u0435\u0440\u043E\u0438\u043D\u044F \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0433\u043B\u0430\u0432\u043D\u044B\u043C \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436\u0435\u043C, \u0430 \u0447\u0430\u0441\u0442\u043E \u0438 \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u043C \u0432\u044B\u0436\u0438\u0432\u0448\u0438\u043C \u0432 \u0444\u0438\u043B\u044C\u043C\u0435. \u041E\u0441\u043D\u043E\u0432\u043D\u0430\u044F \u0437\u0430\u0434\u0430\u0447\u0430 \u00AB\u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0435\u0439 \u0434\u0435\u0432\u0443\u0448\u043A\u0438\u00BB \u0437\u0430\u043A\u043B\u044E\u0447\u0430\u0435\u0442\u0441\u044F \u0432 \u043F\u0440\u043E\u0442\u0438\u0432\u043E\u0441\u0442\u043E\u044F\u043D\u0438\u0438 \u0430\u043D\u0442\u0430\u0433\u043E\u043D\u0438\u0441\u0442\u0443 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0442\u0430\u043A\u043E\u0433\u043E \u0436\u0430\u043D\u0440\u0430 \u2014 \u043A\u0438\u043D\u043E\u043C\u0430\u043D\u044C\u044F\u043A\u0443."@ru . . . . . . . . . . . . . . . . . . . . . "Final girl"@el . . . . . . . . "Final girl"@it . . . "1739903"^^ . . . "\u041F\u043E\u0441\u043B\u0435\u0434\u043D\u044F\u044F \u0434\u0435\u0432\u0443\u0448\u043A\u0430"@ru . . "Final Girl"@de . . "Als Final Girl (so viel wie \u201Eletzte \u00DCberlebende\u201C) oder auch Survivor Girl bezeichnet man die standardisierte, weibliche Heldenfigur in Horrorfilmen, insbesondere bei Slashern. Meist gelingt es der Heldin, den T\u00E4ter am Ende auszuschalten. Der Begriff geht auf Buch Men, Women and Chain Saws: Gender in the Modern Horror Film (1992) zur\u00FCck, worin sie das Konzept auf Filme wie The Texas Chain Saw Massacre und Halloween \u00FCbertr\u00E4gt."@de . . . . . . "The final girl is a trope in horror films (particularly slasher films). It refers to the last girl(s) or woman alive to confront the killer, ostensibly the one left to tell the story. The final girl has been observed in many films, including The Texas Chain Saw Massacre, Halloween, Alien, Friday the 13th, A Nightmare on Elm Street, Scream and Train to Busan. The term was coined by Carol J. Clover in her book Men, Women, and Chainsaws: Gender in the Modern Horror Film (1992). Clover suggested that in these films, the viewer began by sharing the perspective of the killer, but experienced a shift in identification to the final girl partway through the film."@en . . . . "Final girl \u00E9 um tropo em filmes de terror (principalmente slasher). Ele refere-se a \u00FAltima mulher viva para enfrentar o assassino, que sobrevive para contar a hist\u00F3ria. Final girl tem sido observada em muitos filmes, incluindo Scream, Alien, Sexta-Feira 13 e Halloween. O termo foi cunhado por Carol J. do Trevo em seu livro de 1992, Men, Women, and Chainsaws: Gender in the Modern Horror Film. Trevo sugeriu que nesses filmes, o espectador come\u00E7ou por partilhar a perspectiva do assassino, mas experimentou uma mudan\u00E7a de identifica\u00E7\u00E3o para final girl no meio do filme."@pt . . . . . . . . "Als Final Girl (so viel wie \u201Eletzte \u00DCberlebende\u201C) oder auch Survivor Girl bezeichnet man die standardisierte, weibliche Heldenfigur in Horrorfilmen, insbesondere bei Slashern. Meist gelingt es der Heldin, den T\u00E4ter am Ende auszuschalten. Der Begriff geht auf Buch Men, Women and Chain Saws: Gender in the Modern Horror Film (1992) zur\u00FCck, worin sie das Konzept auf Filme wie The Texas Chain Saw Massacre und Halloween \u00FCbertr\u00E4gt."@de . "Final girl \u00E9 um tropo em filmes de terror (principalmente slasher). Ele refere-se a \u00FAltima mulher viva para enfrentar o assassino, que sobrevive para contar a hist\u00F3ria. Final girl tem sido observada em muitos filmes, incluindo Scream, Alien, Sexta-Feira 13 e Halloween. O termo foi cunhado por Carol J. do Trevo em seu livro de 1992, Men, Women, and Chainsaws: Gender in the Modern Horror Film. Trevo sugeriu que nesses filmes, o espectador come\u00E7ou por partilhar a perspectiva do assassino, mas experimentou uma mudan\u00E7a de identifica\u00E7\u00E3o para final girl no meio do filme."@pt . . . . . . . . "La derni\u00E8re survivante (final girl ou surviving girl en anglais) est un arch\u00E9type de cin\u00E9ma li\u00E9 aux genres nomm\u00E9s slasher et survival movies. Le concept repose sur l'id\u00E9e que tous les personnages sont tu\u00E9s, sauf une femme (par exemple le personnage de Ripley dans le film de science-fiction Alien, le huiti\u00E8me passager, en 1979). Le pitch du sc\u00E9nario est enti\u00E8rement b\u00E2ti sur le final li\u00E9 \u00E0 un tel personnage."@fr . . . . . . . "Chica final"@es . . "Derni\u00E8re survivante"@fr . . "Final girl (pol. \u201Efina\u0142owa dziewczyna\u201D) \u2013 termin z dziedziny filmoznawstwa, topos okre\u015Blaj\u0105cy posta\u0107 p\u0142ci \u017Ce\u0144skiej ocala\u0142\u0105 w horrorze (najcz\u0119\u015Bciej slasherze). Jest to posta\u0107 kobiety lub nastoletniej dziewczyny, kt\u00F3rej udaje si\u0119 uj\u015B\u0107 z \u017Cyciem z konfrontacji z zagra\u017Caj\u0105cym jej niebezpiecze\u0144stwem, najcz\u0119\u015Bciej zab\u00F3jc\u0105. Nie istnieje spolszczony odpowiednik poj\u0119cia w formie spopularyzowanej. Termin wprowadzony przez profesor teorii filmowej Carol J. Clover w ksi\u0105\u017Cce M\u0119\u017Cczy\u017Ani, kobiety i pi\u0142y mechaniczne: P\u0142e\u0107 w nowoczesnym horrorze (Men, Women and Chain Saws: Gender in the Modern Horror Film), powtarzaj\u0105cy si\u0119 w takich popularnych horrorach jak: Krzyk (Scream), Teksa\u0144ska masakra pi\u0142\u0105 mechaniczn\u0105 (The Texas Chain Saw Massacre) czy Obcy \u2013 \u00F3smy pasa\u017Cer Nostromo (Alien). Posta\u0107 \u201Efinal girl\u201D zasadniczo jest inteligentna, seksualnie nieprzyst\u0119pna lub najcz\u0119\u015Bciej jest po prostu dziewic\u0105. W przeciwie\u0144stwie do swoich r\u00F3wie\u015Bnik\u00F3w przedstawionych w filmie, unika alkoholu, narkotyk\u00F3w i innych u\u017Cywek. Czasami posiada uniwersalne p\u0142ciowo, podobne do m\u0119skiego, imi\u0119 (np. Chris Higgins \u2013 Pi\u0105tek, trzynastego III, Sidney Prescott \u2013 Krzyk). Nabiera cech stereotypowo m\u0119skich, jak odwaga, si\u0142a czy wr\u0119cz agresja w pojedynku z zagro\u017Ceniem, kt\u00F3rym najcz\u0119\u015Bciej jest psychopatyczny morderca. Genez\u0119 postaci \u201Efinal girl\u201D przedstawiono m.in. w filmie paradokumentalnym Behind the Mask: The Rise of Leslie Vernon (2006), w kt\u00F3rym motyw ten by\u0142 jednym z g\u0142\u00F3wnych w\u0105tk\u00F3w fabu\u0142y, intensywnie przedyskutowanym. Okre\u015Blono go jako \u201Esurvivor girl\u201D (z ang. survivor \u2013 ocala\u0142y)."@pl . . "right"@en . . . . . . . . . "133"^^ . . . "Olivia Hussey ca 1974 crop.jpg"@en . "La derni\u00E8re survivante (final girl ou surviving girl en anglais) est un arch\u00E9type de cin\u00E9ma li\u00E9 aux genres nomm\u00E9s slasher et survival movies. Le concept repose sur l'id\u00E9e que tous les personnages sont tu\u00E9s, sauf une femme (par exemple le personnage de Ripley dans le film de science-fiction Alien, le huiti\u00E8me passager, en 1979). Le terme a \u00E9t\u00E9 th\u00E9oris\u00E9 par la professeure am\u00E9ricaine (en), dans un ouvrage intitul\u00E9 Men, Women, and Chain Saws: Gender in the Modern Horror Film, en 1992. Le livre, qui a connu une tr\u00E8s bonne r\u00E9ception critique depuis sa sortie, pr\u00E9sente une enqu\u00EAte sur le genre dans les films slasher \u00E0 partir des tropes communs li\u00E9s ce type de film, soit la vengeance, le viol et le meurtre. Sa perspective f\u00E9ministe apporte un regard nouveau sur le genre et sur le cin\u00E9ma d'horreur et la derni\u00E8re survivante en est la principale cause. S'appuyant sur le texte important de Laura Mulvey, publi\u00E9 en 1975, Visual Pleasure and Narrative Cinema, Clover soutient que les slashers \"forcent\" le spectateur \u00E0 s'identifier au personnage de la survivante plut\u00F4t qu'\u00E0 celui du meurtrier. Alors que la plupart des th\u00E9oriciens de l'\u00E9poque s'acharnaient \u00E0 d\u00E9montrer que les films d'horreur \u00E9taient ax\u00E9s sur les hommes, la th\u00E9orie de Clover prouve qu'en r\u00E9alit\u00E9, le spectateur (peu importe son sexe), est forc\u00E9 de s'identifier \u00E0 la victime. Le point de vue subjectif de la cam\u00E9ra, alors orient\u00E9 sur le tueur, n'influence pas le spectateur masculin, sp\u00E9cule Clover, et ce dernier ne cherchera pas \u00E0 s'identifier \u00E0 celui qui est dominant sur le plan narratif, mais bien \u00E0 la victime et \u00E0 sa qu\u00EAte, qui est de survivre. Le pitch du sc\u00E9nario est enti\u00E8rement b\u00E2ti sur le final li\u00E9 \u00E0 un tel personnage."@fr . . . . . . . . . . . . . . . "\u30D5\u30A1\u30A4\u30CA\u30EB\u30FB\u30AC\u30FC\u30EB (The Final Girl) \u306F\u3001\u30DB\u30E9\u30FC\u6620\u753B\u306B\u767B\u5834\u3059\u308B\u4EBA\u7269\u985E\u578B\u3067\u3042\u308B\u30021960\u5E74\u4EE3\u5F8C\u534A\u4EE5\u964D\u306E\u30A2\u30E1\u30EA\u30AB\u3067\u5927\u91CF\u306B\u4F5C\u3089\u308C\u305F\u30DB\u30E9\u30FC\u6620\u753B\u304C\u3001\u4E00\u69D8\u306B\u300C\u7D14\u7C8B\u306A\u82E5\u3044\u5973\u6027\u304C\u7537\u306E\u6BBA\u622E\u8005\u3068\u5BFE\u6C7A\u3059\u308B\u304C\u6700\u5F8C\u306B\u306F\u751F\u304D\u6B8B\u308B\u300D\u3068\u3044\u3046\u69CB\u9020\u3092\u3082\u3063\u3066\u3044\u308B\u3053\u3068\u304C\u6620\u753B\u7814\u7A76\u306E\u5206\u91CE\u3067\u6CE8\u76EE\u3055\u308C\u3001\u3053\u306E\u985E\u578B\u7684\u306A\u5973\u6027\u50CF\u304C\u6620\u753B\u7814\u7A76\u8005\u30AD\u30E3\u30ED\u30EB\u30FB\u30AF\u30ED\u30FC\u30D0\u30FC\u306B\u3088\u3063\u3066\u300C\u30D5\u30A1\u30A4\u30CA\u30EB\u30FB\u30AC\u30FC\u30EB\u300D\u3068\u547D\u540D\u3055\u308C\u305F\u3002\u82F1\u8A9E\u570F\u306E\u6620\u753B\u7814\u7A76\u30FB\u6620\u753B\u6279\u8A55\u306B\u304A\u3044\u3066\u306F\u3001\u3068\u304F\u306B\u30D5\u30A7\u30DF\u30CB\u30B9\u30C8\u6620\u753B\u7406\u8AD6\u306E\u5206\u91CE\u3067\u91CD\u8981\u306A\u6982\u5FF5\u3068\u307F\u306A\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . . . . . . "Final girl"@pt . . . . . . . "The final girl is a trope in horror films (particularly slasher films). It refers to the last girl(s) or woman alive to confront the killer, ostensibly the one left to tell the story. The final girl has been observed in many films, including The Texas Chain Saw Massacre, Halloween, Alien, Friday the 13th, A Nightmare on Elm Street, Scream and Train to Busan. The term was coined by Carol J. Clover in her book Men, Women, and Chainsaws: Gender in the Modern Horror Film (1992). Clover suggested that in these films, the viewer began by sharing the perspective of the killer, but experienced a shift in identification to the final girl partway through the film."@en . . . . . . . . . . . . . . . "Chica final o final girl es un t\u00E9rmino utilizado para referirse a la \u00FAltima mujer viva que enfrenta al asesino en la mayor\u00EDa de las pel\u00EDculas de terror modernas, particularmente en las pel\u00EDculas del g\u00E9nero slasher.\u200B Este recurso ha sido usado en muchas producciones, incluyendo populares del g\u00E9nero como The Texas Chain Saw Massacre, Halloween, Alien: el octavo pasajero, Friday the 13th, Black Christmas, A Nightmare on Elm Street y Scream.\u200B El t\u00E9rmino fue acu\u00F1ado por la escritora Carol J. Clover en su libro Men, Women and Chainsaws: Gender in the Modern Horror Film (Hombres, mujeres y motosierras: el g\u00E9nero en el cine de horror moderno) de 1992. Clover sugiere que en el cine de terror, el espectador comienza compartiendo la perspectiva del asesino, pero empieza a identificarse con la chica final conforme avanza la pel\u00EDcula.\u200B"@es . . . . . . "110"^^ . . . . "\u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Final girl)\u200F \u0647\u0648 \u0645\u064F\u0633\u0645\u0649 \u0645\u062C\u0627\u0632\u064A \u0641\u064A \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628\u060C \u0648\u0644\u0627 \u0633\u064A\u0645\u0627 \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0642\u062A\u0644 \u0627\u0644\u0645\u064F\u062A\u0633\u0644\u0633\u0644. \u0648\u064A\u064F\u0634\u064A\u0631 \u0625\u0644\u0649 \u0622\u062E\u0631 \u0627\u0645\u0631\u0623\u0629 \u062A\u0646\u062C\u0648 \u0648\u062A\u0628\u0642\u0649 \u0639\u0644\u0649 \u0642\u064A\u062F \u0627\u0644\u062D\u064A\u0627\u0629 \u0644\u062A\u0648\u0627\u062C\u0647 \u0627\u0644\u0642\u0627\u062A\u0644\u060C \u0628\u062D\u062C\u0629 \u0623\u0646\u0647\u0627 \u0627\u0644\u0628\u0637\u0644\u0629 \u0627\u0644\u0645\u064F\u062A\u0628\u0642\u064A\u0629 \u0644\u0631\u0648\u0627\u064A\u0629 \u0627\u0644\u0642\u0635\u0629. \u0644\u064F\u0648\u062D\u0638 \u0638\u0647\u0648\u0631 \u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629 \u0641\u064A \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0641\u0644\u0627\u0645\u060C \u0628\u0645\u0627 \u0641\u064A \u0630\u0644\u0643 \u0633\u0644\u0633\u0644\u0629 \u0645\u062C\u0632\u0631\u0629 \u0645\u0646\u0634\u0627\u0631 \u062A\u0643\u0633\u0627\u0633 (1974) \u0648\u0639\u064A\u062F \u0627\u0644\u0645\u064A\u0644\u0627\u062F \u0627\u0644\u0623\u0633\u0648\u062F (1974) \u0648\u0647\u0627\u0644\u0648\u064A\u0646 (1987) \u0648\u0641\u0636\u0627\u0626\u064A \u0648\u064A\u0648\u0645 \u0627\u0644\u062C\u0645\u0639\u0629 \u0627\u0644\u062B\u0627\u0644\u062B \u0639\u0634\u0631 \u0648\u0643\u0627\u0628\u0648\u0633 \u0634\u0627\u0631\u0639 \u0625\u064A\u0644\u0645 \u0648\u0635\u0631\u062E\u0629 (2005) (2011) \u0648\u0643\u0648\u062E \u0627\u0644\u063A\u0627\u0628\u0629 (2012) \u0648\u0627\u0644\u0634\u0631 \u0627\u0644\u0645\u0645\u064A\u062A (2013). \u0648\u0635\u0627\u063A\u062A \u0627\u0644\u0643\u0627\u062A\u0628\u0629 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629 \u0643\u0627\u0631\u0648\u0644 \u062C\u0627\u064A \u0643\u0644\u0648\u0641\u0631 \u0647\u0630\u0627 \u0627\u0644\u0645\u0635\u0637\u0644\u062D \u0641\u064A \u0643\u062A\u0627\u0628\u0647\u0627 \u0627\u0644\u0631\u062C\u0627\u0644 \u0648\u0627\u0644\u0646\u0633\u0627\u0621 \u0648\u0627\u0644\u0645\u0646\u0627\u0634\u064A\u0631 \u0627\u0644\u0633\u0644\u0633\u0644\u064A\u0629\u060C \u0641\u064A \u0641\u064A\u0644\u0645 \u0627\u0644\u0631\u0639\u0628 \u0627\u0644\u062D\u062F\u064A\u062B \u0639\u0627\u0645 1992. \u0648\u0627\u0642\u062A\u0631\u062D\u062A \u0643\u0644\u0648\u0641\u0631 \u0641\u0643\u0631\u0629 \u0623\u0646 \u0627\u0644\u0645\u064F\u0634\u0627\u0647\u062F \u0641\u064A \u0647\u0630\u0647 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u064A\u0628\u062F\u0623 \u0628\u0645\u064F\u0634\u0627\u0631\u0643\u0629 \u0648\u062C\u0647\u0629 \u0646\u0638\u0631 \u0627\u0644\u0642\u0627\u062A\u0644\u060C \u0648\u0644\u0643\u0646\u0647 \u064A\u0634\u0647\u062F \u062A\u062D\u0648\u0644\u064B\u0627 \u0641\u064A \u062A\u062D\u062F\u064A\u062F \u0647\u0648\u064A\u0629 \u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629 \u0628\u0634\u0643\u0644 \u062C\u0632\u0626\u064A \u062E\u0644\u0627\u0644 \u0627\u0644\u0641\u064A\u0644\u0645."@ar . . "\u30D5\u30A1\u30A4\u30CA\u30EB\u30FB\u30AC\u30FC\u30EB (The Final Girl) \u306F\u3001\u30DB\u30E9\u30FC\u6620\u753B\u306B\u767B\u5834\u3059\u308B\u4EBA\u7269\u985E\u578B\u3067\u3042\u308B\u30021960\u5E74\u4EE3\u5F8C\u534A\u4EE5\u964D\u306E\u30A2\u30E1\u30EA\u30AB\u3067\u5927\u91CF\u306B\u4F5C\u3089\u308C\u305F\u30DB\u30E9\u30FC\u6620\u753B\u304C\u3001\u4E00\u69D8\u306B\u300C\u7D14\u7C8B\u306A\u82E5\u3044\u5973\u6027\u304C\u7537\u306E\u6BBA\u622E\u8005\u3068\u5BFE\u6C7A\u3059\u308B\u304C\u6700\u5F8C\u306B\u306F\u751F\u304D\u6B8B\u308B\u300D\u3068\u3044\u3046\u69CB\u9020\u3092\u3082\u3063\u3066\u3044\u308B\u3053\u3068\u304C\u6620\u753B\u7814\u7A76\u306E\u5206\u91CE\u3067\u6CE8\u76EE\u3055\u308C\u3001\u3053\u306E\u985E\u578B\u7684\u306A\u5973\u6027\u50CF\u304C\u6620\u753B\u7814\u7A76\u8005\u30AD\u30E3\u30ED\u30EB\u30FB\u30AF\u30ED\u30FC\u30D0\u30FC\u306B\u3088\u3063\u3066\u300C\u30D5\u30A1\u30A4\u30CA\u30EB\u30FB\u30AC\u30FC\u30EB\u300D\u3068\u547D\u540D\u3055\u308C\u305F\u3002\u82F1\u8A9E\u570F\u306E\u6620\u753B\u7814\u7A76\u30FB\u6620\u753B\u6279\u8A55\u306B\u304A\u3044\u3066\u306F\u3001\u3068\u304F\u306B\u30D5\u30A7\u30DF\u30CB\u30B9\u30C8\u6620\u753B\u7406\u8AD6\u306E\u5206\u91CE\u3067\u91CD\u8981\u306A\u6982\u5FF5\u3068\u307F\u306A\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . "Olivia Hussey portrayed Jess Bradford in Black Christmas , an early example of the final girl."@en . . . . . . . "Final girl"@en . . . . . . "\u0627\u0644\u0641\u062A\u0627\u0629 \u0627\u0644\u0623\u062E\u064A\u0631\u0629"@ar . "\u041F\u043E\u0441\u043B\u0435\u0434\u043D\u044F\u044F (\u0437\u0430\u043A\u043B\u044E\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u0430\u044F) \u0434\u0435\u0432\u0443\u0448\u043A\u0430 (\u0430\u043D\u0433\u043B. Final Girl) \u2014 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u044B\u0439 \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0443\u0436\u0430\u0441\u043E\u0432, \u0433\u0434\u0435 \u0434\u0430\u043D\u043D\u0430\u044F \u0433\u0435\u0440\u043E\u0438\u043D\u044F \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0433\u043B\u0430\u0432\u043D\u044B\u043C \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436\u0435\u043C, \u0430 \u0447\u0430\u0441\u0442\u043E \u0438 \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u043C \u0432\u044B\u0436\u0438\u0432\u0448\u0438\u043C \u0432 \u0444\u0438\u043B\u044C\u043C\u0435. \u041E\u0441\u043D\u043E\u0432\u043D\u0430\u044F \u0437\u0430\u0434\u0430\u0447\u0430 \u00AB\u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0435\u0439 \u0434\u0435\u0432\u0443\u0448\u043A\u0438\u00BB \u0437\u0430\u043A\u043B\u044E\u0447\u0430\u0435\u0442\u0441\u044F \u0432 \u043F\u0440\u043E\u0442\u0438\u0432\u043E\u0441\u0442\u043E\u044F\u043D\u0438\u0438 \u0430\u043D\u0442\u0430\u0433\u043E\u043D\u0438\u0441\u0442\u0443 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0442\u0430\u043A\u043E\u0433\u043E \u0436\u0430\u043D\u0440\u0430 \u2014 \u043A\u0438\u043D\u043E\u043C\u0430\u043D\u044C\u044F\u043A\u0443."@ru . . "\u03A4\u03BF final girl (\u03B5\u03BB\u03BB: \u03C4\u03B5\u03BB\u03B9\u03BA\u03CC \u03BA\u03BF\u03C1\u03AF\u03C4\u03C3\u03B9) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03C3\u03C7\u03AE\u03BC\u03B1 \u03BB\u03CC\u03B3\u03BF\u03C5 \u03C3\u03C4\u03B9\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 (\u03BA\u03C5\u03C1\u03AF\u03C9\u03C2 \u03C3\u03C4\u03B9\u03C2 \u03C3\u03BB\u03AC\u03C3\u03B5\u03C1 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2). \u0391\u03BD\u03B1\u03C6\u03AD\u03C1\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B7\u03BD \u03C4\u03B5\u03BB\u03B5\u03C5\u03C4\u03B1\u03AF\u03B1 \u03B6\u03C9\u03BD\u03C4\u03B1\u03BD\u03AE \u03B3\u03C5\u03BD\u03B1\u03AF\u03BA\u03B1 \u03C0\u03BF\u03C5 \u03AD\u03C1\u03C7\u03B5\u03C4\u03B1\u03B9 \u03B1\u03BD\u03C4\u03B9\u03BC\u03AD\u03C4\u03C9\u03C0\u03B7 \u03BC\u03B5 \u03C4\u03BF \u03B4\u03BF\u03BB\u03BF\u03C6\u03CC\u03BD\u03BF, \u03C6\u03B1\u03B9\u03BD\u03BF\u03BC\u03B5\u03BD\u03B9\u03BA\u03AC \u03B7 \u03BC\u03BF\u03BD\u03B1\u03B4\u03B9\u03BA\u03AE \u03C0\u03BF\u03C5 \u03B1\u03C0\u03BF\u03BC\u03AD\u03BD\u03B5\u03B9 \u03BA\u03B1\u03B9 \u03B1\u03C6\u03B7\u03B3\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B1. \u03A4\u03BF final girl \u03AD\u03C7\u03B5\u03B9 \u03B2\u03C1\u03B5\u03B8\u03B5\u03AF \u03C6\u03B1\u03B9\u03BD\u03BF\u03BC\u03B5\u03BD\u03B9\u03BA\u03AC \u03C3\u03B5 \u03C0\u03BF\u03BB\u03BB\u03AD\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C3\u03C5\u03BC\u03C0\u03B5\u03C1\u03B9\u03BB\u03B1\u03BC\u03B2\u03B1\u03BD\u03BF\u03BC\u03AD\u03BD\u03BF\u03C5 \u03C4\u03B7\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B1\u03C2 Alien (\u0386\u03BB\u03B9\u03B5\u03BD) \u03BA\u03B1\u03B9 Halloween (\u0397 \u039D\u03CD\u03C7\u03C4\u03B1 \u03BC\u03B5 \u03C4\u03B9\u03C2 \u039C\u03AC\u03C3\u03BA\u03B5\u03C2). \u039F \u03CC\u03C1\u03BF\u03C2 \u03B5\u03C0\u03B9\u03BD\u03BF\u03AE\u03B8\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u039A\u03AC\u03C1\u03BF\u03BB \u03A4\u03B6. \u039A\u03BB\u03CC\u03B2\u03B5\u03C1 \u03C3\u03C4\u03BF \u03B2\u03B9\u03B2\u03BB\u03AF\u03BF \u03C4\u03B7\u03C2 \u03C0\u03BF\u03C5 \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03CC\u03C1\u03B7\u03C3\u03B5 \u03C4\u03BF 1992 Men, Women, and Chainsaws: Gender in the Modern Horror Film. \u0397 \u039A\u03BB\u03CC\u03B2\u03B5\u03C1 \u03C5\u03C0\u03B1\u03B9\u03BD\u03B9\u03C3\u03C3\u03CC\u03C4\u03B1\u03BD \u03CC\u03C4\u03B9 \u03C3\u03B5 \u03B1\u03C5\u03C4\u03AD\u03C2 \u03C4\u03B9\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03BF \u03B8\u03B5\u03B1\u03C4\u03AE\u03C2 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03BC\u03BF\u03B9\u03C1\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B1\u03BD\u03C4\u03AF\u03BB\u03B7\u03C8\u03B7 \u03C4\u03BF\u03C5 \u03B4\u03BF\u03BB\u03BF\u03C6\u03CC\u03BD\u03BF\u03C5, \u03B1\u03BB\u03BB\u03AC \u03B2\u03AF\u03C9\u03C3\u03B5 \u03BC\u03B9\u03B1 \u03B1\u03BB\u03BB\u03B1\u03B3\u03AE \u03C3\u03C4\u03B7\u03BD \u03B1\u03BD\u03B1\u03B3\u03BD\u03CE\u03C1\u03B9\u03C3\u03B7 \u03C4\u03BF\u03C5 final girl \u03BA\u03B1\u03C4\u03AC \u03C4\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B1\u03C2."@el . .