. . . . "\u0641\u0644\u0643\u0644\u0648\u0631 \u0631\u0648\u0645\u0627\u0646\u064A \u0647\u0648 \u0645\u062C\u0645\u0648\u0639\u0629 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0648\u0627\u0644\u0642\u0635\u0635 \u0648\u0627\u0644\u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0634\u0639\u0628\u064A\u0629 \u0627\u0644\u0645\u0648\u062C\u0648\u062F\u0629 \u0641\u064A \u0631\u0648\u0645\u0627\u0646\u064A\u0627. \u0648\u062A\u0645 \u0646\u0642\u0644 \u0627\u0644\u0645\u0639\u0631\u0641\u0629 \u0627\u0644\u0645\u062A\u0639\u0644\u0642\u0629 \u0628\u0627\u0644\u0641\u0644\u0643\u0644\u0648\u0631 \u0645\u0646 \u062C\u064A\u0644 \u0625\u0644\u0649 \u062C\u064A\u0644 \u0639\u0646 \u0637\u0631\u064A\u0642 \u0627\u0644\u0631\u0648\u0627\u064A\u0629 \u0627\u0644\u0634\u0641\u0647\u064A\u0629 \u0623\u0648 \u0627\u0644\u0645\u0643\u062A\u0648\u0628\u0629"@ar . . . "Folklore of Romania"@en . . . . . . . . . . . . . . "El folklore roman\u00E8s t\u00E9 una relaci\u00F3 especial amb la cultura romanesa, determinada per dos factors. En primer lloc, el car\u00E0cter rural de les comunitats romaneses va donar lloc a una cultura tradicional excepcionalment vital i creativa. Les creacions populars (la m\u00E9s coneguda \u00E9s la balada Miori\u021Ba) van ser el principal g\u00E8nere literari fins al segle XVIII. Tots dos van ser una font d'inspiraci\u00F3 per a creadors cultivats i un model estructural. En segon lloc, durant molt de temps la cultura apresa va estar governada per comandaments oficials i socials i es va desenvolupar al voltant de les corts dels pr\u00EDnceps i els boiars, aix\u00ED com als monestirs."@ca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The folklore of Romania is the collection of traditions of the Romanians. A feature of Romanian culture is the special relationship between folklore and the learned culture, determined by two factors. First, the rural character of the Romanian communities resulted in an exceptionally vital and creative traditional culture. Folk creations (the best known is the ballad Miori\u021Ba) were the main literary genre until the 18th century. They were both a source of inspiration for cultivated creators and a structural model. Second, for a long time learned culture was governed by official and social commands and developed around courts of princes and boyars, as well as in monasteries."@en . . . . . . . . . . . . . . . . . . . . . . . . "23876"^^ . . . . . . . . "1121359725"^^ . . . . . . . . . . . . . . . . . . . . . . . "\u0641\u0644\u0643\u0644\u0648\u0631 \u0631\u0648\u0645\u0627\u0646\u064A \u0647\u0648 \u0645\u062C\u0645\u0648\u0639\u0629 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0648\u0627\u0644\u0642\u0635\u0635 \u0648\u0627\u0644\u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0634\u0639\u0628\u064A\u0629 \u0627\u0644\u0645\u0648\u062C\u0648\u062F\u0629 \u0641\u064A \u0631\u0648\u0645\u0627\u0646\u064A\u0627. \u0648\u062A\u0645 \u0646\u0642\u0644 \u0627\u0644\u0645\u0639\u0631\u0641\u0629 \u0627\u0644\u0645\u062A\u0639\u0644\u0642\u0629 \u0628\u0627\u0644\u0641\u0644\u0643\u0644\u0648\u0631 \u0645\u0646 \u062C\u064A\u0644 \u0625\u0644\u0649 \u062C\u064A\u0644 \u0639\u0646 \u0637\u0631\u064A\u0642 \u0627\u0644\u0631\u0648\u0627\u064A\u0629 \u0627\u0644\u0634\u0641\u0647\u064A\u0629 \u0623\u0648 \u0627\u0644\u0645\u0643\u062A\u0648\u0628\u0629"@ar . . . . . . . . . . . . . . . . . . . . . . . "13399409"^^ . . . . . . . . . . . . . . . "Folklore roman\u00E8s"@ca . . "\u0641\u0644\u0643\u0644\u0648\u0631 \u0631\u0648\u0645\u0627\u0646\u064A"@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The folklore of Romania is the collection of traditions of the Romanians. A feature of Romanian culture is the special relationship between folklore and the learned culture, determined by two factors. First, the rural character of the Romanian communities resulted in an exceptionally vital and creative traditional culture. Folk creations (the best known is the ballad Miori\u021Ba) were the main literary genre until the 18th century. They were both a source of inspiration for cultivated creators and a structural model. Second, for a long time learned culture was governed by official and social commands and developed around courts of princes and boyars, as well as in monasteries."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . "El folklore roman\u00E8s t\u00E9 una relaci\u00F3 especial amb la cultura romanesa, determinada per dos factors. En primer lloc, el car\u00E0cter rural de les comunitats romaneses va donar lloc a una cultura tradicional excepcionalment vital i creativa. Les creacions populars (la m\u00E9s coneguda \u00E9s la balada Miori\u021Ba) van ser el principal g\u00E8nere literari fins al segle XVIII. Tots dos van ser una font d'inspiraci\u00F3 per a creadors cultivats i un model estructural. En segon lloc, durant molt de temps la cultura apresa va estar governada per comandaments oficials i socials i es va desenvolupar al voltant de les corts dels pr\u00EDnceps i els boiars, aix\u00ED com als monestirs."@ca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .