"Gott der Herr ist Sonn' und Schild (in tedesco, \"Il Signore Iddio \u00E8 sole e scudo\"), BWV 79, \u00E8 una cantata sacra di Johann Sebastian Bach."@it . . . . . . "None"@en . . . "Members of the Bavarian State Opera Munich"@en . "Arleen Aug\u00E9r"@en . . . . . . "Hermann Schey"@en . . . . "Jesse Blumberg"@en . . . "Gott der Herr ist Sonn und Schild"@de . . . "Gunthild Weber"@en . . "Peter Harvey"@en . . . ""@en . "Gott der Herr ist Sonn und Schild, BWV 79"@pt . . . . . "Gotthold Schwarz"@en . . "Elly Ameling"@en . "J. S. Bach: Kantate 'Gott, der Herr, ist Sonn' und Schild"@en . . "timpani"@en . . . "Orchestra of The Sixteen"@en . "Gott der Herr ist Sonn und Schild, BWV 79"@en . . . "Soloist of the Knabenchor Hannover"@en . . "Max van Egmond"@en . . . . "Lecture Concerts \u2013 New Recordings Cantatas"@en . "Gott der Herr ist Sonn und Schild, BWV 79 (D\u00E9u, el Senyor, \u00E9s sol i escut), \u00E9s una cantata religiosa de Johann Sebastian Bach per a la Festa de la Reforma estrenada a Leipzig, el 31 d'octubre de 1725."@ca . "2"^^ . . "Leusink"@en . . . . . . "Accord"@en . . "Antonia Fahberg"@en . . . "[[#6"@en . . . . . . . "Klaus Mertens"@en . "Leonhardt"@en . . . . . . . "Gott der Herr ist Sonn und Schild (Dieu, le Seigneur, est soleil et bouclier), (BWV 79), est une cantate religieuse de Jean S\u00E9bastien Bach compos\u00E9e \u00E0 Leipzig en 1725."@fr . . "2"^^ . "soloists of the Thomanerchor"@en . . . . . . . "m4"@en . . "J. S. Bach: Das Kantatenwerk \u2022 Complete Cantatas \u2022 Les Cantates, Fol / Vol. 20 \u2013 BWV 76-79"@en . . . . . . . . . "Suzuki"@en . . . . . "Johann Sebastian Bach composed the church cantata Gott der Herr ist Sonn und Schild (God the Lord is sun and shield), BWV 79, in Leipzig in 1725, his third year as Thomaskantor, for Reformation Day and led the first performance on 31 October 1725. The text was written by an unknown poet, who did not refer to the prescribed readings for the day. Bach began the libretto for the feast with a quotation from Psalm 84 and included two hymn stanzas, the first from Martin Rinckart's \"Nun danket alle Gott\", associated with Reformation Day in Leipzig, as the third movement, and as the last movement the final stanza of Ludwig Helmbold's \"Nun la\u00DFt uns Gott dem Herren\". Bach composed a work of \"festive magnificence\", structured in six movements, with an aria following the opening chorus, a pair of recitative and duet following the first chorale. He scored the work for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble of two horns, timpani, two transverse flutes (added for a later performance), two oboes, strings and continuo. He achieved a unity within the structure by using the horns not only in the opening but also as obbligato instruments in the two chorales, the first time even playing the same motifs. Bach performed the cantata again, probably in 1730. He later reworked the music of the opening chorus and a duet again in his Missa in G major, BWV 236, and the music of an alto aria in his Missa in A major, BWV 234."@en . . . . "William Towers"@en . "Ortrun Wenkel"@en . "m2"@en . . "J. S. Bach: Cantatas BWV 80 & BWV 79"@en . . . "Gott der Herr ist Sonn' und Schild (in tedesco, \"Il Signore Iddio \u00E8 sole e scudo\"), BWV 79, \u00E8 una cantata sacra di Johann Sebastian Bach."@it . . "Ob"@en . "Gott der Herr ist Sonn und Schild"@en . "Hans Sotin"@en . . . . . "Gott der Herr ist Sonn' und Schild"@it . . . "Paul Esswood"@en . . "Ingeborg Danz"@en . . . . "J. S. Bach: Cantata No. 140, Cantata No. 57"@en . "79"^^ . . "Ristenpart"@en . "B"@en . "Gott der Herr ist Sonn und Schild, BWV 79"@es . . "[[#4"@en . "Recitative"@en . . . . "Chorus of the Conservatory of Sarrebruck"@en . "Markus Marquardt"@en . ""@en . "Janet Baker"@en . "Bogna Bartosz"@en . . . . "Gott der Herr ist Sonn und Schild, BWV 79"@ca . "Psalms"@en . . . "J. S. Bach: Complete Cantatas Vol. 16"@en . . . "[[#2"@en . . "Gardiner"@en . "Jakob St\u00E4mpfli"@en . . . "anon"@en . . "Bible"@en . "24280"^^ . . "Dietrich Fischer-Dieskau"@en . . "Lore Fischer"@en . "For the 19th Sunday after Trinity; For the Feast of Reformation"@en . . . "viola"@en . . . "Christopher"@en . "Claudia Hellmann"@en . . "Rilling"@en . . . "Audite"@en . . . . . . . "Coro"@en . "continuo"@en . "Eterna"@en . . "Revelation"@en . "m6"@en . . . "Theo Adam"@en . "Gott, der Herr, ist Sonn und Schild, BWV 79"@en . "Edith Selig"@en . "Kieth Engen"@en . . ""@en . . . . "[[#5"@en . . . "Sytse Buwalda"@en . . "Yukari Nonoshita"@en . "King James"@en . "Bas Ramselaar"@en . "Winds"@en . . . . ""@en . "soloists of The Sixteen"@en . "Bach Edition Vol. 15 \u2013 Cantatas Vol. 8"@en . ""@en . "Robin Blaze"@en . "Bach Made in Germany Vol. 4 \u2013 Cantatas X"@en . "Ingeborg Reichelt"@en . . . . . . . . "Agnes Giebel"@en . . . . "Period"@en . "Ruth Holton"@en . "Gott der Herr ist Sonn und Schild (BWV 79) ist eine Kirchen-Kantate von Johann Sebastian Bach. Er komponierte sie in Leipzig f\u00FCr das Reformationsfest und f\u00FChrte sie am 31. Oktober 1725 erstmals auf."@de . . "Lehmann"@en . . "RIAS-Kammerorchester"@en . "J. S. Bach: Cantatas Vol. 40 \u2013 BWV 79, 137, 164, 168"@en . . "Collegium Vocale Gent"@en . "Milnes"@en . "11"^^ . "Gott der Herr ist Sonn und Schild, BWV 79 (Dios el Se\u00F1or es sol y escudo) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el D\u00EDa de la Reforma y estrenada el 31 de octubre de 1725.\u200B\u200B\u200B\u200B"@es . . . "6"^^ . . . . "3"^^ . . . . . . "Chorale"@en . "[[#1"@en . . "Gott der Herr ist Sonn und Schild, BWV 79 (Dios el Se\u00F1or es sol y escudo) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el D\u00EDa de la Reforma y estrenada el 31 de octubre de 1725.\u200B\u200B\u200B\u200B"@es . . "Gott der Herr ist Sonn und Schild (Dieu, le Seigneur, est soleil et bouclier), (BWV 79), est une cantate religieuse de Jean S\u00E9bastien Bach compos\u00E9e \u00E0 Leipzig en 1725."@fr . ""@en . "Rotzsch"@en . . . . "m1"@en . "A"@en . "J. S. Bach Lutheran Masses, Vol. II"@en . "Peter Kooy"@en . . "Gott der Herr ist Sonn und Schild"@fr . "84"^^ . ""@en . . . . "6"^^ . . . . . "2"^^ . . . "Sibylla Rubens"@en . "Luther's Ninety-five Theses, beginning the Reformation"@en . . "Johann Sebastian Bach comp\u00F4s a cantata Gott der Herr ist Sonn und Schild (Deus o Senhor \u00E9 sol e escudo), BWV 79, em Leipzig em 1725, seu terceiro ano como , no Dia da Reforma, e liderou a primeira apresenta\u00E7\u00E3o em 31 de outubro de 1725. O texto foi escrito por um poeta desconhecido, que n\u00E3o se referiu \u00E0s leituras prescritas para o dia. Bach come\u00E7ou o libreto da festa com uma cita\u00E7\u00E3o do Salmo 84 e incluiu duas estrofes de hinos, a primeira de \"Nun danket alle Gott\", de , associada ao Dia da Reforma em Leipzig, como o terceiro movimento e, como \u00FAltimo movimento, a estrofe final de \"Nun la\u00DFt uns Gott dem Herren\", de . Bach comp\u00F4s uma obra de \"magnific\u00EAncia festiva\", estruturada em seis movimentos, com uma \u00E1ria seguindo o refr\u00E3o de abertura, um par de recitativo e dueto ap\u00F3s o primeiro coral. Ele marcou o trabalho para tr\u00EAs solistas vocais, um coral de quatro partes e um conjunto instrumental barroco de duas trompas, t\u00EDmpanos, duas flautas transversais (adicionadas para uma apresenta\u00E7\u00E3o posterior), dois obo\u00E9s, cordas e continuo. Ele alcan\u00E7ou uma unidade dentro da estrutura usando as trompas n\u00E3o apenas na abertura, mas tamb\u00E9m como instrumentos obbligato nos dois corais, pela primeira vez tocando os mesmos motivos. Bach tocou a cantata novamente, provavelmente em 1730. Mais tarde, reformulou a m\u00FAsica do refr\u00E3o de abertura e um dueto novamente em seu , e a m\u00FAsica de uma \u00E1ria alta em seu ."@pt . . . "Chorus"@en . . . "Bach Cantates BWV 76, 79, 80 \"Pour Luther\""@en . "14"^^ . . "Aria"@en . . . "yes"@en . . . . . . . "Chamber Orchestra of the Saar"@en . "2"^^ . . . "Philippe Gagn\u00E9"@en . . "Strings"@en . . "Johann Sebastian Bach composed the church cantata Gott der Herr ist Sonn und Schild (God the Lord is sun and shield), BWV 79, in Leipzig in 1725, his third year as Thomaskantor, for Reformation Day and led the first performance on 31 October 1725. Bach performed the cantata again, probably in 1730. He later reworked the music of the opening chorus and a duet again in his Missa in G major, BWV 236, and the music of an alto aria in his Missa in A major, BWV 234."@en . "6"^^ . "Richter"@en . . . "Beatrice Krebs"@en . . "G\u00E4chinger Kantorei"@en . . . . . "Johann Sebastian Bach comp\u00F4s a cantata Gott der Herr ist Sonn und Schild (Deus o Senhor \u00E9 sol e escudo), BWV 79, em Leipzig em 1725, seu terceiro ano como , no Dia da Reforma, e liderou a primeira apresenta\u00E7\u00E3o em 31 de outubro de 1725. Bach tocou a cantata novamente, provavelmente em 1730. Mais tarde, reformulou a m\u00FAsica do refr\u00E3o de abertura e um dueto novamente em seu , e a m\u00FAsica de uma \u00E1ria alta em seu ."@pt . . . "SATB"@en . . . . . . . "m5"@en . . . "Werner"@en . "26891677"^^ . . "1106047990"^^ . "Joanne Lunn"@en . . . "Knabenchor Hannover"@en . "Koopman"@en . "H\u00E9l\u00E8ne Brunet"@en . "Sandrine Piau"@en . . "[[#3"@en . . . "anon."@en . "Gott der Herr ist Sonn und Schild (BWV 79) ist eine Kirchen-Kantate von Johann Sebastian Bach. Er komponierte sie in Leipzig f\u00FCr das Reformationsfest und f\u00FChrte sie am 31. Oktober 1725 erstmals auf."@de . . . "Michael Taylor"@en . . "m3"@en . . "1.2"^^ . . "Gott der Herr ist Sonn und Schild, BWV 79 (D\u00E9u, el Senyor, \u00E9s sol i escut), \u00E9s una cantata religiosa de Johann Sebastian Bach per a la Festa de la Reforma estrenada a Leipzig, el 31 d'octubre de 1725."@ca . "Biller"@en . . . "Lorri Lail"@en . . . . . "The RIAS Bach Cantatas Project"@en . . . . . "\u20138"@en . . . . . "Rondeau Production"@en . "G\u00F6nnenwein"@en . "Frankfurter Kantorei"@en . . "S B"@en . "J. S. Bach: CantataBWV 39 & BWV 79"@en . . . "choir and soloists"@en . . .