. . . . . "Gustav Friedrich Hartlaub (Bremen, 12 de marzo de 1884 - Heidelberg, 30 de abril de 1963) fue un historiador del arte alem\u00E1n. En 1913 entr\u00F3 a trabajar en la Kunsthalle de Mannheim, de la que se convirti\u00F3 en director en 1923. All\u00ED promocion\u00F3 el arte contempor\u00E1neo y en particular el expresionismo, y descubri\u00F3 una serie de nuevos artistas, como . El 20 de marzo de 1933 fue despedido a ra\u00EDz de la pol\u00EDtica cultural nazi. A partir de 1946 trabaj\u00F3 como profesor en Heidelberg. Tambi\u00E9n estuvo involucrado en el campo de la educaci\u00F3n art\u00EDstica, donde era conocido principalmente por su obra El genio en el ni\u00F1o, de 1922."@es . "Gustav Friedrich Hartlaub (Bremen, 12 de marzo de 1884 - Heidelberg, 30 de abril de 1963) fue un historiador del arte alem\u00E1n. En 1913 entr\u00F3 a trabajar en la Kunsthalle de Mannheim, de la que se convirti\u00F3 en director en 1923. All\u00ED promocion\u00F3 el arte contempor\u00E1neo y en particular el expresionismo, y descubri\u00F3 una serie de nuevos artistas, como . El 20 de marzo de 1933 fue despedido a ra\u00EDz de la pol\u00EDtica cultural nazi. A partir de 1946 trabaj\u00F3 como profesor en Heidelberg. Tambi\u00E9n estuvo involucrado en el campo de la educaci\u00F3n art\u00EDstica, donde era conocido principalmente por su obra El genio en el ni\u00F1o, de 1922. Hartlaub fue el creador del t\u00E9rmino Nueva Objetividad para la exposici\u00F3n Nueva Objetividad. Pintura alemana desde el expresionismo, celebrada en 1925 en la Kunsthalle de Mannheim. Seg\u00FAn palabras de Hartlaub: \u201Cel objetivo es superar las mezquindades est\u00E9ticas de la forma a trav\u00E9s de una nueva objetividad nacida del disgusto hacia la sociedad burguesa de la explotaci\u00F3n\u201D.\u200B"@es . "Gustav Friedrich Hartlaub"@de . "Gustav Friedrich Hartlaub"@fr . . "2976"^^ . "1042821409"^^ . "68656339"^^ . . . . . . "Gustav Friedrich Hartlaub (Bremen, 12 de mar\u00E7o de 1884\u2014Heidelberg, 30 de abril de 1963) foi um historiador da arte alem\u00E3o. Em 1913 entrou a trabalhar na Kunsthalle de Mannheim, da qual foi nomeado diretor em 1923. Ali promoveu a arte contempor\u00E2nea e em particular o expressionismo, e descobriu uma s\u00E9rie de novos artistas, como . Em 20 de mar\u00E7o de 1933 foi despedido por causa da pol\u00EDtica cultural nazista. A partir de 1946 trabalhou como professor em Heidelberg. Tamb\u00E9m esteve envolvido no campo da educa\u00E7\u00E3o art\u00EDstica, onde era conhecido principalmente pela sua obra O g\u00EAnio na crian\u00E7a, de 1922. Hartlaub foi o criador do termo Nova Objetividade para a exposi\u00E7\u00E3o Nova Objetividade. Pintura alem\u00E3 desde o expressionismo, celebrada em 1925 na Kunsthalle de Mannheim. Segundo palavras de Hartlaub: \u201Co objetivo \u00E9 superar a mesquinhez est\u00E9tica da forma atrav\u00E9s de uma nova objetividade nascida do desgosto pela sociedade burguesa da explora\u00E7\u00E3o\u201D."@pt . . . . "Gustav Friedrich Hartlaub (12 March 1884 \u2013 30 April 1963) was a German art historian, critic, and curator. He was born in Bremen into a merchant family. He studied with Franz Wickhoff in Vienna and Heinrich W\u00F6lfflin in Berlin, among others, until 1910 and then initially worked as assistant to Gustav Pauli at the Kunsthalle Bremen. Hartlaub became the director of the Kunsthalle Mannheim in 1923. He was particularly committed to the promotion of contemporary art. New Objectivity as defined by Hartlaub comprised two stylistic tendencies:"@en . . "Gustav Friedrich Hartlaub (* 12. M\u00E4rz 1884 in Bremen; \u2020 30. April 1963 in Heidelberg) war ein deutscher Kunsthistoriker."@de . . . "Gustav Friedrich Hartlaub (* 12. M\u00E4rz 1884 in Bremen; \u2020 30. April 1963 in Heidelberg) war ein deutscher Kunsthistoriker."@de . . . "Gustav Friedrich Hartlaub (Brema, 12 marzo 1884 \u2013 Heidelberg, 30 aprile 1963) \u00E8 stato uno storico dell'arte tedesco."@it . . . . . "Gustav Friedrich Hartlaub (Bremen, 12 de mar\u00E7o de 1884\u2014Heidelberg, 30 de abril de 1963) foi um historiador da arte alem\u00E3o. Em 1913 entrou a trabalhar na Kunsthalle de Mannheim, da qual foi nomeado diretor em 1923. Ali promoveu a arte contempor\u00E2nea e em particular o expressionismo, e descobriu uma s\u00E9rie de novos artistas, como . Em 20 de mar\u00E7o de 1933 foi despedido por causa da pol\u00EDtica cultural nazista. A partir de 1946 trabalhou como professor em Heidelberg. Tamb\u00E9m esteve envolvido no campo da educa\u00E7\u00E3o art\u00EDstica, onde era conhecido principalmente pela sua obra O g\u00EAnio na crian\u00E7a, de 1922."@pt . . "Gustav Friedrich Hartlaub"@pt . . . . . "Gustav Friedrich Hartlaub (Br\u00EAme, 12 mars 1884 - Heidelberg, 30 avril 1963) est un historien d'art allemand qui fut \u00E0 partir de 1921 directeur de la Kunsthalle de Mannheim et qui organisa la premi\u00E8re exposition rassemblant les peintres de la Nouvelle Objectivit\u00E9. Il \u00E9tudia en particulier la relation entre l'art, la magie et l'occultisme."@fr . . . . "Gustav Friedrich Hartlaub (12 March 1884 \u2013 30 April 1963) was a German art historian, critic, and curator. He was born in Bremen into a merchant family. He studied with Franz Wickhoff in Vienna and Heinrich W\u00F6lfflin in Berlin, among others, until 1910 and then initially worked as assistant to Gustav Pauli at the Kunsthalle Bremen. Hartlaub became the director of the Kunsthalle Mannheim in 1923. He was particularly committed to the promotion of contemporary art. On 14 June 1925, an exhibition Hartlaub curated, Neue Sachlichkeit: Deutsche Malerei seit dem Expressionismus (New Objectivity: German Painting Since Expressionism), opened at the Kunsthalle Mannheim. The result of two years' research, the exhibition displayed the works of artists who had turned away from Expressionism in favor of a \"new naturalism\" Hartlaub called New Objectivity. New Objectivity as defined by Hartlaub comprised two stylistic tendencies: I see a right and a left wing. The first, so conservative as to be equal to Classicism, rooted in that which is timeless, is seeking once again to sanctify that which is healthy, corporeal, sculptural, through pure drawing from nature ... The other wing, incandescently contemporary in its lack of belief in art, born rather from a denial of art, is attempting to expose chaos, the true feeling of our days, by means of a primitive obsession with assessment, a nervous obsession with the exposure of the self. The exhibition included 124 works by artists such as Georg Schrimpf and Alexander Kanoldt (of the \"right\" or neo-Classicist wing) and George Grosz and Otto Dix (of the \"left\" or Verist wing). The exhibition, which traveled to several other German cities, was a popular and critical success and helped popularize the New Objectivity style. On 20 March 1933, Hartlaub was dismissed as part of the National Socialist cultural policy. From 1946, he worked as a professor in Heidelberg. He was also involved in the field of esoteric approaches to the arts and art education, where he became known in particular for his work Der Genius im Kinde (Genius in Children; 1922). He died on 30 April 1963 in Heidelberg."@en . . . "Gustav Friedrich Hartlaub"@it . . . "Gustav Friedrich Hartlaub (Brema, 12 marzo 1884 \u2013 Heidelberg, 30 aprile 1963) \u00E8 stato uno storico dell'arte tedesco."@it . . "Gustav Friedrich Hartlaub (Br\u00EAme, 12 mars 1884 - Heidelberg, 30 avril 1963) est un historien d'art allemand qui fut \u00E0 partir de 1921 directeur de la Kunsthalle de Mannheim et qui organisa la premi\u00E8re exposition rassemblant les peintres de la Nouvelle Objectivit\u00E9. Il \u00E9tudia en particulier la relation entre l'art, la magie et l'occultisme."@fr . . . . "Gustav Friedrich Hartlaub"@en . "Gustav Friedrich Hartlaub"@es . .