. "What's Really Happening?"@en . "'hours\u2026' est le vingt-et-uni\u00E8me album studio du chanteur britannique David Bowie, paru en 1999. Cet album est le fruit d'une collaboration \u00E9troite avec le guitariste Reeves Gabrels, qui accompagne Bowie depuis la fin des ann\u00E9es 1980 mais appara\u00EEt pour la premi\u00E8re fois comme coproducteur et coauteur de l'int\u00E9gralit\u00E9 des chansons. Son enregistrement est \u00E9troitement li\u00E9 \u00E0 celui de la bande originale du jeu vid\u00E9o The Nomad Soul, qui en reprend la majorit\u00E9 de morceaux. Musicalement, Bowie abandonne les exp\u00E9rimentations avec la musique industrielle et la musique \u00E9lectronique de ses pr\u00E9c\u00E9dents disques, 1. Outside et Earthling, au profit de sonorit\u00E9s plus acoustiques rappelant par moments son album de 1971 Hunky Dory. Les morceaux qu'il compose avec Gabrels abordent des th\u00E8mes intimes et m\u00E9lancoliques comme la nostalgie ou le regret, m\u00EAme s'il se d\u00E9fend de toute interpr\u00E9tation autobiographique des paroles. 'hours\u2026' est commercialis\u00E9 en t\u00E9l\u00E9chargement sur le site de Bowie deux semaines avant sa sortie en magasins. C'est la premi\u00E8re fois qu'un artiste aussi c\u00E9l\u00E8bre propose sa musique directement sur Internet. Les critiques sont partag\u00E9s, certains appr\u00E9ciant sa richesse \u00E9motionnelle et d'autres estimant qu'il manque d'\u00E9nergie. Le disque se classe dans le Top 5 des meilleures ventes au Royaume-Uni, mais ne d\u00E9passe pas le bas du Top 50 aux \u00C9tats-Unis. Les singles qui en sont tir\u00E9s r\u00E9alisent eux aussi des performances m\u00E9diocres dans les hit-parades. La tourn\u00E9e 'hours\u2026' Tour ne se compose que d'une poign\u00E9e de concerts, la promotion de l'album s'effectuant principalement \u00E0 la t\u00E9l\u00E9vision. Dernier album de Bowie sorti au XXe si\u00E8cle, 'hours\u2026' est \u00E9galement le dernier qu'il enregistre avec Reeves Gabrels et que publie Virgin Records. Ce label rejette l'ann\u00E9e suivante son projet Toy, ce qui l'incite \u00E0 fonder sa propre maison de disques, ISO, distribu\u00E9e par Columbia Records."@fr . . . . . "Hours"@sv . . . . . . . . . . . . . . . "250.0"^^ . . . . "Hours (skrivet 'hours...') \u00E4r ett musikalbum av David Bowie inspelat i Seaview studio, Bermuda, Looking Glass och Chung King studios i New York. Albumet sl\u00E4pptes i England 4 oktober 1999."@sv . . . . . . "\u2018hours\u2026\u2019"@ru . . . . . . . . . "324.0"^^ . . . . . . . "314.0"^^ . . . . . . . "Something in the Air"@en . . "padding:8px;"@en . "'hours...'"@fr . . . . . . . . . "\u300AHours\u300B\uB294 1999\uB144 9\uC6D4 21\uC77C\uC5D0 \uBC1C\uB9E4\uB41C \uB370\uC774\uBE44\uB4DC \uBCF4\uC704\uC758 \uC74C\uBC18\uC774\uB2E4. \uBC84\uC9C4 \uB808\uCF54\uB4DC\uC5D0 \uC758\uD574 \uBC1C\uB9E4\uB418\uC5C8\uB2E4."@ko . "Hours (op de albumhoes geschreven als 'hours...') is het 21e studioalbum van de Britse muzikant David Bowie, uitgebracht in 1999. Het was het eerste album van een grote artiest dat te downloaden was van het internet, waarbij deze versie twee weken eerder verscheen dan het fysieke album. Het was het laatste album dat Bowie uitbracht voor het EMI-sublabel Virgin. Het was zijn eerste album dat de Amerikaanse top 40 miste sinds The Rise and Fall of Ziggy Stardust and the Spiders from Mars uit 1972."@nl . . . . . . . "album"@en . . . . . "left"@en . . . . . . . "251.0"^^ . . . . . . . . . "6.2"^^ . . . . . . . . . . . "'hours\u2026' je album britsk\u00E9ho hudebn\u00EDka Davida Bowieho vydan\u00E9 v roce 1999. Z\u00E1rove\u0148 je to posledn\u00ED Bowieho album vydan\u00E9 spole\u010Dnost\u00ED EMI, p\u0159es jej\u00ED dce\u0159inou spole\u010Dnost Virgin Records. V\u011Bt\u0161ina skladeb, kter\u00E9 se nach\u00E1zej\u00ED na 'hours\u2026' byly pou\u017Eity v jin\u00FDch verz\u00EDch v po\u010D\u00EDta\u010Dov\u00E9 h\u0159e . Ve h\u0159e vystupuj\u00ED postavy inspirovan\u00E9 samotn\u00FDm Bowiem, jeho man\u017Eelkou Iman a spolupracovn\u00EDky a . Aby Bowie zv\u00FD\u0161il z\u00E1jem o album, uspo\u0159\u00E1dal na sv\u00FDch internetov\u00FDch str\u00E1nk\u00E1ch BowieNet sout\u011B\u017E o nejlep\u0161\u00ED text k poskytnut\u00E9 instrument\u00E1ln\u00ED skladb\u011B. V\u00EDt\u011Bzn\u00FD text se m\u011Bl pak objevit na albu 'hours\u2026'. V\u00EDt\u011Bzem sout\u011B\u017Ee a t\u00EDm p\u00E1dem i spoluautorem skladby \u201E\u201C se stal Alex Grant. Grant mimo jin\u00E9 vyhr\u00E1l i v\u00FDlet do nahr\u00E1vac\u00EDho studia Looking Glass v New Yorku, kde Bowie nahr\u00E1l sv\u00E9 vok\u00E1ly s nov\u00FDm textem ke skladb\u011B. Setk\u00E1n\u00ED vyvrcholilo t\u00EDm, \u017Ee Bowie pozval Granta, aby nazp\u00EDvali doprovodn\u00E9 vok\u00E1ly ke sv\u00E9 skladb\u011B. Cel\u00E1 ud\u00E1lost byla vys\u00EDl\u00E1na p\u0159es Bowieho internetovou str\u00E1nku BowieNet. Na obalu alba je aktu\u00E1ln\u00ED star\u0161\u00ED kr\u00E1tkovlas\u00FD Bowie (z p\u0159ede\u0161l\u00E9ho alba Earthling) le\u017E\u00EDc\u00ED vy\u010Derpan\u00FD v rukou dlouhovlas\u00E9ho, mlad\u011B vypadaj\u00EDc\u00EDho Bowieho. 'hours\u2026' je album v mnoh\u00E9m jemn\u011Bj\u0161\u00ED a klidn\u011Bj\u0161\u00ED ne\u017E jeho dva p\u0159edch\u016Fdci a obsahuje mnoho odkaz\u016F na Bowieho d\u00E1vnou tvorbu, zejm\u00E9na ze za\u010D\u00E1tku 70. let. Album bylo vyd\u00E1no i v limitovan\u00E9 edici, jej\u00ED\u017E obal byl holografick\u00FD. Bowie se rozhodl po vyd\u00E1n\u00ED alba op\u011Bt koncertovat. \u017Div\u00FDch koncert\u016F v\u0161ak bylo mnohem m\u00E9n\u011B ne\u017E kdysi a Bowie sp\u00ED\u0161e up\u0159ednost\u0148oval televizn\u00ED vystoupen\u00ED s kapelou. Kritika byla s album relativn\u011B spokojen\u00E1. N\u011Bkte\u0159\u00ED mu v\u0161ak vy\u010D\u00EDtali p\u0159\u00EDli\u0161nou nudnost. P\u0159esto dos\u00E1hl album na p\u00E1t\u00E9 m\u00EDsto britsk\u00E9 albov\u00E9 hitpar\u00E1dy."@cs . . "The Encyclopedia of Popular Music"@en . "'Hours...' es el vigesimoprimer \u00E1lbum de estudio del m\u00FAsico brit\u00E1nico David Bowie, publicado por Virgin Records en octubre de 1999. Este fue el \u00FAltimo \u00E1lbum de Bowie editado por el sub-sello de EMI. Fue el primer \u00E1lbum completo de un importante artista disponible para descargar a trav\u00E9s de Internet, precediendo a su lanzamiento f\u00EDsico en dos semanas. Hours supuso el primer trabajo de Bowie desde The Rise and Fall of Ziggy Stardust and the Spiders from Mars en no entrar en el Top 40 de Billboard 200, alcanzando la posici\u00F3n 47"@es . "1999"^^ . . . . . . . . "1999"^^ . . "David Bowie and Reeves Gabrels; except \"What's Really Happening?\", with lyrics by Alex Grant"@en . . . . . . . . "The Independent"@en . . . . . . "David Bowie"@en . "Hours (\u0441\u0442\u0438\u043B\u0438\u0437\u043E\u0432\u0430\u043D\u043E \u043F\u043E\u0434 \u2018hours\u2026\u2019) \u2014 22-\u0439 \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u044B\u0439 \u0430\u043B\u044C\u0431\u043E\u043C \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0440\u043E\u043A-\u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442\u0430 \u0414\u044D\u0432\u0438\u0434\u0430 \u0411\u043E\u0443\u0438, \u043F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0432\u044B\u043F\u0443\u0449\u0435\u043D\u043D\u044B\u0439 21 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1999 \u0433\u043E\u0434\u0430 \u0447\u0435\u0440\u0435\u0437 \u0432\u0435\u0431-\u0441\u0430\u0439\u0442 \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442\u0430, BowieNet, \u0430 \u0437\u0430\u0442\u0435\u043C, \u0432 \u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u0444\u043E\u0440\u043C\u0430\u0442\u0435, \u043D\u0430 \u043B\u0435\u0439\u0431\u043B\u0435 Virgin Records (4 \u043E\u043A\u0442\u044F\u0431\u0440\u044F). \u042D\u0442\u043E \u0431\u044B\u043B \u043F\u0435\u0440\u0432\u044B\u0439 \u0430\u043B\u044C\u0431\u043E\u043C \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0433\u043E \u0430\u0440\u0442\u0438\u0441\u0442\u0430, \u0434\u043E\u0441\u0442\u0443\u043F\u043D\u044B\u0439 \u0434\u043B\u044F \u0441\u043A\u0430\u0447\u0438\u0432\u0430\u043D\u0438\u044F \u0447\u0435\u0440\u0435\u0437 \u0438\u043D\u0442\u0435\u0440\u043D\u0435\u0442. \u0421\u043E\u0447\u0438\u043D\u0451\u043D\u043D\u044B\u0439 \u0432 \u043A\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u0441\u0430\u0443\u043D\u0434\u0442\u0440\u0435\u043A\u0430 \u043A \u0432\u0438\u0434\u0435\u043E\u0438\u0433\u0440\u0435 Omikron: The Nomad Soul (1999), hours\u2026 \u0441\u0442\u0430\u043B \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u043C \u0441\u043E\u0432\u043C\u0435\u0441\u0442\u043D\u044B\u043C \u043F\u0440\u043E\u0435\u043A\u0442\u043E\u043C \u0411\u043E\u0443\u0438 \u0438 \u0433\u0438\u0442\u0430\u0440\u0438\u0441\u0442\u0430 \u0420\u0438\u0432\u0437\u0430 \u0413\u044D\u0431\u0440\u0435\u043B\u0441\u0430, \u0441 \u043A\u043E\u0442\u043E\u0440\u044B\u043C \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442 \u0441\u043E\u0442\u0440\u0443\u0434\u043D\u0438\u0447\u0430\u043B \u043D\u0430 \u043F\u0440\u043E\u0442\u044F\u0436\u0435\u043D\u0438\u0438 1990-\u0445. \u0417\u0430\u043F\u0438\u0441\u044C \u043F\u043B\u0430\u0441\u0442\u0438\u043D\u043A\u0438 \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0434\u0438\u043B\u0430 \u0432 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0435 1999 \u0433\u043E\u0434\u0430 \u043D\u0430 \u0441\u0442\u0443\u0434\u0438\u044F\u0445 \u0432 \u041D\u044C\u044E-\u0419\u043E\u0440\u043A\u0435 \u0438 \u043D\u0430 \u0411\u0435\u0440\u043C\u0443\u0434\u0430\u0445. \u041F\u043E \u0441\u0440\u0430\u0432\u043D\u0435\u043D\u0438\u044E \u0441 \u044D\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u043C \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043E\u043C \u0434\u0440\u0443\u0433\u0438\u0445 \u0440\u0430\u0431\u043E\u0442 \u0411\u043E\u0443\u0438 \u044D\u0442\u043E\u0433\u043E \u0434\u0435\u0441\u044F\u0442\u0438\u043B\u0435\u0442\u0438\u044F, \u043F\u0435\u0441\u043D\u0438 \u2018hours\u2026\u2019 \u0431\u044B\u043B\u0438 \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u044B \u0432 \u0431\u043E\u043B\u0435\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u043E\u043C \u0441\u0442\u0438\u043B\u0435. \u041E\u0434\u043D\u0430 \u0438\u0437 \u043F\u0435\u0441\u0435\u043D, \u0432\u043A\u043B\u044E\u0447\u0451\u043D\u043D\u044B\u0445 \u0432 \u0430\u043B\u044C\u0431\u043E\u043C, \u0431\u044B"@ru . . . . . "A man laying on a table being cradled by a younger-looking version of himself."@en . . "Hours (estilizado como 'hours\u2026') \u00E9 o vig\u00E9simo primeiro \u00E1lbum de est\u00FAdio do cantor ingl\u00EAs David Bowie. Foi lan\u00E7ado em 4 de outubro de 1999 pela Virgin Records, sendo o \u00FAltimo \u00E1lbum de Bowie com o sub-selo da EMI. Foi o primeiro \u00E1lbum de um artista de grande porte a ser disponibilizado completamente em download na Internet. Seu lan\u00E7amento virtual precedeu o f\u00EDsico em duas semanas. Hours foi o primeiro \u00E1lbum de est\u00FAdio de Bowie desde The Rise and Fall of Ziggy Stardust and the Spiders from Mars, de 1972, a n\u00E3o chegar ao top 40 americano, atingindo o a posi\u00E7\u00E3o n\u00B047."@pt . . . . . "If I'm Dreaming My Life"@en . . . . . . . . "United Kingdom"@en . . "1124010501"^^ . . . . . . . . . . "-1980.0"^^ . . . . . . . . . "\u2014David Bowie"@en . "275.0"^^ . . "1998"^^ . "Uncut"@en . "Q"@en . . "yes"@en . "Hours"@en . . . ""@en . . . "'hours...' \u00E8 il ventiduesimo album di David Bowie e fu pubblicato dalla Virgin Records nel 1999. \u00C8 stato ristampato nel 2004 con l'aggiunta di diverse tracce bonus, e nel gennaio 2005 in versione doppio CD con ulteriori brani aggiuntivi. \u00C8 stato il primo album di un artista di fama a essere disponibile per il download digitale da internet. La pubblicazione in rete precedette l'uscita del CD di circa due settimane. L'album \u00E8 stato rimasterizzato nel 2021 e incluso nel cofanetto Brilliant Adventure (1992-2001)."@it . . "The Guardian"@en . . . . . "Hours"@ko . . . . . . . . . . . "2012-10-10"^^ . . . . . . "\u2014Virgin marketing VP Michael Plen"@en . . "April\u2013June 1999"@en . . . . "Rolling Stone"@en . "New Angels of Promise"@en . . "2231045"^^ . "Studio album"@en . "'hours...' \u00E8 il ventiduesimo album di David Bowie e fu pubblicato dalla Virgin Records nel 1999. \u00C8 stato ristampato nel 2004 con l'aggiunta di diverse tracce bonus, e nel gennaio 2005 in versione doppio CD con ulteriori brani aggiuntivi. \u00C8 stato il primo album di un artista di fama a essere disponibile per il download digitale da internet. La pubblicazione in rete precedette l'uscita del CD di circa due settimane. L'album \u00E8 stato rimasterizzato nel 2021 e incluso nel cofanetto Brilliant Adventure (1992-2001)."@it . "\u2014Nicholas Pegg, 2016"@en . . . "Select"@en . "Hours (David Bowie)"@nl . "\u30A2\u30EF\u30FC\u30BA\u2026\uFF08hours...\uFF09\u306F\u30A4\u30AE\u30EA\u30B9\u306E\u30DF\u30E5\u30FC\u30B8\u30B7\u30E3\u30F3\u3001\u30C7\u30F4\u30A3\u30C3\u30C9\u30FB\u30DC\u30A6\u30A4\u306E20\u679A\u76EE\u306E\u30A2\u30EB\u30D0\u30E0\u3002"@ja . "280.0"^^ . . . . . . . . . . . . "Hours (\u0441\u0442\u0438\u043B\u0438\u0437\u043E\u0432\u0430\u043D\u043E \u043F\u043E\u0434 \u2018hours\u2026\u2019) \u2014 22-\u0439 \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u044B\u0439 \u0430\u043B\u044C\u0431\u043E\u043C \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0440\u043E\u043A-\u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442\u0430 \u0414\u044D\u0432\u0438\u0434\u0430 \u0411\u043E\u0443\u0438, \u043F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0432\u044B\u043F\u0443\u0449\u0435\u043D\u043D\u044B\u0439 21 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1999 \u0433\u043E\u0434\u0430 \u0447\u0435\u0440\u0435\u0437 \u0432\u0435\u0431-\u0441\u0430\u0439\u0442 \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442\u0430, BowieNet, \u0430 \u0437\u0430\u0442\u0435\u043C, \u0432 \u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u0444\u043E\u0440\u043C\u0430\u0442\u0435, \u043D\u0430 \u043B\u0435\u0439\u0431\u043B\u0435 Virgin Records (4 \u043E\u043A\u0442\u044F\u0431\u0440\u044F). \u042D\u0442\u043E \u0431\u044B\u043B \u043F\u0435\u0440\u0432\u044B\u0439 \u0430\u043B\u044C\u0431\u043E\u043C \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0433\u043E \u0430\u0440\u0442\u0438\u0441\u0442\u0430, \u0434\u043E\u0441\u0442\u0443\u043F\u043D\u044B\u0439 \u0434\u043B\u044F \u0441\u043A\u0430\u0447\u0438\u0432\u0430\u043D\u0438\u044F \u0447\u0435\u0440\u0435\u0437 \u0438\u043D\u0442\u0435\u0440\u043D\u0435\u0442. \u0421\u043E\u0447\u0438\u043D\u0451\u043D\u043D\u044B\u0439 \u0432 \u043A\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u0441\u0430\u0443\u043D\u0434\u0442\u0440\u0435\u043A\u0430 \u043A \u0432\u0438\u0434\u0435\u043E\u0438\u0433\u0440\u0435 Omikron: The Nomad Soul (1999), hours\u2026 \u0441\u0442\u0430\u043B \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u043C \u0441\u043E\u0432\u043C\u0435\u0441\u0442\u043D\u044B\u043C \u043F\u0440\u043E\u0435\u043A\u0442\u043E\u043C \u0411\u043E\u0443\u0438 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\u0432\u044B\u0438\u0433\u0440\u0430\u0432\u0448\u0438\u043C \u043A\u043E\u043D\u043A\u0443\u0440\u0441 \u043E\u0440\u0433\u0430\u043D\u0438\u0437\u043E\u0432\u0430\u043D\u043D\u044B\u043C \u0411\u043E\u0443\u0438 \u0432 \u043A\u043E\u043D\u0446\u0435 1998 \u0433\u043E\u0434\u0430, \u043E\u043D \u0442\u0430\u043A\u0436\u0435 \u0437\u0430\u043F\u0438\u0441\u0430\u043B \u0431\u044D\u043A-\u0432\u043E\u043A\u0430\u043B \u0434\u043B\u044F \u044D\u0442\u043E\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0438\u0438. \u0414\u0438\u0441\u0442\u0430\u043D\u0446\u0438\u0440\u0443\u044F\u0441\u044C \u043E\u0442 \u044D\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u043E\u0439 \u0441\u0442\u0440\u0443\u043A\u0442\u0443\u0440\u044B \u0434\u0432\u0443\u0445 \u0441\u0432\u043E\u0438\u0445 \u043F\u0440\u0435\u0434\u0448\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u0438\u043A\u043E\u0432, \u043C\u0443\u0437\u044B\u043A\u0430 \u2018hours\u2026\u2019 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u044F\u0435\u0442 \u0441\u043E\u0431\u043E\u0439 \u043F\u043E\u043F-\u0440\u043E\u043A \u0438 \u0430\u0440\u0442-\u043F\u043E\u043F, \u043D\u0430\u043F\u043E\u043C\u0438\u043D\u0430\u044E\u0449\u0438\u0439 Hunky Dory (1971), \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0430\u044F \u0438\u0441\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u043D\u0438\u0435 \u0441\u0442\u0438\u043B\u0435\u0439 \u0438 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0439 \u0437\u0430\u0442\u0440\u043E\u043D\u0443\u0442\u044B\u0445 \u0432 \u0440\u0430\u043D\u043D\u0438\u0445 \u0440\u0430\u0431\u043E\u0442\u0430\u0445 \u0411\u043E\u0443\u0438. \u0422\u0435\u043A\u0441\u0442\u044B \u043F\u0435\u0441\u0435\u043D \u0438\u043D\u0442\u0440\u043E\u0441\u043F\u0435\u043A\u0442\u0438\u0432\u043D\u044B, \u0432 \u043D\u0438\u0445 \u043F\u043E\u0434\u0440\u043E\u0431\u043D\u043E 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\u0445\u0438\u0442-\u043F\u0430\u0440\u0430\u0434\u0430 Billboard 200, \u0432\u043F\u0435\u0440\u0432\u044B\u0435 \u0441 1972 \u0433\u043E\u0434\u0430. \u2018hours\u2026\u2019 \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u0441\u043C\u0435\u0448\u0430\u043D\u043D\u044B\u0435 \u043E\u0442\u0437\u044B\u0432\u044B \u043E\u0442 \u043A\u0440\u0438\u0442\u0438\u043A\u043E\u0432, \u043C\u043D\u043E\u0433\u0438\u0435 \u0438\u0437 \u043D\u0438\u0445 \u0445\u0432\u0430\u043B\u0438\u043B\u0438 \u043E\u0442\u0434\u0435\u043B\u044C\u043D\u044B\u0435 \u0442\u0440\u0435\u043A\u0438, \u043D\u043E \u043A\u0440\u0438\u0442\u0438\u043A\u043E\u0432\u0430\u043B\u0438 \u0430\u043B\u044C\u0431\u043E\u043C \u0432 \u0446\u0435\u043B\u043E\u043C, \u044D\u0442\u043E \u043C\u043D\u0435\u043D\u0438\u0435 \u0440\u0430\u0437\u0434\u0435\u043B\u044F\u043B\u0438 \u0440\u0435\u0442\u0440\u043E\u0441\u043F\u0435\u043A\u0442\u0438\u0432\u043D\u044B\u0435 \u0440\u0435\u0446\u0435\u043D\u0437\u0435\u043D\u0442\u044B \u0438 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\u0441\u043B\u0430\u0431\u044B\u0445 \u0435\u0433\u043E \u0440\u0430\u0431\u043E\u0442. \u0412 2004 \u0433\u043E\u0434\u0443 \u0430\u043B\u044C\u0431\u043E\u043C \u0431\u044B\u043B \u043F\u0435\u0440\u0435\u0438\u0437\u0434\u0430\u043D \u0441 \u0431\u043E\u043D\u0443\u0441-\u0442\u0440\u0435\u043A\u0430\u043C\u0438. \u0412 2021 \u0433\u043E\u0434\u0443 \u0435\u0433\u043E \u0440\u0435\u043C\u0430\u0441\u0442\u0438\u0440\u043E\u0432\u0430\u043D\u043D\u0430\u044F \u0432\u0435\u0440\u0441\u0438\u044F \u0431\u044B\u043B\u0430 \u0432\u043A\u043B\u044E\u0447\u0435\u043D\u0430 \u0432 \u0431\u043E\u043A\u0441-\u0441\u0435\u0442 Brilliant Adventure (1992\u20132001)."@ru . . . . . . . "\u30A2\u30EF\u30FC\u30BA\u2026\uFF08hours...\uFF09\u306F\u30A4\u30AE\u30EA\u30B9\u306E\u30DF\u30E5\u30FC\u30B8\u30B7\u30E3\u30F3\u3001\u30C7\u30F4\u30A3\u30C3\u30C9\u30FB\u30DC\u30A6\u30A4\u306E20\u679A\u76EE\u306E\u30A2\u30EB\u30D0\u30E0\u3002"@ja . . "Bowie Hours.jpg"@en . "25.0"^^ . . "20.0"^^ . . . . "'hours...'"@it . . . . . "1999-09-21"^^ . . . "30.0"^^ . . "244.0"^^ . . "Entertainment Weekly"@en . . . "Silver"@en . . . . "The Dreamers"@en . "424.0"^^ . . . . . "Hours (op de albumhoes geschreven als 'hours...') is het 21e studioalbum van de Britse muzikant David Bowie, uitgebracht in 1999. Het was het eerste album van een grote artiest dat te downloaden was van het internet, waarbij deze versie twee weken eerder verscheen dan het fysieke album. Het was het laatste album dat Bowie uitbracht voor het EMI-sublabel Virgin. Het was zijn eerste album dat de Amerikaanse top 40 miste sinds The Rise and Fall of Ziggy Stardust and the Spiders from Mars uit 1972. Meerdere nummers op het album werden geschreven door Bowie en voor de videogame Omikron: The Nomad Soul, waarin meerdere karakters werden gebaseerd op de zanger en zijn vrouw Iman Abdulmajid. Zo gaat het nummer \"The Dreamers\" over een fictionele muziekgroep die illegale optredens geven in de game. Daarnaast werden teksten van verschillende nummers ietwat veranderd zodat deze goed in de game zouden passen. Er werden zes nummers geschreven voor het album en \"een aantal\" instrumentale stukken, waarvan er zes in het spel werden gebruikt. Een aantal nummers die alleen in de game te horen waren, verschenen op de B-kant van de single \"Thursday's Child\". Om de interesse in het album op te wekken, verscheen er op Bowie's website \"BowieNet\" een competitie om een tekst te schrijven voor het (tot dan toe) instrumentale nummer \"What's Really Happening?\", waarbij de winnende tekst de uiteindelijke songtekst zou worden. Winnaar Alex Grant mocht ook aanwezig zijn bij de opname van dit nummer, waarbij hij samen met een vriend de achtergrondvocalen mocht verzorgen. Er werden vier nummers van het album uitgebracht op single. De eerste single \"Thursday's Child\" bereikte de zestiende plaats in Engeland, maar de tweede single \"The Pretty Things Are Going to Hell\" bereikte de hitlijsten niet. De singles \"Survive\" en \"Seven\" kwamen respectievelijk tot de 28e en 32e plaats in Bowie's thuisland."@nl . "\u300AHours\u300B\uB294 1999\uB144 9\uC6D4 21\uC77C\uC5D0 \uBC1C\uB9E4\uB41C \uB370\uC774\uBE44\uB4DC \uBCF4\uC704\uC758 \uC74C\uBC18\uC774\uB2E4. \uBC84\uC9C4 \uB808\uCF54\uB4DC\uC5D0 \uC758\uD574 \uBC1C\uB9E4\uB418\uC5C8\uB2E4."@ko . "2826.0"^^ . "'hours\u2026'"@cs . . . . . . . "Hours"@en . . . "B\u2212"@en . . . "3008"^^ . . "Brilliant Adventure"@en . "'hours\u2026' est le vingt-et-uni\u00E8me album studio du chanteur britannique David Bowie, paru en 1999. Cet album est le fruit d'une collaboration \u00E9troite avec le guitariste Reeves Gabrels, qui accompagne Bowie depuis la fin des ann\u00E9es 1980 mais appara\u00EEt pour la premi\u00E8re fois comme coproducteur et coauteur de l'int\u00E9gralit\u00E9 des chansons. Son enregistrement est \u00E9troitement li\u00E9 \u00E0 celui de la bande originale du jeu vid\u00E9o The Nomad Soul, qui en reprend la majorit\u00E9 de morceaux. Musicalement, Bowie abandonne les exp\u00E9rimentations avec la musique industrielle et la musique \u00E9lectronique de ses pr\u00E9c\u00E9dents disques, 1. Outside et Earthling, au profit de sonorit\u00E9s plus acoustiques rappelant par moments son album de 1971 Hunky Dory. Les morceaux qu'il compose avec Gabrels abordent des th\u00E8mes intimes et m\u00E9lancoli"@fr . . . . "Hours (estilizado como 'hours\u2026') \u00E9 o vig\u00E9simo primeiro \u00E1lbum de est\u00FAdio do cantor ingl\u00EAs David Bowie. Foi lan\u00E7ado em 4 de outubro de 1999 pela Virgin Records, sendo o \u00FAltimo \u00E1lbum de Bowie com o sub-selo da EMI. Foi o primeiro \u00E1lbum de um artista de grande porte a ser disponibilizado completamente em download na Internet. Seu lan\u00E7amento virtual precedeu o f\u00EDsico em duas semanas. Hours foi o primeiro \u00E1lbum de est\u00FAdio de Bowie desde The Rise and Fall of Ziggy Stardust and the Spiders from Mars, de 1972, a n\u00E3o chegar ao top 40 americano, atingindo o a posi\u00E7\u00E3o n\u00B047."@pt . . . . "'Hours...' es el vigesimoprimer \u00E1lbum de estudio del m\u00FAsico brit\u00E1nico David Bowie, publicado por Virgin Records en octubre de 1999. Este fue el \u00FAltimo \u00E1lbum de Bowie editado por el sub-sello de EMI. Fue el primer \u00E1lbum completo de un importante artista disponible para descargar a trav\u00E9s de Internet, precediendo a su lanzamiento f\u00EDsico en dos semanas. Hours supuso el primer trabajo de Bowie desde The Rise and Fall of Ziggy Stardust and the Spiders from Mars en no entrar en el Top 40 de Billboard 200, alcanzando la posici\u00F3n 47"@es . . "The lyrics generally on the album are very simplistic, the simple things, I think, are expressed quite strongly. The music that we wrote for them is more of a supportive kind of music \u2013 it doesn't create two or three different focuses."@en . . . . . . "Hours (David Bowie album)"@en . . . . "Hours (\u00E1lbum)"@pt . . . . . . . . . . "Hours (skrivet 'hours...') \u00E4r ett musikalbum av David Bowie inspelat i Seaview studio, Bermuda, Looking Glass och Chung King studios i New York. Albumet sl\u00E4pptes i England 4 oktober 1999."@sv . . . . . . . . . . . . . . "'hours\u2026' je album britsk\u00E9ho hudebn\u00EDka Davida Bowieho vydan\u00E9 v roce 1999. Z\u00E1rove\u0148 je to posledn\u00ED Bowieho album vydan\u00E9 spole\u010Dnost\u00ED EMI, p\u0159es jej\u00ED dce\u0159inou spole\u010Dnost Virgin Records. V\u011Bt\u0161ina skladeb, kter\u00E9 se nach\u00E1zej\u00ED na 'hours\u2026' byly pou\u017Eity v jin\u00FDch verz\u00EDch v po\u010D\u00EDta\u010Dov\u00E9 h\u0159e . Ve h\u0159e vystupuj\u00ED postavy inspirovan\u00E9 samotn\u00FDm Bowiem, jeho man\u017Eelkou Iman a spolupracovn\u00EDky a . Bowie se rozhodl po vyd\u00E1n\u00ED alba op\u011Bt koncertovat. \u017Div\u00FDch koncert\u016F v\u0161ak bylo mnohem m\u00E9n\u011B ne\u017E kdysi a Bowie sp\u00ED\u0161e up\u0159ednost\u0148oval televizn\u00ED vystoupen\u00ED s kapelou."@cs . "We All Go Through"@en . . . "\u30A2\u30EF\u30FC\u30BA\u2026"@ja . . . "114.0"^^ . "Pitchfork"@en . . "David Bowie"@en . "2"^^ . . . . . . . . "Bowie was early in building his Internet presence. There was a great foresight on his part in knowing where the Internet strength was; even though it hadn't reached any critical mass for quantity, he certainly knew its qualitative reach and its power."@en . "right"@en . . . . . . "Gold"@en . "63866"^^ . "--09-20"^^ . . . . . . . . "'Hours...'"@es . . . . "Hours (stylised as 'hours...' ) is the 22nd studio album by English musician David Bowie. It was originally released on 21 September 1999 through the Internet on Bowie's website BowieNet, followed by a physical CD release on 4 October through Virgin Records. It was the first album by a major artist available to download over the Internet. Originating as a soundtrack to the video game Omikron: The Nomad Soul (1999), Hours was the final collaboration between Bowie and guitarist Reeves Gabrels, whom he had worked with since 1988. The album was recorded in mid-1999 between studios in Bermuda and New York City. Compared to the experimental nature of Bowie's other works throughout the decade, the songs on Hours were written more conventionally. A song contest conducted on BowieNet in late 1998 "@en . . "1999"^^ . . "3076.0"^^ . "Hours"@en . . . . "France"@en . "Hours (stylised as 'hours...' ) is the 22nd studio album by English musician David Bowie. It was originally released on 21 September 1999 through the Internet on Bowie's website BowieNet, followed by a physical CD release on 4 October through Virgin Records. It was the first album by a major artist available to download over the Internet. Originating as a soundtrack to the video game Omikron: The Nomad Soul (1999), Hours was the final collaboration between Bowie and guitarist Reeves Gabrels, whom he had worked with since 1988. The album was recorded in mid-1999 between studios in Bermuda and New York City. Compared to the experimental nature of Bowie's other works throughout the decade, the songs on Hours were written more conventionally. A song contest conducted on BowieNet in late 1998 resulted in a fan contributing lyrics and backing vocals to one of the tracks. A departure from the experimentation of its two predecessors, Hours presents a pop rock and art pop style reminiscent of 1971's Hunky Dory, further evoking styles and ideals previously explored on Bowie's past works. The lyrics are introspective, detailing topics such as the collapse of relationships and subjects of angst. Also present are overtly Christian themes, which is reflected in the cover artwork. Inspired by the Piet\u00E0, it depicts the short-haired Bowie persona from the Earthling era, resting in the arms of a long-haired, more youthful version of Bowie. The title, originally The Dreamers, is a play on \"ours\". Accompanied by multiple UK top 40 singles, Hours peaked at number five on the UK Albums Chart but was Bowie's first album to miss the US Billboard 200 top 40 since 1972. It also received mixed reviews from music critics, many of whom praised individual tracks but criticised the album as a whole, sentiments echoed by later reviewers and Bowie's biographers. Bowie promoted the album through the Hours Tour and various television appearances. Retrospective lists ranking all of Bowie's studio albums have placed Hours among Bowie's weaker efforts. The album was reissued with bonus tracks in 2004 and remastered in 2021 for inclusion on the box set Brilliant Adventure (1992\u20132001)."@en . . . "346.0"^^ . . . . "4.7"^^ . ""@en . . .