"Spanish"@en . . . . "Ich, der Allm\u00E4chtige (Originaltitel: Yo, el Supremo) ist ein 1974 erschienener historischer Roman des paraguayischen Romanautors Augusto Roa Bastos (1917\u20132005). Zusammen mit Der Herbst des Patriarchen (spanisch El oto\u00F1o del patriarca), einem Roman des kolumbianischen Literatur-Nobelpreistr\u00E4ger Gabriel Garc\u00EDa M\u00E1rquez aus dem Jahr 1975, geh\u00F6rt er zu den bedeutendsten Diktatorenromanen Lateinamerikas."@de . "1974"^^ . "44552"^^ . . . . . . . . . . . . . . . . . "Yo el Supremo"@en . "PQ8259.R56 Y613 2000"@en . . . . "863"^^ . . . . . "Jag, den h\u00F6gste (Yo el Supremo) \u00E4r en roman av den paraguayanske f\u00F6rfattaren Augusto Roa Bastos utgiven 1974. Den utkom i svensk \u00F6vers\u00E4ttning 1980. Jag, den h\u00F6gste \u00E4r en diktatorsroman som skildrar Paraguays diktator under 1800-talets tidigare h\u00E4lft, Jos\u00E9 Gaspar Rodr\u00EDguez de Francia. Denne diktator str\u00E4vade efter att reformera Paraguay och skapa ett klassl\u00F6st samh\u00E4lle, men visade samtidigt upp en h\u00E4nsynsl\u00F6s grymhet och var besatt av sin egen makt, storhet och landsfaderliga uppgift. Han sade bland annat:"@sv . . . . "I the Supreme"@en . . . ""@en . "1109439746"^^ . . . . "Ja, Najwy\u017Cszy (Yo el Supremo) \u2013 historyczna powie\u015B\u0107 paragwajskiego pisarza Augusta Roi Bastosa z 1974 roku. Polski kongenialny przek\u0142ad Andrzeja Nowaka ukaza\u0142 si\u0119 w 1982 roku (Wydawnictwo Literackie). Powie\u015B\u0107 nale\u017Cy do nurtu powie\u015Bci dyktatury. Bohaterem jest Jos\u00E9 Gaspar Rodr\u00EDguez de Francia, ekscentryczny, lecz skuteczny przyw\u00F3dca Paragwaju w latach 1814 \u2013 1840, kt\u00F3ry nazywa\u0142 siebie \u201ENajwy\u017Cszym\u201D. Autor napisa\u0142 ksi\u0105\u017Ck\u0119 na emigracji w Buenos Aires, poniewa\u017C mia\u0142 problemy z dyktatur\u0105 Alfreda Stroessnera, podobn\u0105 pod wieloma wzgl\u0119dami do rz\u0105d\u00F3w Francii. Po publikacji Roa Bastos sta\u0142 si\u0119 \u201Ejednym z trzech obywateli z zakazem powrotu\u201D."@pl . . "Ich, der Allm\u00E4chtige (Originaltitel: Yo, el Supremo) ist ein 1974 erschienener historischer Roman des paraguayischen Romanautors Augusto Roa Bastos (1917\u20132005). Zusammen mit Der Herbst des Patriarchen (spanisch El oto\u00F1o del patriarca), einem Roman des kolumbianischen Literatur-Nobelpreistr\u00E4ger Gabriel Garc\u00EDa M\u00E1rquez aus dem Jahr 1975, geh\u00F6rt er zu den bedeutendsten Diktatorenromanen Lateinamerikas."@de . . . . . . . . . . . . . "First edition"@en . . . . . . . . . . . "Jag, den h\u00F6gste (Yo el Supremo) \u00E4r en roman av den paraguayanske f\u00F6rfattaren Augusto Roa Bastos utgiven 1974. Den utkom i svensk \u00F6vers\u00E4ttning 1980. Jag, den h\u00F6gste \u00E4r en diktatorsroman som skildrar Paraguays diktator under 1800-talets tidigare h\u00E4lft, Jos\u00E9 Gaspar Rodr\u00EDguez de Francia. Denne diktator str\u00E4vade efter att reformera Paraguay och skapa ett klassl\u00F6st samh\u00E4lle, men visade samtidigt upp en h\u00E4nsynsl\u00F6s grymhet och var besatt av sin egen makt, storhet och landsfaderliga uppgift. Han sade bland annat: Jag, den h\u00F6gste skiljer sig fr\u00E5n andra verk i genren diktatorsromaner som Presidenten av Miguel Angel Asturias, Patriarkens h\u00F6st av Gabriel Garc\u00EDa Marquez och Metoden av Alejo Carpentier genom att Roa Bastos perspektiv \u00E4r mindre distanserat. Han har sj\u00E4lv ber\u00E4ttat att han \"sett sig tvungen ta den fruktansv\u00E4rda risken att identifiera sig med denne man, att placera sig inne i denne person, och d\u00E4rifr\u00E5n bygga upp hans v\u00E4rld\". Ber\u00E4ttarstilen i romanen \u00E4r komplicerad med en blandning av fiktiva och dokument\u00E4ra, ibland fiktivt dokument\u00E4ra, inslag och diktatorns l\u00E5nga monologer. Den skildrar \u00E4ven historiska och politiska f\u00F6rh\u00E5llanden under Francias regim och rymmer d\u00E4rtill rikliga inslag av indiansk mytologi och folktro."@sv . . "Moi, le Supr\u00EAme (titre original en espagnol : Yo El Supremo) est un roman de l'\u00E9crivain paraguayen Augusto Roa Bastos publi\u00E9 en 1974."@fr . "Yo el Supremo es una novela del escritor paraguayo Augusto Roa Bastos, publicada en 1974, cuando Roa todav\u00EDa viv\u00EDa exiliado en Buenos Aires. Se la considera una de las obras cumbre de la literatura en espa\u00F1ol. Destaca especialmente por su construcci\u00F3n literaria y el juego morfol\u00F3gico-sint\u00E1ctico que posee, adem\u00E1s de la utilizaci\u00F3n matizada de elementos hist\u00F3ricos y ficticios para el desarrollo de la narraci\u00F3n. El cr\u00EDtico Todd Garth ha argumentado que recibe influencias de la literatura argentina de la \u00E9poca, reproduciendo la est\u00E9tica y espacio metaf\u00EDsicos creados por Macedonio Fern\u00E1ndez y desarrollados por, entre otros, Jorge Luis Borges y Julio Cort\u00E1zar.\u200B"@es . . . . . . "Moi, le Supr\u00EAme"@fr . . . "Ja, Najwy\u017Cszy (Yo el Supremo) \u2013 historyczna powie\u015B\u0107 paragwajskiego pisarza Augusta Roi Bastosa z 1974 roku. Polski kongenialny przek\u0142ad Andrzeja Nowaka ukaza\u0142 si\u0119 w 1982 roku (Wydawnictwo Literackie). Powie\u015B\u0107 nale\u017Cy do nurtu powie\u015Bci dyktatury. Bohaterem jest Jos\u00E9 Gaspar Rodr\u00EDguez de Francia, ekscentryczny, lecz skuteczny przyw\u00F3dca Paragwaju w latach 1814 \u2013 1840, kt\u00F3ry nazywa\u0142 siebie \u201ENajwy\u017Cszym\u201D."@pl . "43370395" . . . "978-1-56478-247-2" . . . . . . . . . . "Ja, Najwy\u017Cszy"@pl . . "\u00AB\u0623\u0646\u0627 \u0627\u0644\u0623\u0639\u0644\u0649\u00BB - \u0623\u0648\u063A\u0648\u0633\u0637\u0648 \u0631\u0648\u0627 \u0628\u0627\u0633\u062A\u0648\u0633 \u00AB\u0623\u0646\u0627 \u0627\u0644\u0623\u0639\u0644\u0649\u00BB \u0631\u0648\u0627\u064A\u0629 \u0644\u0644\u0643\u0627\u062A\u0628 \u0627\u0644\u0628\u0627\u0631\u0627\u063A\u0648\u0627\u064A\u064A \u0623\u0648\u063A\u0648\u0633\u0637\u0648 \u0631\u0648\u0627 \u0628\u0627\u0633\u062A\u0648\u0633\u060C \u0646\u064F\u0634\u0631\u062A \u0641\u064A \u0627\u0644\u0639\u0627\u0645 1974\u060C \u0639\u0646\u062F\u0645\u0627 \u0643\u0627\u0646 \u0631\u0648\u0627 \u0644\u0627 \u064A\u0632\u0627\u0644 \u064A\u0639\u064A\u0634 \u0641\u064A \u0645\u0646\u0641\u0627\u0647 \u0641\u064A \u0627\u0644\u0623\u0631\u062C\u0646\u062A\u064A\u0646. \u062A\u064F\u0639\u062A\u0628\u0631 \u0627\u0644\u0631\u0648\u0627\u064A\u0629 \u0648\u0627\u062D\u062F\u0629 \u0645\u0646 \u0623\u0631\u0648\u0639 \u0627\u0644\u0623\u0639\u0645\u0627\u0644 \u0627\u0644\u0623\u062F\u0628\u064A\u0629 \u0628\u0627\u0644\u0644\u063A\u0629 \u0627\u0644\u0627\u0633\u0628\u0627\u0646\u064A\u0629\u060C \u0648\u062A\u0645\u062A\u0627\u0632 \u0639\u0644\u0649 \u0648\u062C\u0647 \u0627\u0644\u062E\u0635\u0648\u0635 \u0628\u0628\u0646\u0627\u0626\u0647\u0627 \u0627\u0644\u0623\u062F\u0628\u064A \u0627\u0644\u0645\u062D\u0643\u0645\u060C \u0648\u0627\u0644\u0644\u0639\u0650\u0628\u0650 \u0627\u0644\u0645\u062A\u0642\u0646 \u0641\u064A\u0647\u0627 \u0635\u0631\u0641\u0627\u064B \u0648\u0646\u062D\u0648\u0627\u064B\u060C \u0628\u0627\u0644\u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0627\u062D\u062A\u0648\u0627\u0626\u0647\u0627 \u0643\u0645\u0627\u064B \u0645\u0646 \u0627\u0644\u0639\u0646\u0627\u0635\u0631 \u0627\u0644\u062A\u0627\u0631\u064A\u062E\u064A\u0629 \u0648\u0627\u0644\u062A\u062E\u064A\u0651\u0644\u0627\u062A \u062F\u064F\u0645\u062C\u062A \u062C\u0645\u064A\u0639\u0647\u0627 \u0641\u064A \u0633\u064A\u0627\u0642\u064D \u0645\u0645\u062A\u0639\u064D \u0645\u0646 \u0627\u0644\u0633\u0631\u062F\u060C \u062A\u062A\u062F\u0627\u062E\u0644 \u0641\u064A\u0647 \u0627\u0644\u0623\u062D\u062F\u0627\u062B\u064F \u0648\u0627\u0644\u0623\u0632\u0645\u0646\u0629 \u0628\u0635\u0648\u0631\u0629 \u0645\u0628\u0647\u0631\u0629. \u062A\u062A\u0644\u0627\u062D\u0642 \u0641\u0635\u0648\u0644 \u0627\u0644\u0631\u0648\u0627\u064A\u0629 \u0628\u0635\u0648\u062A \u0628\u0637\u0644\u064D \u0648\u0627\u062D\u062F\u060C \u0628\u064A\u0646\u0645\u0627 \u062A\u0628\u062F\u0648 \u0628\u0627\u0642\u064A \u0627\u0644\u0623\u0635\u0648\u0627\u062A \u0641\u064A\u0647\u0627 \u0645\u062C\u0631\u0651\u062F \u0631\u0624\u0649\u064B \u062A\u0627\u0631\u064A\u062E\u064A\u0629 \u0623\u0648 \u0648\u062C\u0647\u0627\u062A \u0646\u0638\u0631 \u0627\u0644\u0645\u0624\u0644\u0641\u0650 \u0646\u0641\u0633\u0647. \u0648\u0631\u0648\u0627 \u0628\u0627\u0633\u062A\u0648\u0633\u060C \u062D\u064A\u0646 \u064A\u062A\u062D\u062F\u0651\u062B\u064F \u0641\u064A \u00AB\u0623\u0646\u0627 \u0627\u0644\u0623\u0639\u0644\u0649\u00BB\u060C \u0625\u0646\u0645\u0627 \u064A\u0639\u0628\u0651\u0631\u064F \u0639\u0646 \u0646\u0641\u0633\u0647 \u0641\u064A \u0648\u062C\u0647\u0629 \u0646\u0638\u0631 \u0627\u0644\u062F\u064A\u0643\u062A\u0627\u062A\u0648\u0631."@ar . . . . . . "I, the Supreme"@en . "Yo el Supremo"@en . . "I the Supreme"@en . . "1986"^^ . . . . . . "PQ8259.R56 Y613 2000" . . "Moi, le Supr\u00EAme (titre original en espagnol : Yo El Supremo) est un roman de l'\u00E9crivain paraguayen Augusto Roa Bastos publi\u00E9 en 1974."@fr . . "Jag, den h\u00F6gste"@sv . "863/.64 21" . . . . . . "Print"@en . . . "Ich, der Allm\u00E4chtige"@de . . . . . . . . . . . . . . . . . . . "15565525"^^ . . "\u0623\u0646\u0627 \u0627\u0644\u0623\u0639\u0644\u0649"@ar . . . . . . . . "I the Supreme (orig. Spanish Yo el Supremo) is a historical novel written by exiled Paraguayan author Augusto Roa Bastos. It is a fictionalized account of the nineteenth-century Paraguayan dictator Jos\u00E9 Gaspar Rodr\u00EDguez de Francia, who was also known as \"Dr. Francia.\" The book's title derives from the fact that Francia referred to himself as \"El Supremo\" or \"the Supreme.\" The first in a long line of dictators, the Supreme was a severe, calculating despot. The central themes of the novel are power and language and the relation between the two. The Supreme believes himself to be above all power and history: \"I don't write history. I make it. I can remake it as I please, adjusting, stressing, enriching its meaning and truth.\" Yet this assertion is constantly challenged by the very fact that while he achieves power by means of writing and dictating, these very same methods can be used by others to dispute his authority. Not even his own identity, represented by the personal pronoun I, is safe and can easily be usurped as is demonstrated by the incident of the pasquinade. Language, as powerful as it is, can never be controlled and can just as easily be used as an instrument of coercion as an instrument of resistance. During the time the book was written, Paraguay was under the dictatorship of Alfredo Stroessner, who went on to rule the country even longer than Francia did. Many consider the book to be at least in part a thinly disguised attack on Stroessner who used methods similar to Francia's to achieve and maintain the effective control of the country, including the swift elimination of opposition, the employment of torture and intolerance of dissent. In its portrayal of Francia and criticism of Stroessner, I the Supreme belongs to the genre of novelas de dictadores or dictator novels, and also to the Latin American Boom, a literary movement of the 1960s and 1970s. The book was first published in Spanish in 1974, and in English (translation by Helen Lane) in 1986. Like many other works of the Latin American boom, the book never became an international best-seller. It was, however, highly regarded by critics with Gerald Martin claiming that it was, \"an exceptional cultural phenomenon.\" Martin goes on to suggest that it was \"more immediately and unanimously acclaimed than any novel since One Hundred Years of Solitude, [and its] strictly historical importance [may] be even greater than that of Garc\u00EDa M\u00E1rquez's fabulously successful creation.\" The book's handling of the themes of power and language was also praised. Still, the novel was not well received by Stroessner's government and Roa Bastos became \"one of the three citizens forbidden to return\" to Paraguay as a result."@en . "Yo el Supremo es una novela del escritor paraguayo Augusto Roa Bastos, publicada en 1974, cuando Roa todav\u00EDa viv\u00EDa exiliado en Buenos Aires. Se la considera una de las obras cumbre de la literatura en espa\u00F1ol. Destaca especialmente por su construcci\u00F3n literaria y el juego morfol\u00F3gico-sint\u00E1ctico que posee, adem\u00E1s de la utilizaci\u00F3n matizada de elementos hist\u00F3ricos y ficticios para el desarrollo de la narraci\u00F3n. El cr\u00EDtico Todd Garth ha argumentado que recibe influencias de la literatura argentina de la \u00E9poca, reproduciendo la est\u00E9tica y espacio metaf\u00EDsicos creados por Macedonio Fern\u00E1ndez y desarrollados por, entre otros, Jorge Luis Borges y Julio Cort\u00E1zar.\u200B La narraci\u00F3n se desenvuelve a trav\u00E9s de una sola voz protagonista. El resto de voces son visiones y puntos de vista hist\u00F3ricos del mismo autor. Por ello, cuando Roa habla de \u00ABYo el Supremo\u00BB, hace referencia a s\u00ED mismo en la perspectiva del dictador. Como \u00ABEl Supremo\u00BB, era conocido el abogado, revolucionario y dictador perpetuo de la Rep\u00FAblica de Paraguay, Jos\u00E9 Gaspar Rodr\u00EDguez de Francia, quien gobern\u00F3 primero en triunvirato en 1811, en consulado a partir de 1813, y como magistratura unipersonal desde 1816 hasta su fallecimiento, acaecido en 1840. La novela refleja los aspectos m\u00E1s negativos de su mandato. Es una obra demandante, pues en ella se subrayan la injusticia y la dureza del dictador. Yo el Supremo constituye una l\u00FAcida rese\u00F1a hist\u00F3rica de la vida pol\u00EDtica del dictador supremo paraguayo a lo largo de sus veintis\u00E9is a\u00F1os de mandato, en los que se fragu\u00F3 un mundo de injusticia, explotaci\u00F3n, racismo, penurias, persecuci\u00F3n y muerte; as\u00ED como un sentimiento popular escindido entre el deseo de rebeli\u00F3n y el estoicismo perseverante. La obra destaca por ofrecer una visi\u00F3n m\u00E1s realista de lo habitual en el g\u00E9nero de la \"novela de dictador\" latinoamericana. Retrata la figura de Rodr\u00EDguez de Francia sin demonizarla, con datos veros\u00EDmiles. Supone un claro ataque al autoritarismo, una denuncia de la represi\u00F3n que se vivi\u00F3 en el pa\u00EDs y una cr\u00EDtica al poder. Se relata la historia del doctor Francia desde el punto de vista de las v\u00EDctimas de su r\u00E9gimen, sirvi\u00E9ndose de las anotaciones recabadas en su Cuaderno privado. A lo largo de sus p\u00E1ginas aparece el mundo irreal en que vivi\u00F3 Jos\u00E9 Gaspar Rodr\u00EDguez de Francia, cuyo poder alej\u00F3 a la naciente rep\u00FAblica de las libertades y acab\u00F3 con la poblaci\u00F3n criolla y peninsular."@es . . . . . . . . . . . . . "Yo el Supremo"@es . 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"978"^^ . "43370395"^^ . . . . "Cover of first Spanish language edition showing sketch of head and shoulders of figure with face missing, with second head and shoulders figure behind looking through the hole where the face should be. Hills and trees in the background"@en . . . "I the Supreme (orig. Spanish Yo el Supremo) is a historical novel written by exiled Paraguayan author Augusto Roa Bastos. It is a fictionalized account of the nineteenth-century Paraguayan dictator Jos\u00E9 Gaspar Rodr\u00EDguez de Francia, who was also known as \"Dr. Francia.\" The book's title derives from the fact that Francia referred to himself as \"El Supremo\" or \"the Supreme.\" The first in a long line of dictators, the Supreme was a severe, calculating despot. The central themes of the novel are power and language and the relation between the two. The Supreme believes himself to be above all power and history: \"I don't write history. I make it. I can remake it as I please, adjusting, stressing, enriching its meaning and truth.\" Yet this assertion is constantly challenged by the very fact that w"@en . . . . . . . . . . . . . . . . "20"^^ .