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<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Igor Emmanuilowitsch Grabar (russisch \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C; * 25. M\u00E4rz 1871 in Budapest; \u2020 16. Mai 1960 in Moskau) war ein russisch-sowjetischer Maler, Kunsthistoriker und Museumswissenschaftler."@de .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Igor Emmanuilovich Grabar (Russisch: \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C), Boedapest, 25 maart 1871 \u2013 Moskou, 16 mei 1960) was een Russische postimpressionistische kunstschilder, uitgever, restaurateur en kunsthistoricus. Grabar, een telg van een rijke Roetheense familie, werd opgeleid als schilder door Ilja Repin in Sint-Petersburg en door Anton A\u017Eb\u00E9 in M\u00FCnchen. Hij was op het hoogtepunt van zijn artistieke kunnen tussen 1903-1907 en was bekend voor zijn bijzondere divisionistische schildertechniek aanleunend bij het pointillisme en voor zijn weergave van sneeuw."@nl .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Grabar\u2019 (ros. \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C) (ur. 25 marca 1871 w Budapeszcie, zm. 16 maja 1960 w Moskwie) \u2013 rosyjski malarz i historyk sztuki."@pl .
<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Igor Emmanuilovi\u010D Grabar (\u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C, 25. b\u0159ezna 1871 Budape\u0161\u0165 \u2013 16. kv\u011Btna 1960 Moskva) byl rusk\u00FD postimpresionistick\u00FD mal\u00ED\u0159, vydavatel, restaur\u00E1tor, politik a historik um\u011Bn\u00ED. Byl potomkem bohat\u00E9 rus\u00EDnsk\u00E9 rodiny a malbu studoval u Ilji Repina v Petrohradu a Antona A\u017Ebeho v Mnichov\u011B. Sv\u00E9ho mal\u00ED\u0159sk\u00E9ho vrcholu dos\u00E1hl v letech 1903\u20131907; jeho styl byl pozoruhodn\u00FD pro zvl\u00E1\u0161tn\u00ED divizionistickou techniku mal\u00ED\u0159stv\u00ED hrani\u010D\u00EDc\u00ED s pointilismem a sv\u00FDm ztv\u00E1rn\u011Bn\u00EDm sn\u011Bhu."@cs .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u0406\u0301\u0433\u043E\u0440 \u0415\u043C\u0430\u043D\u0443\u0457\u0301\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0301\u0440 (\u0440\u043E\u0441. \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C, 1871\u20131960) \u2014 \u0440\u0430\u0434\u044F\u043D\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A, \u0440\u0435\u0441\u0442\u0430\u0432\u0440\u0430\u0442\u043E\u0440, \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E\u0437\u043D\u0430\u0432\u0435\u0446\u044C, \u0456\u0441\u0442\u043E\u0440\u0438\u043A \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430, \u043C\u0443\u0437\u0435\u0439\u043D\u0438\u0439 \u0434\u0456\u044F\u0447, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043F\u0440\u043E\u0444\u0435\u0441\u043E\u0440 \u0440\u0443\u0441\u0438\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F, \u043A\u043B\u044E\u0447\u043E\u0432\u0430 \u0444\u0456\u0433\u0443\u0440\u0430 \u0434\u043E\u0432\u043E\u0454\u043D\u043D\u043E\u0433\u043E \u0440\u0430\u0434\u044F\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u0421\u0438\u043D \u0440\u0443\u0441\u043E\u0444\u0456\u043B\u043A\u0438 \u041E\u043B\u044C\u0433\u0438 \u0413\u0440\u0430\u0431\u0430\u0440. \u041F\u043E\u0447\u0438\u043D\u0430\u0432 \u044F\u043A \u0456\u043C\u043F\u0440\u0435\u0441\u0456\u043E\u043D\u0456\u0441\u0442, \u043F\u043E\u0442\u0456\u043C \u0441\u0442\u0430\u0432 \u043E\u0444\u0456\u0446\u0456\u0439\u043D\u0438\u043C \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A\u043E\u043C \u0441\u043E\u0446\u0456\u0430\u043B\u0456\u0441\u0442\u0438\u0447\u043D\u043E\u0433\u043E \u0440\u0435\u0430\u043B\u0456\u0437\u043C\u0443. \u0410\u043A\u0430\u0434\u0435\u043C\u0456\u043A \u0410\u041C \u0421\u0420\u0421\u0420 (1947), \u0430\u043A\u0430\u0434\u0435\u043C\u0456\u043A \u0410\u041D \u0421\u0420\u0421\u0420 (1943). \u041D\u0430\u0440\u043E\u0434\u043D\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0421\u0420\u0421\u0420 (1956). \u041B\u0430\u0443\u0440\u0435\u0430\u0442 \u0421\u0442\u0430\u043B\u0456\u043D\u0441\u044C\u043A\u043E\u0457 \u043F\u0440\u0435\u043C\u0456\u0457 \u043F\u0435\u0440\u0448\u043E\u0433\u043E \u0441\u0442\u0443\u043F\u0435\u043D\u044E (1941)."@uk .
<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Soviet_art> .
<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Igor Emmanuilovich Grabar (Russian: \u0418\u0301\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u0301\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0301\u0440\u044C, 25 March 1871 in Budapest \u2013 16 May 1960 in Moscow) was a Russian post-impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton A\u017Ebe in Munich. He reached his peak in painting in 1903\u20131907 and was notable for a peculiar divisionist painting technique bordering on pointillism and his rendition of snow."@en .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Emmanuilowitsch Grabar (russisch \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C; * 25. M\u00E4rz 1871 in Budapest; \u2020 16. Mai 1960 in Moskau) war ein russisch-sowjetischer Maler, Kunsthistoriker und Museumswissenschaftler."@de .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Emmanuilovi\u010D Grabar (\u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C, 25. b\u0159ezna 1871 Budape\u0161\u0165 \u2013 16. kv\u011Btna 1960 Moskva) byl rusk\u00FD postimpresionistick\u00FD mal\u00ED\u0159, vydavatel, restaur\u00E1tor, politik a historik um\u011Bn\u00ED. Byl potomkem bohat\u00E9 rus\u00EDnsk\u00E9 rodiny a malbu studoval u Ilji Repina v Petrohradu a Antona A\u017Ebeho v Mnichov\u011B. Sv\u00E9ho mal\u00ED\u0159sk\u00E9ho vrcholu dos\u00E1hl v letech 1903\u20131907; jeho styl byl pozoruhodn\u00FD pro zvl\u00E1\u0161tn\u00ED divizionistickou techniku mal\u00ED\u0159stv\u00ED hrani\u010D\u00EDc\u00ED s pointilismem a sv\u00FDm ztv\u00E1rn\u011Bn\u00EDm sn\u011Bhu. Koncem 90. let 19. stolet\u00ED se Grabar prosadil jako um\u011Bleck\u00FD kritik. V roce 1902 se p\u0159ipojil ke skupin\u011B kolem \u010Dasopisu Mir iskusstva, i kdy\u017E jeho vztahy s jej\u00EDmi v\u016Fdci Sergejem \u010Eagilevem a nebyly zdaleka p\u0159\u00E1telsk\u00E9. V letech 1910\u20131915 Grabar editoval a publikoval sv\u00E9 opus magnum, D\u011Bjiny rusk\u00E9ho um\u011Bn\u00ED. K pr\u00E1ci na n\u011Bm shrom\u00E1\u017Edil nejlep\u0161\u00ED um\u011Blce a kritiky t\u00E9 doby; Grabar s\u00E1m napsal hesla o architektu\u0159e, v nich\u017E ustavil neb\u00FDvale vysok\u00FD standard porozum\u011Bn\u00ED a prezentace p\u0159edm\u011Btu. Sou\u010Dasn\u011B napsal a publikoval s\u00E9rii knih o sou\u010Dasn\u00FDch a d\u0159\u00EDv\u011Bj\u0161\u00EDch rusk\u00FDch mal\u00ED\u0159\u00EDch. V roce 1913 byl jmenov\u00E1n v\u00FDkonn\u00FDm \u0159editelem Tre\u0165jakovsk\u00E9 galerie a zah\u00E1jil ambici\u00F3zn\u00ED reformn\u00ED program, kter\u00FD prov\u00E1d\u011Bl a\u017E do roku 1926. Sb\u00EDrku galerie roz\u0161\u00ED\u0159il o modern\u00ED um\u011Bn\u00ED a v roce 1917 vydal jej\u00ED prvn\u00ED ucelen\u00FD katalog. V roce 1921 se Grabar stal prvn\u00EDm profesorem restaurov\u00E1n\u00ED um\u011Bn\u00ED na Moskevsk\u00E9 st\u00E1tn\u00ED univerzit\u011B. Grabar byl tak\u00E9 zku\u0161en\u00FD a prot\u0159el\u00FD politik a z\u016Fstal a\u017E do sv\u00E9 smrti na vrcholu sov\u011Btsk\u00E9ho um\u011Bleck\u00E9ho sv\u011Bta, s v\u00FDjimkou kr\u00E1tk\u00E9ho dobrovoln\u00E9ho odchodu na penzi v letech 1933\u20131937. V letech 1918\u20131930 a 1944\u20131960 \u0159\u00EDdil um\u011Bleck\u00E9 restaur\u00E1torsk\u00E9 d\u00EDlny (dne\u0161n\u00ED ). Grabar se aktivn\u011B pod\u00EDlel na redistribuci c\u00EDrkevn\u00EDho um\u011Bn\u00ED zn\u00E1rodn\u011Bn\u00E9ho bol\u0161eviky a zalo\u017Eil nov\u00E1 muzea pro zabaven\u00E9 poklady. V roce 1943 formuloval sov\u011Btskou doktr\u00EDnu n\u00E1hrady ztr\u00E1t z druh\u00E9 sv\u011Btov\u00E9 v\u00E1lky um\u011Bn\u00EDm uko\u0159ist\u011Bn\u00FDm v N\u011Bmecku. Po v\u00E1lce osobn\u011B radil Josefu Stalinovi ohledn\u011B ochrany architektonick\u00E9ho d\u011Bdictv\u00ED."@cs .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Emmanuilovich Grabar (bahasa Rusia: \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C, 25 Maret 1871 \u2013 16 Mei 1960) adalah seorang pelukis, penerbit, pemulih, dan sejarawan seni pasca-impresionis asal Rusia. Grabar, keturunan dari keluarga kaya , dilatih sebagai pelukis oleh Ilya Repin di Saint Petersburg dan Anton A\u017Ebe di Munich. Dia mencapai puncaknya dalam melukis pada tahun 1903\u20131907 dan terkenal karena teknik melukis yang khas yang berbatasan dengan dan penampilannya tentang salju. Pada akhir 1890-an, Grabar telah memantapkan dirinya sebagai kritikus seni. Pada tahun 1902, ia bergabung dengan Mir Iskusstva, meskipun hubungannya dengan para pemimpinnya Sergei Diaghilev dan Mstislav Dobuzhinsky jauh dari kata bersahabat. Pada 1910\u20131915, Grabar mengedit dan menerbitkan miliknya, Sejarah Seni Rusia. \"Sejarah\" mempekerjakan seniman dan kritikus terbaik pada masa itu; Grabar secara pribadi menulis isu-isu pada arsitektur yang menetapkan standar pemahaman dan penyajian subjek yang tak tertandingi. Secara bersamaan, ia menulis dan menerbitkan serangkaian buku tentang pelukis Rusia kontemporer dan bersejarah. Pada tahun 1913, ia diangkat sebagai direktur eksekutif dan meluncurkan program reformasi ambisius yang berlanjut hingga tahun 1926. Grabar mendiversifikasi koleksi Tretyakov ke dalam seni modern dan pada tahun 1917 menerbitkan katalog komprehensif pertamanya. Pada tahun 1921 Grabar menjadi profesor pertama \"restorasi seni\" di Universitas Negeri Moskow. Sebagai politisi berpengalaman, Grabar tetap berada di puncak pendirian sampai kematiannya, tidak termasuk pensiun sukarela singkat pada tahun 1933\u20131937. Dia mengelola lokakarya restorasi seni (saat ini ) selama 1918\u20131930 dan dari 1944 hingga 1960. Grabar mengambil bagian aktif dalam redistribusi seni bekas gereja yang dinasionalisasi oleh Bolshevik dan mendirikan museum baru untuk harta yang disita. Pada tahun 1943, ia merumuskan doktrin Soviet tentang kompensasi kerugian Perang Dunia II dengan . Setelah perang, dia secara pribadi menasihati Joseph Stalin tentang pelestarian warisan arsitektur."@in .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Emmanuilovich Grabar (Russian: \u0418\u0301\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u0301\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0301\u0440\u044C, 25 March 1871 in Budapest \u2013 16 May 1960 in Moscow) was a Russian post-impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton A\u017Ebe in Munich. He reached his peak in painting in 1903\u20131907 and was notable for a peculiar divisionist painting technique bordering on pointillism and his rendition of snow. By the end of 1890s, Grabar had established himself as an art critic. In 1902, he joined Mir Iskusstva, although his relations with its leaders Sergei Diaghilev and Mstislav Dobuzhinsky were far from friendly. In 1910\u20131915, Grabar edited and published his opus magnum, the History of Russian Art. The History employed the finest artists and critics of the period; Grabar personally wrote the issues on architecture that set an unsurpassed standard of understanding and presenting the subject. Concurrently, he wrote and published a series of books on contemporary and historic Russian painters. In 1913, he was appointed executive director of the Tretyakov Gallery and launched an ambitious reform program that continued until 1926. Grabar diversified the Tretyakov collection into modern art and in 1917 published its first comprehensive catalogue. In 1921 Grabar became the first professor of Art restoration at the Moscow State University. An experienced politician, Grabar stayed at the top of the Soviet art establishment until his death, excluding a brief voluntary retirement in 1933\u20131937. He managed art-restoration workshops (present-day ) during 1918\u20131930 and from 1944 to 1960. Grabar took active part in redistribution of former church art nationalized by the Bolsheviks and established new museums for the confiscated treasures. In 1943, he formulated the Soviet doctrine of compensating World War II losses with art looted in Germany. After the war, he personally advised Joseph Stalin on the preservation of architectural heritage."@en .
<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Emmanuilovich Grabar (Russisch: \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C), Boedapest, 25 maart 1871 \u2013 Moskou, 16 mei 1960) was een Russische postimpressionistische kunstschilder, uitgever, restaurateur en kunsthistoricus. Grabar, een telg van een rijke Roetheense familie, werd opgeleid als schilder door Ilja Repin in Sint-Petersburg en door Anton A\u017Eb\u00E9 in M\u00FCnchen. Hij was op het hoogtepunt van zijn artistieke kunnen tussen 1903-1907 en was bekend voor zijn bijzondere divisionistische schildertechniek aanleunend bij het pointillisme en voor zijn weergave van sneeuw. Aan het einde van de jaren 1890 vestigde Grabar zich als kunstcriticus. In 1902 sloot hij aan bij de Mir Iskoesstva beweging, hoewel zijn relaties met de leiders, Sergej Djagilev en Mstislav Doboezjinski verre van vriendschappelijk waren. Tussen 1910 en 1915 editeerde en publiceerde hij zijn opus magnum, de Geschiedenis van de Russische Kunst. De beste kunstenaars en critici van die periode werkten mee aan het boek; Grabar schreef zelf de bijdragen over architectuur die zijn grote kennis van het onderwerp illustreren. Tezelfdertijd schreef en publiceerde hij een reeks boeken over hedendaagse en historische Russische schilders. In 1913 werd hij benoemd tot directeur van de Tretjakovgalerij in Moskou en lanceerde een ambitieus hervormingsprogramma dat tot 1926 verder liep. Grabar introduceerde moderne kunst in de Tretjakovcollectie en publiceerde in 1917 haar eerste uitgebreide catalogus. In 1921 werd Grabar de eerste hoogleraar restauratie aan de Staatsuniversiteit van Moskou. Als ervaren politicus bleef Grabar aan de top van de Sovjet kunstadministratie tot aan zijn dood, met uitzondering van een korte vrijwillige pauze tussen 1933 en 1937. Hij leidde de restauratieateliers (het huidige Grabar Instituut) van 1918-1930 en van 1944 tot 1960. Grabar nam actief deel aan de verdeling van de voormalige kerkelijke kunst genationaliseerd door de bolsjewieken en richtte nieuwe musea op voor de in beslag genomen kunstschatten. In 1943 stond hij aan de basis van de Sovjetdoctrine over het compenseren van de kosten van de Tweede Wereldoorlog met roofkunst geplunderd in Duitsland. Na de oorlog was hij persoonlijk adviseur van Joseph Stalin op het gebied van het behoud van het architectonisch erfgoed."@nl .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor Emmanou\u00EFlovitch Grabar (en russe : \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C) est un peintre, un historien d'art et un mus\u00E9ologue sovi\u00E9tique n\u00E9 le 13 mars 1871 (25 mars 1871 dans le calendrier gr\u00E9gorien) \u00E0 Budapest (Autriche-Hongrie) et mort le 16 mai 1960 \u00E0 Moscou (RSFSR)."@fr .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Igor Emmanuilovich Grabar (bahasa Rusia: \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C, 25 Maret 1871 \u2013 16 Mei 1960) adalah seorang pelukis, penerbit, pemulih, dan sejarawan seni pasca-impresionis asal Rusia. Grabar, keturunan dari keluarga kaya , dilatih sebagai pelukis oleh Ilya Repin di Saint Petersburg dan Anton A\u017Ebe di Munich. Dia mencapai puncaknya dalam melukis pada tahun 1903\u20131907 dan terkenal karena teknik melukis yang khas yang berbatasan dengan dan penampilannya tentang salju."@in .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"Igor' \u0116mmanuilovi\u010D Grabar' (in russo: \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C?; Budapest, 25 marzo 1871 \u2013 Mosca, 16 maggio 1960) \u00E8 stato un pittore, architetto e storico dell'arte russo di origine russina."@it .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Igor' \u0116mmanuilovi\u010D Grabar' (in russo: \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C?; Budapest, 25 marzo 1871 \u2013 Mosca, 16 maggio 1960) \u00E8 stato un pittore, architetto e storico dell'arte russo di origine russina."@it .
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<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<http://www.escholarship.org/editions/view%3FdocId=ft1g5004bj;brand=ucpress> .
<http://dbpedia.org/resource/Igor_Grabar>	<http://purl.org/dc/terms/subject>	<http://dbpedia.org/resource/Category:1960_deaths> .
<http://dbpedia.org/resource/Igor_Grabar>	<http://dbpedia.org/ontology/abstract>	"\u0406\u0301\u0433\u043E\u0440 \u0415\u043C\u0430\u043D\u0443\u0457\u0301\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0301\u0440 (\u0440\u043E\u0441. \u0418\u0433\u043E\u0440\u044C \u042D\u043C\u043C\u0430\u043D\u0443\u0438\u043B\u043E\u0432\u0438\u0447 \u0413\u0440\u0430\u0431\u0430\u0440\u044C, 1871\u20131960) \u2014 \u0440\u0430\u0434\u044F\u043D\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A, \u0440\u0435\u0441\u0442\u0430\u0432\u0440\u0430\u0442\u043E\u0440, \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E\u0437\u043D\u0430\u0432\u0435\u0446\u044C, \u0456\u0441\u0442\u043E\u0440\u0438\u043A \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430, \u043C\u0443\u0437\u0435\u0439\u043D\u0438\u0439 \u0434\u0456\u044F\u0447, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043F\u0440\u043E\u0444\u0435\u0441\u043E\u0440 \u0440\u0443\u0441\u0438\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F, \u043A\u043B\u044E\u0447\u043E\u0432\u0430 \u0444\u0456\u0433\u0443\u0440\u0430 \u0434\u043E\u0432\u043E\u0454\u043D\u043D\u043E\u0433\u043E \u0440\u0430\u0434\u044F\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u0421\u0438\u043D \u0440\u0443\u0441\u043E\u0444\u0456\u043B\u043A\u0438 \u041E\u043B\u044C\u0433\u0438 \u0413\u0440\u0430\u0431\u0430\u0440. \u041F\u043E\u0447\u0438\u043D\u0430\u0432 \u044F\u043A \u0456\u043C\u043F\u0440\u0435\u0441\u0456\u043E\u043D\u0456\u0441\u0442, \u043F\u043E\u0442\u0456\u043C \u0441\u0442\u0430\u0432 \u043E\u0444\u0456\u0446\u0456\u0439\u043D\u0438\u043C \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A\u043E\u043C \u0441\u043E\u0446\u0456\u0430\u043B\u0456\u0441\u0442\u0438\u0447\u043D\u043E\u0433\u043E \u0440\u0435\u0430\u043B\u0456\u0437\u043C\u0443. \u0410\u043A\u0430\u0434\u0435\u043C\u0456\u043A \u0410\u041C \u0421\u0420\u0421\u0420 (1947), \u0430\u043A\u0430\u0434\u0435\u043C\u0456\u043A \u0410\u041D \u0421\u0420\u0421\u0420 (1943). \u041D\u0430\u0440\u043E\u0434\u043D\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0421\u0420\u0421\u0420 (1956). \u041B\u0430\u0443\u0440\u0435\u0430\u0442 \u0421\u0442\u0430\u043B\u0456\u043D\u0441\u044C\u043A\u043E\u0457 \u043F\u0440\u0435\u043C\u0456\u0457 \u043F\u0435\u0440\u0448\u043E\u0433\u043E \u0441\u0442\u0443\u043F\u0435\u043D\u044E (1941). \u0427\u0438\u0441\u043B\u0435\u043D\u043D\u0456 \u043F\u0440\u0430\u0446\u0456, 5-\u0442\u043E\u043C\u043E\u0432\u0430 \u00AB\u0418\u0441\u0442\u043E\u0440\u0438\u044F \u0440\u0443\u0441\u0441\u043A\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430\u00BB (1909\u20141916) \u0437\u0430 \u0440\u0435\u0434\u0430\u043A\u0446\u0456\u0454\u044E \u0413\u0440\u0430\u0431\u0430\u0440\u0430 \u043C\u0430\u0454 \u0431\u0430\u0433\u0430\u0442\u043E \u0443\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u043C\u0430\u0442\u0435\u0440\u0456\u0430\u043B\u0443, \u0437\u043E\u043A\u0440\u0435\u043C\u0430 \u0440\u043E\u0437\u0434\u0456\u043B \u00AB\u0423\u043A\u0440\u0430\u0457\u043D\u0441\u044C\u043A\u0435 \u0431\u0430\u0440\u043E\u043A\u043E\u00BB (1912)."@uk .